Fright Night


Fright Night is a 1985 American supernatural horror film written and directed by Tom Holland, in his directorial debut. The film follows teenager Charley Brewster, who discovers that his next-door neighbor Jerry Dandrige is a vampire. When no one believes him, Charley decides to get Peter Vincent, a TV show host who acted in films as a vampire hunter, to stop Jerry's killing spree.
The film was released on August 2, 1985 by Columbia Pictures, and grossed $24.9 million at the box office. Since its release, it has received positive reviews from critics and become a cult classic, and spawned the media franchise of the same name. Fright Night was followed by a sequel, Fright Night Part 2, in 1988, and a remake of the same name in 2011.

Plot

Seventeen-year-old Charley Brewster is a fan of a late night horror television program called Fright Night, hosted by the fictional vampire hunter Peter Vincent. One evening, Charley discovers that his new next-door neighbor Jerry Dandrige is a vampire responsible for the disappearances of several victims. After telling his unconvinced mother, Charley asks his girlfriend, Amy Peterson, and his best friend, "Evil Ed" Thompson, for help before contacting the authorities. Detective Lennox goes with Charley to Jerry's house to question him, but his housemate Billy Cole informs them that Jerry is on a business trip. Charley discloses his suspicions about Jerry's vampirism, and Lennox furiously leaves. That night, Charley is shocked to see Jerry inside his house, having been invited in by Charley's mother. Later, Jerry breaks into Charley's room to offer him an ultimatum: ignore his vampiric activities, or else he'll murder him. Charley refuses, brandishing a crucifix at Jerry. When Jerry tries to push him out the window to his death, Charley stabs Jerry's hand with a pencil. Jerry destroys Charley's car in retaliation and threatens him over the telephone.
The next day, Charley turns to Peter Vincent for help, but Peter dismisses him as a crazed fan. Amy, fearing for Charley's sanity and safety, hires the destitute Peter to stage an elaborate scheme, in conjunction with Jerry, to prove he is not a vampire by having him drink what they claim is "holy water", but is merely tap water. After providing the water and seemingly proving Jerry's innocence the next night, however, Peter finds out about Jerry's true nature when glancing at his pocket mirror and noticing Jerry's lack of a reflection, causing him to accidentally drop the mirror. Peter then flees, but Jerry learns of his discovery after noticing a shard of mirrored glass on the floor.
Jerry hunts down Ed and turns him into a vampire. Ed then proceeds to visit Peter and attempts to attack him, only to be warded off when burned by a crucifix to the forehead. Meanwhile, Jerry chases Charley and Amy into a nightclub. While Charley unsuccessfully tries to call the police, Jerry hypnotizes and abducts Amy, who resembles Jerry's lost love, and bites her. With nowhere left to turn, Charley attempts to gain Peter's help once more. A frightened Peter initially refuses, but then reluctantly joins him. Entering Jerry's house, the pair attempt to repel Jerry using a crucifix, although only Charley succeeds, since he has faith in its spiritual power. Billy appears and knocks Charley over the banister, while Peter flees to Charley's house. There, he is surprised by Ed, who attacks him in wolf form, only to be pierced through the heart with a broken table leg held by Peter. After removing the stake from Ed's body, Peter goes to Charley's rescue.
Charley is locked in with Amy, who is slowly transforming into as a vampire. Peter frees him before she awakens, and Billy, revealed to be undead, confronts Charley and Peter. They destroy Billy, who melts into goo and sand. Peter is able to lure the overconfident Jerry in front of a window using a crucifix, which now works due to his renewed faith in its abilities. As the sun rises, Jerry transforms into a bat and attacks Peter and Charley before fleeing to his coffin in the basement. Charley and Peter pursue Jerry; the latter breaks open Jerry's coffin and tries to stake him through the heart while Charley fights off Amy, who has almost completed her transformation. By breaking the blacked-out windows in the basement, Peter and Charley expose Jerry to sunlight, destroying him and returning Amy to her human form.
A few nights later, Peter returns to his Fright Night TV series and announces a hiatus from vampires, presenting a film about alien invaders instead. Charley and Amy watch the program as they embrace in bed. Charley gets up to turn off the TV and glimpses glowing red eyes in Jerry's now-vacant house, but dismisses them. As Charley and Amy resume kissing in bed, the glowing eyes return before Ed laughs and utters, "Oh, you're so cool, Brewster!".

