Edward Norton
Edward Harrison Norton is an American actor and filmmaker. After graduating from Yale College in 1991 with a degree in history, he worked for a few months in Japan before moving to New York City to pursue an acting career. He gained recognition and critical acclaim for his debut in Primal Fear, which earned him a Golden Globe for Best Supporting Actor and an Academy Award nomination in the same category. His role as a redeemed neo-Nazi in American History X earned him an Academy Award nomination for Best Actor. He also starred in the film Fight Club, which garnered a cult following.
Norton established the production company Class 5 Films in 2003, and was director or producer of the films Keeping the Faith, Down in the Valley, and The Painted Veil. He continued to receive praise for his acting roles in films such as The Score, 25th Hour, The Italian Job, The Illusionist, Moonrise Kingdom, and The Grand Budapest Hotel. His biggest commercial successes have been Red Dragon, Kingdom of Heaven, The Incredible Hulk, and The Bourne Legacy. For his roles as a haughty actor in Birdman and Pete Seeger in A Complete Unknown, Norton earned further Academy Award nominations for Best Supporting Actor. He has also directed and acted in the crime film Motherless Brooklyn and starred in Glass Onion: A Knives Out Mystery.
Norton is an environmental activist and social entrepreneur. He is a trustee of Enterprise Community Partners, a non-profit organization that advocates for affordable housing, and serves as president of the American branch of the Maasai Wilderness Conservation Trust. He is also the UN Goodwill Ambassador for Biodiversity.
Early life
Edward Harrison Norton was born in Boston, Massachusetts, on August 18, 1969. He was raised in Columbia, Maryland. His father, Edward Mower Norton Jr., served in Vietnam as a Marine lieutenant before becoming an environmental lawyer and conservation advocate working in Asia and a federal prosecutor in the Carter administration. His mother, Lydia Robinson "Robin", was an English teacher who died following surgery to remove a brain tumor in 1997. Norton's maternal grandfather, James Rouse, was the founder of The Rouse Company and co-founder of the real estate corporation Enterprise Community Partners. He has two younger siblings, Molly and James.At age five, Norton and his parents saw a musical related to Cinderella at the Columbia Center for Theatrical Arts, starring his babysitter, which ignited his interest in the theater. He enjoyed watching films with his father as a pre-teen, but later reflected that he was fascinated with the cinematography rather than the acting. Norton recalled that it was theater and not films that inspired him to act. He made his professional debut at the age of eight in the musical Annie Get Your Gun at his hometown's Toby's Dinner Theatre. At the CCTA, he acted in several theatrical productions directed by Toby Orenstein.
In 1984, Norton won the acting cup at Pasquaney, an annual summer camp for boys in Hebron, New Hampshire, where he later returned as a theater director. He subsequently immersed himself in films, naming Dustin Hoffman and Robert De Niro as two of his early inspirations because "the ones liked were also the ones who made think could do it because they weren't the most handsome guys". He graduated from Wilde Lake High School in 1987. He attended Yale College, graduating in 1991 with Bachelor of Arts in history. While at Yale, he also studied Japanese, acted in university productions, and was a competitive rower. After graduating from Yale, conversant in Japanese, Norton worked not-for-profit as a representative for his grandfather's company, Enterprise Community Partners, in Osaka, Japan.
Career
1991–1994: Career beginnings
After five months in Japan, Norton moved to New York City, where he supported himself working odd jobs. He took six months researching different acting techniques, focusing on method acting. He later took lessons from acting coach Terry Schreiber after discovering he was looking for a Japanese translator to help direct a play in Tokyo. Norton described him as a great teacher who encouraged students to become "multilingual actors" with different techniques for versatile roles.Norton also wrote scripts for plays at the Signature Theatre Company and starred in off-Broadway theater. His performance in Brian Friel's Lovers brought him to the attention of playwright Edward Albee, whose one-act plays Norton enjoyed. In 1994, Norton auditioned for Albee's Finding the Sun but did not get the part. Albee found a new role for him instead and had Norton read for Fragments. The playwright was impressed with Norton's rehearsal performance and cast him for its world premiere. Albee remarked that Norton was a rare actor "who really knocked me out". Norton recalled that he was inspired by Al Pacino, who also began his career in theater while struggling to establish himself in New York.
