Anthony Lane bibliography
A list of works by or about Anthony Lane, British journalist and film critic.
Books
*Essays and reporting
1992–1999
- Reviews Maurizio Nichetti's Volere Volare and Lucian Pintilie's The Oak.
- Reviews Baz Luhrmann's Strictly Ballroom and Tony Bill's Untamed Heart.
- Reviews John McNaughton's Mad Dog and Glory and Jacques Dorfmann and Pierre Magny's Shadow of the Wolf.
2000–2009
- Reviews Charlie Kaufman's Synecdoche, New York and Kenny Ortega's High School Musical 3.
- Reviews Danny Boyle's Slumdog Millionaire and Arnaud Desplechin's A Christmas Tale.
2010–2014
- Reviews Paul Greengrass' Green Zone and Bong Joon-ho's Mother.
- Reviews Maurice Pialat's L’enfance Nue.
- Reviews Matthew Vaughn's Kick-Ass and Banksy's Exit Through the Gift Shop.
- Reviews João César Monteiro's Hovering Over the Water.
- Reviews Ridley Scott's Robin Hood.
- Reviews Todd Phillips' Due Date and Chris Morris's Four Lions.
- Reviews Susanne Bier's In a Better World and James Gunn's Super.
- Reviews Brett Ratner's Tower Heist and Lars von Trier's Melancholia.
- Reviews Wim Wenders's Pina and Roman Polanski's Carnage.
- Reviews Otto Preminger's Laura.
- Reviews Boris Barnet's Outskirts.
- Reviews Steven Spielberg's Lincoln.
- Reviews Andrew Dominik's Killing Them Softly and Jacques Audiard's Rust and Bone.
- Reviews Tom Hooper's Les Misérables, Quentin Tarantino's Django Unchained and Michael Haneke's Amour.
- Reviews Paolo and Vittorio Taviani's Caesar Must Die and Kim Jee-Woon's The Last Stand.
- Reviews John Moore's A Good Day to Die Hard and Gael García Bernal's No.
- Reviews Park Chan-wook's Stoker and Cristian Mungiu's Beyond the Hills.
- Reviews Andrzej Wajda's Ashes and Diamonds.
- Reviews Harmony Korine's Spring Breakers and Matteo Garrone's Reality.
- Reviews Danny Boyle's Trance and Pablo Berger's Blancanieves.
- Reviews Jean-Pierre Melville's Un flic.
- Reviews Joseph Kosinski's Oblivion and François Ozon's In the House.
- Reviews Shane Black's Iron Man 3 and Olivier Assayas' Something in the Air.
- Reviews Jordan Vogt-Roberts's The Kings of Summer and Justin Lin's Fast & Furious 6.
- Reviews Nat Faxon and Jim Rash's The Way, Way Back and Pedro Almodóvar's I'm so Excited!.
- Reviews Guillermo del Toro's Pacific Rim, Nicolas Winding Refn's Only God Forgives and Joshua Oppenheimer's The Act of Killing.
- Reviews Ron Howard's Rush and Stuart Blumberg's Thanks for Sharing.
- Reviews Abdellatif Kechiche's Blue is the Warmest Color.
- Reviews Paolo Sorrentino's The Great Beauty and Stephen Frears' Philomena.
- Reviews Spike Jonze's Her, Ben Stiller's The Secret Life of Walter Mitty and John Lee Hancock's Saving Mr. Banks.
- Reviews Claude Lanzmann's The Last of the Unjust.
- Reviews Hany Abu-Assad's Omar and Phil Lord and Christopher Miller's The Lego Movie.
- Reviews Denis Villeneuve's Enemy and Roger Michell's Le Week-End.
- Reviews John Maloof and Charlie Siskel's Finding Vivian Maier and Bertrand Tavernier's The French Minister.
- Reviews Jim Jarmusch's Only Lovers Left Alive and David Gordon Green's Joe.
- Reviews Pawel Pawlikowski's Ida and Jon Favreau's Chef.
- Reviews John Michael McDonagh's Calvary and Jonathan Demme's A Master Builder.
- Reviews Lenny Abrahamson's Frank and Ira Sachs' Love is Strange.
- Reviews Alejandro González Iñárritu's Birdman and Damien Chazelle's Whiplash.
- Reviews Paul Thomas Anderson's Inherent Vice.
2015–2019
- Reviews Barry Levinson's The Humbling and Abderrahmane Sissako's Timbuktu.
- Reviews Matthew Vaughn's Kingsman: The Secret Service and Taika Waititi and Jemaine Clement's What We Do in the Shadows.
- Reviews Kenneth Branagh's Cinderella and David Robert Mitchell's It Follows.
- Reviews Alex Garland's Ex Machina and Asghar Farhadi's About Elly.
- Reviews Olivier Assayas' Clouds of Sils Maria.
- Reviews Joss Whedon's Avengers : Age of Ultron and Thomas Vinterberg's Far from the Madding Crowd.
