The Perfect Neighbor


The Perfect Neighbor is a 2025 American documentary film directed by Geeta Gandbhir about the killing of Ajike Owens, a shooting incident on June 2, 2023 where a white female, Susan Louise Lorincz, fatally shot Owens, her black female neighbor, in Ocala, Florida.
The film is told in chronological order with limited narration, mostly using pre-existing police footage such as bodycams', and follows both the lead-up to the killing, the incident itself and its aftermath, from the neighborhood disputes eventually escalating into the killing to Lorincz's conviction for manslaughter, among other charges. As the killing itself did, the film notably questions the systemic bias in how Florida's stand-your-ground laws are applied.
The film had its world premiere at the 2025 Sundance Film Festival on January 24, where it won the Directing Award. It had a limited theatrical release in the U.S. on October 10, prior to streaming globally on Netflix on October 17. It received widespread acclaim for its production, direction and editing, and its effective questioning of the circumstances surrounding Owens' death and similar incidents. At the 98th Academy Awards, it was nominated for Best Documentary Feature Film|Best Documentary].

Premise

On June 2, 2023, in Ocala, Florida, Ajike "AJ" Shantrell Owens was shot and killed by Susan Lorincz. The film explores disputes leading up to the shooting by using bodycam footage. It includes footage from a selection of the multiple times that deputies from the Marion County Sheriff's Office responded to: calls from Lorincz in 2022 and 2023; a call from an auto repair operator in March 2023, after Lorincz repeatedly rammed her pickup truck into the gate at his workplace; a visit by Lorincz to report her complaints in person at the Sheriff's Office in May 2023; the multiple 911 calls, including from Lorincz, when she shot Owens on June 2 2023; and Lorincz being questioned by Sheriff's detectives at the station. Sheriff's Office footage from the next few days, such as Lorincz retrieving items from her house, and from her further interviews at the Sheriff's Office, is included.

Production

The victim, Ajike Owens, was the best friend of director Geeta Gandbhir's sister-in-law. Concerned that Susan Lorincz would use the stand-your-ground law, Gandbhir's partner and fellow producer Nikon Kwantu went to Florida and began documenting and filming the case.
In an interview with Film Comment, Gandbhir distinguished the film from typical true crime documentaries, stating: "I do not think of this film as true crime. This is a story that happened to my family, and I made it to mitigate grief." She described the film's approach to police body camera footage as an intentional subversion: "Police body-cam footage is used to surveil communities of color in order to protect the police, so we wanted to flip that on its head and use it to show the point of view of this community." After the Netflix acquisition, a portion of the licensing fee was directed to a fund supporting Owens's mother, Pamela Dias, and her four children.

Release

The film had its world premiere at the 2025 Sundance Film Festival on January 24, 2025. It also screened at South by Southwest on March 9, 2025. The film also screened at CPH:DOX, the Miami Film Festival, Full Frame [Documentary Film Festival]—where it received a Special Jury Award—and Sheffield DocFest. It later screened at the New York Film Festival in fall 2025. In February 2025, Netflix was reportedly in final negotiations to acquire the film for $5 million. The deal was finalized in March 2025, with Netflix planning to release the documentary later that year. It later went live on Netflix in October of 2025, where it held the position of most watched movie in the U.S. within days of its release. Soledad O'Brien served as an executive producer.

Reception

Writing for RogerEbert.com, critic Jourdain Searles gave the film three out of four stars and wrote that the title is "so unassuming that even the most casual viewer can guess how harrowing the film they’re about to see will be," going on to say that the film is "good" but ultimately yet another example of how media continues "to studiously document senseless suffering" without affecting real change. Robert Abele of the Los Angeles Times wrote that "while The Perfect Neighbor is, on the most visceral level, a documentary horror film built with police footage, it also reveals how a violent tragedy can be unwittingly manifested by unchecked grievance and a law that weaponizes white fear more than it guards anyone's peace."

Accolades