The Beatles' recording sessions


The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. The only outtakes and demos to be officially released were on The Beatles Anthology series and its tie-in singles and anniversary editions of their studio albums. Bits of some previously unreleased studio recordings were used in The Beatles: Rock Band video game as ambient noise and to give songs studio-sounding beginnings and endings. In 2013, Apple Records released the album The Beatles Bootleg Recordings 1963, which includes previously unreleased outtakes and demos from [|1963], to stop the recordings from falling into the public domain.
Except where noted, all of the following songs are written by Lennon–McCartney and all single and album releases are for the United Kingdom.

1958

Phillips' Sound Recording Services

In the spring or summer of 1958, The Quarrymen recorded two songs at Phillips' Sound Recording Services in their hometown of Liverpool. It was the group's first recording session, for which they paid 17s 6d. The recordings were pressed onto a mono 10-inch 78 rpm shellac disc*, then the sessions tapes were erased to be reused with new customers. Because of the low quality and age of the recordings, the songs are filled with a hiss but are still listenable. The record was not intended for release but for the Quarrymen's personal use.
  • To clear up a long-standing misconception, this disc is not a "shellac" disc as has been previously reported, but a recording lacquer A "lacquer" is an aluminum based disc with a thin coating of lacquer applied, that allows for sound grooves to be etched into it. See the Wikipedia article at Acetate disc. There's also an excellent website devoted to the Phillips' Recording Service at https://www.percyphillips.co.uk/
In 1981, Lowe sold the record to McCartney for an undisclosed amount. McCartney then had audio engineers attempt to improve the sound quality.
;Recordings
;Personnel
Musicians:
Production staff:

1960

The Quarrymen Demos

The Quarrymen recorded several low-quality, homemade, mono demo tapes. Those known to still exist are:
  • "I'll Always Be in Love with You"
  • "One After 909" with Mike McCartney
  • *Another demo of "One After 909" is known to exist.
  • "Some Days"
  • "Well, Darling"
  • "Wildcat"
  • John Lennon's spoken nonsense with radio
Although it is known that Lennon wrote "Winston's Walk" and that McCartney wrote "Ask Me Why" and "When I'm Sixty-Four" during this time, no demo tape of those compositions has ever turned up, but one is believed to exist.

Early Beatles Homemade Recordings

As they did when they were the Quarrymen, the Beatles recorded several low-quality, homemade, mono demo tapes. The tapes are the only known recordings featuring their former bass guitarist Stuart Sutcliffe. From the 16 known demos made in early 1960 at McCartney's house, only three have been released.
;Recordings
;Personnel

Akustik Studio Recordings

15 October 1960

In Hamburg, Germany, during the Beatles' first stint there, Lennon, McCartney and Harrison recorded a song as the backing group for Lu Walters, the bassist from Rory Storm and the Hurricanes. The Beatles' drummer, Pete Best, was not present, and Hurricanes drummer Ringo Starr played instead. It was the first time John, Paul, George and Ringo recorded music together. Sutcliffe was present at the session but did not play. The song was recorded in the small Akustik studio, in a similar arrangement to the Beatles' [|recordings at Phillips' Sound Recording Services]. The song, with a spoken advertisement as the B-side, was pressed onto nine mono 78 rpm acetate discs. After the song was recorded, Walters, Starr, Ty Brian and Johnny Byrne, all in the Hurricanes, recorded "Fever" and "September Song". None of the recordings were ever released. The session tapes were most likely erased, and none of the discs are known to have survived.
;Recordings
;Personnel
Musicians:

1961

1st Tony Sheridan Recordings

22–24 June 1961

In what is now the Friedrich-Ebert-Halle, in the Friedrich-Ebert-Gymnasium, during the Beatles' second stint in Hamburg, the group, under the name "the Beat Brothers", recorded several songs with English rock and roller Tony Sheridan for an album called My Bonnie, produced by Bert Kaempfert. After recording the songs with Sheridan, the Beatles recorded two songs by themselves. Sutcliffe attended the session but did not play. The session tapes have since been destroyed, but some of the songs have been issued on numerous singles, EPs and albums, both official and unofficial. Information on the recording dates is sketchy, and much of the official documentation was lost in a fire. Sheridan later made more recordings with different backing musicians, resulting in some debate over which songs the Beatles are on. They are generally believed to appear on seven surviving tracks. The various mixes of the recordings have appeared on many compilation albums and other releases. Atlantic Records added extra instruments to two songs for a release in 1964. To complete their contract, The Beatles made more recordings in Hamburg on [|24 May 1962].
;Recordings
  • "My Bonnie" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdown – released on as a single on 5 January 1962
  • **Edited and stereo mixed
  • ***Mono mixdown
  • ****Fake stereo mixed
  • **Edited and stereo mixed – released on Anthology 1
  • "My Bonnie" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdown – released on as a single on 23 October 1961
  • "The Saints" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdow – released as the B-side to "My Bonnie"
  • ***Fake stereo mixed
  • "Why (Can't You Love Me Again)" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdown
  • ***Fake stereo mixed
  • "Nobody's Child" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdown
  • ***Edited
  • ****Fake stereo mixed
  • "Take Out Some Insurance on Me, Baby" with Tony Sheridan
  • *Stereo mixed
  • **Mono mixdown
  • ***Edited, extra instruments added and mono mixed
  • ****Fake stereo mixed
  • "Ain't She Sweet"
  • *Stereo mixed
  • **Mono mixdown
  • ***Extra drums added and mono mixed – released on Anthology 1
  • ****Fake stereo mixed
  • "Cry for a Shadow"
  • *Stereo mixed – released on Anthology 1
  • **Mono mixdown
  • ***Fake stereo mixed
;Personnel
Musicians:
Production staff:

1962

Decca Audition

1 January 1962

On New Year's Day, the Beatles recorded an audition for Decca Records in London at around 11am. They likely performed only one take of each song with no overdubbing. The Beatles did not pass the audition, but their manager, Brian Epstein, kept the reel-to-reel tapes to present to other record producers. Epstein arranged for the recordings to be pressed onto monoacetate discs, one of which was later heard by Parlophone producer George Martin, who [|offered them an audition] which would turn out to be successful. The likely order of the songs was:
;Recordings
;Personnel
Musicians:
  • Pete Best – drums
  • George Harrison – vocals, lead guitar
  • John Lennon – vocals, rhythm guitar
  • Paul McCartney – vocals, bass guitar
Production staff:

2nd Tony Sheridan Recordings

24 May 1962

After their [|previous sessions] recording in Hamburg with Tony Sheridan for Bert Kaempfert, the Beatles returned for one final session to complete their contract. Only one song from this day has survived. The Beatles were accompanied by Roy Young, a pianist who had been playing with them at the Star-Club. Sheridan was not at the session, and he overdubbed his vocals on 7 June 1962 without the Beatles present. He re-recorded his vocals for "Sweet Georgia Brown" on 3 January 1964 to contain a reference to the Beatles' fame. Atlantic Records added extra instruments for a release in 1964.
;Recordings
  • "Sweet Georgia Brown"
  • *Vocal overdub by Sheridan
  • **Stereo mixed
  • ***Mono mixdown
  • *Vocal overdub by Sheridan
  • **Stereo mixed
  • ***Mono mixdown
  • ****Extra instruments added and mono mixed
  • *****Fake stereo mixed
  • "Swanee River" – lost
;Personnel
Musicians:
  • Pete Best – drums
  • George Harrison – backing vocals, guitar
  • John Lennon – backing vocals, rhythm guitar
  • Paul McCartney – backing vocals, bass guitar
  • Roy Young – piano
Production staff:
  • Bert Kaempfert – producer

EMI Artist Test

6 June 1962

After [|the Decca audition] recordings came to the attention of EMI managers through the efforts of the Beatles' manager Brian Epstein, a recording contract was executed between Epstein and EMI's Parlophone record label. EMI would record a minimum of six single "sides" and the agreement would start on 6 June 1962, expiring a year later, but renewable. After the contract was signed, Parlophone record producer George Martin gave the Beatles an audition at EMI Studios in London, to assess their musical quality and respective vocal talents. The audition, held on 6 June, also acted as their first EMI recording session. They likely performed in Studio 2, the studio in which they would record most of their music. Because none of the recordings was considered worthy of release, the session tapes were destroyed per standard protocol; however, at least two mono recordings have since been discovered. Most documentation from the session has also been destroyed; however, it is known that four songs were recorded in an unknown number of takes. Ken Townsend, who would become a regular at the Beatles' recording sessions, was on duty in the technical department that day. Martin was not satisfied with Best's drumming, so Epstein and the other Beatles soon dismissed him from the group. This session was Best's only recording session at EMI before he was replaced by Ringo Starr. A complete tape of this session surfaced after the death of sound engineer Geoff Emerick on 2 October 2018. Apparently Emerick took the tape home even though it was meant to have been destroyed. As of 2020 Emerick's family are involved in legal proceedings with Universal Music, current owners of the Beatles' back catalogue, as to who legally owns the tape.
;Recordings
6–8pm
  • "Bésame Mucho" – destroyed
  • *Mono mixed
  • **Edited – released on Anthology 1
  • "Love Me Do" – destroyed
  • *Mono mixed – released on Anthology 1
  • "P.S. I Love You" – destroyed
  • "Ask Me Why" – destroyed
;Personnel
Musicians:
  • Pete Best – drums
  • George Harrison – backing vocals, guitar
  • John Lennon – vocals, harmonica, rhythm guitar
  • Paul McCartney – vocals, bass guitar
Production staff:

"Love Me Do" single sessions

4 September 1962

90 days after [|their EMI audition], the Beatles returned to EMI Studios, with their new drummer, Ringo Starr, to record their debut single in Studio 2. Before the session, they rehearsed five songs, including "Please Please Me", in Studio 3 with Ron Richards, between 2.30 and 5.30pm. They began work on Mitch Murray's "How Do You Do It", which Martin had chosen for them, but they disliked the song and wanted to release an original composition. They recorded at least two takes of "How Do You Do It" and at least 15 takes of "Love Me Do", then the best take of each song was mono mixed and pressed onto an acetate disc for Martin and Epstein to listen to. The session tapes were later destroyed, as was common practice until 1963. This session's version of "Love Me Do" was released as the Beatles' first single; however, it was later replaced with a version recorded [|seven days later], and the original was destroyed. When the original was later released on compilations, it had to be sourced from an original mono 45 rpm single.
;Recordings
7–10pm
  • "How Do You Do It" – destroyed
  • *Mono mixed
  • **Edited – released on Anthology 1
  • "Love Me Do" – destroyed
  • *Mono mixed – released as a single on 5 October 1962; included on Past Masters and Mono Masters
;Personnel
Musicians:
  • George Harrison – acoustic and lead guitar, backing vocals
  • John Lennon – harmonica, rhythm guitar, vocals
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

11 September 1962

Concerned with Ringo's drumming, the producers hired session drummer Andy White for another attempt at recording the Beatles' first single. In Studio 2, they recorded three songs with White drumming, while Ringo was relegated to maracas and tambourine. The best takes of "Love Me Do" and "P.S. I Love You" were mono mixed. An unknown amount of takes of "Please Please Me" were also recorded but none was used. The session tapes were later destroyed, thus there are no true stereo versions of the songs, although at least one mono recording has been discovered. Although the previous session's version of "Love Me Do" was originally released as the single, following the release of the EP The Beatles' Hits, it was replaced with the version from this session, and the original was destroyed. "Love Me Do" and "P.S. I Love You" were mixed in "fake stereo" on [|25 February 1963] in the control room of Studio 1. Although they were originally released in fake stereo on the stereo version of Please Please Me, modern remastered stereo releases contain the two songs in mono, as fake stereo has fallen out of style.
;Recordings
10am – 1pm
  • "P.S. I Love You" – destroyed
  • "P.S. I Love You" – destroyed
  • *Mono mixed – released as the B-side to "Love Me Do"; included on Please Please Me
  • **Fake stereo mixed – released on Please Please Me
  • "Love Me Do" – destroyed
  • "Love Me Do" – destroyed
  • *Mono mixed – released on Please Please Me
  • **Fake stereo mixed – released on Please Please Me
  • "Please Please Me" – destroyed
  • *Mono mixed – released on Anthology 1
;Personnel
Musicians:
Production staff:
  • Ron Richards – producer
  • Norman Smith – engineer

"Please Please Me" single sessions

On [|26 November], over a month after the release of the first single, the Beatles returned to Studio 2 to record their second. After the successful recording of "Please Please Me", Martin spoke the now-famous line, "You've just made your first number one." In addition to the two sides of the single, they also performed an unknown number of takes of another original composition, "Tip of My Tongue", but Martin was unhappy with the arrangement. They never recorded it again and, instead, gave it to Tommy Quickly, another artist managed by Epstein. "Please Please Me" and "Ask Me Why" were mono mixed at an unknown time on [|30 November] in Studio 2. An edit and stereo mix of "Please Please Me" and a new mono and a stereo mix of "Ask Me Why" were made on [|25 February] 1963 in Studio 1, for inclusion on the mono and stereo versions of the Please Please Me album.

26 November 1962

;Recordings
7–10pm
  • "Please Please Me" – destroyed
  • *Mono mixed – released as a single on 11 January 1963; included on Please Please Me
  • *Edit of takes 16, 17 & 18
  • **Stereo mixed – released on Please Please Me
  • "Ask Me Why" – destroyed
  • "Ask Me Why" – destroyed
  • *Mono mixed – released as the B-side to "Please Please Me"
  • *Mono mixed – released on Please Please Me
  • *Stereo mixed – released on Please Please Me
  • "Tip of My Tongue" – destroyed
;Personnel
Musicians:
  • George Harrison – backing vocals, lead guitar
  • John Lennon – rhythm guitar, vocals, harmonica
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

30 November 1962

;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

1963

''Please Please Me'' album sessions

On [|11 February] in Studio 2, the Beatles recorded almost the entirety of their debut album, Please Please Me, between 10am and 10.45pm. They also recorded several takes of "Hold Me Tight". Although in 1963, the convention of destroying session tapes after the final mixes were made had mostly ceased, the session's takes of "Hold Me Tight" were destroyed, as the song was left unused until [|seven months later] when they re-recorded it for their next album. On [|20 February] in Studio 1, Martin recorded overdubs for "Misery" and "Baby It's You". The album was edited and mixed on 25 February in Studio 1. The song "Seventeen" was later retitled "I Saw Her Standing There".

