Science fiction convention


A science fiction convention is the gathering of fans of the speculative fiction subgenre, science fiction. Historically, science fiction conventions had focused primarily on literature, but the purview of many extends to such other avenues of expression as films, television, comics, animation, and games. The format can vary but will tend to have a few similar features such as a guest of honour, discussion panels, readings and large special events such as opening/closing ceremonies and some form of party or entertainment. Science fiction conventions started off primarily in the United Kingdom and the United States but have now spread further. Several countries have their own individual conventions, as well as playing host to rotating international conventions.

History

The Royal Albert Hall has asserted that the Vril-Ya Bazaar and Fete, a charitable event held at the Hall in 1891, was the world's first science fiction convention. The event was a multi-day fundraising bazaar themed around the popular 1871 science fiction novel The Coming Race by Edward Bulwer-Lytton, which involves the Vril-Ya, a subterranean race of winged superhuman beings. The event at the Royal Albert Hall featured elements similar to those of later science fiction conventions, such as special guests, special events and other performances, set pieces and special effects, costumes, and stalls selling merchandise related to the event's theme and named using the Vril-Ya language as presented in the novel. However, the event was not contemporaneously referred to as a science fiction convention and was primarily a fundraiser for the London Massage and Galvanic Hospital, one of a number of such events held with other, non-science fictional, themes put on by the hospital's founder Dr. Herbert Tibbits.
The precise time and place of the first science fiction convention is a matter of some dispute. The idea and form was clearly anticipated in Robert Bloch's short story about a large convention of writers, "The Ultimate Ultimatum", "It was a big convention. Lovecraft was there." Sometime in 1936, a group of British fans made plans to have an organized gathering, with a planned program of events in a public venue in early 1937. However, on October 22, 1936, a group of six or seven fans from New York City, including David Kyle and Frederik Pohl, traveled by train to Philadelphia, Pennsylvania, where for several hours they visited a similar number of local fans at the house of Milton A. Rothman. They subsequently declared that event to be the first "science fiction convention." This small get-together set the stage for a follow-up event held in New York, in February 1937, where "30 or 40" fans gathered at Bohemian Hall in Astoria, Queens. Attendees at this event included James Blish, Charles D. Hornig, Julius Schwartz, and Willis Conover. This event came to be known as the "Second Eastern" and set the stage for the successful Third Eastern held in Philadelphia on October 30, 1937, and the subsequent Fourth Eastern held on May 29, 1938, which attracted over 100 attendees to a meeting hall in Newark, NJ and designated itself as "The First National Science Fiction Convention." It was at this event that a committee was named to arrange the first World Science Fiction Convention in New York in 1939; formalizing planning that had begun at the Third Eastern. The "First National", which included the participation of a number of well-known New York editors and professionals from outside fan circles, was a milestone in the evolution of science-fiction conventions as a place for science-fiction professionals, as well as fans, to meet their colleagues in person.
On January 3, 1937, the British fans held their long-planned event at the Theosophical Hall in Leeds. Around twenty fans, including Eric Frank Russell and Arthur C. Clarke, attended. To this day, many fan historians, especially those in the United Kingdom, contend that the Philadelphia meeting was a convention in name only, whereas other fan historians point out that many similar gatherings since then have been called "conventions" without eliciting any disagreement.
Regardless of what gathering is held to have been the first science fiction convention, American fans had organized sufficiently by 1939 to hold, in conjunction with the 1939 World's Fair, the first "World Science Fiction Convention," in New York City. Subsequent conventions were held in Chicago in 1940 and Denver in 1941. Like many cultural events, it was suspended during World War II. Conventions resumed in 1946 with the hosting of the World Science Fiction Convention in Los Angeles, California. The first Worldcon held outside the United States was Torcon I in Toronto in 1948; since then, Worldcons have been held in Britain, Germany, the Netherlands, Canada, Australia, Japan, Finland, and Ireland although the majority of Worldcons are still held in the United States.

