Blues in the Night
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
Composition
Arlen and Mercer wrote the entire score for the 1941 film Blues in the Night. One requirement was for a blues song to be sung in a jail cell. As usual with Mercer, the composer wrote the music first, then Mercer wrote the words. The title "Blues in the Night" describe the narrator's romantic loneliness and frustration, recalling his mother's warning from childhood: "A woman's a two-face, a worrisome thing / Who'll leave you to sing the blues in the night".Arlen later recalled:
When they finished writing the song, Mercer called a friend, singer Margaret Whiting, and asked if they could come over and play it for her. She suggested they come later because she had dinner guests—Mickey Rooney, Judy Garland, Mel Tormé, and Martha Raye. Instead, Arlen and Mercer went right over. Margaret Whiting remembered what happened then:
After the song was composed and the lyrics were written, African-American baritone William Gillespie was hired to perform the song a cappella in a film scene set in a jail cell. In his review of the film, critic Howard Thompson of The New York Times argued that Gillespie's "superbly chanted" version of the Arlen–Mercer song transformed the motion picture and arguably "nailed the film down for posterity."
Academy Award nomination
In 1942, "Blues in the Night" was one of nine songs nominated for the Academy Award for Best Original Song. Observers expected that either "Blues in the Night" or "Chattanooga Choo Choo" would win, so that when "The [Last Time I Saw Paris (song)|The Last Time I Saw Paris]" actually won, neither its composer, Jerome Kern, nor lyricist, Oscar Hammerstein II, was present at the ceremony. Kern was so upset at winning with a song that had not been specifically written for a motion picture and that had been published and recorded before the film came out that he petitioned the Motion Picture Academy to change the rules. Since then, a nominated song has to have been written specifically for the motion picture in which it is performed.Critical comment
Composer Alec Wilder said of this song, Blues in the Night' is certainly a landmark in the evolution of American popular music, lyrically as well as musically."Famous phrases from the lyrics
- "My momma done tol' me"
- "when I was in knee pants"
- "worrisome thing"
- "a woman'll sweet talk"
Recorded versions
Charting versions
Listed below are known versions of "Blues In the Night" that have made Billboard magazine's charts in the United States since 1941.Recorded versions in the United Kingdom were by Shirley Bassey and Helen Shapiro.
Artie Shaw recorded the first version on September 2, 1941, for RCA Victor Records, which was released as Victor 27609 on October 3. It debuted at number 10 on Billboard magazine's "Best Selling Retail Records chart" on November 21, 1941, but dropped to number 21 the next week, then off.
The Woody Herman recording was released by Decca Records as catalog number 4030 in October 1941. It reached the BS chart in November, and hit number one on February 14, 1942, finishing with a 21-week chart run.
Dinah Shore's version was released by Bluebird Records as catalog number 11436 on January 23, 1942. It reached the BS chart on February 14, 1942, to start an 11 week run, peaking at number 4. It was the 27th BS record of 1942, and went on to sell one million records.
Jimmie Lunceford's two-sided platter was recorded on December 22, 1941, and released on Decca 4125 in January. Starting January 31, 1942, it ran 10 weeks on the BS chart, peaking at number 4.
The Cab Calloway recording was released by OKeh Records as catalog number 6422. It reached the BS chart on January 31, 1942, to start a nine week run, peaking at number 8.
The Benny Goodman Sextet, with Peggy Lee on vocals, recorded "Blues in the Night" on December 24, 1941, released on Okeh 6553 in January 1942. It made the chart on February 14 at number 20, but was never seen again.
The Rosemary Clooney recording was released by Columbia Records as catalog number 39813. The record first reached the Billboard magazine charts on September 26, 1952, and lasted two weeks on the chart, peaking at number 29.
Other notable versions
In addition, the song was recorded at least three times by Jo Stafford. Her previously unreleased 1942 version with the Tommy Dorsey orchestra was included in the 1966 Reader's Digest box set The Glenn Miller Years. On October 15, 1943, she recorded it with Johnny Mercer, the Pied Pipers, and Paul Weston's Orchestra, in a version released as a single and on an album by Capitol Records. On February 20, 1959, she recorded it with The Starlighters in a version released on an album by Columbia Records.Carlos Montoya recorded a flamenco version.
