The Nice Guys


The Nice Guys is a 2016 American neo-noir action comedy film directed by Shane Black, who co-wrote the screenplay with Anthony Bagarozzi. The film stars Russell Crowe and Ryan Gosling in the title roles, with Angourie Rice, Matt Bomer, Margaret Qualley, Keith David, and Kim Basinger appearing in supporting roles. Set in the 70s Los Angeles, the film focuses on private eye Holland March and tough enforcer for hire Jackson Healy who team up to investigate the disappearance of a teenage girl.
The Nice Guys premiered on May 10, 2016, in Hollywood, screened on May 15 at the 2016 Cannes Film Festival and was released by Warner Bros. Pictures in the United States on May 20, 2016, receiving positive reviews from critics for its humor, mystery, and the performances of Crowe and Gosling but it flopped at the box office as it grossed $63 million on a $50 million budget. The film has gained a cult following especially for Gosling and Crowe's chemistry and comedy.

Plot

In 1977 Los Angeles, Holland March is a private eye hired by Mrs. Glenn to find her niece, porn star Misty Mountains, who she claims to have seen after her death. March's investigation leads him to Amelia Kuttner. A fearful Amelia pays Jackson Healy, a violent enforcer, to scare March away. After visiting March at his home and breaking his arm, he accepts a Yoo-hoo from March's teenage daughter, Holly, as he leaves. When Healy returns home, he is interrogated by two thugs, "Blueface"—so named after he sets off a dye pack while searching Healy's apartment—and Older Guy, about Amelia. Believing Amelia is in danger, Healy wards them off and teams up with a reluctant March to find her.
The duo visit Amelia's anti-pollution protest group and meet Chet, who brings them to the burnt-down house of Amelia's boyfriend Dean, who died in the fire. They learn that Amelia and Dean were working with Misty on an "experimental film" combining pornography and investigative journalism.
The two infiltrate a party to search for the film's financier, Sid Shattuck. At the party, Healy discovers the film is missing, while March stumbles upon Shattuck's dead body and crosses paths with Amelia. Holly, having snuck along to the party, stops Blueface from killing Amelia. Blueface is struck in a hit-and-run and Amelia flees. Healy subdues Older Guy and finds Blueface dying. Blueface tells Healy that his boss has dispatched a hit man named John Boy to kill all witnesses. Healy discreetly kills Blueface by strangling him. The police arrive at the scene.
March and Healy are met by Amelia's mother Judith Kuttner, a high-ranking official in the Justice Department. Judith claims Amelia is delusional and hires them to find her, for which March demands US$5,000 in payment. March and Healy go to an airport hotel where Amelia is meeting with distributors for the film. However, John Boy has arrived ahead of them and is slaughtering the distributors. The duo hastily retreat, only for Amelia to land on their car and accidentally knock herself unconscious.
They take her to March's house, where she accuses her mother of colluding with car makers to suppress the catalytic converter, which regulates exhaust emissions. Amelia created the film to expose their collusion and believes her mother has been killing everyone connected to the film. A disbelieving March calls Tally, Judith's assistant, and tells her Amelia has been found. Tally tells him the family's doctor will arrive to check on Amelia. At the same time, she tasks them with delivering a briefcase of money to Judith.
March accidentally crashes his car during the delivery, causing the briefcase to fly open, spilling out shredded paper; the delivery was really a diversion to draw them away from Amelia. John Boy arrives at March's house disguised as the family doctor, attacks Holly and her friend Jessica, and engages in a shootout with the returning March and Healy. As John Boy evades the police, Amelia flees the house and unwittingly flags down his car only to be shot and killed. The police question and release March and Healy, who have no evidence that Judith is behind the murders. March realizes that Mrs. Glenn saw Misty in a film projected against a wall. At Misty's house, they discover a film projector, with no film. They realize that Chet is the projectionist for the Los Angeles Auto Show and will try to screen the film at the event.
At the auto show, Tally intercepts Healy and March at gunpoint. Holly distracts Tally, who is knocked unconscious. Amelia's film, which Chet spliced into the auto show presentation, implicates the auto executives. On the rooftop, March struggles with Older Guy; they both fall from the roof, but March lands in the pool while Older Guy falls to his death. Holly stops Tally from reaching the film. Healy overpowers John Boy, but spares his life at Holly's behest and March secures the film from thugs sent by the auto executives. Judith is arrested, but insists that it was Detroit who wanted Amelia dead; she hired March and Healy to keep Amelia safe. Judith remarks that while she will go to prison, Detroit has still gotten away with trying to suppress the catalytic converter. At a bar on Christmas Eve, March shows Healy an advertisement for their new detective agency called "The Nice Guys".

