The Lion King


The Lion King is a 1994 American animated musical drama film directed by Roger Allers and Rob Minkoff, produced by Don Hahn, and written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. It was produced by Walt Disney Feature Animation, and features an ensemble voice cast consisting of Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Moira Kelly, Niketa Calame, Nathan Lane, Ernie Sabella, Whoopi Goldberg, Cheech Marin, Rowan Atkinson, and Robert Guillaume. The story follows a young lion prince named Simba, who is exiled from his kingdom after his father Mufasa is murdered by his uncle Scar to seize the throne. As he grows up, Simba must decide whether to return home to confront Scar and reclaim his place as king.
The Lion King was conceived during conversations among various Disney executives, to whom several writers submitted early treatments. Original director George Scribner had envisioned The Lion King as a nature documentary-style film, with Allers joining as co-director after having worked in the story departments of several successful animated Disney films. The Lion King plot draws inspiration from several sources, notably William Shakespeare's play Hamlet. Woolverton, screenwriter for Disney's Beauty and the Beast, drafted early versions of The Lion King's script, which Mecchi and Roberts were hired to revise once Woolverton left to prioritize other projects. Scribner departed due to disagreements over the studio's decision to reimagine the film as a musical, with original songs by Elton John and Tim Rice, and Minkoff was hired to replace him in April 1992. Throughout production, the creative team visited Kenya for research and inspiration.
Released in theaters on June 24, 1994 by Buena Vista Pictures Distribution through the Walt Disney Pictures banner, The Lion King was praised by critics for its music, story, themes, and animation. With an initial worldwide gross of $763 million, it completed its theatrical run as the highest-grossing film of 1994 and the second-highest-grossing film of all time, behind Jurassic Park. It held the title of highest-grossing animated film until it was replaced by Finding Nemo in 2003. The film remains the highest-grossing traditionally animated film of all time, as well as the best-selling film on home video, having sold over copies worldwide. However its initial gross remained the highest-grossing initial gross for a traditionally animated film until it was surpassed 31 years later by Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle in 2025. It won two Academy Awards, as well as the Golden Globe Award for Best Motion Picture – Musical or Comedy. It is considered by many to be among the greatest animated films ever made.
The success of the film launched a multibillion-dollar franchise comprising a Broadway adaptation, two direct-to-video follow-ups, two television series, and a photorealistic remake, which in 2019 also became the highest-grossing animated film at the time of its release. In 2016, The Lion King was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

In the Pride Lands, a pride of lions rules over the kingdom from Pride Rock. King Mufasa and Queen Sarabi's newborn son, Simba, is presented to the gathered animals by Rafiki, the mandrill who serves as the kingdom's shaman and advisor. Mufasa's younger brother, Scar, covets the throne and plots to eliminate Mufasa and Simba so that he may become king.
When Simba grows into a young cub, Mufasa shows him the Pride Lands and forbids him from exploring beyond its borders. Mufasa explains to Simba the responsibilities of kingship and the "circle of life," which connects all living things. Scar manipulates Simba into exploring an elephants' graveyard beyond the Pride Lands. There, Simba and his best friend, Nala, are chased by three spotted hyenas named Shenzi, Banzai, and Ed. Mufasa is alerted by his majordomo, the hornbill Zazu, and rescues the cubs. Though disappointed in Simba for disobeying him and endangering himself and Nala, Mufasa forgives him. He explains that the great kings of the past watch over them from the night sky, from which he will one day watch over Simba. Scar visits the hyenas and convinces them to help him kill Mufasa and Simba in exchange for hunting rights in the Pride Lands.
Scar lures Simba into a gorge and signals the hyenas to drive a large herd of wildebeest into a stampede to trample him. He then alerts Mufasa, who saves Simba and tries to escape the gorge; but Scar betrays him by throwing him into the stampede to his death. Scar then deceives Simba into believing that Mufasa's death was his fault and tells him to leave the kingdom and never return. He orders the hyenas to kill Simba, but Simba escapes. Unaware of Simba's survival, Scar tells the pride that the stampede killed both Mufasa and Simba, and steps forward as the new king, allowing the hyenas into the Pride Lands.
Simba collapses in a desert but is rescued by two outcasts, a meerkat and a warthog named Timon and Pumbaa. Simba grows up with his two new friends in their oasis, living a carefree life under their motto "hakuna matata". Years later, an adult Simba rescues Timon and Pumbaa from a hungry lioness, who is revealed to be Nala. Simba and Nala fall in love, and she urges him to return home, telling him that the Pride Lands have become drought-stricken under Scar's reign. Still feeling guilty over Mufasa's death, Simba refuses and leaves angrily. He encounters Rafiki, who tells Simba that Mufasa's spirit lives on in him. Simba is visited by the spirit of Mufasa in the night sky, who tells him that he must take his place as king. After Rafiki advises him to learn from the past instead of running from it, Simba decides to return to the Pride Lands.
Aided by his friends, Simba sneaks past the hyenas at Pride Rock and confronts Scar, who shames Simba over his supposed role in Mufasa's death. Scar then reveals to Simba that he killed Mufasa. Enraged, Simba retaliates and forces Scar to confess the truth to the pride. A battle ensues between Simba and his allies and the hyenas. Scar attempts to escape but is cornered by Simba at a ledge near the top of Pride Rock. Scar begs for mercy and attempts to deceive Simba by blaming his actions on the hyenas. Simba spares Scar's life but orders him to leave the Pride Lands forever. Scar refuses and attacks Simba. Following a brief battle, Simba throws Scar off the ledge. Scar survives the fall, but the hyenas, who overheard him betraying them, attack and maul him to death.
With Scar and the hyenas gone, Simba takes his place as king, and Nala becomes his queen. With the Pride Lands restored, Rafiki presents Simba and Nala's newborn cub to the assembled animals, thus continuing the circle of life.

