The Monkees


The Monkees were an American pop rock band, formed in Los Angeles in the mid-1960s, whose lineup consisted of Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork. One of the most commercially successful bands of the late 1960s, the group was conceived in 1965 by television producers Bob Rafelson and Bert Schneider for the NBC situation comedy series of the same name. Music credited to the band was released on LP, as well as being included in the show, which aired from 1966 to 1968.
At first, the band members' musical contributions were primarily limited to lead vocals and the occasional composition; the remainder was composed by professional songwriters and performed by session musicians such as the Wrecking Crew, under the music supervision of Don Kirshner and with production by figures including Boyce and Hart, Jack Keller, and Jeff Barry. From 1966 to 1967, the group enjoyed a consecutive run of four chart-topping albums: The Monkees, More of the Monkees, Headquarters, and Pisces, Aquarius, Capricorn & Jones Ltd.. During this period, they also achieved three number-one singles: "Last Train to Clarksville", "I'm a Believer", and "Daydream Believer".
The members had increasingly desired greater control over the creation of their music and, following a brief power struggle, gained full control over their recordings in 1967. Starting with Headquarters, they worked with producer Chip Douglas and mostly performed as a group; however, by the recording of The Birds, The Bees & The Monkees, each member was pursuing his own interests under the Monkees' name. In 1968, they starred as themselves in the motion picture Head, planned as the antithesis of the television show, but received with an underwhelming critical and commercial reception. With much of the public under the misconception that the band members still did not play their own instruments—followed by the cancellation of television series and waning popularity overall—the group broke up in the early 1970s.
A revival of interest in the television show came in 1986, leading to intermittent reunions from then until 2011, including reunion tours, a major-network television special, and new studio albums. After the deaths of Jones in 2012 and Tork in 2019, Dolenz and Nesmith undertook a farewell tour in 2021. This tour concluded shortly before Nesmith's death later that year, leaving Dolenz as the sole surviving member.

History

Conception and casting

The Monkees were formed in the mid-1960s in Los Angeles.
Davy Jones has said: "The name hadn't been thought of yet. There was The Beatles, The Animals, The Byrds, The Turtles — so we started thinking of animal names... Suddenly, we knew we had it – The Monkees' wrong, like Beatles, Byrds".
Aspiring filmmaker Bob Rafelson developed the initial idea for The Monkees in 1962 and tried selling it to Revue Productions, the television division of Universal Pictures, but was unsuccessful. In May 1964, while working at Screen Gems, Rafelson teamed up with Bert Schneider, whose father, Abraham Schneider, headed the Colpix Records and Screen Gems Television units of Columbia Pictures. Rafelson and Schneider ultimately formed Raybert Productions. The Beatles' films A Hard Day's Night and Help! inspired Rafelson and Schneider to revive Rafelson's idea for The Monkees. As "Raybert Productions", they sold the show to Screen Gems Television on April 16, 1965.
Rafelson and Schneider's original idea was to cast an existing New York folk rock group, the Lovin' Spoonful, who were not widely known at the time. After those plans fell through, Rafelson and Schneider focused on Davy Jones. In September 1964, Jones had signed to a long-term contract to appear in TV programs for Screen Gems, to make feature films for Columbia Pictures and to record music for the Colpix label. His involvement with The Monkees was publicly announced on July 14, 1965. Jones had previously starred as the Artful Dodger in the Broadway theater show Oliver!; for his work in Oliver!, he was nominated for a Tony Award for Best Featured Actor in a Musical in 1963.
In September1965, Daily Variety and The Hollywood Reporter ran advertisements to cast the remainder of the band/cast members for the TV show. The advertisements each read as follows:
Out of 437 applicants, the other three chosen for the cast of the TV show were Michael Nesmith, Peter Tork, and Micky Dolenz.
Dolenz, son of screen actor George Dolenz, had prior screen experience under the name "Mickey Braddock" as the 10-year-old star of the Circus Boy series in the 1950s. He was actively auditioning for pilots at the time and was told about the Raybert project by his agent.
Nesmith's mother, Bette Nesmith Graham, had invented a correction fluid and founded the company that became Liquid Paper. He had served a brief stint in the U.S. Air Force and had also recorded for Colpix under the name "Michael Blessing". He was the only one of The Monkees who had come for the audition based on seeing the trade magazine ad. He showed up to the audition with his laundry and impressed Rafelson and Schneider with his laid-back style and droll sense of humor. He also wore a woollen hat to keep his hair out of his eyes when he rode his motorcycle, leading to early promotional materials which nicknamed him "Wool Hat". The hat remained part of Nesmith's wardrobe, but the name was dropped after the pilot.
Tork was recommended to Rafelson and Schneider by friend Stephen Stills at his audition. Tork was a skilled multi-instrumentalist who had performed at various Greenwich Village folk clubs before moving west, where he worked as a busboy.

