Shrek


Shrek is a 2001 American animated fantasy comedy film directed by Andrew Adamson and Vicky Jenson, and written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, loosely based on the 1990 children's picture book Shrek! by William Steig. It is the first installment in the Shrek film series, and stars Mike Myers, Eddie Murphy, Cameron Diaz and John Lithgow. In the film, an embittered ogre named Shrek finds his home in the swamp overrun by fairy tale creatures banished by the obsessive ruler Lord Farquaad. With the help of Donkey, Shrek makes a pact with Farquaad to rescue Princess Fiona in exchange for regaining control of his swamp.
After purchasing the rights to Steig's book in 1991, Steven Spielberg sought to produce a traditionally-animated film adaptation, but John H. Williams convinced him to bring the project to the newly founded DreamWorks Pictures in 1994. Jeffrey Katzenberg, along with Williams and Aron Warner, began development on Shrek in 1995, immediately following the studio's purchase of the rights from Spielberg. Chris Farley was cast as the voice for the title character, recording most of the required dialogue, but died in 1997 before his work on the film was finished; Myers was hired to replace him, and gave Shrek his characteristic Scottish accent. The film was initially intended to be created using motion capture, but after poor test results, the studio hired Pacific Data Images to complete the final computer animation. Shrek parodies other fairy tale adaptations, primarily animated Disney films.
Shrek premiered at the Mann Village Theatre in Westwood on April 22, 2001, and was later shown at the 2001 Cannes Film Festival, where it competed for the Palme d'Or, making it the first animated film since Picha's The Missing Link to be chosen as main competition at the festival. The film was theatrically released by DreamWorks Pictures in the United States on May 18, 2001, and grossed over $492 million worldwide, becoming the fourth highest-grossing film of 2001. It was widely praised by critics for its animation, voice performances, soundtrack, writing and humor, which they noted catered to both adults and children. Shrek was named one of the top 10 films of 2001 by the American Film Institute, the first animated film to be listed, and won numerous accolades including the BAFTA Award for Best Adapted Screenplay and the inaugural Academy Award for Best Animated Feature.
The film's major success helped establish DreamWorks Animation as a competitor to Pixar in feature film computer animation. Three sequels have been released—Shrek 2, Shrek the Third, and Shrek Forever After —along with two spin-off films—Puss in Boots and Puss in Boots: The Last Wish —with other productions, notably Shrek 5, in development. It is also regarded as one of the most influential animated films of the 2000s and one of the greatest animated films ever made. The United States Library of Congress selected Shrek for preservation in the National Film Registry in 2020, becoming the first animated film of the 21st century to be preserved.

Plot

is an asocial ogre who loves the solitude of his swamp and enjoys fending off mobs and intruders. One day, his life is interrupted after he inadvertently saves a talkative Donkey from some soldiers, prompting Donkey to forcibly stay with him. Donkey is one of many fairy tale creatures that are being exiled or sold by the dwarfish Lord Farquaad of Duloc to beautify his land. However, the creatures inadvertently end up in the swamp. Angered by the intrusion, Shrek resolves to visit Farquaad and demand that he move the creatures elsewhere, reluctantly allowing Donkey to accompany him as he is the only one who knows where Duloc is.
Meanwhile, Farquaad is presented with the Magic Mirror, who tells him that he must marry a princess in order to become king. Farquaad randomly chooses Princess Fiona, who is imprisoned in a castle guarded by a Dragon. Unwilling to rescue Fiona himself, he organizes a tournament in which the winner will receive the "privilege" of performing the task on his behalf. When Shrek and Donkey arrive at Duloc, Farquaad announces that whoever kills Shrek will win the tournament; however, Shrek and Donkey defeat Farquaad's knights with relative ease. Amused, Farquaad proclaims them champions, and agrees to relocate the fairy tale creatures if Shrek rescues Fiona.
Shrek and Donkey travel to the castle and the Dragon attacks them. Shrek locates Fiona, who is appalled by his lack of romanticism; they flee the castle after rescuing Donkey from the Dragon, who is revealed to be female and has fallen in love with him. When Shrek removes his helmet and reveals he is an ogre, Fiona stubbornly refuses to go to Duloc, demanding Farquaad arrive in person to save her, but Shrek carries Fiona against her will. That night, after setting up camp, and with Fiona alone in a cave, Shrek admits to Donkey that he is asocial because he grew frustrated over being constantly judged for his appearance. Fiona overhears this and becomes kinder to Shrek. The next day, Robin Hood and his band of Merry Men harass the three, but Fiona easily defeats them in physical combat. Shrek becomes impressed with Fiona, and they begin to fall in love.
When the trio nears Duloc, Fiona takes shelter in a windmill for the evening. Donkey enters alone and discovers that Fiona has transformed into an ogress. She explains that during her childhood, she was cursed to transform into an ogress at night but retain her human form during the day. She tells Donkey that only "true love's kiss" will break the spell and change her to "love's true form". Meanwhile, Shrek is about to confess his feelings to Fiona, when he overhears Fiona referring to herself as an "ugly beast". Thinking that she is talking about him, Shrek angrily leaves and returns the next morning with Farquaad. Confused and hurt by Shrek's abrupt hostility, Fiona reluctantly accepts Farquaad's marriage proposal and requests that they be married that day before sunset. Shrek dismisses Donkey and returns to his now vacated swamp, but quickly realizes that he feels miserable without Fiona. Donkey returns and lectures Shrek for jumping to conclusions and reveals that Fiona was not referring to him as an "ugly beast", although Donkey does not reveal Fiona's secret to Shrek. The two reconcile, and Donkey summons the Dragon, whom he had reunited with earlier in the day. Shrek and Donkey ride Dragon to Duloc so they can stop the wedding.
Shrek interrupts the ceremony just before it ends and expresses his feelings for Fiona. The sun sets, and Fiona transforms into an ogress in front of everyone. Disgusted and enraged, Farquaad orders Shrek to be executed and Fiona re-imprisoned, while he declares himself as a king. The two are saved when the Dragon, ridden by Donkey, breaks in and devours Farquaad. Shrek and Fiona kiss, and Fiona's curse is broken; though she remains an ogress, Shrek reassures her that he still finds her beautiful. They marry in the swamp with the fairy tale creatures in attendance, then leave for their honeymoon.

