Nüwa
Nüwa, also read Nügua, is a mother goddess, culture hero, and/or member of the Three Sovereigns of Chinese mythology. She is a goddess in Chinese folk religion, Chinese Buddhism, Confucianism and Taoism. She is credited with creating humanity and repairing the Pillar of Heaven.
As creator of mankind, she molded humans individually by hand with yellow clay. In other stories where she fulfills this role, she only created nobles and/or the rich out of yellow soil. The stories vary on the other details about humanity's creation, but it was a tradition commonly believed in ancient China that she created commoners from brown mud. A story holds that she was tired when she created "the rich and the noble", so all others, or "cord-made people", were created from her "dragg a string through mud".
In the Huainanzi, there is a description of a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven had collapsed. Nüwa was the one who patched the holes in Heaven with five colored stones, and she used the legs of a tortoise to mend the pillars.
There are many instances of her in literature across China which detail her in creation stories, and today, she remains a figure important to Chinese culture. She is one of the most venerated Chinese goddesses alongside Guanyin and Mazu.
In Chinese mythology, the goddess Nüwa is a legendary progenitor of all human beings. She also creates a magic stone. Her husband Fu Xi is suggested to be the progenitor of divination and the patron saint of numbers.
Name
The character l=female is a common prefix on the names of goddesses. The proper name is, also read as. The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'frog, which is consistent with her aquatic myth. In Chinese, the word for 'whirlpool' is, which shares the same pronunciation with the word for 'snail'. These characters all have their right side constructed by the word, which can be translated as 'spiral' or 'helix' as noun, and as 'spin' or 'rotate' when as verb, to describe the 'helical movement'. This mythical meaning has also been symbolically pictured as compasses in the hand which can be found on many paintings and portraits associated with her.Her reverential name is .
Description
The Huainanzi relates Nüwa to the time when Heaven and Earth were in disruption:The catastrophes were supposedly caused by the battle between the deities Gonggong and Zhuanxu, the five-colored stones symbolize the five Chinese elements, the black dragon was the essence of water and thus cause of the floods, Ji Province serves metonymically for the central regions. Following this, the Huainanzi tells about how the sage-rulers Nüwa and Fuxi set order over the realm by following the Way and its potency.
The Classic of Mountains and Seas, dated between the Warring States period and the Han dynasty, describes Nüwa's intestines as being scattered into ten spirits.
In , Chapter 5 "Questions of Tang", author Lie Yukou describes Nüwa repairing the original imperfect heaven using five-colored stones, and cutting the legs off a tortoise to use as struts to hold up the sky.
In , Chapter 3 "Asking Heaven", author Qu Yuan writes that Nüwa molded figures from the yellow earth, giving them life and the ability to bear children. After demons fought and broke the pillars of the heavens, Nüwa worked unceasingly to repair the damage, melting down the five-coloured stones to mend the heavens.
In , China's earliest dictionary, under the entry for Nüwa author Xu Shen describes her as being both the sister and the wife of Fuxi. Nüwa and Fuxi were pictured as having snake-like tails interlocked in an Eastern Han dynasty mural in the Wuliang Temple in Jiaxiang county, Shandong province.
In , Volume 3, author Li Rong gives this description.
There are stories that have her as the "consort" of Fuxi rather than his sister.
In Yuchuan Ziji, Chapter 3, author Lu Tong describes Nüwa as the wife of Fuxi.
In Siku Quanshu, Sima Zhen provides commentary on the prologue chapter to Sima Qian's Shiji, "Supplemental to the Historic Record: History of the Three August Ones", wherein it is found that the Three August Ones are Nüwa, Fuxi, and Shennong; Fuxi and Nüwa have the same last name, Feng.
In the collection Four Great Books of Song, compiled by Li Fang and others, Volume 78 of the book Imperial Readings of the Taiping Era contains a chapter "Customs by Yingshao of the Han Dynasty" in which it is stated that there were no men when the sky and the earth were separated. Thus Nüwa used yellow clay to make people. But the clay was not strong enough so she put ropes into the clay to make the bodies erect. It is also said that she prayed to gods to let her be the goddess of marital affairs. Variations of this story exist.
In Ming dynasty myths about the transition from the Shang dynasty to the Zhou dynasty, Nüwa made evil decisions that ultimately benefited China, such as sending a fox spirit to encourage the debauchery of King Zhou, which led to him being deposed. Other tales have her and Fuxi as exclusively the "great gentle protectors of humanity" unwilling to use subterfuge.
Nüwa and Fuxi were also thought to be gods of silk.
Iconography of Fuxi and Nüwa
The iconography of Fuxi and Nüwa vary in physical appearance depending on the time period and also shows regional differences. In Chinese tomb murals and iconography, Fuxi and Nüwa generally have snake-like bodies and human face or head.Nüwa is often depicted holding a compass or multiple compasses, which were a traditional Chinese symbol of a dome-like sky. She was also thought to be an embodiment of the stars and the sky or a star god.
Fuxi and Nüwa can be depicted as individual figures arranged as a symmetrical pair or they can be depicted in double figures with intertwined snake-like bodies. Their snake-like tails can also be depicted stretching out towards each other.