1995–1999: Breakthrough
In 1995, casting agent Shirley Rich discovered Norton. He then rented a studio space near The Public Theater and presented his auditions of Shakespearean works to her. Impressed by his acting, she introduced Norton to the executives of the noir drama Primal Fear, an adaptation of William Diehl's 1993 novel. He was selected for the part over two thousand other prospects. Released in 1996, Primal Fear features Norton in the role of Aaron Stampler, an altar boy who is charged with the murder of a Roman Catholic archbishop and is defended by Martin Vail. His performance was lauded by critics; Roger Ebert of the Chicago Sun-Times praised Norton's character as "completely convincing", while Peter Stack of the San Francisco Chronicle dubbed the actor "the one to watch" after his debut. Norton won a Golden Globe Award for Best Supporting Actor and was nominated for an Academy Award in the same category for his role in the film. Norton starred in two other films released in 1996; he played Larry Flynt's lawyer Alan Isaacman in Milos Forman's biographical drama The People vs. Larry Flynt and Holden Spence in Woody Allen's musical film Everyone Says I Love You.In 1998, Norton starred alongside Matt Damon in Rounders, which follows two friends who urgently need cash and play poker to pay off a huge debt. The film and Norton's performance received a lukewarm response; Entertainment Weekly wrote that his acting "never really goes anywhere", while the Chicago Reader observed that his character was not good enough to make the film interesting. His role in the crime drama American History X, released later that year, earned him widespread acclaim. In it, Norton portrays Derek Vinyard, a reformed neo-Nazi, who abandons his preconceived ideology after three years in prison. During production, Norton was allegedly dissatisfied with director Tony Kaye's first screening. Consequently, he took over the editing and finished the final cut, which was 40 minutes longer than Kaye's version. The New Yorker wrote that he gave Derek an "ambiguous erotic allure" which made the film memorable, while the Chicago Tribune deemed his performance an immediate contender for an Oscar. Norton received an Oscar nomination for Best Actor, and won a Golden Satellite Award in the same category.
In the 1999 David Fincher-directed film Fight Club, Norton played an unnamed unreliable narrator who feels trapped in his white-collar job. The film is based on Chuck Palahniuk's 1996 novel. To prepare for the role, Norton took lessons in boxing, taekwondo and grappling. Fight Club premiered at the 1999 Venice International Film Festival. During promotion for the film, Norton explained that Fight Club examines the value conflicts of Generation X as the first generation raised on television, by probing "the despair and paralysis that people feel in the face of having inherited this value system out of advertising". While the film divided contemporary critics, Norton's role was widely applauded. Time magazine labeled him "excellent", and Variety magazine was impressed by his embracing a range of techniques needed for his character. For his performance, Norton was nominated for Best Actor by the Online Film Critics Society. Despite under-performing at the box office, Fight Club became a cult classic after its DVD release in 2000.
2000–2008: Mainstream success and directorial debut
In 2000, Norton made his directorial debut with the romantic comedy Keeping the Faith, starring as a priest named Brian Finn. The film received mixed critical reviews. The Dallas Morning News praised his acting and labeled the film "a smart directorial debut". Entertainment Weekly remarked that Norton's emergence as a director was decent, but criticized the plot because it "proposes heavy theological aims, then disavows any such thing". In 2001's heist film The Score, Norton plays Jack Teller, an ambitious young thief caught in an unlikely alliance with career criminal Nick Wells arranged by his fence, Max. The Score and Norton's performance was well received. The San Francisco Chronicle stated that despite starring with screen legends De Niro and Brando, Norton's acting "outdoes even that of Brando". The Los Angeles Times also lauded him as an "enormously gifted young actor" who pulled off the character successfully.File:Nelson Rockefeller at Critical Choices meeting 1133 17 February 28 1975-1-.JPG|thumb|left|Norton portrayed Nelson Rockefeller in the 2002 biopic Frida, for which his version of the screenplay received positive reviews.