11 February 1963

;Recordings
10am – 1pm
  • "There's a Place" – complete
  • "There's a Place" – complete
  • "There's a Place" – false start
  • "There's a Place" – complete
  • "There's a Place" – false start – released on The Beatles Bootleg Recordings 1963
  • "There's a Place" – complete – released on The Beatles Bootleg Recordings 1963
  • "There's a Place" – false start
  • "There's a Place" – complete – released on The Beatles Bootleg Recordings 1963
  • "There's a Place" – complete – released on The Beatles Bootleg Recordings 1963
  • "There's a Place" – complete
  • *Harmonica overdub – complete
  • *Harmonica overdub – false start
  • *Harmonica overdub – complete
  • **Mono mixed – released on Please Please Me
  • **Stereo mixed – released on Please Please Me
  • "Seventeen" – complete
  • *Handclaps overdub – false start
  • *Handclaps overdub – complete
  • **Edit of takes 9 and 12
  • ***Mono mixed – released on Please Please Me
  • ***Stereo mixed – released on Please Please Me
  • "Seventeen" – complete – released on The Beatles Bootleg Recordings 1963
  • "Seventeen" – edit piece
  • "Seventeen" – edit pieces
  • "Seventeen" – false starts
  • "Seventeen" – complete – released as a B-side to "Free as a Bird"
  • *Handclaps overdub – complete
  • *Edit of takes 9 and 12
2.30–6pm
  • "A Taste of Honey" – complete
  • "A Taste of Honey" – break-downs
  • "A Taste of Honey" – complete
  • "A Taste of Honey" – complete
  • *Lead vocal double tracking overdub – complete – released on The Beatles Bootleg Recordings 1963
  • *Lead vocal double tracking overdub – complete
  • **Mono mixed – released on Please Please Me
  • **Stereo mixed – released on Please Please Me
  • "Do You Want to Know a Secret" – false start
  • "Do You Want to Know a Secret" – complete
  • "Do You Want to Know a Secret" – false start
  • "Do You Want to Know a Secret" – complete
  • *Harmony vocal and drumsticks overdub – complete – released on The Beatles Bootleg Recordings 1963
  • *Harmony vocal and drumsticks overdub – complete
  • **Mono mixed – released on Please Please Me
  • **Stereo mixed – released on Please Please Me
  • "Misery" – complete – released on The Beatles Bootleg Recordings 1963
  • "Misery" – false starts
  • "Misery" – complete
  • "Misery" – complete – released on The Beatles Bootleg Recordings 1963
  • "Misery" – false starts
  • "Misery" – complete
  • *Piano overdub
  • *Piano overdub
  • **Mono mixed
  • **Stereo mixed
  • **Mono mixed – released on Please Please Me
  • **Stereo mixed – released on Please Please Me
7.30–10.45pm
  • "Hold Me Tight" – false start – destroyed
  • "Hold Me Tight" – complete – destroyed
  • "Hold Me Tight" – false start – destroyed
  • "Hold Me Tight" – break-down – destroyed
  • "Hold Me Tight" – complete – destroyed
  • "Hold Me Tight" – false starts – destroyed
  • "Hold Me Tight" – complete – destroyed
  • "Hold Me Tight" – edit piece – destroyed
  • "Hold Me Tight" – edit piece, false start – destroyed
  • "Hold Me Tight" – edit pieces – destroyed
  • "Anna (Go to Him)" – false starts
  • "Anna " – complete
  • *Mono mixed – released on Please Please Me
  • *Stereo mixed – released on Please Please Me
  • "Boys" – complete
  • *Mono mixed – released on Please Please Me
  • *Stereo mixed – released on Please Please Me
  • "Chains"
  • *Mono mixed – released on Please Please Me
  • *Stereo mixed – released on Please Please Me
  • "Chains" – false starts
  • "Chains" – complete
  • "Baby It's You" – complete
  • "Baby It's You" – false start
  • "Baby It's You" – complete
  • *Celesta overdub
  • *Celesta overdub
  • **Stereo mixed – released on Please Please Me
  • **Mono mixed – released on Please Please Me
  • *Piano overdub
  • "Twist and Shout" – complete
  • *Mono mixed – released on Please Please Me
  • *Stereo mixed – released on Please Please Me
  • "Twist and Shout" – complete
;Personnel
Musicians:
  • George Harrison – guitar, vocals, handclaps
  • John Lennon – guitar, vocals, harmonica, handclaps
  • Paul McCartney – bass guitar, vocals, handclaps
  • Ringo Starr – drums, handclaps, vocals
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

20 February 1963

10.30am – 1pm
;Personnel
Musicians:
  • George Martin – piano, celesta
Production staff:
  • George Martin – producer
  • Stuart Eltham – engineer
  • Geoff Emerick – second engineer

25 February 1963

10am – 1pm, 2.30–5.45pm
;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • A. B. Lincoln – second engineer

"From Me to You" single sessions

The Beatles recorded their third single on [|5 March] in Studio 2. They also wanted to record "What Goes On" and "The One After 909". In the end, only the latter was recorded, but the song remained unused until it was re-recorded during the Get Back / Let It Be sessions. "What Goes On" was [|later recorded] for Rubber Soul. On [|13 March] in Studio 2, Lennon recorded a harmonica overdub for "Thank You Little Girl", the single's B-side, and the song was edited and mixed. The A-side, "From Me to You", was edited and mixed on [|14 March] in Studio 2.

5 March 1963

;Recordings
2.30–5pm
  • "From Me to You" – released on The Beatles Bootleg Recordings 1963
  • "From Me to You"
  • "From Me to You" – released on The Beatles Bootleg Recordings 1963
  • "From Me to You"
  • "From Me to You" – edit pieces
  • *Edit
  • **Mono mixed – released as a single on 11 April 1963; included on Mono Masters
  • **Stereo mixed – released on Past Masters
  • "Thank You Little Girl" – released on The Beatles Bootleg Recordings 1963
  • "Thank You Little Girl"
  • "Thank You Little Girl" – released on The Beatles Bootleg Recordings 1963
  • "Thank You Little Girl"
  • "Thank You Little Girl" – edit pieces
  • *Edit of takes 6, 13, 17, 20, 21 and 23
7–10pm
  • "The One After 909" – released on The Beatles Bootleg Recordings 1963
  • "The One After 909"
  • "The One After 909" – edit piece
  • *Edit of takes 3, 4 and 5, mono mixed – released on Anthology 1 as "One After 909 "
  • *Edit of takes 4 and 5, mono mixed – released on Anthology 1 as "One After 909 "
;Personnel
Musicians:
  • George Harrison – harmony vocals, lead guitar
  • John Lennon – rhythm guitar, vocals, harmonica
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

13 March 1963

;Recordings
10am – 1pm
  • "Thank You Little Girl" – harmonica overdubs
  • *Edit of takes 6, 13, 17, 20, 21 and 23
  • **Mono mixed – released as the B-side to "From Me to You"; included on Mono Masters
  • **Stereo mixed – released on Past Masters
;Personnel
Musicians:
  • John Lennon – harmonica
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer

14 March 1963

10am – 1pm
;Personnel
Production staff:
  • George Martin – producer

"She Loves You" single sessions

The Beatles recorded their fourth single, "She Loves You", on [|1 July] in Studio 2. The B-side, "Get You in the End", was later retitled "I'll Get You". The number of takes recorded is unknown, as the documentation and session tapes were later destroyed or lost. The songs were edited and mono mixed on [|4 July] in Studio 2. No stereo mixes were ever made from the master recordings, and later stereo releases of the songs are in fake stereo or are combined with the recordings made on [|13 March 1964] for the German-language version.

1 July 1963

;Recordings
2.30–5.30, 7–10pm
  • "She Loves You" – destroyed
  • *Edited and mono mixed – released as a single on 23 August 1963; included on Past Masters and Mono Masters
  • "Get You in the End" – destroyed
  • *Mono mixed – released as the B-side to "She Loves You"; included on Past Masters and Mono Masters
;Personnel
Musicians:
  • George Harrison – backing vocals, lead guitar, handclaps
  • John Lennon – vocals, rhythm guitar, harmonica
  • Paul McCartney – vocals, bass guitar, handclaps
  • Ringo Starr – drums, handclaps
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer

4 July 1963

10am – 1pm
;Personnel
Production staff:
  • George Martin – producer

''With the Beatles'' and "I Want to Hold Your Hand" single sessions

18 July 1963

Studio 2
;Recordings
7.00–10.45pm
  • "You Really Got a Hold on Me"
  • "You Really Got a Hold on Me" – edit pieces
  • *Edit of takes 7, 10 & 11
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
  • "Money (That's What I Want)"
  • "Money " – released on The Beatles Bootleg Recordings 1963
  • *Edit of takes 6 & 7
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed
  • *Stereo mixed – released on With the Beatles
  • *"Money "
  • "Devil in Her Heart"
  • "Devil in Her Heart"
  • *Mono mixed – released on With the Beatles
  • *Stereo mixed – released on With the Beatles
  • "Till There Was You"
;Personnel
Musicians:
  • George Harrison – lead guitar
  • John Lennon – rhythm guitar, vocals
  • George Martin – piano
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – maraca, drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

30 July 1963

Studio 2
;Recordings
10.00am – 1.30pm
  • "Please Mister Postman"
  • "Please Mister Postman"
  • *Mono mixed – released on With the Beatles
  • *Stereo mixed – released on With the Beatles
  • "It Won't Be Long"
  • *"It Won't Be Long" – overdubs
5.00–11.00pm
  • "Money "
  • "Money " – edit pieces
  • "Till There Was You" – false starts
  • "Till There Was You" – complete
  • "Till There Was You" – complete
  • "Till There Was You" – complete
  • *Mono mixed – released on With the Beatles
  • *Stereo mixed – released on With the Beatles
  • "Roll Over Beethoven" – false start
  • "Roll Over Beethoven" – complete
  • "Roll Over Beethoven" – false start
  • "Roll Over Beethoven" – complete
  • "Roll Over Beethoven" – complete
  • *"Roll Over Beethoven" – overdub, false start
  • *"Roll Over Beethoven" – overdub, complete
  • "Roll Over Beethoven" – edit piece
  • *Edit of takes 7 & 8
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
  • "It Won't Be Long" – false starts
  • "It Won't Be Long" – complete
  • "It Won't Be Long" – false starts
  • "It Won't Be Long" – complete
  • "It Won't Be Long" – edit piece
  • "It Won't Be Long" – edit piece, false start
  • "It Won't Be Long" – edit pieces
  • *Edit of takes 17 & 21
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
  • "All My Loving" – complete
  • "All My Loving" – false starts
  • "All My Loving" – complete
  • "All My Loving" – complete
  • "All My Loving" – complete
  • "All My Loving" – false starts
  • "All My Loving" – complete
  • "All My Loving" – complete
  • *"All My Loving" – overdub, complete
  • *"All My Loving" – overdub, break-down
  • *"All My Loving" – overdub, complete
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
;Personnel
Musicians:
  • George Harrison – lead guitar, vocals
  • John Lennon – rhythm guitar, vocals
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – bongos, drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

21 August 1963

Studio 3
10.00am–1.00pm, 2.00–5.30pm
;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer

11 September 1963

Studio 2
;Recordings
2.30–6.00pm
7.00–10.15pm
  • "Not a Second Time"
  • "Not a Second Time"
  • *"Not a Second Time" – overdubs
  • *"Not a Second Time" – overdub
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
  • "Don't Bother Me"
;Personnel
Musicians:
  • George Harrison – lead guitar, vocals
  • John Lennon – rhythm guitar, vocals
  • George Martin – piano
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums, vocals
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

12 September 1963

Studio 2
;Recordings
2.30–6.30pm
  • "Messages to Australia"
  • "Hold Me Tight"
  • "Hold Me Tight" – released on The Beatles Bootleg Recordings 1963
  • "Hold Me Tight"
  • *Edit of takes 26 & 29
  • **Mono mixed
  • **Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
7.00–11.30pm
  • "Don't Bother Me"
  • "Don't Bother Me"
  • *Mono mixed – released on With the Beatles
  • *Stereo mixed – released on With the Beatles
  • "Don't Bother Me"
  • "Little Child"
  • "Little Child"
  • *"Little Child" – harmonic overdubs
  • *"Little Child" – piano overdubs
  • *"Little Child" – harmonic solo overdub
  • **Edit of takes 15 & 18
  • ***Mono mixed
  • ***Mono mixed – released on With the Beatles
  • "Little Child"
  • "I Wanna Be Your Man"
  • "I Wanna Be Your Man"
  • *"I Wanna Be Your Man" – Hammond organ overdubs
;Personnel
Musicians:
  • George Harrison – lead guitar, vocals
  • John Lennon – harmonica, rhythm guitar, tambourine, vocals
  • Paul McCartney – bass guitar, claves, piano, vocals
  • Ringo Starr – Arabian bongos, drums, vocals
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Richard Langham – second engineer

30 September 1963

Studio 2
10.00am – 1.15pm
;Personnel
Musicians:
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer

3 October 1963

Studio 2
;Recordings
7.00–10.00pm
  • "I Wanna Be Your Man"
  • "Little Child"
  • "Little Child"
  • *Stereo mixed – released on With the Beatles
;Personnel
Musicians:
  • Ringo Starr – maraca
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

17 October 1963

Studio 2
;Recordings
2.30–5.30, 7.00–10.00pm
  • "The Beatles' Christmas Record" – released on 6 December 1963
  • "You Really Got a Hold on Me"
  • "I Want to Hold Your Hand"
  • *"I Want to Hold Your Hand" – overdub
  • *"I Want to Hold Your Hand" – overdub
  • **Mono mixed – released as a single on 29 November 1963; included on Mono Masters
  • **Stereo remix 1
  • "This Boy"
  • "This Boy" – released as a B-side to "Free as a Bird"
  • "This Boy"
  • "This Boy"
  • *Mono remixes 1 & 2
  • **Edited – released as the B-side to "I Want to Hold Your Hand"; included on Mono Masters
  • "This Boy"
;Personnel
Musicians:
  • George Harrison – lead guitar, vocals
  • John Lennon – rhythm guitar, vocals
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer

21 October 1963

Studio 1
10.00am – 1.00pm
;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

23 October 1963

Studio 2
;Recordings
10.00am – 1.00pm
  • "I Wanna Be Your Man"
  • *Mono mixed – released on With the Beatles
  • **Stereo mixed – released on With the Beatles
;Personnel
Musicians:
  • George Harrison – lead guitar, vocals
  • John Lennon – rhythm guitar, vocals
  • Paul McCartney – bass guitar, vocals
  • Ringo Starr – drums
Production staff:
  • George Martin – producer
  • Norman Smith – engineer

29 October 1963

Studio 3
10.00am – 1.00pm
;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • Geoff Emerick – second engineer
  • B.T. – second engineer

30 October 1963

Studio 3
2.30–5.30pm
;Personnel
Production staff:
  • George Martin – producer
  • Norman Smith – engineer
  • A. B. Lincoln – second engineer

1964

''A Hard Day's Night'' album and ''Long Tall Sally'' EP sessions

24 January 1964

;Studio One, EMI Studios, London

29 January 1964

;Pathé Marconi Studios, Paris

25 February 1964

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"And I Love Her"
  • **take 2 – released on Anthology 1
  • *"I Should Have Known Better"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Richard Langham

26 February 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"You Can't Do That"
  • **Remix 3 – released as the B-side to "Can't Buy Me Love"; included on A Hard Day's Night
  • **Remixes 2 and 4, for the USA
  • *"Can't Buy Me Love" – released as a single; included on A Hard Day's Night
;Studio Two, EMI Studios, London
  • Recording
  • *"I Should Have Known Better"
;Studio Two, EMI Studios, London
  • Recording
  • *"And I Love Her"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Richard Langham

27 February 1964

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"If I Fell"
  • **take 11 – released on Anthology 4
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Richard Langham

1 March 1964

;Studio Two, EMI Studios, London

3 March 1964

;Studio One, EMI Studios, London
  • Mono mixing
  • *"I Should Have Known Better" – released on A Hard Day's Night
  • *"If I Fell" – released on A Hard Day's Night
  • *"Tell Me Why" – released on A Hard Day's Night
  • *"And I Love Her" – released on A Hard Day's Night
  • *"I'm Happy Just to Dance with You" – released on A Hard Day's Night
  • *"I Call Your Name" – planned to use in A Hard Day's Night (film); not included.
  • Personnel
  • *Production staff: George Martin, Norman Smith, A.B. Lincoln

4 March 1964

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"I Call Your Name" – released on Long Tall Sally
  • Personnel
  • *Production staff: George Martin, unknown

10 March 1964

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Can't Buy Me Love"
  • *"Long Tall Sally" – released on Long Tall Sally
  • *"I Call Your Name" – released on Long Tall Sally
  • *"You Can't Do That"
  • Mono mixing
  • *"Long Tall Sally" – released on Long Tall Sally
  • *"Komm, Gib Mir Deine Hand" – released as a German single; included on Mono Masters
  • *"Sie Liebt Dich" – released as the B-side to "Komm, Gib Mire Deine Hand"; included on Mono Masters
  • Personnel
  • *Production staff: George Martin, Norman Smith, unknown

12 March 1964

;Studio Three, EMI Studios, London
  • Stereo mixing
  • *"Komm, Gib Mir Deine Hand" – released on Something New ; included on Past Masters
  • *"Sie Liebt Dich" – released on Past Masters
  • Personnel
  • *Production staff: George Martin, Norman Smith

16 April 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"A Hard Day's Night"
  • **take 1 – released on Anthology 1
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Norman Smith, Geoff Emerick

20 April 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"A Hard Day's Night"
  • Stereo mixing
  • *"A Hard Day's Night"
  • Personnel
  • *Production staff: George Martin, Norman Smith, A.B. Lincoln

23 April 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"A Hard Day's Night" – released as a single; included on A Hard Day's Night
  • Personnel
  • *Production staff: George Martin, Norman Smith, David Lloyd

22 May 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"You Can't Do That"
  • Personnel
  • *Musicians: George Martin
  • *Production staff: George Martin, Norman Smith, A.B. Lincoln and B.T.

1 June 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"Matchbox"
  • **take 1 – released on Anthology 4
  • *"I'll Cry Instead"
  • *"I'll Cry Instead"
  • *"[Slow Down (Larry Luther Dixon|Williams song)|Slow Down]"
;Studio Two, EMI Studios, London
  • Recording
  • *"I'll Be Back"
  • **takes 2 and 3 – released on Anthology 1
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

2 June 1964

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"When I Get Home"
  • *"Any Time at All"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

3 June 1964

;Studio Two, EMI Studios, London

4 June 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Long Tall Sally" – released on Long Tall Sally; included on Mono Masters
  • *"Matchbox" – released on Long Tall Sally; included on Mono Masters
  • *"I Call Your Name"
  • Editing
  • *"I Call Your Name" – released on Long Tall Sally; included on Mono Masters
  • Recording
  • *"Slow Down"
  • Mono mixing
  • *"Slow Down" – released on Long Tall Sally; included on Mono Masters
  • *"When I Get Home"
  • *"Any Time at All"
  • *"I'll Cry Instead"
  • *"I'll Cry Instead"
  • Editing
  • *"I'll Cry Instead" – released on A Hard Day's Night
  • Personnel
  • *Musicians: George Martin
  • *Production staff: George Martin, Norman Smith, Richard Langham

9 June 1964

;Studio Three, EMI Studios, London
  • Mono tape copying
  • *"I Should Have Know Better"
  • *"If I Fell"
  • *"Tell Me Why"
  • *"And I Love Her"
  • *"I'm Happy Just to Dance with You"
  • *"I'll Cry Instead"
  • *"Can't Buy Me Love"
  • *"A Hard Day's Night"
  • Mono mixing
  • *"A Hard Day's Night" – extended ending remix used in A Hard Day's Night
  • *"Things We Said Today" – released as the B-side to "A Hard Day's Night"; included on A Hard Day's Night
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ken Scott

10 June 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I'll Be Back"
  • Personnel
  • *Production staff: George Martin, Norman Smith, Richard Langham

22 June 1964

;Studio One, EMI Studios, London
  • Mono mixing
  • *"Any Time at All" – released on A Hard Day's Night
  • *"Any Time at All" – released on Something New
  • *"When I Get Home" – released on A Hard Day's Night
  • *"When I Get Home" – released on Something New
  • *"I'll Be Back" – released on A Hard Day's Night
  • *"I'll Be Back" – released on Beatles '65
  • *"And I Love Her" – released on A Hard Day's Night
;Studio One, EMI Studios, London
  • Stereo mixing
  • *"And I Love Her" – released on A Hard Day's Night
  • *"When I Get Home" – released on A Hard Day's Night
  • *"Any Time at All" – released on A Hard Day's Night
  • *"I'll Be Back" – released on A Hard Day's Night
  • *"If I Fell" – released on A Hard Day's Night
  • *"A Hard Day's Night" – released on A Hard Day's Night
  • *"I Should Have Known Better" – released on A Hard Day's Night
  • *"I'm Happy Just to Dance with You" – released on A Hard Day's Night
  • *"I Call Your Name"
  • Editing
  • *"I Call Your Name" – released on Past Masters
;Studio One, EMI Studios, London
  • Stereo mixing
  • *"Can't Buy Me Love" – released on A Hard Day's Night
  • *"You Can't Do That" – released on A Hard Day's Night
  • *"Tell Me Why" – released on A Hard Day's Night
  • *"Things We Said Today" – released on A Hard Day's Night
  • *"Matchbox" – released on Past Masters
  • *"Slow Down" – released on Past Masters
  • *"Long Tall Sally" – released on Past Masters
  • *"I'll Cry Instead"
  • *"I'll Cry Instead"
  • Editing
  • *"I'll Cry Instead" – released on A Hard Day's Night
;Studio Two, EMI Studios, London
  • Tape copying
  • *"Slow Down"
  • *"Matchbox"
  • *"Things We Said Today"
  • Personnel
  • *Production staff: George Martin, Norman Smith, Geoff Emerick

''Beatles for Sale'' and "I Feel Fine" single sessions

11 August 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"Baby's in Black"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ron Pender

14 August 1964

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I'm a Loser"
  • *"Baby's in Black"
;Studio Two, EMI Studios, London
  • Recording
  • *"Leave My Kitten Alone"
  • **Stereo remix of take 5 – released on Anthology 1
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ron Pender

29 September 1964

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"I Don't Want to Spoil the Party"
  • *"What You're Doing"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Mike Stone

30 September 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"Every Little Thing"
  • **takes 6 and 7 – released on Anthology 4
;Studio Two, EMI Studios, London
  • *"What You're Doing"
  • *"No Reply"
  • **Stereo remix of take 2 – released on Anthology 1
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Mike Stone

6 October 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"Eight Days a Week"
  • **Edit of takes 1, 2 and 4 – released on Anthology 1 as "Eight Days a Week "
  • **Stereo remix of take 5 – released on Anthology 1 as "Eight Days a Week "
;Studio Two, EMI Studios, London
  • Recording
  • *"Eight Days a Week"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Mike Stone

8 October 1964

;Studio Two, EMI Studios, London
  • Recording
  • *"She's a Woman"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Mike Stone

12 October 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"She's a Woman" – released as the B-side to "I Feel Fine"; included on Mono Masters
  • Stereo mixing
  • *"She's a Woman" – released on Past Masters
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Eight Days a Week"
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ken Scott

16 October 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"No Reply" – remix 1 or 2 released on Beatles for Sale
  • Personnel
  • *Production staff: George Martin, Norman Smith, A.B. Lincoln

18 October 1964

;Studio Two, EMI Studios, London

21 October 1964

;Room 65, Abbey Road, London
  • Mono mixing
  • *"I Feel Fine" – remix 3 released as a single; included on Mono Masters
  • **Remix 4 – released as a USA single
  • *"I'll Follow the Sun" – released on Beatles for Sale
  • *"She's a Woman" – released as the B-side to the USA single "I Feel Fine"
  • *"Everybody's Trying to Be My Baby" – released on Beatles for Sale
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ron Pender

22 October 1964

;Studio One, EMI Studios, London
  • Mono mixing
  • *"I Feel Fine"
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ron Pender

26 October 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I Don't Want to Spoil the Party" – released on Beatles for Sale
  • *"Rock and Roll Music" – released on Beatles for Sale
  • *"Words of Love" – released on Beatles for Sale
  • *"Baby's in Black" – released on Beatles for Sale
  • *"I'm a Loser" – released on Beatles for Sale
  • *"Kansas City/Hey-Hey-Hey-Hey!" – released on Beatles for Sale
;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Kansas City/Hey-Hey-Hey-Hey!" – released on Beatles for Sale
;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"What You're Doing"
  • *"Another Beatles Christmas Record"
  • Editing
  • *"Another Beatles Christmas Record"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Tony Clark and A.B. Lincoln

27 October 1964

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"What You're Doing" – released on Beatles for Sale
  • *"Honey Don't" – released on Beatles for Sale
  • *"Mr. Moonlight"
  • *"Every Little Thing" – released on Beatles for Sale
  • *"Eight Days a Week"
  • Editing
  • *"Mr. Moonlight" – released on Beatles for Sale
  • *"Eight Days a Week" – released on Beatles for Sale
;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Eight Days a Week"
  • *"Every Little Thing" – released on Beatles for Sale
  • *"What You're Doing" – released on Beatles for Sale
  • *"Honey Don't" – released on Beatles for Sale
  • Editing
  • *"Eight Days a Week" – released on Beatles for Sale
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ken Scott

4 November 1964

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"I'll Follow the Sun" – released on Beatles for Sale
  • *"Everybody's Trying to Be My Baby" – released on Beatles for Sale
  • *"Rock and Roll Music" – released on Beatles for Sale
  • *"Words of Love" – released on Beatles for Sale
  • *"Mr. Moonlight"
  • *"I Don't Want to Spoil the Party" – released on Beatles for Sale
  • *"I'm a Loser" – released on Beatles for Sale
  • *"Baby's in Black" – released on Beatles for Sale
  • *"No Reply" – released on Beatles for Sale
  • *"I Feel Fine" – released on A Collection of Beatles Oldies ; included on Past Masters
  • Editing
  • *"Mr. Moonlight" – released on Beatles for Sale
  • Personnel
  • *Production staff: George Martin, Norman Smith, Mike Stone

1965

''Help!'' album sessions

15 February 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London

16 February 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"I Need You"
  • *"Another Girl"
;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Yes It Is"
  • **Edit of takes 2 and 14 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Jerry Boys

17 February 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"You Like Me Too Much"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Norman Smith, Ken Scott

18 February 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Ticket to Ride" – released as a single; included on Help!
  • *"Another Girl" – released on Help!
  • *"I Need You" – released on Help!
  • *"Yes It Is" – released as the B-side to "Ticket to Ride"; included on Mono Masters
;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"The Night Before" – released on Help!
  • *"You Like Me Too Much" – released on Help!
;Studio Two, EMI Studios, London
  • Recording
  • *"If You've Got Trouble"
  • **Stereo mix of take 1 – released on Anthology 2
  • *"Tell Me What You See"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, Johnnie Scott
  • *Production staff: George Martin, Norman Smith, Ken Scott

19 February 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"You're Going to Lose That Girl"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

20 February 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"If You've Got Trouble"
  • *"Tell Me What You See" – released on Help!
  • *"You're Going to Lose That Girl" – released on Help!
;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"That Means a Lot"
  • *"You've Got to Hide Your Love Away" – released on Help!
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

23 February 1965

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Yes It Is" – released on Past Masters
  • *"You've Got to Hide Your Love Away" – released on Help!
  • *"If You've Got Trouble"
  • *"Tell Me What You See" – released on Help!
  • *"I Need You" – released on Help!
  • *"Another Girl" – released on Help!
  • *"Ticket to Ride" – released on Help!
  • *"You Like Me Too Much" – released on Help!
  • *"The Night Before" – released on Help!
  • *"You're Going to Lose That Girl"
  • *"That Means a Lot"
  • *"You're Going to Lose That Girl" – released on Help!
  • Personnel
  • *Production staff: Norman Smith, Malcolm Davies

15 March 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Ticket to Ride" – used in Help! (film)
  • Personnel
  • *Production staff: Norman Smith, unknown