Voice cast

Production

Development

At the time DreamWorks Pictures was founded, producer John H. Williams got hold of the book from his children and when he brought it to DreamWorks, it caught CEO Jeffrey Katzenberg's attention and the studio decided to make it into a film. Recounting the inspiration of making the film, Williams said:
After buying the rights to the film, Katzenberg quickly put it in active development in November 1995. Steven Spielberg had thought about making a traditionally animated film adaptation of the book before, when he bought the rights to the book in 1991 before the founding of DreamWorks, where Bill Murray would play Shrek and Steve Martin would play Donkey. In the beginning of production, co-director Andrew Adamson refused to be intimidated by Katzenberg and had an argument with him about how much the film should appeal to adults. Katzenberg wanted both audiences, but he deemed some of Adamson's ideas, such as adding sexual jokes and Guns N' Roses music to the soundtrack, to be too outrageous. Adamson and Kelly Asbury joined in 1997 to co-direct the film. However, Asbury left a year later for work on the 2002 film Spirit: Stallion of the Cimarron, and was replaced with story artist Vicky Jenson, although Asbury would later co-direct the sequel. Both Adamson and Jenson decided to work on the film in half, so the crew could at least know whom to go to with specific detail questions about the film's sequences; "We both ended up doing a lot of everything," Adamson said. "We're both kinda control freaks, and we both wanted to do everything."
Some early sketches of Shrek's house were done between 1996 and 1997 using Photoshop, with the sketches showing Shrek first living in a garbage dump near a human village called Wart Creek. It was also thought at one time that he would live with his parents and keep rotting fish in his bedroom. Donkey was modeled after Pericles, a real miniature donkey from Barron Park in Palo Alto, California. Raman Hui, supervising animator of Shrek, stated that Fiona "wasn't based on any real person" and he did many different sketches for her. He had done over 100 sculptures of Fiona before the directors chose the final design. In early development, the art directors visited Hearst Castle, Stratford upon Avon, and Dordogne for inspiration. Art Director Douglas Rogers visited a magnolia plantation in Charleston, South Carolina, as inspiration for Shrek's swamp. Planned characters not used in the film include Goldilocks and Sleeping Beauty.

Writing

The screenplay was written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, loosely based on the picture book by William Steig. The way Steig upended fairy tale conventions in the original book by making an ogre the protagonist formed the basis for the movie being a parody of fairy tales. Elliott and Rossio began writing for the film in 1997 and worked on the project for two years. Elliott and Rossio were also credited as co-producers for the film. They centered the four main characters' personalities on maladaptive responses to self-esteem issues; as the DreamWorks story crew developed the plot, their personalities remained the same, ensuring the "thematic unity" of the story was preserved. When the studio leaned towards Shrek being a kind person shunned for being an ogre, they pushed for Shrek to remain a "misanthropic anti-hero."