Coverdale–Page
Coverdale–Page is a collaborative studio album by English singer David Coverdale and guitarist Jimmy Page. It was released on 15 March 1993 by EMI in Europe, 16 March by Geffen Records in North America and 18 March by Sony Music Entertainment in Japan. The album's production was handled by Coverdale, Page and Mike Fraser. Following the disbandment of Coverdale's band Whitesnake and a failed reunion attempt by Page's band Led Zeppelin, John Kalodner proposed the idea to Page of the musicians working together. After meeting each other, they began writing songs, which were then recorded over the course of 1991 and 1992.
Critical reception towards Coverdale–Page was generally mixed; some music critics praised Coverdale and Page's partnership as a successful blend of both their respective bands. However, others viewed the collaboration as a second-rate Led Zeppelin, with many drawing unfavourable comparisons between Coverdale and Robert Plant. The album charted in 12 countries, including reaching number four in the UK and number five in the US. It was certified platinum in the US and Canada, respectively. Following a short Japanese tour in December 1993, Coverdale and Page parted ways. A reissue is in the works, while Coverdale and Page have also discussed a potential reunion.
Background
After completing the Liquor & Poker World Tour in September 1990, vocalist David Coverdale decided to put his band Whitesnake on indefinite hold, wanting to take a break from the music industry. Led Zeppelin guitarist Jimmy Page, meanwhile, had been working on the Led Zeppelin Remasters, which led to discussion with singer Robert Plant and bassist John Paul Jones about a potential reunion. Though initially interested, Plant decided to back out, feeling that a reunion might "put his solo career at risk". Page then began looking for a new collaborator. As both he and Coverdale were signed to Geffen Records, A&R executive John Kalodner suggested them working together. The idea was submitted to Coverdale and Page in January 1991. While the two had met many times in passing, they did not know each other well. Still, both parties were interested, thus a meeting was scheduled.Coverdale and Page met at the Ritz-Carlton Hotel in New York at the end of March 1991. The two got along well with one another and while on a walk in Manhattan, they apparently stopped traffic with onlookers asking if a collaboration was in the works. Coverdale and Page agreed to take the project slowly, first making sure they could actually write songs together. The two met up for a writing session at Lake Tahoe, Coverdale's residence, and within the first day they had written their first song together. From there, Coverdale and Page continued writing, eventually relocating to Barbados at Page's suggestion. The two were later joined by drummer Denny Carmassi and bassist Ricky Phillips to flesh out the songs; these rehearsals lasted for several months. Coverdale and Page made their first public appearance together in May 1991, when they joined Poison onstage in Reno for a rendition of Led Zeppelin's "Rock and Roll".
Production and composition
Recording for Coverdale–Page began at Little Mountain Sound Studios in Vancouver, where all the rhythm tracks were recorded. From there, recording was moved to Criteria Studios in Miami, Florida, where the vocals and overdubs were done. Coverdale and Page also employed several local session musicians while in Miami. Additional recording was done at London's Abbey Road Studios and Highbrow Productions, Coverdale's home studio in Nevada. Work was momentarily put on hold after Coverdale's mother fell ill and ultimately passed away. The recording process reportedly lasted from late 1991 to early 1992. According to Phillips, however, it took Page approximately a year to record his guitar parts. The album was recorded using analog equipment as opposed to digital, as Coverdale and Page felt analog suited their style of music better. Initially, Coverdale and Page were set to be credited as the sole producers, but they eventually decided to give recording and mixing engineer Mike Fraser a co-production credit for his extensive work on the album. Mastering was handled by George Marino at Sterling Sound, while the cover art was designed by Hugh Syme. Aside from Coverdale and Page, the album features performances from Carmassi, Phillips, keyboardist Lester Mendez and backing vocalist Johnne Sambataro, among others.Music and lyrics
Coverdale and Page's music has generally been referred to by music publications and critics as blues rock and hard rock.The opening riff of "Shake My Tree" dates back to Led Zeppelin's 1979 album In Through the Out Door. Page had played the riff during rehearsals, but it was left unused. He later presented the riff to Paul Rodgers while in the Firm, but it was again rejected. When Page presented the riff to Coverdale, he "immediately latched on to it". On "Waiting on You", Coverdale initially struggled coming up with a vocal melody for the pre-chorus. Eventually, he came up with a line reminiscent of Motown. As a precaution, Page had also written a vocal melody for the part, but upon hearing Coverdale's idea, he forwent his own. The verse-chorus chord progression for "Take Me for a Little While" was written by Page at Lake Tahoe. Lyrically, Coverdale described the song as a "reflective piece", inspired by personal tragedies both he and Page had gone though in their lives. In 2020, Page stated in an Instagram post that the orchestrations on "Take Me for a Little While" were done by Clare Fischer, despite his lack of credit in the liner notes.