Norton appeared in four films released in 2002. He played kids show host Sheldon Mopes, who quickly rises to fame for his character "Smoochy the Rhino", in the black comedy Death to Smoochy. It received negative critical feedback for its plot. He also portrayed Nelson Rockefeller in the biopic film Frida, which depicts the life of Mexican artist Frida Kahlo. Norton rewrote the script several times without credit, focusing on the historical context and adding some humor while retaining Kahlo's real-life personality. The final screenplay, with Norton's contribution, received positive reviews from critics as well as admiration from the film's co-stars including Hayek and Alfred Molina, who portrayed Kahlo's husband and fellow artist Diego Rivera. In the horror film Red Dragon, Norton starred as retired FBI profiler Will Graham, who consults with cannibalistic serial killer Hannibal Lecter to catch Francis Dolarhyde, a serial killer who murders entire families. During production, Norton and director Brett Ratner argued frequently over the script. "He likes to challenge the director. It's all about intellectual debate," Ratner told The Times in 2003. "... Edward's instinct is going to be, 'I have to take over this film.' He's going to try to rescue the film. That's both a blessing and a curse." Despite mixed reviews, Red Dragon was Norton's most profitable venture in 2002, grossing over $200 million. Norton also co-produced and starred in 25th Hour, a film about a drug dealer in post-9/11 New York City.
Paramount Pictures forced Norton to star in the heist film The Italian Job, threatening to sue him for violating a three-film contract he had signed; the studio had previously distributed 1996's Primal Fear and 2001's The Score. Norton, accordingly, refused to promote the film's release. His performance was well received by critics, with The New Yorker calling him "intelligent and incisive... one of those rare actors who hold the audience's attention with everything they say". Rolling Stone praised his character as "perversely magnetic" despite giving the film a negative review. During this time, Norton co-founded a production company, Class 5 Films, with Yale classmate Stuart Blumberg and film producer Bill Migliore. Norton was cast as Baldwin IV, the leper king of Jerusalem, in Ridley Scott's 2005 historical film Kingdom of Heaven. Reviewers criticized the film's lack of depth, while praising the cinematography. Jack Moore described Norton's performance in Kingdom of Heaven as "phenomenal", and "so far removed from anything that he has ever done that we see the true complexities of his talent". It grossed over $211 million worldwide. Norton's next lead role was in the neo-western film Down in the Valley, playing a delusional man who claims to be a cowboy. While the film was criticized for its narrative, Norton was praised for his performance.
Norton had two major film roles in 2006, starring as Eisenheim the magician in The Illusionist and bacteriologist Walter Fane in The Painted Veil. Set in 19th-century Austria-Hungary, The Illusionist was loosely based on novelist Steven Millhauser's short story "Eisenheim the Illusionist" and received generally positive critical reviews. The San Francisco Chronicle dubbed the film "rich and elegant" and wrote of Norton's character: "he doesn't just seduce the on-screen audience but the audience watching in the movie theater". The Houston Chronicle similarly lauded the film for its vibrant plot and described Norton's performance as "mysterious and understated". Norton co-produced The Painted Veil, in which he starred with Naomi Watts, who portrayed his character's unfaithful wife. Like his previous venture, The Painted Veil garnered positive feedback from reviewers. The Guardian applauded the film as "faultless" and "powerful" as well as Norton's "genuinely affecting" performance. Entertainment Weekly appreciated that Norton's production effort did not affect his acting.
Norton appeared in two documentaries in 2007: Brando, which chronicles the life and career of screen legend Marlon Brando, with whom Norton co-starred in 2001's The Score, and Man from Plains, which depicts the post-presidency endeavors of former U.S. president Jimmy Carter. He starred in the crime drama Pride and Glory as Ray Tierney, an honest detective assigned to investigate the precinct run by his older brother. Reviewers criticized the film for its cliched plot.