Additional recorded versions (and further details on above versions)
- Frank Sinatra on Sinatra Sings For Only The Lonely
- Bobby Bland on Here's the Man!
- Arlen himself recorded the song for his 1966 album, Harold Sings Arlen (With Friend).
- Larry Adler and the John Kirby Orchestra
- Luis Arcaraz
- Louis Armstrong on Louis Armstrong Meets Oscar Peterson
- The Four Seasons
- Charlie Barnet and his orchestra
- Shirley Bassey
- Tex Beneke
- Tony Bennett on The Beat of My Heart
- Sam Butera
- Cab Calloway and his orchestra
- Eva Cassidy
- Chicago, Night & Day: Big Band, 1995
- Rosemary Clooney with Percy Faith's orchestra
- Bing Crosby and John Scott Trotter's Orchestra. Crosby also recorded the song in 1956 for his album Songs [I Wish I Had Sung the First Time Around].
- Doris Day
- Jula de Palma in her album Jula in jazz
- Ella Fitzgerald on Ella Swings Lightly and Ella Fitzgerald Sings the [Harold Arlen Songbook].
- Judy Garland and the David Rose Orchestra
- Benny Goodman and his Sextet
- Bob Grant
- Buddy Guy has often incorporated parts of the song in his arrangements of classic blues songs including "I've Got A Right To Love My Woman" from the 1980 live album The Dollar Done Fell and "Cheaper To Keep Her/Blues In The Night" from the 2005 album Bring 'Em In.
- Woody Herman and his Orchestra
- Harry James and his orchestra
- Quincy Jones His version was featured prominently in the Soundtrack of Ocean's Eleven -
- Ledisi, We All Love Ella: Celebrating the First Lady of Song
- Little Milton, We're Gonna Make It
- Guy Lombardo's Royal Canadians
- Julie London on About the Blues
- Clyde Lucas and his orchestra
- Jimmie Lunceford and his Orchestra
- Nellie Lutcher
- Katie Melua
- Johnny Mercer
- Johnny Mercer, Jo Stafford, and The Pied Pipers
- Van Morrison with Georgie Fame recorded on How Long Has This Been Going On
- Art Pepper with strings, on his 1980 album Winter Moon,
- Betty Reilly
- Helen Shapiro
- Artie Shaw and his Orchestra
- Dinah Shore
- Kate Smith
- Jo Stafford
In popular culture
- The song was frequently quoted by composer Carl Stalling in his musical scores for the Looney Tunes and Merrie Melodies cartoons for Warner Bros. studios in the 1940s and 1950s. The then-recent hit song is sung incessantly by Daffy Duck in the ironically-titled 1942 cartoon My Favorite Duck, in which Porky Pig is tormented by the duck while on a camping trip. Porky's preferred number in that cartoon is "On Moonlight Bay". At one point, Porky unconsciously starts to sing "My Mama Done Tol' Me," then stops, looks into the camera with a "Harumph!" and returns to "Moonlight Bay".
Additionally, the musical riff "my mama done tol' me" is used to identify a black duck from 'South' Germany in the 1942 Looney Tunes cartoon The Ducktators, and the song is featured prominently in the 1943 Merrie Melody cartoon Fifth Column Mouse as well as in Coal Black and de Sebben Dwarfs. In the 1942 cartoon, Bugs Bunny Gets the Boid, Bugs Bunny half-mutters the song, changing the lyrics to, "My mamma done told me, a buzzard is two faced..." The melody is also heard in Porky Pig's Feat, Early to Bet, The Hypo-Chondri-Cat, and others. - Eddie "Rochester" Anderson, would occasionally sing the beginning of the song on the Jack Benny radio program.
- In the short-lived 1979 sitcom The Last Resort, Stephanie Faracy emphatically sang it while kneading bread dough.
- In the Duck Dodgers season 2 episode, "Talent Show a Go-Go," the song is sung by the show's main antagonist Queen Tyr'ahnee, the Martian Queen.
- In The Simpsons Season 26 episode, "The Musk Who Fell to Earth," lines from the song are sung by Carl during a flashback montage.