Voice cast

  • Matthew Broderick as Simba, a young lion crown prince, the son of Mufasa and Sarabi, who grows up to become the king of the Pride Lands. Rock singer Joseph Williams provided Simba's singing voice.
  • * Jonathan Taylor Thomas voiced young Simba, while Jason Weaver provided the cub's singing voice and Evan Saucedo also provided the cub's singing voice in "The Morning Report", a newly animated song which was added to the 2003 DVD Special Edition of The Lion King.
  • Jeremy Irons as Scar, Mufasa's younger brother and rival, and Simba's uncle, who plots to seize the throne of the Pride Lands. Jim Cummings partially provided Scar's singing voice for the song "Be Prepared".
  • James Earl Jones as Mufasa, Simba's father, Scar's older brother, Sarabi's mate, and the king of the Pride Lands at the beginning of the film.
  • Moira Kelly as Nala, Simba's childhood best friend, who later becomes his mate and the queen of the Pride Lands. Sally Dworsky provided her singing voice.
  • * Niketa Calame provided the voice of young Nala while Laura Williams provided her singing voice.
  • Nathan Lane as Timon, a wise-cracking meerkat who becomes one of Simba's best friends.
  • Ernie Sabella as Pumbaa, a naïve warthog who is Timon's best friend. He also becomes one of Simba's best friends.
  • Robert Guillaume as Rafiki, an old mandrill who serves as the shaman of the Pride Lands and ceremonially presents the newborn cubs of the King and Queen to the gathered animals.
  • Rowan Atkinson as Zazu, an uptight hornbill who serves as the majordomo to the King of the Pride Lands. Jeff Bennett provided Zazu's singing voice in "The Morning Report", a newly animated song sequence which was added to the 2003 DVD Special Edition of The Lion King.
  • Madge Sinclair as Sarabi, Mufasa's mate, Simba's mother, and leader of the lioness hunting party, as well as the queen of the Pride Lands at the beginning of the film.
  • Whoopi Goldberg, Cheech Marin, and Jim Cummings as the three leaders of a clan of spotted hyenas, and allies of Scar who participate in his plot in the death of Mufasa.
  • * Goldberg voices Shenzi, the sassy and short-tempered female leader of the trio.
  • * Marin voices Banzai, an aggressive and hot-headed hyena prone to complaining and acting on impulse.
  • * Cummings voices Ed, a dimwitted hyena who does not talk, only communicating through laughter.
  • ** Cummings also voiced a mole that talks with Zazu.
  • Zoe Leader as Sarafina, Nala's mother, who is briefly shown talking to Simba's mother, Sarabi.