Cast

Nick Savage and Ernie Holmes portray the bouncers killed by Jerry. Playboy Playmate Heidi Sorenson also appears as a prostitute, one of Jerry's victims.

Production

Development

While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!" The story percolated in his mind for a year and finally one day while discussing it with John Byers, then the head of story department at Columbia Pictures, he finally figured out what the boy would do. "Of course, he's gonna go to Vincent Price!" In that era, many local TV stations in the United States had horror hosts, so Holland decided it would be natural for the boy to seek aid from his local host. "The minute I had Peter Vincent, I had the story. Charley Brewster was the engine, but Peter Vincent was the heart." Once he'd conceived that character, Holland knocked out the first draft of the script in three weeks. "And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics."
Holland wrote the film for himself to direct, in part because he was so disheartened by the film that was ultimately made from his previous screenplay, Scream for Help, and he had developed enough clout from the successes of his screenplays for Class of 1984, Psycho II, and Cloak & Dagger that the head of Columbia Pictures said, "Let's take a chance on the hot screenwriter kid", not figuring that Fright Night would be as successful as it ultimately became.

Casting

The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies. Guy McElwaine, then the head of Columbia Pictures, suggested Roddy McDowall for the part. McDowall had already starred in the Holland-penned film Class of 1984, so Holland was immediately receptive to the suggestion. "He understood the part", commented Holland, "and he also understood what he could do with it, and he really wanted it!" McDowall was particularly interested in the genesis of the character. "In the film, I perform as being in my late 20s or early 30s in the film clips of my old movies-all the way up to my 60s, when I'm the washed-up has-been", McDowall adding that the role interested him because, "I'd never played anything that old." Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Chris Sarandon's agent gave him a copy of the script and he replied, "there's no way I can do a horror movie," but he decided to give the script a once-over and was immediately captivated by it. "I thought this is one of the best scripts I've read in a long time", Sarandon said, "beautifully constructed, it was obvious that this was a labor of love, it was clear that the writer/director's approach to it was one of wanting to have fun with the genre without making fun of it, the characters were beautifully drawn." Sarandon was worried about being typecast as a villain, but the script resonated with him because the story was deeper than just an average monster movie. "Forgetting about vampirism, what this film is about on one level is an older man trying to take a younger man's girl away from him", commented Holland. Although he liked the screenplay, Sarandon was still leery of working with a first-time director, so he flew to Los Angeles to meet Tom Holland and producer Herb Jaffe. Holland and he had an immediate rapport, and Sarandon was awed that Holland had the film so completely mapped out that he "literally described the movie shot-by-shot all the way through – page-by-page, scene-by-scene. It was basically the way he shot it."
Jonathan Stark was not a fan of vampire films, but he also liked the script. The Billy Cole character was written as a hulking giant, so Stark padded himself with extra clothing when he went in to audition. At auditions, he read the scene in which he is being questioned by the detective, which was written to be played straight. "I'm thinking if I'm sitting there being evil", Stark commented, "the lieutenant's gonna get suspicious. Why not throw him off the trail by being funny?" Holland liked his take on the character, and Stark was told that he had the part – but because he came in to read at the start of the audition process, months passed before filming commenced and Stark worried that he had lost the role. The gap worked to his advantage, however, because it gave him time to hit the gym and bulk up so he would not have to wear padding in the film.
William Ragsdale had auditioned to portray Rocky Dennis in Mask, but he lost the role to Eric Stoltz. Casting director Jackie Burch remembered his audition though, and thought he would be right to portray Charley Brewster. Ragsdale auditioned several times and ultimately received the news that he had landed the part on Halloween night 1984, beating out several other future-stars like Charlie Sheen.
Due to a mix-up, Stephen Geoffreys had an awkward audition for Anthony Michael Hall's role in Weird Science, and he made an indelible impression on Jackie Burch, who suggested him for Fright Night. Although he was not a horror-movie fan, Geoffreys loved the script, so he called his agent and emphatically declared that he would love to audition for Charley Brewster. "No, Steve", his agent replied, "you're wanted for the part of Evil Ed." Geoffreys was simultaneously baffled and heartbroken. "What do they see in me that they think I should be this... well anyway, it worked out."
The most difficult role to cast was Amy Peterson. "There wasn't the perfect girl next door until Amanda Bearse walked in", Holland commented.