Michael Chabon
Michael Chabon is an American novelist, screenwriter, columnist, and short story writer. Born in Washington, D.C., he studied at Carnegie Mellon University for one year before transferring to the University of Pittsburgh, graduating in 1984. He subsequently received a Master of Fine Arts in creative writing from the University of California, Irvine.
Chabon's first novel, The Mysteries of Pittsburgh, was published when he was 24. He followed it with Wonder Boys and two short-story collections. In 2000, he published The Amazing Adventures of Kavalier & Clay, awarded the Pulitzer Prize for Fiction in 2001; John Leonard described it as Chabon's magnum opus.
His novel The Yiddish Policemen's Union, an alternate history mystery novel, was published in 2007 and won the Hugo, Sidewise, Nebula and Ignotus awards; his serialized novel Gentlemen of the Road appeared in book form in the fall of the same year. In 2012, Chabon published Telegraph Avenue, billed as "a twenty-first century Middlemarch", concerning the tangled lives of two families in the San Francisco Bay Area in 2004. He followed Telegraph Avenue in November 2016 with his latest novel, Moonglow, a fictionalized memoir of his maternal grandfather, based on his deathbed confessions under the influence of powerful painkillers in Chabon's mother's California home in 1989.
Chabon's work is characterized by complex language, and the frequent use of metaphor along with recurring themes such as nostalgia, divorce, abandonment, fatherhood, and most notably issues of Jewish identity. He often includes gay, bisexual, and Jewish characters in his work. Since the late 1990s, he has written in increasingly diverse styles for varied outlets; he is a notable defender of the merits of genre fiction and plot-driven fiction, and, along with novels, has published screenplays, children's books, comics, and newspaper serials.
Biography
Early life
Chabon was born in Washington, D.C., to an Ashkenazi Jewish family. His parents are Robert Chabon, a physician and lawyer, and Sharon Chabon, a lawyer. Chabon said he knew he wanted to be a writer when, at the age of ten, he wrote his first short story for a class assignment. When the story received an A, he recalls, "I thought to myself, 'That's it. That's what I want to do. I can do this.' And I never had any second thoughts or doubts." Referring to popular culture, he wrote of being raised "on a hearty diet of crap". His parents divorced when he was 11, and he grew up in Pittsburgh, Pennsylvania, and Columbia, Maryland. Columbia, where he lived nine months of the year with his mother, was "a progressive planned living community in which racial, economic, and religious diversity were actively fostered." He has written of his mother's marijuana use, recalling her "sometime around 1977 or so, sitting in the front seat of her friend Kathy's car, passing a little metal pipe back and forth before we went in to see a movie." He grew up hearing Yiddish spoken by his mother's parents and siblings.Chabon attended Carnegie Mellon University for a year before transferring to the University of Pittsburgh, where he studied under Chuck Kinder and received a Bachelor of Arts in 1984. He went on to graduate school at the University of California, Irvine, where he received a Master of Fine Arts in creative writing.
''The Mysteries of Pittsburgh'' and initial literary success
Chabon's first novel, The Mysteries of Pittsburgh, was written as his UC Irvine master's thesis. Without telling Chabon, his professor, Donald Heiney, sent it to a literary agent, who got the author an impressive $155,000 advance on the novel, though most first-time novelists receive advances under $7,500. The Mysteries of Pittsburgh appeared in 1988 and was a bestseller, instantly catapulting Chabon to literary celebrity. Among his major literary influences in this period were Donald Barthelme, Jorge Luis Borges, Gabriel García Márquez, Raymond Chandler, John Updike, Philip Roth and F. Scott Fitzgerald. As he remarked in 2010, "I just copied the writers whose voices I was responding to, and I think that's probably the best way to learn."Chabon was ambivalent about his newfound fame. He turned down offers to appear in a Gap ad and to be featured as one of Peoples "50 Most Beautiful People". He later said of the People offer, "I don't give a shit ... I only take pride in things I've actually done myself. To be praised for something like that is just weird. It just felt like somebody calling and saying, 'We want to put you in a magazine because the weather's so nice where you live.' "
In 2001, Chabon reflected on the success of his first novel, noting that while "the upside was that I was published and I got a readership," the downside was the emotional impact: "this stuff started happening and I was still like, 'Wait a minute, is my thesis done yet?' It took me a few years to catch up." In 1991, he published A Model World, a collection of short stories, many of which were previously published in The New Yorker.