30 March 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"That Means a Lot"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ron Pender and Vic Gann

2 April 1965

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"You're Going to Lose That Girl"
  • Personnel
  • *Production staff: George Martin, Norman Smith, unknown

13 April 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"Help!"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

18 April 1965

;Room 65, Abbey Road, London
  • Mono mixing
  • *"Help!" – remix 3 used in Help!
  • Stereo mixing
  • *"Help!" – unused remix
  • *"The Night Before" – unused remix
  • Personnel
  • *Production staff: George Martin, Norman Smith, Phil McDonald

10 May 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Dizzy Miss Lizzy" – released on Help!
  • *"Bad Boy" – released on A Collection of Beatles Oldies ; included on Mono Masters
  • Stereo mixing
  • *"Dizzy Miss Lizzy" – released on Help!
  • *"Bad Boy" – released on A Collection of Beatles Oldies ; included on Past Masters
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

8 June 1965

;Studio One, EMI Studios, London

14 June 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Yesterday"
  • **take 1 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Phil McDonald

15 June 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"It's Only Love"
  • **Edit of takes 2 and 3 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Phil McDonald

17 June 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Wait"
  • *"Yesterday"
  • Mono mixing
  • *"Yesterday" – remix 2 released on Help!
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, Tony Gilbert and Sidney Sax, Francisco Gabarró, Kenneth Essex
  • *Production staff: George Martin, Norman Smith, Phil McDonald

18 June 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I've Just Seen a Face" – released on Help!
  • *"I'm Down" – released as the B-side to "Help!"; included on Mono Masters
  • *"It's Only Love" – released on Help!
  • *"Act Naturally" – released on Help!
  • *"Wait"
  • *"Help!" – released as a single; included on Help!
;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"I've Just Seen a Face" – released on Help!
  • *"I'm Down" – released on Past Masters
  • *"Yesterday" – released on Help!
  • *"It's Only Love" – released on Help!
  • *"Act Naturally" – released on Help!
  • *"Help!" – released on Help!
  • Personnel
  • *Production staff: George Martin, Norman Smith, Phil McDonald

''Rubber Soul'' and "Day Tripper"/"We Can Work It Out" sessions

12 October 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"This Bird Has Flown" – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott and Phil McDonald

13 October 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"Drive My Car"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

16 October 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Day Tripper"
  • *"If I Needed Someone"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

18 October 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"If I Needed Someone"
  • *"In My Life"
  • **take 1 - released on Anthology 4
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

20 October 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"We Can Work It Out"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

21 October 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"Norwegian Wood "
;Studio Two, EMI Studios, London
  • Recording
  • *"Nowhere Man"
  • **take 2 - released on Anthology 4
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

22 October 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"In My Life"
;Studio Two, EMI Studios, London
  • Recording
  • *"Nowhere Man"
;Studio Two, EMI Studios, London
  • Recording
  • *"Nowhere Man"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Stuart Eltham and Norman Smith, Mike Stone and Ken Scott

24 October 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"I'm Looking Through You" – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

25 October 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Drive My Car" – released on Rubber Soul
  • *"In My Life" – released on Rubber Soul
  • *"If I Needed Someone" – released on Rubber Soul
  • *"Day Tripper"
  • *"Norwegian Wood " – released on Rubber Soul
  • *"Nowhere Man" – released on Rubber Soul
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ken Scott

26 October 1965

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Drive My Car" – released on Rubber Soul
  • *"Day Tripper" – released on Yesterday and Today
  • *"In My Life" – released on Rubber Soul
  • *"If I Needed Someone" – released on Rubber Soul
  • *"Norwegian Wood " – released on Rubber Soul
  • *"Nowhere Man" – released on Rubber Soul
  • Personnel
  • *Production staff: George Martin, Norman Smith, Ron Pender

28 October 1965

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"We Can Work It Out"
  • Personnel
  • *Production staff: George Martin, Norman Smith, Jerry Boys

29 October 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"We Can Work It Out"
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"We Can Work It Out" – remix 2 released as a double A-sided single with "Day Tripper"; included on Mono Masters
  • *"Day Tripper" – remix 2 released as a double A-sided single with "We Can Work It Out"; included on Mono Masters
  • Personnel
  • *Musicians: John Lennon, Paul McCartney
  • *Production staff: George Martin, Norman Smith, Ken Scott

3 November 1965

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Michelle"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

4 November 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"What Goes On"
  • *"12-Bar Original"
  • **edit of take 2 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Norman Smith, Ken Scott and Graham Platt

6 November 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"I'm Looking Through You"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

8 November 1965

;Studio Two, EMI Studios, London
  • Recording
  • *"Beatle Speech"
  • *"Won't Be There with You"
  • *"The Beatles' Third Christmas Record"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Norman Smith, Ken Scott

9 November 1965

;Room 65, Abbey Road, London
  • Editing
  • *"The Beatles' Third Christmas Record"
  • Mono mixing
  • *"Michelle" – released on Rubber Soul
  • *"What Goes On" – released on Rubber Soul
  • *"Run for Your Life" – released on Rubber Soul
  • *"Think for Yourself" – released on Rubber Soul
  • *"The Beatles' Third Christmas Record"
  • Stereo mixing
  • *"Think for Yourself" – released on Rubber Soul
  • *"Michelle" – released on Rubber Soul
  • *"What Goes On" – released on Rubber Soul
  • Personnel
  • *Production staff: George Martin, Norman Smith, Jerry Boys

10 November 1965

;Room 65, Abbey Road, London
  • Stereo mixing
  • *"Run for Your Life" – released on Rubber Soul
  • *"We Can Work It Out" – released on Yesterday and Today
;Studio Two, EMI Studios, London
  • Recording
  • *"The Word"
  • *"I'm Looking Through You"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Norman Smith, Jerry Boys and Ken Scott

11 November 1965

;Room 65, Abbey Road, London
  • Mono mixing
  • *"The Word" – released on Rubber Soul
  • Stereo mixing
  • *"The Word" – released on Rubber Soul
;Studio Two, EMI Studios, London
  • Recording
  • *"You Won't See Me"
  • *"Girl"
  • *"Wait"
  • *"I'm Looking Through You"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Norman Smith, Mike Stone and Ken Scott

15 November 1965

;Studio One, EMI Studios, London
  • Mono mixing
  • *"I'm Looking Through You" – released on Rubber Soul
  • *"You Won't See Me" – released on Rubber Soul
  • *"Girl" – released on Rubber Soul
  • *"Wait" – released on Rubber Soul
  • Stereo mixing
  • *"Wait" – released on Rubber Soul
  • *"I'm Looking Through You" – released on Rubber Soul
  • *"You Won't See Me" – released on Rubber Soul
  • *"Girl" – released on Rubber Soul
  • *"The Word" – released on Rubber Soul
  • Mono mixing
  • *"Michelle" – released on Rubber Soul
  • Personnel
  • *Production staff: George Martin, Norman Smith, Richard Lush

30 November 1965

;Room 65, Abbey Road, London
  • Mono mixing
  • *"12-Bar Original"
  • Personnel
  • *Production staff: Norman Smith, Ron Pender

1966

''Revolver'' and "Paperback Writer" sessions

6 April 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Mark I"
  • **"Mark I", take 1 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

7 April 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Mark I"
;Studio Three, EMI Studios, London
  • Recording
  • *"Got to Get You into My Life"
  • **take 5 – released on Anthology 2
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

8 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Got to Get You into My Life"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr, George Martin
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

11 April 1966

;Studio Two, EMI Studios, London
;Studio Two, EMI Studios, London
  • Recording
  • *"Granny Smith"
  • **Unnumbered Rehearsal – released on Revolver Super Deluxe
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Granny Smith"
  • Personnel
  • *Musicians: Paul McCartney, George Harrison, Anil Bhagwat
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

13 April 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Granny Smith"
  • **Take 7 – released on Revolver Super Deluxe
  • Mono mixing
  • *"Granny Smith"
  • Editing
  • *"Granny Smith" – released on Revolver
;Studio Three, EMI Studios, London
  • Recording
  • *"Paperback Writer"
  • **Takes 1 & 2 – released on Revolver Super Deluxe
  • Personnel
  • *Musicians:
  • **George Harrison: Vocals, Rhythm Guitar
  • **Paul McCartney: Vocals, Lead Guitar
  • **Ringo Starr: Tambourine, Drums
  • **John Lennon: Tambourine
  • *Production staff: George Martin, Geoff Emerick, Richard Lush

14 April 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Paperback Writer"
;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Paperback Writer" – remix 2 released as a single; included on Mono Masters
;Studio Three, EMI Studios, London
  • Recording
  • *"Rain"
  • **Take 5 – released on Revolver Super Deluxe
  • Personnel
  • *Musicians:
  • **Paul McCartney: Backing Vocals, Bass
  • **John Lennon: Lead Vocals, Guitar
  • **George Harrison: Backing Vocals, Lead Guitar
  • **George Martin: Piano, Vox Continental
  • **Ringo Starr: Drums
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

16 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Rain"
  • Mono mixing
  • *"Rain" – remix 3 released as the B-side to "Paperback Writer"; included on Mono Masters
  • Personnel
  • *Musicians:
  • **Paul McCartney: Bass
  • **Ringo Starr: Tambourine
  • **John Lennon: Backing Vocals
  • **George Harrison: Backing Vocals
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

17 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Doctor Robert"
  • **Take 7 – released on Revolver Super Deluxe
  • Personnel
  • *Musicians:
  • **John Lennon: Rhythm Guitar, Harmonium
  • **Paul McCartney: Bass
  • **George Harrison: Maracas, Lead Guitar
  • **Ringo Starr: Drums
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

19 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Doctor Robert"
  • Mono mixing
  • *"Doctor Robert"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

20 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"And Your Bird Can Sing"
  • ** take 2 – released on Anthology 2
  • *"Taxman"
  • Mono mixing
  • *"And Your Bird Can Sing"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

21 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Taxman"
  • **take 11 – released on Anthology 2
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

22 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Taxman"
  • *"Mark I"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

25 April 1966

;Room 65, Abbey Road, London
  • Mono mixing
  • *"Got to Get You into My Life"
  • **"Got To Get You Into My Life" – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: Peter Vince

26 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"And Your Bird Can Sing"
  • **Take 5 – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

27 April 1966

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Taxman"
  • *"And Your Bird Can Sing"
  • *"Mark I" – remix 8 released on Revolver
;Studio Three, EMI Studios, London
  • Recording
  • *"I'm Only Sleeping"
  • **Take 5 – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

28 April 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Eleanor Rigby"
  • **Take 2 – released on Revolver Super Deluxe
  • **Take 14 – released on Anthology 2
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

29 April 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Eleanor Rigby"
  • Mono mixing
  • *"Eleanor Rigby"
  • Recording
  • *"I'm Only Sleeping", Rehearsal, Takes 1–5
  • **Rehearsal and Take 1 – released on Anthology 2
  • **Take 2 – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

5 May 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"I'm Only Sleeping"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

6 May 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"I'm Only Sleeping"
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I'm Only Sleeping"
  • **RM 1 – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

9 May 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"For No One"
  • **Take 10 – released on Revolver Super Deluxe
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

12 May 1966

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Doctor Robert"
  • *"I'm Only Sleeping" – released on Yesterday and Today
  • *"And Your Bird Can Sing"
  • Editing
  • *"And Your Bird Can Sing" – released on Yesterday and Today
  • *"Doctor Robert" – released on Yesterday and Today
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Jerry Boys

16 May 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Taxman"
  • Tape copying
  • *"Granny Smith"
  • Mono mixing
  • *"Taxman"
  • Recording
  • *"For No One"
  • Tape copying
  • *"Taxman"
  • *"Granny Smith"
  • *"Mark I"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

18 May 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Got to Get You into My Life"
  • Mono mixing
  • *"Got to Get You into My Life"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

19 May 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"For No One"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

20 May 1966

;Studio One, EMI Studios, London
  • Stereo mixing
  • *"And Your Bird Can Sing"
  • *"Doctor Robert" – remix 1 released on Yesterday and Today ; remix 2 released on Revolver
  • *"I'm Only Sleeping" – remix 1 released on Yesterday and Today ; remix 2 released on Revolver
  • Editing
  • *"And Your Bird Can Sing" – released on Revolver
  • *"Doctor Robert"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

26 May 1966

;Studio Three, EMI Studios, London
  • Recording
  • *"Yellow Submarine"
  • Personnel
  • *Production staff: Geoff Emerick, Phil McDonald

1 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Yellow Submarine"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

2 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Laxton's Superb"
  • **Take 4 – released on Revolver Super Deluxe
  • Mono mixing
  • *"Yellow Submarine"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

3 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Laxton's Superb"
  • Mono mixing
  • *"Laxton's Superb" – remix 1 released on Revolver
  • *"Yellow Submarine" – remix 5 released on Revolver
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

6 June 1966

;Studio Three, EMI Studios, London
  • Tape copying
  • *"I Want to Tell You"
  • Mono mixing
  • *"And Your Bird Can Sing"
  • *"For No One"
  • *"I'm Only Sleeping" – remix 6 released on Revolver
  • *"Tomorrow Never Knows"
  • **RM 11 – released on Revolver ; included on Revolver Super Deluxe
;Studio Three, EMI Studios, London
  • Recording
  • *"Eleanor Rigby"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

8 June 1966

;Studio Two, EMI Studios, London
  • Editing
  • *"And Your Bird Can Sing" – released on Revolver
;Studio Two, EMI Studios, London
  • Recording
  • *"A Good Day's Sunshine"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Richard Lush

9 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"A Good Day's Sunshine"
  • Mono mixing
  • *"A Good Day's Sunshine"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

14 June 1966

;Studio Two, EMI Studios, London

16 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Here, There and Everywhere"
  • **Take 6 – released on Revolver Super Deluxe
  • ** Take 7 + 13 – released on Real Love EP
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

17 June 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Here, There and Everywhere"
  • *"Got to Get You into My Life"
  • Mono mixing
  • *"Got to Get You into My Life"
  • *"Here, There and Everywhere"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

20 June 1966

;Studio One, EMI Studios, London
  • Mono mixing and recording
  • *"Got to Get You into My Life" – released on Revolver
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

