John Updike


John Hoyer Updike was an American novelist, poet, short-story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for Fiction more than once, Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career.
Hundreds of his stories, reviews, and poems appeared in The New Yorker starting in 1954. He also wrote regularly for The New York Review of Books. His most famous work is his "Rabbit" series, which chronicles the life of the middle-class everyman Harry "Rabbit" Angstrom over the course of several decades, from young adulthood to death. Both Rabbit Is Rich and Rabbit at Rest were awarded the Pulitzer Prize.
Describing his subject as "the American small town, Protestant middle class", critics recognized his careful craftsmanship, his unique prose style, and his prolific outputa book a year on average. Updike populated his fiction with characters who "frequently experience personal turmoil and must respond to crises relating to religion, family obligations, and marital infidelity".
His fiction is distinguished by its attention to the concerns, passions, and suffering of average Americans, its emphasis on Christian theology, and its preoccupation with sexuality and sensual detail. His work has attracted significant critical attention and praise, and he is widely considered one of the great American writers of his time. Updike's highly distinctive prose style features a rich, unusual, sometimes arcane vocabulary as conveyed through the eyes of "a wry, intelligent authorial voice that describes the physical world extravagantly while remaining squarely in the realist tradition". He described his style as an attempt "to give the mundane its beautiful due".

Early life and education

Updike was born in Reading, Pennsylvania, the only child of Linda Grace and Wesley Russell Updike, and was raised at his childhood home in the nearby small town of Shillington. The family later moved to the unincorporated village of Plowville. His mother's attempts to become a published writer impressed the young Updike. "One of my earliest memories", he later recalled, "is of seeing her at her desk... I admired the writer's equipment, the typewriter eraser, the boxes of clean paper. And I remember the brown envelopes that stories would go off in—and come back in."
These early years in Berks County, Pennsylvania, would influence the environment of the Rabbit Angstrom tetralogy, as well as many of his early novels and short stories. Updike graduated from Shillington High School as co-valedictorian and class president in 1950 and received a full scholarship to Harvard University, where he was the roommate of Christopher Lasch during their first year. Updike had already received recognition for his writing as a teenager by winning a Scholastic Art & Writing Award, and at Harvard he soon became well known among his classmates as a talented and prolific contributor to The Harvard Lampoon, of which he was president. He studied with dramatist Robert Chapman, the director of Harvard's Loeb Drama Center. He graduated summa cum laude in 1954 with a degree in English and was elected to Phi Beta Kappa.
Upon graduation, Updike attended the Ruskin School of Art at the University of Oxford with the ambition of becoming a cartoonist. After returning to the United States, Updike and his family moved to New York, where he became a regular contributor to The New Yorker. This was the beginning of his professional writing career.

Career as a writer

1950s

Updike stayed at The New Yorker as a full staff writer for only two years, writing "Talk of the Town" columns and submitting poetry and short stories to the magazine. In New York, Updike wrote the poems and stories that came to fill his early books like The Carpentered Hen and The Same Door. These works were influenced by Updike's early engagement with The New Yorker. This early work also featured the influence of J. D. Salinger ; John Cheever ; and the Modernists Marcel Proust, Henry Green, James Joyce, and Vladimir Nabokov.
During this time, Updike underwent a profound spiritual crisis. Suffering from a loss of religious faith, he began reading Søren Kierkegaard and the theologian Karl Barth. Both deeply influenced his own religious beliefs, which in turn figured prominently in his fiction. He believed in Christianity for the remainder of his life. Updike said, "As to critics, it seems to be my fate to disappoint my theological friends by not being Christian enough, while I'm too Christian for Harold Bloom's blessing. So be it."

1960s–1970s

Later, Updike and his family relocated to Ipswich, Massachusetts. Many commentators, including a columnist in the local Ipswich Chronicle, asserted that the fictional town of Tarbox in Couples was based on Ipswich. Updike denied the suggestion in a letter to the paper. Impressions of Updike's day-to-day life in Ipswich during the 1960s and 1970s are included in a letter to the same paper published soon after Updike's death and written by a friend and contemporary. In Ipswich, Updike wrote Rabbit, Run, on a Guggenheim Fellowship, and The Centaur, two of his most acclaimed and famous works; the latter won the National Book Award.
Rabbit, Run featured Harry "Rabbit" Angstrom, a former high school basketball star and middle-class paragon who would become Updike's most enduring and critically acclaimed character. Updike wrote three additional novels about him. Rabbit, Run was featured in Times All-TIME 100 Greatest Novels.

Short stories

Updike's career and reputation were nurtured and expanded by his long association with The New Yorker, which published him frequently throughout his career, despite the fact that he had departed the magazine's employment after only two years. Updike's memoir indicates that he stayed in his "corner of New England to give its domestic news" with a focus on the American home from the point of view of a male writer. Updike's contract with the magazine gave it right of first offer for his short-story manuscripts, but William Shawn, The New Yorker's editor from 1952 to 1987, rejected several as too explicit.
The Maple short stories, collected in Too Far To Go, reflected the ebb and flow of Updike's first marriage; "Separating" and "Here Come the Maples" related to his divorce. These stories also reflect the role of alcohol in 1970s America. They were the basis for the television movie also called Too Far To Go, broadcast by NBC in 1979.
Updike's short stories were collected in several volumes published by Alfred A. Knopf over five decades. In 2013, the Library of America issued a two-volume boxed edition of 186 stories under the title The Collected Stories.