- Reviews Andrew Niccol's Good Kill and John Maclean's Slow West.
- Reviews George Miller's Mad Max: Fury Road.
- Reviews Peter Docter's Inside Out and Andrea Di Stefano's Escobar : Paradise Lost.
- Reviews Judd Apatow's Trainwreck and Bill Condon's Mr. Holmes.
- Reviews Peyton Reed's Ant-Man and Joshua Oppenheimer's The Look of Silence.
- Reviews Todd Haynes' Carol and Brian Helgeland's Legend.
- Reviews Justin Kurzel's Macbeth and Paolo Sorrentino's Youth.
- Reviews Gavin O'Connor's Jane Got a Gun and J. Blakeson's The Fifth Wave.
- Reviews Ben Stiller's Zoolander 2 and Tobias Lindholm's A War.
- Reviews Robert Eggers' The Witch.
- Reviews Jon Favreau's The Jungle Book and Matteo Garrone's Tale of Tales
- Reviews Shane Black's The Nice Guys and Whit Stillman's Love & Friendship.
- Woody Allen's Café Society and Roger Ross Williams' Life, Animated.
- Reviews Paul Greengrass's Jason Bourne and Ira Sachs' Little Men.
- Reviews Andrea Arnold's American Honey and Peter Berg's Deepwater Horizon.
- Mel Gibson's Hacksaw Ridge and Jeff Nichols' Loving.
- Mike Mills' 20th Century Women and Pedro Almodóvar's Julieta.
- Jim Jarmusch's Paterson and Pablo Larraín's Neruda.
- Reviews Asghar Farhadi's The Salesman and M. Night Shyamalan's Split.
- Reviews Jordan Vogt-Roberts's Kong : Skull Island and Julia Ducournau's Raw.
- Reviews Olivier Assayas' Personal Shopper and François Ozon's Frantz.
- Reviews Terence Davies' A Quiet Passion and F. Gary Gray's The Fate of the Furious.
- Reviews Ken Loach's I, Daniel Blake and Miguel Arteta's Beatriz at Dinner.
- Reviews Edgar Wright's Baby Driver and Bertrand Tavernier's .
- Reviews Josh Safdie and Benny Safdie's Good Time and Bertrand Bonello's Nocturama.
- Reviews Yorgos Lanthimos' The Killing of a Sacred Deer and Ruben Östlund's The Square.
- Reviews George Clooney's Suburbicon and Richard Linklater's Last Flag Flying.
- Reviews Luca Guadagnino's Call Me by Your Name.
- Reviews Andrey Zvyagintsev's Loveless and Brian Crano's Permission.
- Reviews Steven Soderbergh's Unsane and Aaron Katz's Gemini.
- Reviews Richard Eyre's The Children Act and Robert Greene's Bisbee '17.
- Reviews Jon S. Baird's Stan & Ollie and Karyn Kusama's Destroyer.
- Reviews Florian Henckel von Donnersmarck's Never Look Away.
- Reviews Ty Robert's The Iron Orchard and Christian Petzold's Transit.
- Reviews Kenneth Branagh's All Is True and Dome Karukoski's Tolkien.
- Reviews Olivia Wilde's Booksmart and Joanna Hogg's The Souvenir.
- Reviews Guy Ritchie's Aladdin and Denys Arcand's The Fall of the American Empire.
- Reviews James Mangold's Ford v Ferrari and Mike Flanagan's Doctor Sleep.
2020–2024
- Reviews Greta Gerwig's Little Women.
- Reviews Ladj Ly's Les Misérables and Chinonye Chukwu's Clemency.
- Reviews Benjamin Ree's The Painter and the Thief and Michael Winterbottom's The Trip to Greece.
- Reviews Armando Iannucci's The Personal History of David Copperfield.
- Reviews Thomas Vinterberg's Another Round and Ryan Murphy's The Prom.
- Reviews Andrei Konchalovsky's Dear Comrades!.
- Reviews Sam Pollard's MLK/FBI and Preparations to be together for an unknown period of time.
- Reviews Mike Nichols' Closer.
- Reviews Dominic Cooke's The Courier and Anthony Scott Burns' Come True.
- Reviews Michael Radford's The Merchant of Venice.
- Reviews John Frankenheimer's Ronin.
- Reviews Jon M. Chu's In the Heights and Christian Petzold's Undine.
- Reviews Andreas Fontana's Azor and Natalie Morales's Language Lessons.
- Reviews Paul Schrader's The Card Counter and Bill Bentz's The Nowhere Inn.
- Reviews Maria Schrader's I'm Your Man and Michael Showalter's The Eyes of Tammy Faye.
- Reviews Joseph Kosinski's Top Gun: Maverick and Alex Garland's Men.
- Reviews George Miller's Three Thousand Years of Longing and Fernando León de Aranoa's The Good Boss.
- Reviews Robert Rodriguez and Frank Miller's Sin City.
- Reviews Clio Barnard's The Selfish Giant.