21 June 1966

;Studio Three, EMI Studios, London
  • Stereo mixing
  • *"Granny Smith"
  • Editing
  • *"Granny Smith" – released on Revolver
  • Stereo mixing
  • *"I Want to Tell You" – remix 2 released on Revolver
  • *"Here, There and Everywhere" – remix 2 released on Revolver
  • Mono mixing
  • *"Here, There and Everywhere" – remix 3 released on Revolver
;Studio Three, EMI Studios, London
  • Mono mixing
  • *"For No One" – remix 8 released on Revolver
  • *"Doctor Robert"
  • *"Taxman"
  • Editing
  • *"Dr. Robert" – released on Revolver
  • *"Taxman" – released on Revolver
  • Stereo mixing
  • *"For No One" – released on Revolver
  • *"Taxman"
  • Editing
  • *"Taxman" – released on Revolver
;Studio Two, EMI Studios, London
  • Recording
  • *"Untitled"
  • **Take 2 – released on Revolver Super Deluxe
  • Mono mixing
  • *"She Said She Said"
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

22 June 1966

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Eleanor Rigby" – remix 5 released on Revolver
  • *"She Said She Said" – released on Revolver
  • *"Good Day Sunshine" – released on Revolver
  • Stereo mixing
  • *"Eleanor Rigby" – released on Revolver
  • *"She Said She Said" – released on Revolver
  • *"Good Day Sunshine" – released on Revolver
  • *"Yellow Submarine" – 2 released on Revolver
  • *"Tomorrow Never Knows" – remix 6 released on Revolver
  • *"Got to Get You into My Life" – released on Revolver
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Jerry Boys

''A Collection of Beatles Oldies'' sessions

31 October 1966

;Studio Two, EMI Studios, London

7 November 1966

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"I Want to Hold Your Hand" – released on A Collection of Beatles Oldies ; included on Past Masters
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Mike Stone

8 November 1966

;Room 53, Abbey Road, London
  • Stereo mixing
  • *"She Loves You" – "fake stereo remix" released on A Collection of Beatles Oldies
  • Personnel
  • *Production staff: Geoff Emerick

10 November 1966

;Room 65, Abbey Road, London
  • Stereo mixing
  • *"This Boy"
  • *"Day Tripper" – released on A Collection of Beatles Oldies ; included on Past Masters
  • *"We Can Work It Out" – released on A Collection of Beatles Oldies ; included on Past Masters
  • Editing
  • *"This Boy" – released on Past Masters
  • Personnel
  • *Production staff: Peter Brown, Graham Kirkby

''Sgt. Pepper's Lonely Hearts Club Band'' sessions

24 November 1966

;Studio Two, EMI Studios, London

25 November 1966

;Studio, Dick James House, 71/75 New Oxford Street, London WCI
  • Recording
  • *"Pantomime: Everywhere It's Christmas"
  • Personnel
  • *Production Staff: George Martin, N/A, Unknown

28 November 1966

;Studio Two, EMI Studios, London

29 November 1966

;Studio Two, EMI Studios, London

2 December 1966

Room 53, EMI Studios, London
  • Mono mixing and editing
  • *"Pantomime: Everywhere It's Christmas"
  • *Production Staff: Tony Barrow, Geoff Emerick, Phil McDonald

6 December 1966

;Studio Two, EMI Studios, London

8 December 1966

;Studio One, EMI Studios, London
  • Recording
  • *"When I'm Sixty-Four"
  • Personnel
  • *Production Staff: Dave Harris/George Martin, Dave Harris/Geoff Emerick, Phil McDonald
;Studio Two, EMI Studios, London
  • Recording
  • *"Strawberry Fields Forever"
  • Editing
  • *"Strawberry Fields Forever"
  • Personnel
  • *Production Staff: Dave Harris/George Martin, Dave Harris/Geoff Emerick, Phil McDonald

9 December 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Strawberry Fields Forever"
  • Mono mixing
  • *"Strawberry Fields Forever"
  • Recording
  • *"Strawberry Fields Forever"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

15 December 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"Strawberry Fields Forever"
  • Mono mixing
  • *"Strawberry Fields Forever"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

20 December 1966

;Studio Two, EMI Studios, London
  • Recording
  • *"When I'm Sixty-Four"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

21 December 1966

;Studio Two, EMI Studios, London

22 December 1966

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Strawberry Fields Forever"
  • Editing
  • *"Strawberry Fields Forever" – released as a single; included on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

29 December 1966

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"When I'm Sixty-Four"
  • Tape copying
  • *"Strawberry Fields Forever"
  • Stereo mixing
  • *"Strawberry Fields Forever"
  • Editing
  • *"Strawberry Fields Forever" – remix 3 included on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald
;Studio Two, EMI Studios, London

30 December 1966

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"When I'm Sixty-Four" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Tape copying
  • *"Strawberry Fields Forever"
  • Recording
  • *"Penny Lane"
  • Mono mixing
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

1967

''Sgt. Pepper's Lonely Hearts Club Band'' sessions (cont.)

2 January 1967

;Studio Two, EMI Studios, London
  • Tape Copying
  • *"When I'm Sixty-Four"
  • *""Strawberry Fields Forever"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

4 January 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

5 January 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Penny Lane"
  • *"Untitled"
  • Mono Mixing
  • *"Untitled"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil Mcdonald

6 January 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

9 January 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Penny Lane"
  • Mono Mixing
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

10 January 1967

;Studio Three, EMI Studios, London

12 January 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Penny Lane"
  • Mono Mixing
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

17 January 1967

;Studio Two, EMI Studios, London

19 January 1967

;Studio Two, EMI Studios, London

20 January 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"A Day in the Life"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

25 January 1967

;Studio One, EMI Studios, London
  • Mono Mixing
  • *"Penny Lane" remix 14 released as a single; included on Magical Mystery Tour
;Studio One : 9.00–10.00pm
  • Tape Copying
  • *"Penny Lane"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Phil McDonald

30 January 1967

;Studio Three, EMI Studios, London

1 February 1967

;Studio Two, EMI Studios, London

2 February 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Sgt. Pepper's Lonely Hearts Club Band"
  • Mono Mixing
  • *"Sgt. Pepper's Lonely Hearts Club Band"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

3 February 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"A Day in the Life"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

8 February 1967

;Studio Two, EMI Studios, London

9 February 1967

;Regent Sound Studio, 164–166 Tottenham Court Road, London WI

10 February 1967

;Studio One, EMI Studios, London

13 February 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • * "A Day in the Life"
  • Recording
  • *"Not Known"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

14 February 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Only a Northern Song"
  • **Edit of takes 3 & 12 – released on Anthology 2
  • Mono Mixing
  • *"Only a Northern Song"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

16 February 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Good Morning Good Morning"
  • **take 8 with Overdubs – released on Anthology 2
  • Mono Mixing
  • *"Good Morning Good Morning"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

17 February 1967

;Studio Two, EMI Studios, London

20 February 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Being for the Benefit of Mr. Kite!"
  • Mono Mixing
  • *"Good Morning Good Morning"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

21 February 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Fixing a Hole"
  • Mono Mixing
  • *"Fixing a Hole"
  • Editing
  • *"Fixing a Hole" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

22 February 1967

;Studio Two, EMI Studios, London

23 February 1967

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"A Day in the Life"
  • Editing
  • *"A Day in the Life" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Recording
  • *"Lovely Rita"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

24 February 1967

;Studio Two, EMI Studios, London

28 February 1967

;Studio Two, EMI Studios, London

1 March 1967

;Studio Two, EMI Studios, London

2 March 1967

;Studio Two, EMI Studios, London

3 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Sgt. Pepper's Lonely Hearts Club Band"
  • Mono Mixing
  • *"Lucy in the Sky with Diamonds" – remix 4 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

6 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Sgt. Pepper's Lonely Hearts Club Band"
  • Mono Mixing
  • *"Sgt. Pepper's Lonely Hearts Club Band" – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band
  • Stereo Mixing
  • *"Sgt. Pepper's Lonely Hearts Club Band" – remix 8 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

7 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Lovely Rita"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

9 March 1967

;Studio Two, EMI Studios, London

10 March 1967

;Studio Two, EMI Studios, London

13 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Good Morning Good Morning"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

15 March 1967

;Studio Two, EMI Studios, London

17 March 1967

;Studio Two, EMI Studios, London

20 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Beatle Talk"
  • *"She's Leaving Home"
  • Mono Mixing
  • *"She's Leaving Home"
  • **RM 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  • Editing
  • *"She's Leaving Home" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Ken Scott

21 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Getting Better"
  • *"Lovely Rita"
  • Mono Mixing
  • *"Lovely Rita"
  • Editing
  • *"Lovely Rita" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

22 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Within You Without You"
  • Mono Mixing
  • *"Within You Without You"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

23 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Getting Better"
  • Mono Mixing
  • *"Getting Better" – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: Peter Vince, Ken Scott

28 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Good Morning Good Morning"
  • *"Being for the Benefit of Mr. Kite!"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

29 March 1967

;Studio Two, EMI Studios, London

30 March 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"With a Little Help from My Friends"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

31 March 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • *"With a Little Help from My Friends" – remix 7 released on Sgt. Pepper's Lonely Hearts Club Band
  • Recording
  • *"Being for the Benefit of Mr. Kite!"
  • Mono Mixing
  • *"Being for the Benefit of Mr. Kite!" – remix 4 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

1 April 1967

;Studio One, EMI Studios, London

3 April 1967

;Studio One, EMI Studios, London
  • Recording
  • *"Within You Without You"
;Studio Two, EMI Studios, London
  • Mono Mixing
  • *"Within You Without You"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

4 April 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • *"Within You Without You"
  • Editing
  • *"Within You Without You" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Stereo Mixing
  • *"Within You Without You"
  • Editing
  • *"Within You Without You" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

6 April 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • *Crossfades for LP
  • *"Good Morning Good Morning"
  • Stereo Mixing
  • *"Good Morning Good Morning" – remix 5 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

7 April 1967

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *Crossfades for LP
  • *"With a Little Help from My Friends" – remix 3 released on Sgt. Pepper's Lonely Hearts Club Band
  • *"Being for the Benefit of Mr. Kite!" – remix 8 released on Sgt. Pepper's Lonely Hearts Club Band
  • *"Fixing a Hole" – released on Sgt. Pepper's Lonely Hearts Club Band
  • *"Lucy in the Sky with Diamonds" – remix 5 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

17 April 1967

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Getting Better" – released on Sgt. Pepper's Lonely Hearts Club Band
  • *"She's Leaving Home"
  • *"When I'm Sixty-Four" – released on Sgt. Pepper's Lonely Hearts Club Band
  • *"Lovely Rita" – remix 2 released on Sgt. Pepper's Lonely Hearts Club Band
  • Editing
  • *"She's Leaving Home" – released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

19 April 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • *"Good Morning Good Morning" – remix 23 released on Sgt. Pepper's Lonely Hearts Club Band
  • *"Only a Northern Song"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

20 April 1967

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Sgt. Pepper's Lonely Hearts Club Band " – remix 10 released on Sgt. Pepper's Lonely Hearts Club Band
  • Personnel
  • *Production Staff: N/A, Geoff Emerick, Richard Lush
;Studio Two, EMI Studios, London
  • Recording
  • *"Only a Northern Song"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

21 April 1967

;Studio Two, EMI Studios, London
  • Mono Mixing
  • *"Only a Northern Song" – remix 6 used in Yellow Submarine (film); included on Yellow Submarine and Mono Masters
  • Recording
  • *Edit for LP end
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

''Magical Mystery Tour'' sessions

25 April 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Magical Mystery Tour"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

26 April 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Magical Mystery Tour"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

27 April 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Magical Mystery Tour"
  • Mono Mixing
  • *"Magical Mystery Tour"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

3 May 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Magical Mystery Tour"
  • *Production Staff: George Martin, Malcolm Addey, Richard Lush

4 May 1967

;Studio Three, EMI Studios, London
  • Mono Mixing
  • *"Magical Mystery Tour" – remix 7 used in Magical Mystery Tour (film)
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

9 May 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Untitled"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

11 May 1967

;Studio One, Olympic Sound Studios, London
  • Recording
  • *"Baby, You're a Rich Man"
  • **takes 11 and 12 – released on Anthology 4
  • Mono Mixing
  • *"Baby, You're a Rich Man" – released as the B-side to "All You Need Is Love"; included on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Keith Grant, Eddie Kramer

12 May 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"All Together Now"
  • Mono Mixing
  • *"All Together Now" – remix 6 used in Yellow Submarine ; included on Mono Masters
  • Personnel
  • *Production Staff: N/A, Geoff Emerick, Richard Lush

17 May 1967

;Studio Two, EMI Studios, London

25 May 1967

;De Lane Lea Music Recording Studio, London
  • Recording
  • *"It's All Too Much"
  • Personnel
  • *Production Staff: N/A, Dave Siddle, Mike Weighell

31 May 1967

;De Lane Lea Music Recording Studio, London
  • Recording
  • *"It's All Too Much"
  • Personnel
  • *Production Staff: N/A, Dave Siddle, Mike Weighell

1 June 1967

;De Lane Lea Music Recording Studio, London
  • Recording
  • *"Untitled
  • Personnel
  • *Production Staff: George Martin, Dave Siddle, Mike Weighell

2 June 1967

;De Lane Lea Music Recording Studio, London
  • Recording
  • *"It's All Too Much"
  • *"Untitled
  • Personnel
  • *Production Staff: George Martin, Dave Siddle, Mike Weighell

7 June 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"You Know My Name "
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

8 June 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"You Know My Name "
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

9 June 1967

;Studio Two, EMI Studios, London
  • Editing
  • *"You Know My Name "
  • Mono Mixing
  • *"You Know My Name "
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

14 June 1967

;Studio One, Olympic Sound Studios, London
  • Recording
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Eddie Kramer, George Chkiantz

19 June 1967

;Studio Three, EMI Studios, London
  • Tape copying
  • *"All You Need Is Love"
  • Recording
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

21 June 1967

;Room 53, EMI Studios, London
  • Mono Mixing
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Malcolm Addey, Phil McDonald
;Studio Three, EMI Studios, London
  • Mono Mixing
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

23 June 1967

;Studio One, EMI Studios, London
  • Recording
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

24 June 1967

;Studio One, EMI Studios, London
  • Recording
  • *"All You Need Is Love"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