Early years

Developing the music for their debut album

During the casting process, Don Kirshner, Screen Gems' head of music, was contacted to secure music for The Monkees pilot. Kirshner's Brill Building firm Aldon Music had an extensive portfolio of songwriters, many in need of work after the British Invasion had reorganized the American music scene; while several Aldon writers contributed songs to the Monkees during their existence, the bulk of the songwriting for the group fell upon Tommy Boyce and Bobby Hart, two songwriters who were only beginning to break through to success at the time. Boyce and Hart contributed four demo recordings for the pilot. One of these recordings was " The Monkees", which helped get the series the green light.
NBC ordered 32 episodes of The Monkees on January 17, 1966.
When The Monkees was picked up as a series, development of the musical side of the project accelerated. Columbia–Screen Gems and RCA Victor entered into a joint venture called Colgems Records; the primary purpose of the venture was to distribute Monkees records. Raybert set up a rehearsal space and rented instruments for the group to practice playing in April 1966, but it quickly became apparent they would not be in shape in time for the series debut. The producers called upon Kirshner to recruit a producer for the Monkees' sessions.
Kirshner called on Snuff Garrett, composer of several hits by Gary Lewis & the Playboys, to produce the initial musical cuts for the show. Garrett, upon meeting the four Monkees in June 1966, decided that Jones would sing lead, a choice that was unpopular with the group. This cool reception led Kirshner to drop Garrett and buy out his contract.
Kirshner next allowed Nesmith to produce sessions, provided he did not play on any tracks he produced. Nesmith did, however, start using the other Monkees in his sessions; he especially used Tork as a guitarist. Kirshner came back to the enthusiastic Boyce and Hart to be the regular producers, but he brought in one of his top East Coast associates, Jack Keller, to lend some production experience to the sessions. Boyce and Hart quickly realized that, when together, the four actors fooled around and tried to crack each other up. Because of this, the producers often brought in each singer individually.
The Monkees' debut and second albums were meant to be a soundtrack to the first season of the TV show, to cash in on the audience. In the 2006 Rhino Deluxe Edition re-issue of their second album, More of the Monkees, Nesmith stated that he was angered by the release of the first album because it portrayed the band as an actual rock-and-roll band and gave no credit to the other musicians involved in the project.
File:Davy Jones Peter Tork The Monkees 1966.jpg|thumb|Davy Jones and Peter Tork in 1966|left
The Monkees' first single, "Last Train to Clarksville" b/w "Take a Giant Step", was released in August 1966, just weeks prior to the TV broadcast debut. In conjunction with the first broadcast of the television show on September 12, 1966, on the NBC television network, NBC and Columbia had a major hit on their hands. The single topped the Billboard Hot 100 for the week ending November 5, 1966. The Monkees' debut album, The Monkees, was released a month later; it spent 13 weeks at No. 1 and stayed on the Billboard charts for 78 weeks. Twenty years later, during their reunion, it spent another 24 weeks on the Billboard charts.

Live performances and touring

Pleased with their initial efforts, Columbia planned to send the Monkees out to play live concerts. The massive success of the series—and its spin-off records—created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii.
The results of these live performances were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series.