Beautiful Stranger
"Beautiful Stranger" is a song by American singer and songwriter Madonna. It was released on May 19, 1999, by Maverick and Warner Bros. Records as a single from the soundtrack of the film, Austin Powers: The Spy Who Shagged Me. Madonna co-wrote and co-produced the song with William Orbit. The soundtrack for Austin Powers: The Spy Who Shagged Me was a much expected release and Madonna's song was chosen by the album's executive producers to promote it. "Beautiful Stranger" has appeared on three separate Madonna greatest hits collections: GHV2, Celebration and Finally Enough Love: 50 Number Ones. Musically, "Beautiful Stranger" is a psychedelic pop and disco song that features heavily reverberated guitars and bouncy drum loops. Its lyrics tell the tale of a romantic infatuation.
The song received positive feedback from music critics who praised the production and Madonna's musical progression. It was a commercial success reaching the top of the charts in Canada, Finland, Iceland and Italy, number two in the United Kingdom and top-ten in many markets. Although the song was not commercially released in the United States, it reached number 19 on the Billboard Hot 100 due to airplay. It reached number one on the US dance charts. "Beautiful Stranger" also earned Madonna her fifth Grammy Award, winning the trophy for Best Song Written for Visual Media.
The song's music video, directed by Brett Ratner, prominently features Madonna singing in a club, visited by Mike Myers as his character Austin Powers. At the end of the video Madonna seduces Myers and goes off in his car. It won the MTV Video Music Award for Best Video from a Film in 1999. Madonna performed the song on her 2001 Drowned World Tour, and it has been covered by some artists, including a critically acclaimed version by Australian rock band DMA's.
Background and release
Madonna and Canadian actor Mike Myers had previously collaborated for an episode of Saturday Night Live in 1991, when the singer hosted the show and invited Myers' character, Wayne Campbell to play a game of truth or dare, while pitching her documentary Madonna: Truth or Dare. According to Gwen Ihnat from The A.V. Club, the "creative partnership works because Madonna, though serious, always seems game, and Myers, though frequently goofy, is also creatively inventive". In 1999, the singer was chosen to contribute a single on the soundtrack for Myers' second film about the spy character Austin Powers, titled Austin Powers: The Spy Who Shagged Me. Madonna's former boyfriend, British screenwriter Andy Bird, was reportedly the inspiration for "Beautiful Stranger."The soundtrack to The Spy Who Shagged Me led to the teaming up of two music executives, Warner Bros. Records senior vice president Danny Bramson and Madonna's Maverick Records' co-owner Guy Oseary; both of them served as executive producer on the soundtrack. By May 1999, expectations were already high for the release, so the producers decided to include Madonna's track along with a song from a number of other high-profile artists like R.E.M., Lenny Kravitz and Mel B from the Spice Girls.
As recalled by Oseary, there was intense competition among artists to have their songs placed in the soundtrack, with one manager connected to the project describing the fight for the first potential single release as "a blood bath". The main intention of the producers was to have the artists contribute music which would abide by the predominant 1960s mood of the film. Ultimately, it was decided that "Beautiful Stranger" was suitable for this, and it was chosen as the first single from the soundtrack. However, Madonna's recording company Warner Bros. decided not to release any CD single or remix singles to accompany the release in the United States, only promo 12-inch discs were sent to the dance club DJs. The song was only released to the CHR top 40 radio for airplay on May 19, 1999. In the United Kingdom, the single was released on June 7, 1999, as a CD single, 12-inch single, and cassette single, while in Canada, a CD was issued on July 20, 1999. "Beautiful Stranger" has appeared on two separate Madonna greatest hits collections: GHV2 and Celebration. On May 21, 2021, Madonna released the "Beautiful Stranger" remix EP to all digital and streaming outlets.
Recording and composition
Recording for "Beautiful Stranger" took place in February 1999 at the Guerilla Beach Studios in Los Angeles, California, as well as the Enterprise Studio in Burbank, California. Along with writing and producing the song with Madonna, Orbit also played the keyboards and the guitar on the track. Damian LeGassick did the programming and additional keyboard while Emma Fowler played the flute. The engineering team included Pat McCarthy, Mark Endert and Dave Chelsea, with McCarthy also mixing the track. Jeff Gregmay and Wassim Zartek were the assistant recording engineers. According to the sheet music published by Musicnotes.com, "Beautiful Stranger" is set in common time and is composed in a key of F major with a mid dance tempo of 128 beats per minute. The song begins with a basic sequence of E–B–F–A–C before moving to the main chord progression of Csus4–C7."Beautiful Stranger" is a psychedelic pop and disco song and begins with a musical instrumentation reminiscent of "Light My Fire" by The Doors and "Lucy in the Sky with Diamonds" by The Beatles. The song's main structure is backed by guitar, while drums come in during the choruses. Around the 1:06 mark, there is a hint of mellotron and flute being played like The Beatles' 1967 songs "Strawberry Fields Forever" or "The Fool on the Hill". The song has similar composition to Madonna's endeavors with her previous album Ray of Light, mixed with psychedelic music. USA Todays Ken Barnes has suggested that the chorus, riff, instrumentation and structure of "Beautiful Stranger" were based on American rock band Love's 1966 single "She Comes in Colors". The band's record company—Rhino Records—executive Gary Stewart stated that "Certainly, the riff and instrumentation are reminiscent of 'She Comes in Colors,'" and that the "da da da da da" chorus on the track seems to be based upon "an instrumental flourish that's an integral part of the record. It may be a conscious or an unconscious homage." Madonna denied any such influence, claiming that she had never heard of Love.
