Le Monde d'Edena
The World of Edena is a series of graphic novels by French artist Jean "Mœbius" Giraud. It grew organically out of a promotional album Mœbius made for the French car manufacturer Citroën, called "The Star", in 1983.
Background and publication history
In the initial story, Mœbius introduces two protagonists, Stel and Atan, who crash on a barren planet and must traverse it in an old Citroën. They eventually stumble on a camp of interstellar refugees surrounding a mysterious pyramid, and are transported to an unknown world described as a 'Garden of Eden somewhere in another galaxy'.The open ending of the Citroën story inspired Mœbius to wonder what would happen next. He plotted out three or four books' worth of stories that were also conceived as the basis of a coherent Mœbius universe, one which crossed over with other major works like The Airtight Garage. In effect, a recurrent character in the series was "Master Burg", Stel's dream guide who aided him in his quest on Edena, which was a palindrome of " Grubert", the main protagonist of The Airtight Garage, and by Mœbius intended to be one and the same person.
Mœbius was strongly influenced by the teachings of Jean-Paul Appel-Guéry, whose commune on Tahiti he had joined with his family in the period 1983-1984, and Swiss nutritionist Guy-Claude Burger, as well as his own transient lifestyle. Questions are posed about dreams, nutrition and health, biology and sexuality, the human desire to live in a structured society, and archetypal good and evil. All of these philosophical elements are organically embedded in deceptively 'light' stories. The two protagonists Stel and Atan for example, stemming from a highly industrialized civilization, discover their human sexuality on Edena, brought on by the circumstance that they, cut off from that civilization, are forced to consume natural nutrition, with Atan in the process becoming "Atana".
Mœbius started out the series by restricting himself to a 'Clear Line' style, with minimal details, though in later outings, especially the short stories "The Still Planet" and "The Repairmen", his signature intricate Mœbius graphic style started to resurface, before returning to his original art style for the last outing in the main narrative, Sra.
While Mœbius has received a multitude of awards for his body of work, this series did receive a specific one, the 1991 Spanish Haxtur Award of the Salón Internacional del Cómic del Principado de Asturias, for La Diosa in the category "Best Drawings". Concurrently, the short story "The Still Planet", which, coming in at 25 pages, accounted for half the contents of the comic book Concrete Celebrates Earth Day 1990 in which it was first published, was instrumental in winning the 1991 Eisner Award for "Best Single Issue". Noteworthy was, that the story is created as a wordless comic, save for the title, with only the art intended to tell the story. In this, Moebius repeated the experimental style utilized for the comic that had brought him international renown in the mid-1970s, Arzach. Additionally, the story was under its French title "La planète encore" adapted into a French-produced animation short in 2010. Mœbius Production served as a production company, with wife Isabelle Giraud serving as one of its producers. Mœbius himself was one of the two directors of the short.