Albert Finney
Albert Finney was an English actor. He attended the Royal Academy of Dramatic Art and worked in the theatre before attaining fame for movie acting during the early 1960s, debuting with The Entertainer, directed by Tony Richardson, who had previously directed him in theatre. He maintained a successful career in theatre, film and television.
He is known for his roles in Saturday Night and Sunday Morning, Tom Jones, Two for the Road, Scrooge, Annie, The Dresser, Miller's Crossing, A Man of No Importance, Erin Brockovich, Big Fish, A Good Year, The Bourne Ultimatum, Before the Devil Knows You're Dead, and the James Bond film Skyfall, and for his performances on stage and television.
A recipient of BAFTA, Golden Globe, Emmy, Screen Actors Guild, Silver Bear and Volpi Cup awards, Finney was nominated for an Academy Award five times, as Best Actor four times, for Tom Jones, Murder on the Orient Express, The Dresser, and Under the Volcano, and as Best Supporting Actor for Erin Brockovich. He received several awards for his performance as Winston Churchill in the 2002 BBC–HBO television biographical movie The Gathering Storm.
Early life
Finney was born on 9 May 1936 in Salford, Lancashire, the youngest of three children and only son of Albert Finney, a bookmaker, and Alice. He was educated at Tootal Drive Primary School, Salford Grammar School, and the Royal Academy of Dramatic Art, from which he graduated in 1956.Career
1956–1962: Early career
While at RADA, Finney made an early television appearance playing Mr Hardcastle in Oliver Goldsmith's She Stoops to Conquer. The BBC filmed and broadcast the RADA students' performances at the Vanbrugh Theatre in London on Friday 6 January 1956. Other members of the cast included Roy Kinnear and Richard Briers. Finney graduated from RADA and became a member of the Royal Shakespeare Company. He was offered a contract by the Rank Organisation, but refused it to perform for the Birmingham Rep. He was in a production of The Miser for Birmingham Rep, which was filmed for the BBC in 1956. Also for the BBC he appeared in The Claverdon Road Job and View Friendship and Marriage.At Birmingham he played the title role of Henry V, and in 1958, made his London stage debut in Jane Arden's The Party, directed by Charles Laughton, who featured in the production along with his wife, Elsa Lanchester. In 1959, Finney appeared at Stratford in the title role of Coriolanus, replacing an ill Laurence Olivier. Finney guest featured for several episodes of Emergency-Ward 10 and was Lysander in a TV version of A Midsummer Night's Dream directed by Peter Hall.
Finney's first film appearance was in Tony Richardson's The Entertainer, with Laurence Olivier. Finney and Alan Bates played Olivier's sons. He made his film breakthrough in the same year with his portrayal of a disillusioned factory worker in Karel Reisz's film version of Alan Sillitoe's Saturday Night and Sunday Morning, produced by Richardson. The film was a success, being the third most popular movie in Britain that year. It earned more than half a million pounds. Finney then did Billy Liar on stage and for British television. Finney had been chosen to play T. E. Lawrence in David Lean's production of Lawrence of Arabia after a successful and elaborate screen-test that took four days to shoot. However, Finney baulked at signing a multi-year contract for producer Sam Spiegel and chose to decline the role.
Finney created the title role in Luther, the 1961 play by John Osborne depicting the life of Martin Luther. He performed the role with the English Stage Company in London, Nottingham, Paris and New York. The original West End run at the Phoenix ended in March 1962, after 239 performances there, when Finney had to quit the cast to fulfil a contractual obligation with a film company.
1963–1977
Finney starred in the Academy Award–winning 1963 film Tom Jones, directed by Richardson and written by Osborne. Due to the success of Tom Jones, British exhibitors voted Finney the ninth most popular film actor in 1963. Finney received 10% of the film's earnings, which made him over $1 million.Finney followed this with a small part in ensemble war film The Victors, which was a box-office failure. He then made his Broadway debut in Luther in 1963. When that run ended he decided to take a year off and sail around the world. "People told me to cash in on my success while I was hot," he later said. "I'd been acting for about eight years and had only had one vacation ... Captain Cook had been a hero of mine when I was a kid, and I thought it would be exciting to go to some of the places in the Pacific where he'd been." The success of Tom Jones enabled Finney to produce his next film, Night Must Fall, in 1964, which he also featured in and which was directed by Reisz. A remake of the classic 1937 film of the same title, the film was a failure and Finney's performance received poor reviews.
Finney undertook a season of plays at the Royal National Theatre, including Miss Julie by August Strindberg in 1965. He continued acting on films with Two for the Road co-featuring Audrey Hepburn. He and Michael Medwin formed a production company, Memorial Productions, which made Privilege, directed by Peter Watkins; The Burning, a short directed by Stephen Frears; and If...., directed by Lindsay Anderson. Memorial also did stage productions, such as A Day in the Death of Joe Egg, which Finney performed in London and then Broadway. Memorial also produced some in which Finney did not appear, such as Spring and Port Wine and The Burgular. Memorial then made Charlie Bubbles, which Finney featured in and also directed. Liza Minnelli made her feature debut in the movie. Finney later called it "the most intense sense of creation I've ever had." Finney featured in The Picasso Summer in 1969, and played the title role in the musical Scrooge in 1970.