''Fountain City'' and ''Wonder Boys''
After the success of The Mysteries of Pittsburgh, Chabon spent five years working on a second novel, Fountain City, a "highly ambitious opus... about an architect building a perfect baseball park in Florida." It ballooned to 1,500 pages, with no end in sight. The process was frustrating for Chabon, who, in his words, "never felt like I was conceptually on steady ground."At one point, he submitted a 672-page draft to his agent and editor, who disliked the work. Chabon had problems dropping the novel, though. "It was really scary," he said later. "I'd already signed a contract and been paid all this money. And then I'd gotten a divorce and half the money was already with my ex-wife. My instincts were telling me, 'This book is fucked. Just drop it.' But I didn't, because I thought, 'What if I have to give the money back?' " "I used to go down to my office and fantasize about all the books I could write instead." Chabon has confessed to being "careless and sloppy" when it came to his novels' plots, saying how he "again and again falls back on the same basic story."
When he finally decided to abandon Fountain City, Chabon recalls staring at his blank computer for hours before suddenly picturing "a straitlaced, troubled young man with a tendency toward melodrama, trying to end it all." He began writing, and within a couple of days had written 50 pages of what became his second novel, Wonder Boys. Chabon drew on his own experiences with Fountain City for the character of Grady Tripp, a frustrated novelist who has spent years working on an immense fourth novel. He wrote Wonder Boys in a dizzy seven-month streak, without telling his agent or publisher he'd abandoned Fountain City. The book, published in 1995, was a commercial and critical success.
In late 2010, "An annotated, four-chapter fragment" from the unfinished 1,500 page Fountain City manuscript, "complete with cautionary introduction and postscript" written by Chabon, was included in McSweeney's 36.
''The Amazing Adventures of Kavalier & Clay''
Among the supporters of Wonder Boys was The Washington Post critic Jonathan Yardley; however, despite declaring Chabon "the young star of American letters", Yardley argued that, in his works to that point, Chabon had been preoccupied "with fictional explorations of his own... It is time for him to move on, to break away from the first person and explore larger worlds." Chabon later said that he took Yardley's criticism to heart, explaining, "It chimed with my own thoughts. I had bigger ambitions." In 1999 he published his second collection of short stories, Werewolves in Their Youth, which included his first published foray into genre fiction, the grim horror story "In the Black Mill".Shortly after completing Wonder Boys, Chabon discovered a box of comic books from his childhood; a reawakened interest in comics, coupled with memories of the "lore" his Brooklyn-born father had told him about "the middle years of the twentieth century in America....the radio shows, politicians, movies, music, and athletes, and so forth, of that era," inspired him to begin work on a new novel. In 2000, he published The Amazing Adventures of Kavalier & Clay, an epic historical novel that charts 16 years in the lives of Sammy Clay and Joe Kavalier, two Jewish cousins who create a wildly popular series of comic books in the early 1940s, the years leading up to the entry of the U.S. into World War II. The novel received "nearly unanimous praise" and became a New York Times Best Seller, eventually winning the 2001 Pulitzer Prize for Fiction. Chabon reflected that, in writing Kavalier & Clay, "I discovered strengths I had hoped that I possessed—the ability to pull off multiple points of view, historical settings, the passage of years—but which had never been tested before."
''Summerland'', ''The Final Solution'', ''Gentlemen of the Road'', and ''The Yiddish Policemen's Union''
In 2002, Chabon published Summerland, a fantasy novel written for younger readers that received mixed reviews but sold extremely well, and won the 2003 Mythopoeic Fantasy Award. Two years later, he published The Final Solution, a novella about an investigation led by an unknown old man, whom the reader can guess to be Sherlock Holmes, during the final years of World War II. His Dark Horse Comics project The Amazing Adventures of the Escapist, a quarterly anthology series that was published from 2004 to 2006, purported to cull stories from an involved, fictitious 60-year history of the Escapist character created by the protagonists of The Amazing Adventures of Kavalier & Clay. It was awarded the 2005 Eisner Award for Best Anthology and a pair of Harvey Awards for Best Anthology and Best New Series.In late 2006, Chabon completed work on Gentlemen of the Road, a 15-part serialized novel that ran in The New York Times Magazine from January 28 to May 6, 2007. The serial was described by Chabon as "a swashbuckling adventure story set around the year 1000." Just before Gentlemen of the Road completed its run, the author published his next novel, The Yiddish Policemen's Union, which he had worked on since February 2002. A hard-boiled detective story that imagines an alternate history in which Israel collapsed in 1948 and European Jews settled in Alaska, the novel was released on May 1, 2007, to enthusiastic reviews, and spent six weeks on the New York Times Best Seller list. The novel also won the 2008 Hugo Award.