25 June 1967

;Studio One, EMI Studios, London
  • Recording
  • *"All You Need Is Love"
  • **rehearsal – released on Anthology 4
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush/Martin Benge

26 June 1967

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"All You Need Is Love" – remix 4 released as a single; included on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

22 August 1967

;Chappell Recording Studios, London

23 August 1967

;Chappell Recording Studios, London
  • Recording
  • *"Your Mother Should Know"
  • Personnel
  • *Production Staff: George Martin, John Timperley, John Iles

5 September 1967

;Studio One, EMI Studios, London
  • Recording
  • *"I Am the Walrus"
  • **Take 16 – released on Anthology 2
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Ken Scott/Richard Lush

6 September 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"I Am the Walrus"
  • Mono mixing
  • *"I Am the Walrus"
  • Recording
  • *"The Fool on the Hill"
  • **Demo released on Anthology 2
  • *"Blue Jay Way"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Ken Scott

7 September 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Blue Jay Way"
  • Personnel
  • *Production Staff: George Martin, Peter Vince, Ken Scott

8 September 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Flying"
  • Mono mixing
  • *"Flying"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

16 September 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"Your Mother Should Know"
  • **Take 27 – released on Anthology 2
  • Mono mixing
  • *"Blue Jay Way"
  • Tape copying
  • *"I Am the Walrus"
  • *"Blue Jay Way"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Jeff Jarratt

25 September 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"The Fool on the Hill"
  • **Take 4 – released on Anthology 2
  • Mono mixing
  • *"The Fool on the Hill"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Richard Lush

26 September 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"The Fool on the Hill"
  • **Take 5 - Instrumental – released on Anthology 4
  • Personnel
  • *Production Staff: N/A, Ken Scott, Richard Lush

27 September 1967

;Studio One, EMI Studios, London
  • Recording
  • *"I Am the Walrus"
  • **Take 19 - Strings, brass, clarinet overdub – released on Anthology 4
;Studio Two, EMI Studios, London
  • Recording
  • *"I Am the Walrus"
  • *"The Fool on the Hill"
  • Mono mixing
  • *"The Fool on the Hill"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Richard Lush

28 September 1967

;Studio Two, EMI Studios, London
  • Tape copying
  • *"Magical Mystery Tour"
  • *"Flying"
  • Recording
  • *"I Am the Walrus"
  • Mono mixing
  • *"I Am the Walrus"
  • Editing
  • *"I Am the Walrus"
  • Recording
  • *"Flying"
  • Mono mixing
  • *"Flying"
  • Editing
  • *"Flying" – released on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Richard Lush

29 September 1967

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"I Am the Walrus"
  • Editing
  • *"I Am the Walrus" – released as the B-side to "Hello, Goodbye"; included on Magical Mystery Tour
  • Recording
  • *"Your Mother Should Know"
  • Mono mixing
  • *"Your Mother Should Know"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Graham Kirkby

2 October 1967

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Your Mother Should Know" – remix 25 released on Magical Mystery Tour
  • Recording
  • *"Hello, Goodbye"
  • **Take 16 – released on Anthology 2
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Graham Kirkby

6 October 1967

;Studio Two, EMI Studios, London
  • Recording
  • *"Blue Jay Way"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

12 October 1967

;De Lane Lea Music Recording Studio, London
  • Mono mixing
  • *"It's All Too Much"
  • Personnel
  • *Production Staff: George Martin, Dave Siddle, Mike Weighell
;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Blue Jay Way"
  • Editing
  • *"Blue Jay Way"
  • Recording
  • *"Shirley's Wild Accordion"
  • Mono mixing
  • *"Shirley's Wild Accordion"
  • Personnel
  • *Production Staff: John Lennon, Ken Scott, Richard Lush

19 October 1967

;Studio One, EMI Studios, London
  • Recording
  • *"Hello, Goodbye"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Richard Lush

20 October 1967

;Studio Three, EMI Studios, London
  • Recording
  • *"The Fool on the Hill"
  • *"Hello, Goodbye"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Phil McDonald

25 October 1967

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"The Fool on the Hill"
  • Editing
  • *"The Fool on the Hill" – released on Magical Mystery Tour
  • Recording
  • *"Hello, Goodbye"
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Graham Kirkby

1 November 1967

;Room 53, EMI Studios, London
  • Mono mixing
  • *"All You Need Is Love" – used in Yellow Submarine
  • *"Lucy in the Sky with Diamonds" – planned to use in Yellow Submarine ; not included.
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Richard Lush
;Studio Three
  • Recording
  • *Untitled sound effects
  • *"Hello, Goodbye"
  • Stereo mixing
  • *"The Fool on the Hill"
  • Editing
  • *"The Fool on the Hill" – released on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Graham Kirkby

2 November 1967

;Studio Three
  • Recording
  • *"Hello, Goodbye"
  • Mono mixing
  • *"Hello, Goodbye" – remix 6 released as a single; included on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Jeff Jarratt

6 November 1967

;Studio Three
  • Stereo mixing
  • *"Hello, Goodbye" – remix 2 released on Magical Mystery Tour
  • *"I Am the Walrus"
  • *"Your Mother Should Know" – remix 2 released on Magical Mystery Tour
  • *"Magical Mystery Tour"
  • Editing
  • *"I Am the Walrus"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Ken Scott

7 November 1967

;Studio Two, EMI Studios, London
  • Stereo mixing
  • *"Blue Jay Way"
  • *"Flying"
  • Editing
  • *"Blue Jay Way"
  • *"Flying" – released on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Ken Scott, Peter Mew
;Studio One, EMI Studios, London
  • Mono mixing
  • *"Blue Jay Way"
  • Stereo mixing
  • *"Blue Jay Way"
  • Editing
  • *"Blue Jay Way" – mono remix 27 released on Magical Mystery Tour ; stereo remix 12 released on Magical Mystery Tour
  • Stereo mixing/recording
  • *"Magical Mystery Tour" – remix 6 released on Magical Mystery Tour
  • Mono mixing/recording
  • *"Magical Mystery Tour" – remix 10 released on Magical Mystery Tour
  • Tape copying
  • *"I Am the Walrus"
  • *"Your Mother Should Know"
  • *"Flying"
  • *"Magical Mystery Tour"
  • *"Blue Jay Way"
  • *"The Fool on the Hill"
  • *"Strawberry Fields Forever"
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Graham Kirkby

15 November 1967

;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Hello, Goodbye"
  • Tape copying
  • *"It's All Too Much"
  • *"All Together Now"
  • *"Only a Northern Song"
  • Personnel
  • *Production Staff: N/A, Geoff Emerick, Richard Lush

17 November 1967

;Room 53, EMI Studios, London
  • Stereo mixing
  • *"I Am the Walrus"
  • Editing
  • *"I Am the Walrus" – released on Magical Mystery Tour
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Ken Scott

28 November 1967

;Studio Three, EMI Studios, London

29 November 1967

;Studio One, EMI Studios, London
  • Editing
  • *"Christmas Time
  • Tape copying
  • *"Christmas Time "
  • Personnel
  • *Production Staff: George Martin, Geoff Emerick, Richard Lush

1968

"Lady Madonna" sessions

12 January 1968

;EMI Recording Studios, Bombay, India
  • Recording
  • *"Untitled"
  • **take 6 – released with The Beatles ("White Album") 50th anniversary edition
  • Personnel
  • *Musicians: Ashish Khan, Mahapurush Misra, Sharad Jadev and Hanuman Jadev, Shambu-Das, Indril Bhattacharya and Shankar Ghosh, Chandra Shakher, Shiv Kumar Sharmar, S.R. Kenkare and Hari Prasad Chaurasia, Vinayak Vohra, Rijram Desad
  • *Production staff: George Harrison, J.P. Sen and S.N. Gupta, unknown

3 February 1968

;Studio Three, EMI Studios, London

4 February 1968

;Studio Three, EMI Studios, London

6 February 1968

;Studio One, EMI Studios, London
  • Tape copying
  • *"The Inner Light"
  • Recording
  • *"The Inner Light"
  • Mono mixing
  • *"The Inner Light"
;Studio One, EMI Studios, London

8 February 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"The Inner Light"
  • Mono mixing
  • *"The Inner Light – released as the B-side to "Lady Madonna"; included on Mono Masters
  • Recording
  • *"Across the Universe"
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Across the Universe"
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, George Martin
  • *Production staff: George Martin, Geoff Emerick and Ken Scott, Richard Lush

11 February 1968

;Studio Three, EMI Studios, London
  • Recording
  • *"Hey Bulldog"
  • **take 4 – released on Anthology 4
  • Mono mixing
  • *"Hey Bulldog" – remix 2 used in Yellow Submarine ; included on Mono Masters
  • Personnel
  • *Musicians: John Lennon, Paul McCartney, George Harrison, Ringo Starr
  • *Production staff: George Martin, Geoff Emerick, Phil McDonald

15 February 1968

;Studio Three, EMI Studios, London
  • Mono mixing
  • *"Lady Madonna" – released as a single; included on Mono Masters
  • Personnel
  • *Production staff: George Martin, Geoff Emerick, Martin Benge

''The Beatles'' ("White Album") and "Hey Jude" single sessions

30 May 1968

;Studio Two, EMI Studios, London

31 May 1968

;Studio Three, EMI Studios, London
  • Recording
  • *"Revolution 1"

4 June 1968

;Studio Three, EMI Studios, London
  • Recording
  • *"Revolution 1"
  • Mono mixing
  • *"Revolution 1"

5 June 1968

;Studio Three, EMI Studios, London

6 June 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Don't Pass Me By"
  • Mono mixing
  • *"Don't Pass Me By"
  • Recording
  • *"Revolution 9"

10 June 1968

;Studio Three, EMI Studios, London
  • Recording
  • *"Revolution 9"

11 June 1968

;Studio Two, EMI Studios, London
;Studio Three, EMI Studios, London
  • Recording
  • *"Revolution 9"

20 June 1968

;Studios One, Two and Three, EMI Studios, London
  • Recording
  • *"Revolution 9"

21 June 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Revolution 1"
  • *"Revolution 9"
  • Stereo Mixing
  • *"Revolution 1"
  • *"Revolution 9"

25 June 1968

;Studio Two, EMI Studios, London,
  • Stereo Mixing
  • *"Revolution 1" – remix 12 released on The Beatles
  • Editing
  • *"Revolution 9" – released on The Beatles
  • Tape copying
  • *"Revolution 1"
  • *"Revolution 9"

26 June 1968

;Studio Two, EMI Studios, London

27 June 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Everybody's Got Something to Hide Except for Me And My Monkey"

28 June 1968

;Studio Two, EMI Studios, London

1 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Everybody's Got Something to Hide Except for Me And My Monkey"

2 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Good Night"

3 July 1968

;Studio Two, EMI Studios, London

4 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Ob-La-Di, Ob-La-Da"

5 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Ob-La-Di, Ob-La-Da"

8 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Ob-La-Di, Ob-La-Da"
  • Mono mixing
  • *"Ob-La-Di, Ob-La-Da"

9 July 1968

;Studio Three, EMI Studios, London

10 July 1968

;Studio Three, EMI Studios, London

11 July 1968

;Studio Three, EMI Studios, London
  • Recording
  • *"Revolution"
  • *"Ob-La-Di, Ob-La-Da"
  • *"Revolution"
  • *"Ob-La-Di, Ob-La-Da"
  • Mono mixing
  • *"Ob-La-Di, Ob-La-Da"

12 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Don't Pass Me By"
  • Mono mixing
  • *"Don't Pass Me By"
  • *"Ob-La-Di, Ob-La-Da"
  • Recording
  • *"Revolution"
  • Mono mixing
  • *"Revolution"

15 July 1968

;Studio Two, EMI Studios, London

16 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Cry Baby Cry"
  • **take 1 – released on ''Anthology 3''

18 July 1968

;Studio Two, EMI Studios, London

19 July 1968

;Studio Two, EMI Studios, London

22 July 1968

;Studio One, EMI Studios, London

23 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Everybody's Got Something to Hide Except for Me And My Monkey"
  • Mono mixing
  • *"Everybody's Got Something to Hide Except for Me And My Monkey"
  • *"Good Night"

24 July 1968

;Studio Two, EMI Studios, London
  • Recording
  • *"Sexy Sadie"
  • *"Sound Effects"

25 July 1968

;Studio Two, EMI Studios, London

29 July 1968

;Studio Two, EMI Studios, London

30 July 1968

;Studio Two, EMI Studios, London

31 July 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Hey Jude"

1 August 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Hey Jude"

2 August 1968

;Trident Studios, Trident House, London
  • Stereo mixing
  • *"Hey Jude"

6 August 1968

;Trident Studios, Trident House, London
  • Mono mixing
  • *"Hey Jude"

7 August 1968

;Studio Two, EMI Studios, London,

8 August 1968

;Studio Two, EMI Studios, London,
  • Mono mixing
  • *"Hey Jude" – remix 4 released as a single; included on Mono Masters
  • Recording
  • *"Not Guilty"
  • Tape copying
  • *"Hey Jude"
  • *"Revolution"

9 August 1968

;Studio Two, EMI Studios, London,

12 August 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Not Guilty"
  • Mono mixing
  • *"Not Guilty"

13 August 1968

;Studio Two, EMI Studios, London,

14 August 1968

;Studio Two, EMI Studios, London,

15 August 1968

;Studio Two, EMI Studios, London,

16 August 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"While My Guitar Gently Weeps"

20 August 1968

;Studio Three, EMI Studios, London,
  • Recording
  • *"Yer Blues"
  • Editing
  • *"Yer Blues" – released on The Beatles
  • Mono tape copying
  • *"Revolution 9"
;Studio Two, EMI Studios, London,
  • Recording
  • *"Mother Nature's Son"
  • *"Etcetera"
  • *"Wild Honey Pie"
  • Mono mixing
  • *"Mother Nature's Son"
  • *"Wild Honey Pie" – remix 6 released on ''The Beatles''

21 August 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Sexy Sadie"
  • Mono mixing
  • *"Sexy Sadie" – remix 5 released on ''The Beatles''

22 August 1968

;Studio Two, EMI Studios, London,

23 August 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Back in the USSR"
  • Mono mixing
  • *"Back in the USSR" – remix 1 released on The Beatles
  • Tape copying
  • *"Back in the USSR"
  • *"Rocky Raccoon"
  • *"Wild Honey Pie"
  • *"Mother Nature's Son"
  • *"Sexy Sadie"

