Ghostbusters
Ghostbusters is a 1984 American supernatural comedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. It stars Bill Murray, Aykroyd, and Ramis as Peter Venkman, Ray Stantz, and Egon Spengler, three eccentric parapsychologists who start a ghost-catching business in New York City. It also stars Sigourney Weaver and Rick Moranis, and features Annie Potts, Ernie Hudson, and William Atherton in supporting roles.
Based on his fascination with spirituality, Aykroyd conceived Ghostbusters as a project starring himself and John Belushi, in which they would venture through time and space battling supernatural threats. Following Belushi's death in 1982, and with Aykroyd's concept deemed financially impractical, Ramis was hired to help rewrite the script to set it in New York City and make it more realistic. It was the first comedy film to employ expensive special effects, and Columbia Pictures, concerned about its relatively high $25–30 million budget, had little faith in its box office potential. Filming took place from October 1983 to January 1984, in New York City and Los Angeles. Due to competition for special effects studios among various films in development at the time, Richard Edlund used part of the budget to found Boss Film Studios, which employed a combination of practical effects, miniatures, and puppets to deliver the ghoulish visuals.
Ghostbusters was released on June 8, 1984, to critical acclaim and became a cultural phenomenon. It was praised for its blend of comedy, action, and horror, and Murray's performance was often singled out for praise. It earned at least $282 million worldwide during its initial theatrical run and was the second-highest-grossing film of 1984 in the United States and Canada, and the then-highest-grossing comedy ever. It was the number-one film in US theaters for seven consecutive weeks and one of only four films to gross more than $100 million that year. Further theatrical releases have increased the worldwide total gross to around $370 million, making it one of the most successful comedy films of the 1980s. In 2015, the Library of Congress selected it for preservation in the National Film Registry. Its theme song, "Ghostbusters" by Ray Parker Jr., was also a number-one hit.
With its effect on popular culture, and a dedicated fan following, the success of Ghostbusters launched a multi-billion dollar multimedia franchise. This included the popular animated television series The Real Ghostbusters, its follow-up Extreme Ghostbusters, video games, board games, comic books, clothing, music, and haunted attractions. Ghostbusters was followed in 1989 by Ghostbusters II, which fared less well financially and critically, and attempts to develop a second sequel paused in 2014 following Ramis's death. After a 2016 reboot received mixed reviews and underperformed financially, a second sequel to the 1984 film, Ghostbusters: Afterlife, was released, followed by Ghostbusters: Frozen Empire.
Plot
After Columbia University parapsychology professors Peter Venkman, Ray Stantz, and Egon Spengler experience their first encounter with a ghost at the New York Public Library, the university dean dismisses the credibility of their paranormal-focused research and fires them. The trio responds by establishing "Ghostbusters", a paranormal investigation and elimination service operating out of a disused firehouse. They develop high-tech nuclear-powered equipment to capture and contain ghosts, although business is initially slow.Following a paranormal encounter in her apartment, cellist Dana Barrett visits the Ghostbusters. She recounts witnessing a demonic dog-like creature in her refrigerator utter a single word: "Zuul". Ray and Egon research Zuul and details of Dana's building while Peter inspects her apartment and unsuccessfully attempts to seduce her. The Ghostbusters are hired to remove a gluttonous ghost from the Sedgewick Hotel. Having failed to properly test their equipment, Egon warns the group that crossing the energy streams of their proton pack weapons could cause a catastrophic explosion. They capture the ghost and deposit it in an ecto-containment unit under the firehouse. Supernatural activity rapidly increases across the city and the Ghostbusters become famous; they hire a fourth member, Winston Zeddemore, to cope with the growing demand.
Suspicious of the Ghostbusters, Environmental Protection Agency inspector Walter Peck asks to evaluate their equipment, but Peter rebuffs him. Egon warns that the containment unit is nearing capacity and supernatural energy is surging across the city. Peter meets with Dana and informs her that Zuul was a demigod worshipped as a servant to "Gozer the Gozerian", a shapeshifting god of destruction. Upon returning home, Dana is possessed by Zuul; a similar entity possesses her neighbor, Louis Tully. Peter arrives and finds the possessed Dana/Zuul claiming to be "the Gatekeeper". Louis is brought to Egon by police officers and claims that he is "Vinz Clortho, the Keymaster". The Ghostbusters agree that they must keep the pair separated.
The next morning, Peck returns with law enforcement and city workers to have the Ghostbusters arrested and their containment unit deactivated, causing an explosion that releases the captured ghosts. Louis/Vinz escapes in the confusion and makes his way to the apartment building to join Dana/Zuul. In jail, Ray and Egon reveal that Ivo Shandor, leader of a Gozer-worshipping cult in the early 20th century, designed Dana's building to function as an antenna to attract and concentrate spiritual energy to summon Gozer and bring about the apocalypse. Faced with supernatural chaos across the city, the Ghostbusters convince the mayor to release them.
