Television


Television is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers.
Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries.
The availability of various types of archival storage media such as Betamax and VHS tapes, LaserDiscs, high-capacity hard disk drives, CDs, DVDs, flash drives, high-definition HD DVDs and Blu-ray Discs, and cloud digital video recorders has enabled viewers to watch pre-recorded material—such as movies—at home on their own time schedule. For many reasons, especially the convenience of remote retrieval, the storage of television and video programming now also occurs on the cloud. At the beginning of the 2010s, digital television transmissions greatly increased in popularity. Another development was the move from standard-definition television to high-definition television, which provides a resolution that is substantially higher. HDTV may be transmitted in different formats: 1080p, 1080i and 720p. Since 2010, with the invention of smart television, Internet television has increased the availability of television programs and movies via the Internet through streaming video services such as Netflix, Amazon Prime Video, iPlayer and Hulu.
In 2013, 79% of the world's households owned a television set. The replacement of earlier cathode-ray tube screen displays with compact, energy-efficient, flat-panel alternative technologies such as LCDs, OLED displays, and plasma displays was a hardware revolution that began with computer monitors in the late 1990s. Most television sets sold in the 2000s were still CRT, and it was only in early 2010s that flat-screen TVs decisively overtook CRT. Major manufacturers announced the discontinuation of CRT, Digital Light Processing, plasma, and even fluorescent-backlit LCDs by the mid-2010s. LEDs are being gradually replaced by OLEDs. Also, major manufacturers have started increasingly producing smart TVs in the mid-2010s. Smart TVs with integrated Internet and Web 2.0 functions became the dominant form of television by the late 2010s.
Television signals were initially distributed only as terrestrial television using high-powered radio-frequency television transmitters to broadcast the signal to individual television receivers. Alternatively, television signals are distributed by coaxial cable or optical fiber, satellite systems, and, since the 2000s, via the Internet. Until the early 2000s, these were transmitted as analog signals, but a transition to digital television was expected to be completed worldwide by the late 2010s. A standard television set consists of multiple internal electronic circuits, including a tuner for receiving and decoding broadcast signals. A visual display device that lacks a tuner is correctly called a video monitor rather than a television.
The television broadcasts are mainly a simplex broadcast meaning that the transmitter cannot receive and the receiver cannot transmit.

Etymology

The word television comes. The first documented usage of the term dates back to 1900, when the Russian scientist Constantin Perskyi used it in a paper that he presented in French at the first International Congress of Electricity, which ran from 18 to 25 August 1900 during the International World Fair in Paris.
The anglicized version of the term is first attested in 1907, when it was still "...a theoretical system to transmit moving images over telegraph or telephone wires". It was "...formed in English or borrowed from French télévision." In the 19th century and early 20th century, other "...proposals for the name of a then-hypothetical technology for sending pictures over distance were telephote and televista."
The abbreviation TV is from 1948. The use of the term to mean "a television set" dates from 1941. The use of the term to mean "television as a medium" dates from 1927.
The term telly is more common in the UK. The slang term "the tube" derives from the bulky cathode-ray tube used on most TVs until the advent of flat-screen TVs. Another slang term for the TV is "idiot box."