Types

Since the first conventions in the late 1930s, such as the first Worldcon, hundreds of local and regional science fiction conventions have sprung up around the world either as one-time or annual events. At these conventions, fans of science fiction come together with the professional writers, artists, and filmmakers in the genre to discuss its many aspects. Some cities have a number of science-fiction conventions, as well as a number of special interest conventions for anime, media, or other related groups. Some conventions move from city to city, serving a particular country, region, or special interest. Nearly every weekend of the year now has at least one convention somewhere and some conventions are held on holiday weekends where four or more days can be devoted to events.

International conventions

World Science Fiction Convention

Worldcon, or more formally The World Science Fiction Convention, is a science fiction convention that has been held each year since 1939. It is the annual convention of the World Science Fiction Society, an unincorporated body whose members are defined as "all people who have paid membership dues to the Committee of the current Worldcon". These members of WSFS vote both to select the site of the Worldcon two years in advance and to select the winners of the Hugo Awards, which are presented at the convention. The rules for venue selection are deliberately drafted to ensure the convention occurs in a different city each year.

World Fantasy Convention

is usually considered alongside science fiction at conventions. Conventions that are nominally science-fiction conventions, such as Worldcon, are also fantasy conventions in all but name. World Fantasy Convention was begun in 1975, and has since been held on an annual basis. The World Fantasy Convention, however, is less oriented toward the fan community, and is primarily a professional gathering. Many of those who attend "World Fantasy" also attend Worldcon. However, this convention is more focused on authors and publishing, with a much higher proportion of authors in attendance; as such it does not usually include the broad range of events that one would normally find at a general-interest convention.

World Horror Convention

The World Horror Convention is an annual gathering of professionals of the World Horror Society and other interested parties. Up till 2009, all World Horror Conventions had been held in the United States or Canada, usually alternating between the east and west sides of the country. The 2010 convention was held in Brighton in the UK, the first time it took place outside North America. The Horror Writers Association's Bram Stoker Award ceremony has been held in conjunction with the convention for the last few years.

National conventions

A National Convention is usually held annually in a number of countries. The British Eastercon is the oldest of these. National conventions are often run by, or in association with, a national Science-fiction organization or club.

Regional conventions

Before the age of inexpensive travel, regional conventions arose to attract fans from broad geographical areas. The oldest of these is Westercon, whose meetings are held on a rotational basis among regions in the western United States and Canada. Eurocon is held each year somewhere in Europe, often in eastern European countries where fandom is a new phenomenon. A North American Science Fiction Convention is held in North America in any year when the Worldcon is outside of North America. DeepSouthCon is held in the Southern United States, with a focus on Southern culture in science fiction.

Local conventions

Local conventions, which are offshoots of the main regional conventions, draw fans from the immediate area in which the convention is being held, though these have very few attendees who have traveled from afar to attend the main convention. Some local conventions, including events run by student groups from high schools or colleges, draw their attendance solely from the student body and campus neighborhood. Others, such as those run by UK universities, may draw from a wider audience than just the university itself.

Media conventions

Some conventions are focused on "media", that is, science fiction on film and television. There are general media conventions covering a broad range of science fiction in media, such as Toronto Trek, and then there are conventions focused on a single body of work, such as "Celebration," the official Star Wars convention; "Galaxyfest," the yearly event in Vulcan, Alberta dedicated to Star Trek; and BotCon, the official Transformers convention. Most media conventions are commercial shows run for profit, though some are organized by non-profit fan groups similar to general science-fiction conventions.

Comic and "popular culture" conventions

From comics and media fandom, a category of "popular culture" conventions has emerged, such as Comic-Con International and Dragon Con, featuring a wide range of "pop culture" events ranging from animation, drive-in movie theaters, old-time radio, horror movies, and cowboy celebrities. These events have become much larger than traditional SF conventions; nearly a hundred thousand people attend Comic-Con in San Diego each year. Although not all of them are commercial ventures, they tend to suffer the same drawbacks as commercial shows due to the sheer size of the events.