The Ghostbusters travel to a hidden temple located on top of the building as Dana/Zuul and Louis/Vinz open the gate between dimensions and transform into demonic dogs. Gozer appears as a woman and attacks the Ghostbusters, then disappears when they attempt to retaliate, with its disembodied voice demanding the Ghostbusters "choose the form of the destructor". Ray inadvertently recalls a beloved corporate mascot from his childhood, and Gozer reappears as a gigantic Stay Puft Marshmallow Man that begins destroying the city. Against his earlier advice, Egon instructs the team to cross their proton energy streams at the dimensional gate. The resulting explosion destroys Gozer's avatar, banishing it back to its dimension, and closes the gateway. The Ghostbusters then rescue Dana and Louis from the wreckage and are welcomed on the street as heroes.
Cast
- Bill Murray as Peter Venkman
- Dan Aykroyd as Ray Stantz
- Sigourney Weaver as Dana Barrett
- Harold Ramis as Egon Spengler
- Rick Moranis as Louis Tully
- Annie Potts as Janine Melnitz
- William Atherton as Walter Peck
- Ernie Hudson as Winston Zeddemore
Roger Grimsby, Larry King, Joe Franklin, and Casey Kasem make cameo appearances as themselves; Kasem in a voice-only role. In addition, Kasem's wife, Jean, appears as the tall guest at Louis' party; along with Debbie Gibson in her film debut and porn star Ron Jeremy as a background extra in the finale crowd scene. Director Ivan Reitman provided the voice to Slimer and other miscellaneous ghost voices.
Production
Development
Ghostbusters was inspired by Dan Aykroyd's fascination with and belief in the paranormal, which he inherited from his father, who later wrote the book A History of Ghosts; his mother, who claimed to have seen ghosts; his grandfather, who experimented with radios to contact the dead; and his great-grandfather, a renowned spiritualist. In 1981, Aykroyd read an article on quantum physics and parapsychology in The Journal of the American Society for Psychical Research, which gave him the idea of trapping ghosts. He was also drawn to the idea of modernizing the comedic ghost films of the mid-20th century by comics such as Abbott and Costello, Bob Hope and the Bowery Boys.Aykroyd wrote the script, intending to star alongside Eddie Murphy and his close friend and fellow Saturday Night Live alumnus John Belushi, before Belushi's accidental death in March 1982. Aykroyd recalled writing one of Belushi's lines when producer and talent agent Bernie Brillstein called to inform him of Belushi's death. He turned to another former SNL castmate, Bill Murray, who agreed to join without an explicit agreement, which is how he often worked. Aykroyd pitched his concept to Brillstein as three men who chase ghosts and included a sketch of the Marshmallow Man character he had imagined. He likened the Ghostbusters to pest-control workers, saying that "calling a Ghostbuster was just like getting rats removed". Aykroyd believed Ivan Reitman was the logical choice to direct, based on his successes with films such as Animal House and Stripes. Reitman was aware of the film's outline while Belushi was still a prospective cast member; this version took place in the future with many groups of intergalactic ghostbusters, and felt it "would have cost something like $200million to make". Aykroyd's original 70- to 80-page script treatment was more serious in tone and intended to be scary.
Reitman met with Aykroyd at Art's Delicatessen in Studio City, Los Angeles, and explained that his concept would be impossible to make. He suggested that setting it entirely on Earth would make the extraordinary elements funnier, and that focusing on realism from the beginning would make the Marshmallow Man more believable by the end. He also wanted to portray the Ghostbusters' origins before starting their business: "This was beginning of the 1980s—everyone was going into business". After the meeting, they met Harold Ramis at Burbank Studios. Reitman had worked with Ramis on previous films and believed he could better execute the tone he intended for the script than Aykroyd. He also felt Ramis should play a Ghostbuster. After reading the script, Ramis joined the project immediately.
Although the script required considerable changes, Reitman pitched the film to Columbia Pictures executive Frank Price in March 1983. Price found the concept funny, but was unsure of the project, as comedies were seen to have limited profitability. He said the film would take a big budget due to its special effects and popular cast. Reitman reportedly said they could work with $25–30 million; varying figures have been cited. Price agreed, as long as the film could be released by June 1984. Reitman later admitted he made up the figure, basing it on three times the budget for Stripes, which seemed "reasonable". This left 13 months to complete the film, with no finished script, effects studio, or filming start date. Reitman hired his previous collaborators Joe Medjuck and Michael C. Gross as associate producers. Columbia's CEO Fay Vincent sent his lawyer Dick Gallop to Los Angeles to convince Price not to pursue the film, but Price disagreed. Gallop returned to the head office to report that Price was "out of control".
As the title "Ghostbusters" was legally restricted by the 1970s children's show The Ghost Busters, owned by Universal Studios, several alternative titles were considered, including "Ghoststoppers", "Ghostbreakers", and "Ghostsmashers". Price parted ways with Columbia early in Ghostbusters production and became head of Universal Pictures, at which point he sold Columbia the title for $500,000 plus 1% of the film's profits. Given Hollywood's accounting practices—used by studios to artificially inflate a film's production costs to limit royalty or tax payouts—the film technically never made a profit for Universal to be owed a payment.