History

Mechanical

systems for still photographs pioneered methods of mechanical scanning of images in the early 19th century. Alexander Bain introduced the facsimile machine between 1843 and 1846. Frederick Bakewell demonstrated a working laboratory version in 1851. Willoughby Smith discovered the photoconductivity of the element selenium in 1873. As a 23-year-old German university student, Paul Julius Gottlieb Nipkow proposed and patented the Nipkow disk in 1884 in Berlin. This was a spinning disk with a spiral pattern of holes, so each hole scanned a line of the image. Although he never built a working model of the system, variations of Nipkow's spinning-disk "image rasterizer" became exceedingly common. Constantin Perskyi had coined the word television in a paper read to the International Electricity Congress at the International World Fair in Paris on 24 August 1900. Perskyi's paper reviewed the existing electromechanical technologies, mentioning the work of Nipkow and others. However, it was not until 1907 that developments in amplification tube technology by Lee de Forest and Arthur Korn, among others, made the design practical.
The first demonstration of the live transmission of images was by Georges Rignoux and A. Fournier in Paris in 1909. A matrix of 64 selenium cells, individually wired to a mechanical commutator, served as an electronic retina. In the receiver, a type of Kerr cell modulated the light, and a series of differently angled mirrors attached to the edge of a rotating disc scanned the modulated beam onto the display screen. A separate circuit regulated synchronization. The 8x8 pixel resolution in this proof-of-concept demonstration was just sufficient to clearly transmit individual letters of the alphabet. An updated image was transmitted "several times" each second.
In 1911 Boris Rosing and his student Vladimir Zworykin created a system that used a mechanical mirror-drum scanner to transmit, in Zworykin's words, "very crude images" over wires to the "Braun tube" in the receiver. Moving images were not possible because, in the scanner: "the sensitivity was not enough and the selenium cell was very laggy".
In 1921 Édouard Belin sent the first image via radio waves with his belinograph.
By the 1920s, when amplification made television practical, Scottish inventor John Logie Baird employed the Nipkow disk in his prototype video systems. On 25 March 1925, Baird gave the first public demonstration of televised silhouette images in motion at Selfridges's department store in London. Since human faces had inadequate contrast to show up on his primitive system, he televised a ventriloquist's dummy named "Stooky Bill", whose painted face had higher contrast, talking and moving. By 26 January 1926, he had demonstrated before members of the Royal Institution the transmission of an image of a face in motion by radio. This is widely regarded as the world's first true public television demonstration, exhibiting light, shade, and detail. Baird's system used the Nipkow disk for both scanning the image and displaying it. A brightly illuminated subject was placed in front of a spinning Nipkow disk set with lenses that swept images across a static photocell. The thallium sulfide cell, developed by Theodore Case in the U.S., detected the light reflected from the subject and converted it into a proportional electrical signal. This was transmitted by AM radio waves to a receiver unit, where the video signal was applied to a neon light behind a second Nipkow disk rotating synchronized with the first. The brightness of the neon lamp was varied in proportion to the brightness of each spot on the image. As each hole in the disk passed by, one scan line of the image was reproduced. Baird's disk had 30 holes, producing an image with only 30 scan lines, just enough to recognize a human face. In 1927, Baird transmitted a signal over of telephone line between London and Glasgow. Baird's original 'televisor' now resides in the Science Museum, South Kensington.
In 1928 Baird's company broadcast the first transatlantic television signal between London and New York and the first shore-to-ship transmission. In 1929, he became involved in the first experimental mechanical television service in Germany. In November of the same year, Baird and Bernard Natan of Pathé established France's first television company, Télévision-Baird-Natan. In 1931, he made the first outdoor remote broadcast of The Derby. In 1932, he demonstrated ultra-short wave television. Baird's mechanical system reached a peak of 240 lines of resolution on BBC telecasts in 1936, though the mechanical system did not scan the televised scene directly. Instead, a 17.5 mm film was shot, rapidly developed, and then scanned while the film was still wet.
A US inventor, Charles Francis Jenkins, also pioneered the television. He published an article on "Motion Pictures by Wireless" in 1913, transmitted moving silhouette images for witnesses in December 1923, and on 13 June 1925, publicly demonstrated synchronized transmission of silhouette pictures. In 1925, Jenkins used the Nipkow disk and transmitted the silhouette image of a toy windmill in motion over a distance of 5 miles, from a naval radio station in Maryland to his laboratory in Washington, D.C., using a lensed disk scanner with a 48-line resolution. He was granted U.S. Patent No. 1,544,156 on 30 June 1925.
Herbert E. Ives and Frank Gray of Bell Telephone Laboratories gave a dramatic demonstration of mechanical television on 7 April 1927. Their reflected-light television system included both small and large viewing screens. The small receiver had a 2-inch-wide by 2.5-inch-high screen. The large receiver had a screen 24 inches wide by 30 inches high. Both sets could reproduce reasonably accurate, monochromatic, moving images. Along with the pictures, the sets received synchronized sound. The system transmitted images over two paths: first, a copper wire link from Washington to New York City, then a radio link from Whippany, New Jersey. Comparing the two transmission methods, viewers noted no difference in quality. Subjects of the telecast included Secretary of Commerce Herbert Hoover. A flying-spot scanner beam illuminated these subjects. The scanner that produced the beam had a 50-aperture disk. The disc revolved at a rate of 18 frames per second, capturing one frame about every 56 milliseconds. Television historian Albert Abramson underscored the significance of the Bell Labs demonstration: "It was, in fact, the best demonstration of a mechanical television system ever made to this time. It would be several years before any other system could even begin to compare with it in picture quality."
In 1928 WRGB, then W2XB, was started as the world's first television station. It broadcast from the General Electric facility in Schenectady, NY. It was popularly known as "WGY Television." Meanwhile, in the Soviet Union, Leon Theremin had been developing a mirror drum-based television, starting with 16 lines resolution in 1925, then 32 lines, and eventually 64 using interlacing in 1926. As part of his thesis, on 7 May 1926, he electrically transmitted and then projected near-simultaneous moving images on a screen.
By 1927 Theremin had achieved an image of 100 lines, a resolution that was not surpassed until May 1932 by RCA, with 120 lines.
On 25 December 1926 Kenjiro Takayanagi demonstrated a television system with a 40-line resolution that employed a Nipkow disk scanner and CRT display at Hamamatsu Industrial High School in Japan. This prototype is still on display at the Takayanagi Memorial Museum in Shizuoka University, Hamamatsu Campus. His research in creating a production model was halted by the SCAP after World War II.
Because only a limited number of holes could be made in the disks, and disks beyond a certain diameter became impractical, image resolution on mechanical television broadcasts was relatively low, ranging from about 30 lines up to 120 or so. Nevertheless, the image quality of 30-line transmissions steadily improved with technical advances, and by 1933 the UK broadcasts using the Baird system were remarkably clear. A few systems ranging into the 200-line region also went on the air. Two of these were the 180-line system that Compagnie des Compteurs installed in Paris in 1935 and the 180-line system that Peck Television Corp. started in 1935 at station VE9AK in Montreal. The advancement of all-electronic television marked the start of the end for mechanical systems as the dominant form of television. Mechanical television, despite its inferior image quality and generally smaller picture, would remain the primary television technology until the 1930s. The last mechanical telecasts ended in 1939 at stations run by a lot of public universities in the United States.