Fuxi and Nüwa can also appear individually on separate tomb bricks. They generally hold or embrace the sun or moon discs containing the images of a bird or a toad which are the sun and moon symbolism respectively, and/or each holding a try square or a pair of compasses, or holding a longevity mushroom plant. Fuxi and Nüwa holding the sun and the moon appears as early as the late Western Han dynasty. Other physical appearance variation, such as lower snake-like body shape, depictions of legs and wings, and in hats and hairstyles, also exist.
In the Luoyang regions murals dating to the late Western Han dynasty, Fuxi and Nüwa are generally depicted as individual figures, each one found at each side of the central ridge of tomb chambers as found in the Bu Qianqiu Tomb. They can also be found without intertwining tails from the stone murals of the same period. Since the middle of the Eastern Han dynasty, their tails started to intertwine.
In the Gansu murals dating to the Wei and Western Jin period, one of the most typical features of Fuxi is the "mountain-hat" which looks like a three-peaked cap while Nüwa is depicted wearing various hairstyles characteristic of Han women. Both deities dressed in wide-sleeved clothing, which reflects typical Han clothing style also commonly depicted in Han dynasty art.
Legends
Appearance in ''Fengshen Yanyi''
Nüwa is featured within the famed Ming dynasty novel. As featured within this novel, Nüwa is revered since Xia dynasty for creating the five-colored stones to mend the heavens, which tilted after Gonggong toppled one of the heavenly pillars, Mount Buzhou. Shang Rong asked King Zhou of Shang to pay her a visit as a sign of deep respect. Upon seeing her statue, Zhou was completely overcome with lust at the sight of the beautiful ancient goddess Nüwa. He wrote an erotic poem on a neighboring wall and took his leave. When Nüwa later returned to her temple after visiting the Yellow Emperor, she saw the foulness of Zhou's words. In her anger, she swore that the Shang dynasty would end in payment for his offense. In her rage, Nüwa personally ascended to the palace in an attempt to kill the king, but was suddenly struck back by two large beams of red light.After Nüwa realized that King Zhou was already destined to rule the kingdom for twenty-six more years, Nüwa summoned her three subordinates—the Thousand-Year Vixen, the Jade Pipa, and the Nine-Headed Pheasant. With these words, Nüwa brought destined chaos to the Shang dynasty, "The luck Cheng Tang won six hundred years ago is dimming. I speak to you of a new mandate of heaven which sets the destiny for all. You three are to enter King Zhou's palace, where you are to bewitch him. Whatever you do, do not harm anyone else. If you do my bidding, and do it well, you will be permitted to reincarnate as human beings." With these words, Nüwa was never heard of again, but was still a major indirect factor towards the Shang dynasty's fall.
Creation of humanity
was said to be the creation god in Chinese mythology. He was a giant sleeping within an egg of chaos. As he awoke, he stood up and divided the sky and the earth. Pangu then died after standing up, and his body turned into rivers, mountains, plants, animals, and everything else in the world, among which is a powerful being known as Huaxu. Huaxu gave birth to a twin brother and sister, Fuxi and Nüwa. Fuxi and Nüwa are said to be creatures that have faces of human and bodies of snakes.Nüwa created humanity due to her loneliness, which grew more intense over time. She molded yellow earth or, in other versions, yellow clay into the shape of people. These individuals later became the wealthy nobles of society, because they had been created by Nüwa's own hands. However, the majority of humanity was created when Nüwa dragged string across mud to mass-produce them, which she did because creating every person by hand was too time- and energy-consuming. This creation story gives an aetiological explanation for the social hierarchy in ancient China. The nobility believed that they were more important than the mass-produced majority of humanity, because Nüwa took time to create them, and they had been directly touched by her hand. In another version of the creation of humanity, Nüwa and Fuxi were survivors of a great flood. By the command of the God of the heaven, they were married and Nüwa had a child which was a ball of meat. This ball of meat was cut into small pieces, and the pieces were scattered across the world, which then became humans.
Nüwa was born three months after her brother, Fuxi, whom she later took as her husband; this marriage is the reason why Nüwa is credited with inventing the idea of marriage.
Before the two of them got married, they lived on mount K'un-lun. A prayer was made after the two became guilty of falling for each other. The prayer is as follows,
"Oh Heaven, if Thou wouldst send us forth as man and wife, then make all the misty vapor gather. If not, then make all the misty vapor disperse."
Misty vapor then gathered after the prayer signifying the two could marry. When intimate, the two made a fan out of grass to screen their faces which is why during modern day marriages, the couple hold a fan together. By connecting, the two were representative of Yin and Yang; Fuxi being connected to Yang and masculinity along Nüwa being connected to Yin and femininity. This is further defined with Fuxi receiving a carpenter's square which symbolizes his identification with the physical world because a carpenter's square is associated with straight lines and squares leading to a more straightforward mindset. Meanwhile, Nüwa was given a compass to symbolize her identification with the heavens because a compass is associated with curves and circles leading to a more abstract mindset. With the two being married, it symbolized the union between heaven and Earth. Other versions have Nüwa invent the compass rather than receive it as a gift. In addition, the system of male and female sex, the yang-yin philosophy, is expressed here in a complex way: first as Fuxi and Nüwa, then as a compass and a square, and thirdly, as Nüwa with a compass and Fuxi with a square.