The opening riff of "Pride and Joy" was written by Coverdale, which he presented to Page in Barbados. This led to the song's original working title of "Barbados Boogie". "Pride and Joy" also marked the first time Page had performed harmonica on a recording since 1965's "She Just Satisfies". He also plays a dulcimer, which he had previously done on "That's the Way" from Led Zeppelin III. "Over Now" developed from another Page chord progression, which Coverdale described as sounding "dark" and "malevolent". The song's lyrics were inspired by Coverdale's divorce from Tawny Kitaen. "Feeling Hot" was described by Page as "one of those real fun rock 'n' roll numbers". It was the second song Page and Coverdale wrote together, being partly inspired by 1940s swing music. The lyrics to "Easy Does It" deal with celebrity life and its effect on a relationship. The chord progression for "Take a Look at Yourself" was written by Page at Lake Tahoe. The song was later finished in Barbados, when another section written by Coverdale was added and the tempo was changed. "Don't Leave Me This Way" was singled out by Coverdale as a particular favourite from the album. The introductory riff had been written by Coverdale many years earlier, but left unused until he presented it to Page. "Absolution Blues" was the first song Coverdale and Page wrote together, while the lyrics to "Whisper a Prayer for the Dying" deal with the Gulf War.
Additional songs were recorded, but left unused, which led Coverdale to suggest doing a double album or a second album. At least four songs remain officially unreleased from the Coverdale–Page sessions, including one titled "Saccharine" and an alternative mix of "Shake My Tree". Some of Coverdale's unused ideas were later reappropriated for Whitesnake's 1997 album Restless Heart and 2019's Flesh & Blood, as well as his 2000 solo album Into The Light.
Release and promotion
Before settling on Coverdale–Page, working titles for the record included Legends and North and South. The album was released on 15 March 1993 in Europe by EMI, 16 March in North America by Geffen and 18 March in Japan by Sony. Coverdale–Page debuted at number four on the UK Albums Chart, and by April 1993, it had been certified silver by the BPI for sales of over 60,000 copies in the UK. In the US, the album reached number five on the Billboard 200, and was certified gold by the RIAA in June for sales of 500,000 units in the country, before eventually being certified platinum in 1995. Coverdale–Page also cracked the top 10 in Finland, Canada, Japan and Sweden. It was certified gold in Japan and platinum in Canada. Overall, the album charted in 12 countries.Five singles were released, all of which charted. The highest-charting singles were "Pride and Joy" and "Shake My Tree", which reached numbers one and three, respectively, on the US Mainstream Rock Tracks Chart. Music videos were produced for "Pride and Joy" and "Take Me for a Little While", both directed by Andy Morahan. While "Pride and Joy" reportedly did well on MTV, "Take Me for a Little While" received minimal airplay according to Coverdale, as the video was apparently deemed too gothic by the channel.
Touring
In April 1993, auditions for Coverdale and Page's touring band were held in London. Carmassi was retained from the recording sessions, while bassist Guy Pratt and keyboardist Brett Tuggle were brought on board as new members. A North American and European tour was planned, but eventually cancelled. Due to the popularity of grunge, promoters were allegedly "skeptical of pulling power in a poor market for traditional heavy rock". Thus, a "financially viable" tour was not possible. This was seconded by Pratt, who stated: "It was originally meant to be an American and European tour, but it was booked as arenas and the ticket sales just weren't there." Conversely, Coverdale stated: "The whole arrangement for the Coverdale–Page project was to go directly to the theatres, to the stage, and nothing, not even a whisper, came from Jimmy's manager when the album was released." Coverdale blamed Page's manager for the lack of touring, who was allegedly unenthusiastic about the project and wouldn't commit to live dates. Pratt, meanwhile, stated that Page was content with performing in theaters, while Coverdale considered it "downsizing".Japanese dates for December 1993 were still tentatively booked, and according to Coverdale, it wasn't until he brought the matter directly to Page that the latter agreed to do the shows. There were scheduled seven concerts, beginning on 14–15 December at the Nippon Budokan in Tokyo, continued at the Yoyogi National Gymnasium, Osaka-jō Hall and ending on 22 December at the Aichi Prefectural Gymnasium in Nagoya. Aside from Coverdale–Page material, the seven shows also featured several songs by Whitesnake and Led Zeppelin.
While Coverdale often toured in Japan, these concerts marked the first time Page had played in the country since Led Zeppelin's 1972 Japanese Tour. Despite the lack of any further touring, both Coverdale and Page intended to continue working together. However, according to Coverdale, Page's manager "insisted we call it a day", thus their work together came to an abrupt end. While rehearsing for the Japanese dates, Page was contacted by Plant's management about performing with him on MTV Unplugged. This eventually came to fruition with the "Unledded" project in 1994. In 1995, Page and Plant performed "Shake My Tree" from the Coverdale–Page album.