Reach Out I'll Be There
"Reach Out I'll Be There" is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out. Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
It was the number one song on the Rhythm & Blues chart for two weeks and on the Billboard Hot 100 for two weeks, in October 15–22, 1966. The track also reached number one on the UK Singles Chart, becoming Motown's second UK chart-topper after the Supremes' 1964 release "Baby Love". It reached number one on October 27, 1966, and stayed there for three weeks.
Rolling Stone later ranked "Reach Out" number 206 on its list of "The 500 Greatest Songs of All Time". Billboard ranked the record as the number four song for 1966. In 2022, the single was selected by the Library of Congress for preservation in the National Recording Registry.
Writing and recording
In 1966, Holland, Dozier and Holland were writing new songs for the Four Tops to record for an album. Lamont Dozier said that he wanted to write "a journey of emotions with sustained tension, like a bolero. To get this across, I alternated the keys, from a minor, Russian feel in the verse to a major, gospel feel in the chorus." He developed the lyrics with Eddie Holland, aiming for them to sound "as though they were being thrown down vocally." Dozier said that they were strongly influenced by Bob Dylan at the time, commenting: "We wanted Levi to shout-sing the lyrics... as a shout-out to Dylan."For the recording, the writers and producers intentionally put Levi Stubbs at the top of his vocal range, according to Abdul Fakir of the Four Tops, "to make sure he'd have that cry and hunger and wailing in his voice." Arranger Paul Riser overdubbed instruments including a piccolo and flute in the intro, and a drum pattern made by using timpani mallets on a tambourine head. After the recording was completed and on hearing the final version, the group begged Berry Gordy not to release it; according to Fakir, "for us, the song felt a little odd." However, Gordy insisted that it be issued as a single.
Style
Lead singer Levi Stubbs delivers many of the lines in the song in a tone that some suggest straddles the line between singing and shouting, as he did in the 1965 hit, "I Can't Help Myself (Sugar Pie Honey Bunch)". AllMusic critic Ed Hogan praises Stubbs' vocal as well as the song's "rock-solid groove" and "dramatic, semi-operatic tension and release." Critic Martin Charles Strong calls the song "a soul symphony of epic proportions that remains signature tune."In 2014, interviewed by The Guardian, Four Tops singer Duke Fakir said:
Reception
Cash Box said that it is "a hard-driving, pulsating pop-r&b romancer about a very-much-in-love guy who claims that he'll always be at his gal's beck-and-call."Charts
Weekly charts
| Chart | Peak position |
| Chart | Peak position |
| Europe | 31 |
| UK Airplay | 38 |
Year-end charts
| Chart | Position |
| Canada Adult Contemporary | 33 |
Legacy
The version by the Four Tops was used by Joe Biden during his campaign in the 2020 United States presidential election. Many artists covered the song, including the Jaded Hearts Club cover as recently as 2020.In 1998, the 1966 recording by the Four Tops on Motown Records was inducted into the Grammy Hall of Fame.
The Four Tops version was used in the main trailer for the second season of the Apple TV+ series Severance.