File:Audrey Hepburn & Albert Finney Two for the Road Still.jpg|thumb|right|Audrey Hepburn and Finney in Two for the Road.
Finney then made Gumshoe, the first feature film directed by Stephen Frears, for Memorial. Memorial continued to produce films in which Finney did not appear: Spring and Port Wine, with James Mason; Loving Memory, an early directorial effort from Tony Scott; Bleak Moments, the first feature from Mike Leigh; O Lucky Man! for Anderson; and Law and Disorder ; filmed in Hollywood. In 1972, Finney returned to stage after a six-year absence with Alpha Beta, which he later filmed on television with Rachel Roberts. Memorial Productions stopped producing and Finney emphasized acting. "It was OK at first," he later said, "but in the end it was sitting in an office, pitching ideas to Hollywood and waiting for the phone to ring."
Finney played Agatha Christie's Belgian master detective Hercule Poirot in the film Murder on the Orient Express. Finney became so well known for the role that he complained that it typecast him for a number of years, "People really do think I am 300 pounds with a French accent", he said. He received nominations for the Academy Award for Best Actor and the BAFTA Award for Best Actor in a Leading Role.
He announced he intended to direct the film, The Girl in Melanie Klein, for Memorial, but it was not made.
Finney decided to take time off from features and focus on stage acting, doing classics at the National Theatre in London. "I felt that it needed commitment," he later said. "When you're making movies all the time, you stop breathing. You literally don't breathe in the same way that you do when you're playing the classics. When you have to deliver those long, complex speeches on stage, you can't heave your shoulders after every sentence. The set of muscles required for that kind of acting need to be trained. I really wanted to try and do justice to my own potential in the parts. I didn't want to be a movie actor just dropping in, doing Hamlet and taking off again. I wanted to feel part of the company."
Finney was at the National for over three years during which he played in Hamlet, Macbeth, Tamburlaine, and plays by Anton Chekhov. Finney made a TV film Forget-Me-Not-Lane in 1975, which was written by Peter Nichols, and he also performed a brief role in The Duellists, the first feature directed by Ridley Scott. He also released an album through Motown.
1981–1999
Finney had not played a major role in a feature film in six years, and started to think about resuming work with cinema. The last two successful films he had made were Scrooge and Orient Express in which he was heavily disguised. "Most Americans probably think I weigh 300 pounds, have black hair and talk with a French accent like Hercule Poirot," said Finney. "So I thought they should have a look at me while I was still almost a juvenile and kind of cute." Finney decided to make six movies in succession "so that I could relax and get back into it again. In order to feel really assured and comfortable in front of a camera, you've got to do it for a while." The first three were thrillers: Loophole, with Susannah York; Wolfen, directed by Michael Wadleigh; and Looker, written and directed by Michael Crichton. He received excellent reviews for his performance in the drama Shoot the Moon. Finney said the role "required personal acting; I had to dig into myself. When you have to expose yourself and use your own vulnerability, you can get a little near the edge."Less well received was his performance as Daddy Warbucks in the Hollywood film version of Annie, which was directed by John Huston. Finney said doing this movie after Shoot The Moon was "marvelous. I use a completely different side of myself as Warbucks. Annie is show biz; it's open, simple and direct. It needs bold, primary colors. I don't have to reveal the inner workings of the character, and that's a relief."
Finney featured in Peter Yates-directed movie The Dresser as Sir, a deteriorating veteran actor struggling through a difficult performance of King Lear. He earned nominations for the Academy Award for Best Actor, the BAFTA Award for Best Actor in a Leading Role, and the Golden Globe Award for Best Actor – Motion Picture Drama. He then played the title role for the TV film Pope John Paul II, his American television debut. Huston cast Finney in the lead role of Under the Volcano, which earned both men great acclaim, including another Best Actor Oscar nomination for Finney. Finney played the lead role of Sydney Kentridge in The Biko Inquest, a 1984 dramatization of the inquest into the death of Steve Biko which was filmed for television after a London run.
Finney performed on stage in Orphans in 1986, and the film version, directed by Alan J. Pakula. He had the lead in a television miniseries, The Endless Game, written and directed by Bryan Forbes. Finney began the 1990s with the lead role in a film for HBO, The Image. He received great acclaim playing the gangster boss in Miller's Crossing, replacing Trey Wilson shortly before filming. Finney made an appearance at Roger Waters' The Wall – Live in Berlin, where he played "The Judge" during the performance of "The Trial".
Finney featured in the BBC TV serial The Green Man, based on the Kingsley Amis novel. He followed it with The Playboys for Gillies MacKinnon; Rich in Love for Bruce Beresford; The Browning Version for Mike Figgis; A Man of No Importance, for Suri Krishnamma; and The Run of the Country for Peter Yates. In 1994, Finney played a gay bus conductor in early 1960s Dublin in A Man of No Importance. He had the main role in Dennis Potter's final two plays, Karaoke and Cold Lazarus. In the latter he played a frozen, disembodied head. Finney did Nostromo for television, and Washington Square for Agnieszka Holland then made A Rather English Marriage with Tom Courtenay. He had supporting roles in Breakfast of Champions and Simpatico.