Novels

In 1971, Updike published a sequel to Rabbit, Run called Rabbit Redux, his response to the 1960s; Rabbit reflected much of Updike's resentment and hostility towards the social and political changes that beset the United States during that time.
Updike's early Olinger period was set in the Pennsylvania of his youth; it ended around 1965 with the lyrical Of the Farm.
After his early novels, Updike became most famous for his chronicling infidelity, adultery, and marital unrest, especially in suburban America; and for his controversial depiction of the confusion and freedom inherent in this breakdown of social mores. He once wrote that it was "a subject which, if I have not exhausted, has exhausted me". The most prominent of Updike's novels in this vein is Couples, about adultery in a fictional Massachusetts town. It garnered Updike an appearance on the cover of Time magazine with the headline "The Adulterous Society". Time's article and the novel contributed to national concern about whether U.S. society was abandoning its standards of conduct in sexual matters.
The Coup, a lauded novel about an African dictatorship inspired by a visit he made to Africa, found Updike working in new territory.

1980s–2000s

In 1980, he published another novel featuring Harry Angstrom, Rabbit Is Rich, which won the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize for Fiction—all three major American literary prizes. The novel found "Rabbit the fat and happy owner of a Toyota dealership". Updike found it difficult to end the book, because he was "having so much fun" in the imaginary county Rabbit and his family inhabited.
After writing Rabbit Is Rich, Updike published The Witches of Eastwick, a playful novel about witches living in Rhode Island. He described it as an attempt to "make things right with my, what shall we call them, feminist detractors". One of Updike's most popular novels, it was adapted as a film and included on Harold Bloom's list of canonical 20th-century literature. In 2008 Updike published The Widows of Eastwick, a return to the witches in their old age. It was his last published novel.
In 1986, he published the unconventional Roger's Version, the second volume of the so-called Scarlet Letter trilogy, about an attempt to prove God's existence using a computer program. Author and critic Martin Amis called it a "near-masterpiece". The novel S., uncharacteristically featuring a female protagonist, concluded Updike's reworking of Nathaniel Hawthorne's The Scarlet Letter.
Updike enjoyed working in series; in addition to the Rabbit novels and the Maples stories, a recurrent Updike alter ego is the moderately well-known, unprolific Jewish novelist and eventual Nobel laureate Henry Bech, chronicled in three comic short-story cycles: Bech, a Book, Bech Is Back and Bech at Bay: A Quasi-Novel. These stories were compiled as The Complete Henry Bech by Everyman's Library. Bech is a comical and self-conscious antithesis of Updike's own literary persona: Jewish, a World War II veteran, reclusive, and unprolific to a fault.
In 1990, he published the last Rabbit novel, Rabbit at Rest, which won the Pulitzer Prize for Fiction and the National Book Critics Circle Award. Over 500 pages long, the novel is among Updike's most celebrated. In 2000, Updike included the novella Rabbit Remembered in his collection Licks of Love, drawing the Rabbit saga to a close. His Pulitzers for the last two Rabbit novels make Updike one of only four writers to have won two Pulitzer Prizes for Fiction, the others being William Faulkner, Booth Tarkington, and Colson Whitehead.
In 1995, Everyman's Library collected and canonized the four novels as the omnibus Rabbit Angstrom; Updike wrote an introduction in which he described Rabbit as "a ticket to the America all around me. What I saw through Rabbit's eyes was more worth telling than what I saw through my own, though the difference was often slight." Updike later called Rabbit "a brother to me, and a good friend. He opened me up as a writer."
After the publication of Rabbit at Rest, Updike spent the rest of the 1990s and early 2000s publishing novels in a wide range of genres; the work of this period was frequently experimental in nature. These styles included the historical fiction of Memories of the Ford Administration, the magical realism of Brazil, the science fiction of Toward the End of Time, the postmodernism of Gertrude and Claudius, and the experimental fiction of Seek My Face.
In the midst of these, he wrote what was for him a more conventional novel, In the Beauty of the Lilies, a historical saga spanning several generations and exploring themes of religion and cinema in America. It is considered the most successful novel of Updike's late career. Some critics have predicted that posterity may consider the novel a "late masterpiece overlooked or praised by rote in its day, only to be rediscovered by another generation", while others, though appreciating the English mastery in the book, thought it overly dense with minute detail and swamped by its scenic depictions and spiritual malaise. In Villages, Updike returned to the familiar territory of infidelities in New England. His 22nd novel, Terrorist, the story of a fervent young extremist Muslim in New Jersey, garnered media attention but little critical praise.
In 2003, Updike published The Early Stories, a large collection of his short fiction spanning the mid-1950s to the mid-1970s. More than 800 pages long, with over one hundred stories, it has been called "a richly episodic and lyrical Bildungsroman... in which Updike traces the trajectory from adolescence, college, married life, fatherhood, separation and divorce". It won the PEN/Faulkner Award for Fiction in 2004. This lengthy volume nevertheless excluded several stories found in his short-story collections of the same period.
Updike worked in a wide array of genres, including fiction, poetry, essays, a play, and a memoir.
At the end of his life, Updike was working on a novel about St. Paul and early Christianity.