No Other Choice
No Other Choice is a 2025 South Korean black comedy thriller film co-written, produced, and directed by Park Chan-wook. Based on The Ax by Donald Westlake, the film stars Lee Byung-hun, Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom Hye-ran, and Cha Seung-won. It is the second film adaptation of the novel, after the 2005 French-language feature The Axe directed by Costa-Gavras, to whom No Other Choice is dedicated in the closing credits. The film follows a desperate paper industry expert who decides to kill off his competition to be assured of the job he seeks to maintain his way of life.
The film had its world premiere in the main competition of the 82nd Venice International Film Festival on 29 August 2025, where it garnered critical acclaim. At the 83rd Golden Globe Awards, it was nominated for Best Motion Picture – Musical or Comedy, Best Foreign Language Film and [Golden Globe Award for Blue Dragon Film Award for Best Actor|Best Actor in a Motion Picture – Musical or Comedy|Best Actor in a Motion Picture – Musical or Comedy]. It was also selected as the [List of South Korean submissions for the Academy Award for Gotham Independent Film Award for Best International Feature|Best International Feature Film|South Korean entry] for the Best International Feature Film category for the 98th Academy Awards, making the December shortlist, but was not nominated.
No Other Choice had its domestic premiere as the opening film of the 30th Busan International Film Festival on 17 September, followed by its theatrical release in South Korea on 24 September by CJ Entertainment.
Plot
Man-su is an award-winning veteran employee of papermaking company Solar Paper. Well-paid, he has purchased his childhood home, where he lives happily in luxury with his homemaker wife Mi-ri and their two children - Mi-ri's teenage son from a previous marriage Si-one, and their young daughter Ri-one, an asocial neurodivergent cello prodigy. However, Americans buy out Solar Paper and fire many employees, including a devastated Man-su after he objects to the downsizing his subordinates would face. After informing his family, he vows to resume papermaking within three months.Three months later, Man-su does low-paying retail work due to unsuccessful papermaking job applications. His family has minimized their spending, including rehoming their two dogs to Mi-ri's parents, to Ri-one's distress. Ri-one's cello teacher recommends Ri-one for expensive advanced classes. Unable to pay the mortgage, the family risks losing Man-su's beloved home to buyers; likely the parents of Si-one's best friend, Geon-ho. Mi-ri starts working as a dental assistant to suave male dentist Jin-ho. Man-su suffers a toothache that he ignores.
When trying to join the company Moon Paper, Man-su is humiliated by manager Seon-chul. Wanting his job, Man-su nearly kills Seon-chul using a potted plant but abandons the attempt when he realises killing Seon-chul will not matter unless he is the best candidate to replace him. Man-su buys a fake advertisement to identify his papermaking job competitors. Receiving job applications, Man-su identifies two men whose credentials exceed his own: Beom-mo and Si-jo. Man-su retrieves his father's Vietnam War gun, deciding to kill Seon-chul, Beom-mo, and Si-jo.
Man-su begins spying on unemployed drunkard Beom-mo and plans the murder-attempt. He suffers a snakebite and is saved by Beom-mo's dissatisfied wife, A-ra. Man-su and Beom-mo separately discover A-ra's infidelity. Man-su confronts Beom-mo at gunpoint, with Beom-mo mistaking Man-su as A-ra's lover. Man-su, Beom-mo, and A-ra struggle over Man-su's gun. A-ra shoots Beom-mo dead, and Man-su narrowly escapes. Man-su arrives late to a costumed dance party, where he watches Mi-ri dance with Jin-ho as Man-su was late. Angered, Man-su returns to Beom-mo's residence, where A-ra and her lover have buried Beom-mo and the gun. Man-su retrieves the gun. Man-su and Mi-ri accuse each other of infidelity before reconciling.
Man-su visits Si-jo, who sells shoes and speaks of his young daughter. Man-su tricks Si-jo into staying late at the shoe store, and then pretends to have car trouble on the highway where Si-jo passes to go home. After Si-jo stops to help, Man-su reluctantly shoots him dead, hiding his corpse in Man-su's car. Meanwhile, Si-one and Geon-ho steal iPhones from Geon-ho's father's store to resell, but the police arrest them. Man-su and Mi-ri blackmail Geon-ho's father, who had used the store for his own infidelity, into having Geon-ho confess that he is the main culprit. Detectives visit Man-su to warn him of Beom-mo and Si-jo's disappearances, which police linked to their common circumstances. Si-one witnesses Man-su trying to dismember Si-jo's corpse with a chainsaw. Unable to do so, Man-su buries the corpse in his garden, alongside Si-one's stolen iPhones, and plants an apple tree.
Man-su visits Seon-chul's home to befriend him. While plying Seon-chul with alcohol, Man-su is forced to break his own sobriety, leading Man-su to forcefully extract his cavity-filled tooth. Si-one confesses his concerns about the body to Mi-ri, and begins having night terrors about the sound of the chainsaw. Mi-ri digs up the apple tree to find Si-jo's corpse, and calls Man-su with her concerns. Determined to protect his family, Man-su refuses to change his path. He then suffocates Seon-chul and makes it seem that a drunk Seon-chul choked to death on his own vomit. Mi-ri tells Si-one that Man-su dismembered a pig and buried it to nourish the apple tree.
Moon Paper decides to hire Man-su to replace Seon-chul. This allows the family to keep their home and reunite with their dogs, reducing Ri-one's antisocial behavior. The detectives visit Man-su, revealing that A-ra has implicated Beom-mo as a gun-owner and potentially Si-jo's murderer, thus lifting suspicion off Man-su. Mi-ri and Si-one hear Ri-one playing her cello to the dogs. At work, Man-su celebrates alone in a modern paper mill run by machines instead of workers.