According to Michael Paoletta from Billboard, "no fierce-ruling club DJ in 1999 would dared play the original jangly rock-etched version of the song". Hence the song was remixed by Victor Calderone, who kept the basic structure of the song, while mixing it with tribal infused beats. Unlike many of his then releases—where he removed the bulk of the song's lyrics for remixing—with "Beautiful Stranger" he kept them. Paoletta described the remixes as "if Calderone fully understands the importance of a song and understands how best to unite deft beats and a dazzling vocal performance." The remixes include a rock-leaning version as well as Calderone's Club and Radio mixes.
Critical reception
"Beautiful Stranger" received generally positive reviews. Chuck Taylor from Billboard denoted the song as a "new shift in the wind for ", calling it another creative high for her. He also complimented the production saying that "this latest partnership with taps into a walloping romp of guitars andenough cascading organs to prompt an urge to listen to your Monkees collection." Taylor ended the review with positive feedback for Madonna's vocals, likening them to those for the Evita album, along with commending the chorus. In a different article for Billboard talking about the song's remixes, Paoletta described the track as "effervescent blast of psychedelic electronica". Writing for the Philippine Daily Inquirer, Gino DeLa Paz found it "cute but forgettable". Gwen Ihnat, from the entertainment website The A.V. Club, labeled it as "Madonna's best song that never appeared on one of her regular albums a psychedelic pop confection that offered a few of her most indelible hooks". Ihnat also wrote that "although less ethereal than 1998's Ray of Light, is just as dance-floor ready dance flute has never sounded so enticing, and Madonna's voice so sweetly seductive". AllMusic's Jose F. Promis listed the track "as one of the singer's more memorable moments, coupling 1960s go-go rock with 1990s electronica, resulting in nothing less than a true slice of old fashioned rock & roll"; Promis also praised the two Calderone mixes.
Slant Magazines Sal Cinquemani gave the song a rating of B− and wrote: "Like any good throwaway track, 'Beautiful Stranger' doesn't pretend to be much more than it is. Whiny guitars and flutes abound, Madonna and Orbit concocted a perfect theme song for friend Mike Myers's cooky Austin Powers: The Spy Who Shagged Me. Playful, wispy and ultimately forgettable". In August 2018, Paul Schrodt from the same magazine, placed it at number 53 on his ranking of the singer's singles, calling it "the antithesis of Ray of Light. The hooky, psychedelic track is more accessible than Madonna’s previous work with Orbit. The innocuous lyrics could’ve been ghostwritten for anyone, but the song endears due to Madge’s playful delivery and Orbit’s sonic details". Ken Tucker from Entertainment Weekly, declared it as the "song of the summer", and praised it for being "a piece of psychedelic pop at once so 60s and so 90s that to sully it with a 'shagalicious' joke would be an insult... The way has of making her voice merge into indistinguishability with the surging instrumentation in the chorus, the way she sings the title phrase with an ache in her voice, that's at once urgent and playful." Matthew Jacobs from The Huffington Post ranked the song 22 on their list of "The Definitive Ranking Of Madonna Singles". Medium's Richard LaBeau called it a "bold, clever and interesting bridge between the Ray of Light and Music eras". In March 2023, Billboard ranked the song as Madonna's 88th greatest ever, with Andrew Unterberger writing: "Madonna's still in too reflective a mindset to go full incense and peppermints with it, but she's game enough to meet Orbit's woozy reverb-soaked groove..."
Louis Virtel, from TheBacklot.com, placed "Beautiful Stranger" at number 36 of his list "The 100 Greatest Madonna Songs"; he felt that "Orbit's psychedelic styling suit Madonna's groovy wistfulness perfectly". Author Phil Dellio wrote in his book Interrupting My Train of Thought that although "Beautiful Stranger" had similarities to Madonna's own "Ray of Light", it had "better melody, better vocal, better light show. It's about the trippiest, most propulsive above-ground dance music since the first two minutes of Led Zeppelin's 'How Many More Times'." J. Randy Taraborrelli wrote in Madonna: An Intimate Biography that Madonna's 2000 song "Amazing", from her eighth studio album Music sounded like a cousin to "Beautiful Stranger" with its inspired composition. While ranking Madonna's singles, in honor of her 60th birthday, The Guardians Jude Rogers placed "Beautiful Stranger" at number 34, calling it a "gorgeously slinky, impish love song". In a list of the "99 Best Songs of 1999", Rolling Stone writer Rob Sheffield placed the track at number 27 and praised it for being "the most shagadelic disco hit by a megastar shimmying into the big 4-0", adding that "Madonna has never sounded so loose, so lithe, so funny". The song received a Grammy Award at the 42nd ceremony, in the category of Best Song Written for Visual Media. It was also nominated in the category of Best Female Pop Vocal Performance. It was also nominated for a Golden Globe award for Best Original Song, but lost to Phil Collinss "You'll Be in My Heart". At the 2000 ASCAP Pop Awards it was awarded the Most Performed Song. It also won the Ivor Novello Award for Most Performed Work, while also being nominated for Best Contemporary Song. The 1999 MTV Europe Music Awards also nominated the track in the category of Best Song. "Beautiful Stranger" was nominated as Favorite Song From a Movie at the 1999 Nickelodeon Kids' Choice Awards.