26 August 1968

;Studio Two, EMI Studios, London,
  • Mono tape copying
  • *"Revolution 9"

27 August 1968

;Studio Two, EMI Studios, London,
  • Tape copying
  • *"Ob-La-Di, Ob-La-Da"
  • *"Blackbird"
  • *"Not Guilty"
  • *"Revolution 9"

28 August 1968

;Trident Studios, Trident House, London

29 August 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Dear Prudence"

30 August 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Dear Prudence"

3 September 1968

;Studio Two, EMI Studios, London,
  • Tape copying
  • *"While My Guitar Gently Weeps"
  • Recording
  • *"While My Guitar Gently Weeps"
  • Tape copying
  • *"Revolution"

5 September 1968

;Studio Two, EMI Studios, London,

6 September 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"While My Guitar Gently Weeps"

9 September 1968

;Studio Two, EMI Studios, London,

10 September 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Helter Skelter"

11 September 1968

;Studio Two, EMI Studios, London,

12 September 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Glass Onion"

13 September 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Glass Onion"

16 September 1968

;Studio Two, EMI Studios, London,

17 September 1968

;Studio Two, EMI Studios, London,
  • Mono mixing
  • *"Helter Skelter" – released on The Beatles
  • Recording
  • *"I Will"
  • Tape copying
  • *"Cry Baby Cry"

18 September 1968

;Studio Two, EMI Studios, London,

19 September 1968

;Studios One and Two, EMI Studios, London,

20 September 1968

;Studio Two, EMI Studios, London,

23 September 1968

;Studio Two, EMI Studios, London,

24 September 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Happiness Is a Warm Gun"

25 September 1968

;Studio Two, EMI Studios, London,
  • Editing
  • *"Happiness Is a Warm Gun"
  • Recording
  • *"Happiness Is a Warm Gun"
  • Mono mixing
  • *"Happiness Is a Warm Gun"

26 September 1968

;Studio Two, EMI Studios, London,
  • Mono mixing
  • *"Happiness Is a Warm Gun" – remix 12 released on The Beatles
  • *"What's the New Mary Jane"
  • *"Glass Onion"
  • *"I Will" – remix 2 released on The Beatles
  • Recording
  • *"Glass Onion"

1 October 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Honey Pie"
  • Mono mixing
  • *"Honey Pie"

2 October 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Honey Pie"

3 October 1968

;Trident Studios, Trident House, London

4 October 1968

;Trident Studios, Trident House, London

5 October 1968

;Trident Studios, Trident House, London
  • Recording
  • *"Savoy Truffle"
  • *"Martha My Dear"
  • Mono mixing
  • *"Honey Pie" – released on The Beatles
  • *"Martha My Dear" – released on The Beatles
  • *"Dear Prudence"
  • Stereo mixing
  • *"Honey Pie" – released on The Beatles
  • *"Martha My Dear" – released on ''The Beatles''

7 October 1968

;Studio Two, EMI Studios, London,

8 October 1968

;Studio Two, EMI Studios, London,

9 October 1968

;Studio Two, EMI Studios, London,
  • Stereo mixing
  • *"The Continuing Story of Bungalow Bill" – remix 2 released on The Beatles
  • Mono mixing
  • *"The Continuing Story of Bungalow Bill" – released on The Beatles
  • Recording
  • *"Long Long Long"
  • Tape copying
  • *"Helter Skelter"
;Studio One, EMI Studios, London,

10 October 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Piggies"
  • *"Glass Onion"
  • Stereo mixing
  • *"Glass Onion" – remix 2 released on The Beatles
  • *"Rocky Raccoon" – released on The Beatles
  • *"Long Long Long" – remix 4 released on The Beatles
  • Mono mixing
  • *"Glass Onion" – remix 11 released on The Beatles
;Studio Three, EMI Studios, London,
  • Recording
  • *"Why Don't We to Do It in the Road"

11 October 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Savoy Truffle"
;Studio Two, EMI Studios, London,
  • Mono mixing
  • *"Piggies" – remix 4 released on The Beatles
  • *"Don't Pass Me By" – released on The Beatles
  • *"Good Night" – remix 2 released on The Beatles
  • Stereo mixing
  • *"Piggies" – remix 3 released on The Beatles
  • *"Don't Pass Me By" – released on The Beatles
  • *"Good Night" – released on ''The Beatles''

12 October 1968

;Studio Two, EMI Studios, London,
  • Stereo mixing
  • *"Everybody's Got Something to Hide Except for Me And My Monkey" – released on The Beatles
  • *"Helter Skelter" – remix 5 released on The Beatles
  • *"Mother Nature's Son" – remix 2 released on The Beatles
  • *"Ob-La-Di, Ob-La-Da" – remix 4 released on The Beatles
  • Mono mixing
  • *"Everybody's Got Something to Hide Except for Me And My Monkey" – released on The Beatles
  • *"Mother Nature's Son" – remix 2 released on The Beatles
  • *"Ob-La-Di, Ob-La-Da" – released on The Beatles
  • *"Long Long Long"

13 October 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Julia"
  • **Two Rehearsals – released as part of The Beatles ("White Album") 50th anniversary edition
  • **Take 2 – released on Anthology 3
  • Stereo mixing
  • *"Julia" – released on The Beatles
  • *"Dear Prudence" – released on The Beatles
  • *"Wild Honey Pie" – remix 2 released on The Beatles
  • *"Back in the USSR" – released on The Beatles
  • *"Blackbird" – released on The Beatles
  • Mono mixing
  • *"Julia" – released on The Beatles
  • *"Dear Prudence" – remix 5 released on The Beatles
  • *"Blackbird" – released on ''The Beatles''

14 October 1968

;Studio Two, EMI Studios, London,
  • Recording
  • *"Savoy Truffle"
  • Stereo mixing
  • *"I Will" – released on The Beatles
  • *"Birthday" – released on The Beatles
  • *"Savoy Truffle" – remix 1 or 2 released on The Beatles
  • *"While My Guitar Gently Weeps" – released on The Beatles
  • *"Yer Blues" – remix 3 released on The Beatles
  • *"Sexy Sadie" – released on The Beatles
  • *"What's the New Mary Jane"
  • Mono mixing
  • *"Savoy Truffle" – released on The Beatles
  • *"While My Guitar Gently Weeps" – remix 10 or 11 released on The Beatles
  • *"Long Long Long" – remix 2 or 3 released on ''The Beatles''

15 October 1968

;Studio Two, EMI Studios, London,
  • Stereo mixing
  • *"Happiness Is a Warm Gun" – released on The Beatles
  • *"I'm So Tired" – released on The Beatles
  • *"Cry Baby Cry" – released on The Beatles
  • Mono mixing
  • *"I'm So Tired" – released on The Beatles
  • *"Cry Baby Cry" – released on ''The Beatles''

16 and 17 October 1968

;Studios One, Two and Three and rooms 41 and 42, EMI Studios, London,
  • Mono mixing
  • *"Crossfades and edits for LP
  • *"Why Don't We Do It in the Road" – released on The Beatles
  • Stereo mixing
  • *"Crossfades and edits for LP
  • *"Why Don't We Do It in the Road" – released on The Beatles
;Studios Two, EMI Studios, London,
  • Tape copying
  • *"It's All Too Much"
  • Mono mixing
  • *"It's All Too Much" – used in Yellow Submarine (film); included on Mono Masters
  • Stereo mixing
  • *"It's All Too Much" – released on ''Yellow Submarine''

18 October 1968

;Studios One, EMI Studios, London,
  • Tape copying
  • *"Yer Blues"
  • *"Don't Pass Me By"

''Yellow Submarine'' session

29 October 1968

;Studio Three, EMI Studios, London

1969

''Get Back'' album sessions

There are no take numbers since they were not formal studio recording sessions, but rehearsals filmed for Let It Be. Some of the songs were released on later Beatles or solo records.
Songs :
Numerous improvisations were also recorded during these sessions.

Medleys

  • "Little Demon" /"Maybellene" /"You Can't Catch Me" /"Brown-Eyed Handsome Man"
  • *Recorded 24 January 1969, at 3 Savile Row.
  • "Blue Suede Shoes" /"You Really Got a Hold on Me"
  • *Recorded 26 January 1969 at 3 Savile Row.
  • "Rip It Up" /"Shake, Rattle, And Roll"
  • *Recorded 26 January 1969 at 3 Savile Row. Although Anthology 3 places this medley and the above together, they were recorded separately, but on the same day.
  • "Cannonball"/"Not Fade Away" /"Hey Little Girl"/"Bo Diddley"
  • *Recorded 29 January 1969 at 3 Savile Row.
  • "Take This Hammer" /"Long Lost John" /"Black Dog Blues" /"The Right String " /"Run for Your Life"
  • *Recorded at 3 Savile Row.
  • "Kansas City" /"Miss Ann" /"Lawdy Miss Clawdy"
  • *Recorded 26 January 1969, at 3 Savile Row.
  • "All Shook Up" /"Your True Love"/"Blue Suede Shoes"
  • *Recorded 3 January 1969, at Twickenham Film Studios..
  • "Ramblin' Woman"/"I Threw It All Away" /"Mama, You Been on My Mind"
  • *Recorded 9 January 1969, at Twickenham Film Studios.
  • "Sausages and French Fries" /"Early in the Morning"/"Honey Hush"
  • *Recorded 8 January 1969 at Twickenham Film Studios.
  • "I've Got a Feeling"/"Help!"/"Please Please Me"
  • *Recorded 23 January 1969, at 3 Savile Row.
  • "I'm Ready" /"Save the Last Dance for Me" /"Don't Let Me Down"
  • *Recorded at 3 Savile Row.

''Abbey Road'' and "The Ballad of John And Yoko" single sessions

22 February 1969

;Trident Studios, Trident House, London

23 February 1969

;Trident Studios, Trident House, London
  • Editing
  • *"I Want You "
  • Production Staff: Glyn Johns, Barry Sheffield, unknown

24 February 1969

;Trident Studios, Trident House, London
  • Tape copying
  • *"I Want You "
  • Production Staff: N/A, Barry Sheffield, unknown

25 February 1969

;Studio unknown, EMI Studios, London

14 April 1969

;Studio Three, EMI Studios, London,

16 April 1969

;Studio Three, EMI Studios, London,
  • Recording
  • *"Old Brown Shoe"
  • Production Staff: George Martin, Phil McDonald, Richard Lush
;Studio Three, EMI Studios, London,

18 April 1969

;Studio Three, EMI Studios, London,
  • Recording
  • *"Old Brown Shoe"
  • Stereo Mixing
  • *"Old Brown Shoe" – released as the B-side to "The Ballad of John and Yoko"; included on Past Masters
;Studio Two, EMI Studios, London,
  • Recording
  • *"I Want You "
  • Stereo Mixing
  • *"I Want You "
  • Production Staff: Chris Thomas, Jeff Jarratt, John Kurlander

20 April 1969

;Studio Three, EMI Studios, London,

26 April 1969

;Studio Two, EMI Studios, London,

29 April 1969

;Studio Three, EMI Studios, London,
  • Recording
  • *"Octopus's Garden"
  • Stereo Mixing
  • *"Octopus's Garden"
  • Production Staff: Chris Thomas, Jeff Jarratt, Nick Webb

1 May 1969

;Studio Three, EMI Studios, London,
  • Stereo Mixing
  • *"Oh! Darling"
  • Production Staff: Chris Thomas, Jeff Jarratt, Nick Webb

2 May 1969

;Studio Three, EMI Studios, London,
  • Recording
  • *"Something"
  • Production Staff: Chris Thomas, Jeff Jarratt, Nick Webb

5 May 1969

;Studio One, Olympic Sound Studios, London
  • Recording
  • *"Something"
  • Production Staff: George Martin, Glyn Johns, Steve Vaughan

6 May 1969

;Studio One, Olympic Sound Studios, London

1 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"You Never Give Me Your Money"
  • Production Staff: George Martin, Phil McDonald, Chris Blair

2 July 1969

;Studio Two, EMI Studios, London

3 July 1969

;Studio Two, EMI Studios, London
  • Editing
  • *"Golden Slumbers/Carry That Weight"
  • Recording
  • *"Golden Slumbers/Carry That Weight"
  • Production Staff: George Martin, Phil McDonald, Chris Blair

4 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"Golden Slumbers/Carry That Weight"
  • Production Staff: George Martin, Phil McDonald, Chris Blair

7 July 1969

;Studio Two, EMI Studios, London

8 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"Here Comes the Sun"
  • Mono Mixing
  • *"Here Comes the Sun"
  • Production Staff: George Martin, Phil McDonald, John Kurlander

9 July 1969

;Studio Two, EMI Studios, London

10 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"Maxwell's Silver Hammer"
  • Stereo Mixing
  • *"Maxwell's Silver Hammer"
  • Production Staff: George Martin, Phil McDonald, John Kurlander

11 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"Maxwell's Silver Hammer"
  • *"Something"
  • Stereo Mixing
  • *"Something"
  • Recording
  • *"Something"
  • *"You Never Give Me Your Money"
  • Production Staff: George Martin, Phil McDonald, John Kurlander

15 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"You Never Give Me Your Money"
;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"You Never Give Me Your Money"
  • Production Staff: George Martin, Phil McDonald, Alan Parsons

16 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Here Comes the Sun"
;Studio Two, EMI Studios, London
  • Recording
  • *"Something"
  • Production Staff: George Martin, Phil McDonald, Alan Parsons

17 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Oh! Darling"
;Studio Two, EMI Studios, London
  • Recording
  • *"Octopus's Garden"
  • Production Staff: George Martin, Phil McDonald, Alan Parsons

18 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Oh! Darling"
  • *"Octopus's Garden"
;Studio Two, EMI Studios, London
  • Mono mixing
  • *"Octopus's Garden"
  • Stereo mixing
  • *"Octopus's Garden" – released on Abbey Road
  • Production Staff: George Martin, Phil McDonald, Alan Parsons

21 July 1969

;Studio Three, EMI Studios, London
;Studio Two, EMI Studios, London
  • Tape copying
  • *"Come Together"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

22 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Oh! Darling"
  • *"Come Together"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