    Production

Development

The origin of the concept for The Lion King is widely disputed. According to Charlie Fink, he approached Jeffrey Katzenberg, Roy E. Disney, and Peter Schneider with a "Bambi in Africa" idea with lions. Katzenberg balked at the idea at first, but nevertheless encouraged Fink and his writers to develop a mythos to explain how lions serviced other animals by eating them. Another anecdote states that the idea was conceived during a conversation between Katzenberg, Roy E. Disney, and Schneider on a flight to Europe during a promotional tour. During the conversation, the topic of a story set in Africa came up, and Katzenberg immediately jumped at the idea. Katzenberg decided to add elements involving coming of age and death, and ideas from personal life experiences, such as some of his trials in his career in politics, saying about the film, "It is a little bit about myself."
On October 11, 1988, Thomas Disch had met with Fink and Roy E. Disney to discuss the idea, and within the next month, he had written a nine-paged treatment entitled King of the Kalahari. Throughout 1989, several Disney staff writers, including Jenny Tripp, Tim Disney, Valerie West and Miguel Tejada-Flores, had written treatments for the project. Tripp's treatment, dated on March 2, 1989, introduced the name "Simba" for the main character, who gets separated from his pride and is adopted by Kwashi, a baboon, and Mabu, a mongoose. He is later raised in a community of baboons. Simba battles an evil jackal named Ndogo, and reunites with his pride. Later that same year, Fink recruited his friend J. T. Allen, a writer, to develop new story treatments. Fink and Allen had earlier made several trips to a Los Angeles zoo to observe the animal behavior that was to be featured in the script. Allen completed his script, which was titled The Lion King, on January 19, 1990. However, Fink, Katzenberg, and Roy E. Disney felt Allen's script could benefit from a more experienced screenwriter, and turned to Ronald Bass, who had recently won an Academy Award for Best Original Screenplay for Rain Man. At the time, Bass was too preoccupied to rewrite the script himself, but agreed to supervise the revisions. The new script, credited to both Allen and Bass, was retitled King of the Beasts and completed on May 23, 1990.
Sometime later, Linda Woolverton, who was also writing Beauty and the Beast, spent a year writing several drafts of the script, which was titled King of the Beasts and then King of the Jungle. The original version of the film was vastly different from the final product. The plot centered on a battle between lions and baboons, with Scar being the leader of the baboons, Rafiki being a cheetah, and Timon and Pumbaa being Simba's childhood friends. Simba would not only leave the kingdom but become a "lazy, slovenly, horrible character" due to manipulations from Scar, so Simba could be overthrown after coming of age. By 1990, producer Thomas Schumacher, who had just completed The Rescuers Down Under, decided to attach himself to the project "because lions are cool". Schumacher likened the King of the Jungle script to "an animated National Geographic special".
George Scribner, who had directed Oliver & Company, was the initial director of the film, being later joined by Roger Allers, who was the lead story man on Beauty and the Beast. Allers worked with Scribner and Woolverton on the project, but temporarily left the project to help rewrite Aladdin. Eight months later, Allers returned to the project, and brought Brenda Chapman and Chris Sanders with him. In October 1991, several of the lead crew members, including Allers, Scribner, Chapman, Sanders, and Lisa Keene visited Hell's Gate National Park in Kenya, in order to study and gain an appreciation of the environment for the film. After six months of story development work, Scribner decided to leave the project upon clashing with Allers and the producers over their decision to turn the film into a musical, since Scribner's intention was of making a documentary-like film more focused on natural aspects. By April 1992, Rob Minkoff had replaced Scribner as the new co-director.
Don Hahn joined the production as the film's producer because Schumacher was promoted to Vice President of Development for Walt Disney Feature Animation. Hahn found the script unfocused and lacking a clear theme, and after establishing the main theme as "leaving childhood and facing up to the realities of the world", asked for a final retool. Allers, Minkoff, Chapman, and Hahn then rewrote the story across two weeks of meetings with directors Kirk Wise and Gary Trousdale, who had finished directing Beauty and the Beast. One of the definite ideas that stemmed from the meetings was to have Mufasa return as a ghost. Allers also changed the character Rafiki from a more serious court advisor into a wacky shaman. The title was also changed from King of the Jungle to The Lion King, as the setting was not the jungle but the savannah. It was also decided to make Mufasa and Scar brothers, as the writers felt it was much more interesting if the threat came from someone within the family.
Allers and Minkoff pitched the revised story to Katzenberg and Michael Eisner, to which Eisner felt the story "could be more Shakespearean"; he suggested modeling the story on King Lear. Maureen Donley, an associate producer, countered, stating that the story resembled Hamlet. Continuing on the idea, Allers recalled Katzenberg asking them to "put in as much Hamlet as you can". However, they felt it was too forced, and looked to other heroic archetypes such as the stories of Joseph and Moses from the Bible. Aside from Disney's prior anthology films and The Rescuers Down Under , The Lion King was Disney's second animated feature film to feature an original story conception after The Aristocats, although the final product was heavily modelled on Hamlet, Joseph and Moses. The story has also been compared to Shakespeare's lesser known plays Henry IV, Part 1 and Part 2.
By this point, Woolverton had left the production to work on the Broadway adaptation of Beauty and the Beast. To replace her, Allers and Minkoff met with numerous screenwriters, including Billy Bob Thornton and Joss Whedon, to discuss writing the new screenplay. During the summer of 1992, Irene Mecchi was hired as the new screenwriter, and months later, she was joined by Jonathan Roberts. Mecchi and Roberts took charge of the revision process, fixing unresolved emotional issues in the script and adding comedic situations for Pumbaa, Timon, and the hyenas.
Lyricist Tim Rice worked closely with the screenwriting team, flying to California at least once a month, as his songs for the film needed to work in the narrative continuity. Rice's lyrics—which were reworked up to the production's end—were pinned to the storyboards during development. Rewrites were frequent, with animator Andreas Deja saying that completed scenes would be delivered, only for the response to be that parts needed to be reanimated because of dialogue changes. Due to the rewrites, The Lion King missed its initial release window for Thanksgiving 1993, with The Nightmare Before Christmas assuming its release slot. Hahn stated the film was delayed to a summer 1994 release, "with much consternation, because people said you can't release animation in the summertime."