Cast

Production

Development

Like Shane Black's previously directed film Kiss Kiss Bang Bang, The Nice Guys takes inspiration from Brett Halliday, namely his novel Blue Murder. Black initially wrote a version of the script along with Anthony Bagarozzi in 2001 which established the characters but otherwise was vastly different. According to Black, each would start with one detective, he with March and Bagarozzi with Healy. Along the way, they swapped characters and eventually wrote a first draft. This version of the script failed to attract any buyers, and then Black reworked it into a 64-page version that would serve for a television pilot. CBS became attracted to it, but given the contents led to many objections by the Standards and Practices department, it eventually did not progress. Black would later, upon promoting the release of the final film, speak disparagingly of the idea of the television series, stating that such a show "wouldn't have been any good". By 2009, Bagarozzi suggested changing the film from a contemporary setting to the 1970s. Black's producer friend Joel Silver was initially wary of the idea as he felt audiences would not be as welcoming to a period piece, but he changed his mind after producing Sherlock Holmes. Black stated the change in time period helped as in contrast to "the divisiveness that we see now", the 1970s was full of multiculturalism and "was the aftermath of the protests and you got a sense that we are all in it together". The contents also drew from films of the period such as Vanishing Point and Five Easy Pieces. Bagarozzi noted how the title The Nice Guys aimed to be ironic and non-descriptive, as the two main characters were "literally the two worst people that we could think of and then trying to make that fun," given "one breaks arms for a living and the other cons old ladies out of money."

Casting

After Shane Black completed the Marvel Cinematic Universe film Iron Man 3 in 2013, Silver asked Black what he wanted to do next and he expressed interest in doing The Nice Guys. The script was sent to Ryan Gosling and Russell Crowe, and both wound up taking the roles specially for the prospect of working with one another. Gosling even stated that when he read the script already picturing Crowe as Healy, "the movie just immediately became so funny" as he had never seen Crowe in a similar role. Gosling and Crowe accepted in a period of three days, and Black cited the casting as the reason the film was able to move forward, summed up as "After thirteen years it just popped into place in three days". The film was announced in June 2014, and other casting news followed with Margaret Qualley and Angourie Rice officially joining in September. Matt Bomer, Keith David, Beau Knapp, and Kim Basinger were confirmed in October, and Ty Simpkins and Jack Kilmer were announced in November.

Filming

began on October 27, 2014, in Atlanta and Decatur, Georgia. While production designer Richard Bridgland saw a challenge in that the green Atlanta differed too much from the desertic Los Angeles, he found some fitting locations such as Dallas Austin's house, the design of which was based on what architect John Lautner found in Southern California, and the Atlanta Hilton, which had not changed at all since being built in 1976. On October 31, a police station scene was filmed in Atlanta among extras. Filming also took place in Los Angeles, mostly to get exteriors of locations such as The Comedy Store.
Bridgland did his best to recreate the 1970s, researching from Super 8 films to documentary photographs, and basing the furniture on designers such as Verner Panton. Even the Misty Mountains glamour photography had Bridgland recruiting Arny Freytag, responsible for most Playboy centerfolds of the decade. For its part, Warner Bros. used its 1972–84 production logo to open the film.

Music

Release

In the United States, the film was originally scheduled for a June 17, 2016 release, which Warner Bros. moved up to May 20, 2016, giving its previous date to Central Intelligence. The film had its premiere at the TCL Chinese Theatre in Hollywood on May 10, followed by a 1970s-themed after-party at The Hollywood Roosevelt Hotel, and screened at Cannes on May 15.
The film was released on digital on August 9, 2016, and DVD and Blu-ray on August 23, 2016. The Nice Guys was released on 4K Ultra HD Blu-ray on February 11, 2025.

Reception

Box office

The Nice Guys grossed $36.3 million in the United States and Canada, and $25.5 million in other countries, for a worldwide total of $62.8 million, against a production budget of $50 million.
In the United States and Canada, the film was released alongside Neighbors 2: Sorority Rising and The Angry Birds Movie, and was projected to gross around $10 million from 2,865 theaters in its opening weekend. It grossed $3.9 million on its first day, including $700,000 from Thursday night previews. In its opening weekend the film grossed $11.3 million, finishing fourth at the box office behind The Angry Birds Movie, Captain America: Civil War and Neighbors 2. Phil Walden of Forbes argued that the film could have performed higher if not for sharing its release with Neighbors 2, which shared the same older demographic the film targeted. The film made $6.5 million in its second weekend, finishing seventh.