23 July 1969

;Studio Three, EMI Studios, London

24 July 1969

;Studio Two, EMI Studios, London

25 July 1969

;Studio Two, EMI Studios, London

28 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Polythene Pam/She Came in Through the Bathroom Window
;Studio Two, EMI Studios, London
  • Recording
  • *"Polythene Pam/She Came in Through the Bathroom Window
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

29 July 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Come Together"
  • *"Sun King/Mean Mr. Mustard"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

30 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"You Never Give Me Your Money"
  • *"Come Together"
  • *"Polythene Pam/She Came in Through the Bathroom Window
  • *"You Never Give Me Your Money"
  • *"Golden Slumbers/Carry That Weight"
  • Stereo Mixing
  • *"You Never Give Me Your Money"
  • *"Sun King/Mean Mr. Mustard"
  • *"Her Majesty"
  • *"Polythene Pam/She Came in Through the Bathroom Window
  • *"Golden Slumbers/Carry That Weight"
  • *"The End"
  • *Editing, crossfading and tape compilation Abbey Road Medley
  • **"The Long One" – Released on Abbey Road 50th Anniversary Super Deluxe Edition
  • **"Her Majesty" – released on Abbey Road
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

31 July 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"You Never Give Me Your Money"
  • *"Golden Slumbers/Carry That Weight"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

1 August 1969

;Studio Two, EMI Studios, London

4 August 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"Because
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander
;Studio Three, EMI Studios, London
  • Stereo Mixing
  • *"Something"
  • *"Here Comes the Sun"
  • Production Staff: George Harrison, Phil McDonald, Alan Parsons

5 August 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"You Never Give Me Your Money"
;Room 43 and Studio Two, EMI Studios, London
  • Recording
  • *"Because
  • *"The End"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

6 August 1969

;Studio Three, EMI Studios, London
  • Recording
  • *"Here Comes the Sun"
  • Production Staff: George Martin, Phil McDonald, Alan Parsons
;Room 43 and Studio Two, EMI Studios, London
  • Recording
  • *"Maxwell's Silver Hammer"
  • Stereo Mixing
  • *"Maxwell's Silver Hammer"
  • Production Staff: George Martin, Tony Clark/Phil McDonald, John Kurlander

7 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Come Together" – remix 1 released on Abbey Road
;Studio Three, EMI Studios, London
  • Recording
  • *"The End"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

8 August 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"The End"
  • *"I Want You "
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander
;Studio Three, EMI Studios, London
  • Recording
  • *"Oh! Darling"
  • Production Staff: George Martin, Tony Clark, Alan Parsons

11 August 1969

;Studio Two, EMI Studios, London
  • Recording
  • *"I Want You "
  • *"Oh! Darling"
  • *"Here Comes the Sun"
  • Tape copying
  • *"I Want You "
  • Editing
  • *"I Want You "
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

12 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Oh! Darling" – remix 9 released on Abbey Road
  • *"Because" – remix 2 released on Abbey Road
  • *"Maxwell's Silver Hammer"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, John Kurlander

13 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"You Never Give Me Your Money"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

14 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Sun King/Mean Mr. Mustard"
  • *"Maxwell's Silver Hammer"
  • *"Polythene Pam/She Came in Through the Bathroom Window – remix 32 released on Abbey Road
  • Editing
  • *"Maxwell's Silver Hammer"
  • *Editing, crossfading and tape compilation Abbey Road Medley
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

15 August 1969

;Studio One into Studio Two, EMI Studios, London

18 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"Golden Slumbers/Carry That Weight" – remix 2 released on Abbey Road
  • Recording
  • *"The End"
  • Stereo Mixing
  • *"The End"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

19 August 1969

;Studio Two, EMI Studios, London
  • Stereo Mixing
  • *"The End"
  • *"Golden Slumbers/Carry That Weight" and "The End"
  • *"Something" – remix 10 released on Abbey Road
  • Recording
  • *"Here Comes the Sun"
  • Stereo Mixing
  • *"Here Comes the Sun" – released on Abbey Road
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

20 August 1969

;Studio Three, EMI Studios, London
  • Stereo Mixing
  • *"I Want You "
  • Editing
  • *"I Want You " – released on Abbey Road
  • Master tape banding and tape copying
  • *Abbey Road LP
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

21 August 1969

;Room 4 and Studio Two, EMI Studios, London
  • Editing
  • *"The End"
  • Stereo Mixing
  • *"You Never Give Me Your Money" into "Sun King/Mean Mr. Mustard" – released on Abbey Road
  • *"The End"
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

25 August 1969

;Studio Two, EMI Studios, London
  • Editing
  • *"Maxwell's Silver Hammer" – released on Abbey Road
  • *"The End" – released on Abbey Road
  • Recording
  • *"Maxwell's Silver Hammer"
  • Tape copying
  • *"Abbey Road LP masters
  • Production Staff: George Martin, Geoff Emerick/Phil McDonald, Alan Parsons

''No One's Gonna Change Our World'' and ''Hey Jude'' sessions

11 September 1969

;Studio Three, EMI Studios, London
  • Stereo mixing
  • *"What's the New Mary Jane"
  • Tape copying
  • *"What's the New Mary Jane"
  • Personnel
  • *Production staff: Malcolm Davies, Tony Clark, Chris Blair

2 October 1969

;Room 4, Abbey Road, London

26 November 1969

;Studio Two, EMI Studios, London
  • Tape copying
  • *"You Know My Name (Look Up the Number)"
  • Editing
  • *"You Know My Name " – released as the B-side to "Let It Be"; included on Past Masters and Mono Masters
  • Stereo mixing
  • *"What's the New Mary Jane"
  • Stereo mixing with simultaneous overdub
  • *"What's the New Mary Jane"
  • Editing
  • *"What's the New Mary Jane"
  • Tape copying with simultaneous editing
  • *"What's the New Mary Jane"
  • Tape copying
  • *"What's the New Mary Jane"
  • Personnel
  • *Production staff: Geoff Emerick and John Lennon, Mike Sheady and Phil McDonald, Nick Webb

2 December 1969

;Studio Two, EMI Studios, London

5 December 1969

;Room 4, Abbey Road, London
  • Stereo mixing
  • *"Hey Jude" – remix 21 released on Hey Jude; included on Past Masters
  • *"Revolution" – released on Hey Jude; included on Past Masters
  • Personnel
  • *Production staff: George Martin, Geoff Emerick and Phil McDonald, Neil Richmond

8 December 1969

;Studio Two, EMI Studios, London
  • Tape copying with simultaneous recording
  • *"Octopus's Garden"
  • Personnel
  • *Production staff: George Martin, Martin Benge, Richard Lush

''Let It Be'' album sessions

Let It Be was put together from the Get Back sessions, documented above. Most songs do not have formal take numbers.

5 February 1969

;Apple Studios, London
  • Stereo Mixing
  • *"I've Got a Feeling", "Don't Let Me Down", "Get Back", "The One After 909", "Dig a Pony"
  • Production Staff: George Martin?, Glyn Johns, Alan Parsons

10 March 1969

;Olympic Sound Studios, London
  • Stereo Mixing
  • *"Get Back", "Teddy Boy", "Two of Us", "Dig a Pony", "I've Got a Feeling", "The Long and Winding Road", "Let It Be", "Rocker", "Save the Last Dance for Me", "Don't Let Me Down", "For You Blue", "The Walk"
  • Production Staff: George Martin?, Glyn Johns, unknown

11 March 1969

;Olympic Sound Studios, London
  • Stereo Mixing
  • *"Two of Us", "The Long and Winding Road", "Lady Madonna"
  • Production Staff: George Martin?, Glyn Johns, unknown

12 March 1969

;Olympic Sound Studios, London
  • Stereo Mixing
  • *"The Long and Winding Road", "Let It Be"
  • Production Staff: George Martin?, Glyn Johns, unknown

13 March 1969

;Olympic Sound Studios, London
  • Stereo Mixing
  • *"I've Got a Feeling", "Dig It", "Maggie May", "Shake Rattle And Roll", "Kansas City", "Miss Ann", "Lawdy Miss Clawdy", "Blue Suede Shoes", "You Really Got a Hold on Me"
  • Production Staff: George Martin?, Glyn Johns, unknown

26 March 1969

;Studio unknown, Abbey Road Studio, London
  • Mono Mixing
  • *"Get Back"
  • Production Staff: George Martin?, Jeff Jarratt, n/a

7 April 1969

;Olympic Sound Studios, London
  • Mono Mixing
  • *"Get Back" – released as a single on 11 April 1969; included on Mono Masters
  • *"Don't Let Me Down" – released as the B-side to "Get Back"; included on Mono Masters
  • Stereo Mixing
  • *"Get Back" – included on Past Masters
  • *"Don't Let Me Down" – included on Past Masters
  • Production Staff: George Martin?, Glyn Johns, Jerry Boys

25 April 1969

;Room 4, Abbey Road Studio, London
  • Mono Mixing
  • *"Two of Us"
  • Production Staff: n/a, Peter Mew, Chris Blair

30 April 1969

;Studio Three, Abbey Road Studios, London
  • Recording
  • *"Let It Be"
  • *"You Know My Name "
  • Mono Mixing
  • *"You Know My Name "
  • Production Staff: Chris Thomas, Jeff Jarratt, Nick Webb

7 May 1969

;Studio One, Olympic Sound Studios, London
  • Stereo Mixing
  • *Inserts for Get Back LP
  • Production Staff: George Martin, Glyn Johns, Steve Vaughan

9 May 1969

;Studio One, Olympic Sound Studios, London
  • Stereo Mixing
  • *Inserts for Get Back LP
  • Production Staff: George Martin, Glyn Johns, Steve Vaughan

28 May 1969

;Studio One, Olympic Sound Studios, London
  • Stereo Mixing
  • *"Let It Be"
  • *Master tape banding and compilation for Get Back LP
  • Production Staff: George Martin, Glyn Johns, Steve Vaughan

11 August 1969

;Studio Three, Abbey Road Studios, London
  • Mono tape copying
  • *"Dig It"
  • Production Staff: n/a, Phil McDonald

1970

''Let It Be'' album sessions (cont.)

3 January 1970

;Studio Two, Abbey Road Studios, London
  • Recording
  • *"I Me Mine"
  • **Wake Up Little Susie/Take 11 – released on Let It Be Super Deluxe
  • **Take 16 – released on Anthology 3
  • Production Staff: George Martin, Phil McDonald, Richard Langham

4 January 1970

;Studio Two, Abbey Road Studios, London
  • Recording
  • *"Let It Be"
  • Stereo Mixing
  • *"Let It Be" – remix 2 released as a single; included on Past Masters
  • Production Staff: George Martin, Phil McDonald, Richard Langham

5 January 1970

;Studio One, Olympic Sound Studios, London
  • Stereo Mixing
  • *"I Me Mine"
  • *"Across the Universe"
  • Master tape banding and compilation
  • *Get Back LP
  • Production Staff: Glyn Johns

27 January 1970

;Studio Two, Abbey Road Studios, London
  • Stereo Mixing
  • *"The Inner Light" – released on Past Masters
  • *Production Staff: Geoff Emerick, Peter Brown/Jeff Jarratt, John Barrett

28 February 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"For You Blue"
  • Production Staff: Malcolm Davies, Peter Brown, Richard Langham

23 March 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"I've Got a Feeling"
  • *"Dig a Pony" – remix 2 released on Let It Be
  • *"I've Got a Feeling"
  • *"The One After 909" – remix 3 released on Let It Be
  • *"I Me Mine"
  • *"Across the Universe"
  • Editing
  • *"I've Got a Feeling" – stereo remix 4 released on Let It Be
  • *"I Me Mine"
  • Production Staff: Phil Spector, Peter Brown, Roger Ferris

25 March 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"For You Blue"
  • *"Teddy Boy"
  • *"Two of Us" – remix 2 released on Let It Be
  • Editing
  • *"For You Blue" – released on Let It Be
  • *"Teddy Boy"
  • Production Staff: Phil Spector, Peter Brown, Roger Ferris

26 March 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"The Long and Winding Road"
  • *"Let It Be"
  • *"Get Back"
  • *"Maggie May" – remix 2 released on Let It Be
  • Editing
  • *"Let It Be" – released on Let It Be
  • *"Get Back" – released on Let It Be
  • Production Staff: Phil Spector, Peter Brown, Roger Ferris

27 March 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"Dig It" – released on Let It Be
  • *Dialogue and miscellaneous pieces for LP
  • Production Staff: Phil Spector, Mike Sheady, Roger Ferris

30 March 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"For You Blue"
  • Production Staff: Phil Spector, Mike Sheady/Eddie Klein, Roger Ferris

1 April 1970

;Studio One and control room Studio Three, Abbey Road Studios, London
  • Recording
  • *"Across the Universe"
  • *"The Long and Winding Road"
  • *"I Me Mine"
  • Production Staff: Phil Spector, Peter Brown, Richard Lush

2 April 1970

;Room 4, Abbey Road Studios, London
  • Stereo Mixing
  • *"The Long and Winding Road"
  • *"I Me Mine"
  • *"Across the Universe" – remix 13 released on Let It Be
  • Editing
  • *"The Long and Winding Road" – released on Let It Be
  • *"I Me Mine" – released on Let It Be
  • Production Staff: Phil Spector, Peter Brown, Roger Ferris

8 May 1970

"Let It Be" LP release
  • Two of Us, mixed 25 March 1970, recorded 31 January 1969 take 11
  • Dig a Pony, mixed 23 March 1970, recorded 30 January 1969 at the rooftop concert
  • Across the Universe, mixed 2 April 1970, recorded 4 and 8 February 1968 take 8
  • I Me Mine, mixed 2 April 1970, recorded 3 January 1970 take 16
  • Dig It, mixed 27 March 1970, recorded 26 January 1969..
  • Let It Be, mixed 26 March 1970, recorded 31 January 1969 take 27
  • Maggie Mae, mixed 26 March 1970, recorded 24 January 1969..
  • I've Got a Feeling, mixed 23 March 1970, recorded 30 January 1969 at the Rooftop Concert
  • One After 909, mixed 23 March 1970, recorded 30 January 1969 at the Rooftop Concert.
  • The Long and Winding Road, mixed 2 April 1970, recorded 26 January 1969
  • For You Blue, mixed 25 March 1970, recorded 25 January 1969 take 6
  • Get Back, mixed 26 March 1970, recorded 27 January 1969..