Cast
- Lee Byung-hun as Yoo Man-su, Mi-ri's husband and Si-one and Ri-one's father, who is a paper industry expert who is struggling to find employment
- Son Ye-jin as Lee Mi-ri, Man-su's wife and Si-one and Ri-one's mother, who works as a dental assistant
- Park Hee-soon as Choi Seon-chul, Man-su's third target and the divorced line manager of Papyrus Paper who also is an influencer in social media
- Lee Sung-min as Goo Beom-mo, Man-su's first target and another paper expert who is also struggling to find a job
- Yeom Hye-ran as Lee A-ra, Beom-mo's frustrated and unfaithful wife and a struggling veteran actress
- Cha Seung-won as Ko Si-jo, Man-su's second target who works at a shoe-store to provide for his family
- Yoo Yeon-seok as Oh Jin-ho, a dentist and employer of Mi-ri
Production
Development
During the 14th Busan International Film Festival in 2009, it was announced that Park would remake Costa-Gavras's 2005 film The Axe. Park would later clarify that he had read Donald Westlake's 1997 novel The Ax upon which the film was based and decided to adapt it prior to knowing about Costa-Gavras's film. However, the project was delayed when Park received the screenplay for his 2012 film Stoker. In 2012, Park said he planned to make the film his next project but it still needed "more work on the casting and attracting investors".During a live discussion with Costa-Gavras at the 24th Busan International Film Festival in 2019, Park told audiences that he was still working on his adaptation of Westlake's novel. The film was described by Park as a "lifetime project" and that while he hadn't begun filming it yet, he wished "to make this film as my masterpiece". Gavras, who still held the rights to the book, had helped Park to develop the project. The film was set to be an English-language picture, with Don McKellar co-writing the script alongside Park.
Park's team told The Hollywood Reporter that he was approaching the project with the intent to "strengthen the moral dilemma in this story as much as possible, and he will increase the role of protagonist's wife".
At the 2022 Cannes Film Festival, Park stated that the project was still in development and followed "a heartbreaking story about a middle-aged man who lost a job, and now he needs to bring the bread to the table to feed his family. So, he struggles in the process of looking for a job in a specialized field, and he becomes a serial killer."
In March 2024, Lee Byung-hun and Son Ye-jin were announced as the film's leads. Park and Son previously worked together in the 2016 movie The Truth Beneath, while Park collaborated with Lee on Joint Security Area. Park revealed that the film would now be set in Korea.
In August 2024, Park's frequent collaborators Lee Kyoung-mi and Lee Ja-hye were also announced as writers on the project.
Filming
Principal photography began in August 2024. Filming wrapped in January 2025, lasting a total of five months.Soundtrack
The film's soundtrack includes classical, Korean pop ballads, and American soul music. The opening credits and the first few minutes of the opening scene feature Mozart's Piano Concerto No. 23. "Redpepper Dragonfly" by Cho Yong-pil, "Let's Walk On" by Kim Chang-wan, and "Le badinage" by Marin Marais feature in the film.Release
In June 2025, Neon acquired North American distribution rights to No Other Choice, with Mubi taking rights to the film in the U.K., Ireland, Latin America, Spain, Turkey, the SAARC, Australia, New Zealand and the Benelux, the latter in association with its subsidiary Cinéart. According to CJ ENM and Moho Film, the film was pre-sold to over 200 countries around the world, including North America, the UK, France, Germany, and Japan. It surpasses the pre-sale record of 192 countries held by Park Chan-wook's 2022 film Decision to Leave.The film had its world premiere in the main competition of the 82nd Venice International Film Festival on 29 August 2025. It had its North American premiere on 5 September 2025 at the 2025 Toronto International Film Festival, where Lee Byung-hun received a Special Tribute Award at the TIFF Tribute Awards event. It was also screened in the Special Presentations section at the 2025 Cinéfest Sudbury International Film Festival, Sudbury, Ontario, on 17 September 2025.
It opened the 30th Busan International Film Festival on 17 September 2025, where both Lee Byung-hun and Son Ye-jin were honoured with the "Actors' house", a special career retrospective. Theatrical release in South Korea followed on 24 September, by CJ Entertainment. The film was screened in IMAX theaters in South Korea, while in the United States, a one-night screening was held on 8 December.
On 4 October 2025, No Other Choice was presented in the "Galas & Special Presentations" and "Spotlight on Korea" sections at the 2025 Vancouver International Film Festival. It had its US premiere at the Main Slate of 2025 New York Film Festival on 12 October 2025. On 14 October, the film competed in the 58th Sitges Film Festival in the Oficial Fantàstic Competició section, vying for the various awards given in the section. It was presented in the Galas section of the 2025 BFI London Film Festival on 15 October 2025, and would also be screened as a late addition to the Adelaide Film Festival on 24 October, and in the Special Presentations of the 61st Chicago International Film Festival on 25 October 2025.
It was screened in the Masters section of the 2025 Stockholm International Film Festival on 12 November 2025, and in the "From the Festivals – 2025" section of the 56th International Film Festival of India in November 2025.
Reception
Box office
No Other Choice recouped its 17 billion won production budget before its release through overseas presales, making its financial success unaffected by its domestic performance.The film was released on 24 September 2025 on 2,114 screens. It opened at the top recording 331,518 viewers on its opening day at the Korean box office. The film achieved the highest opening of all time for a film directed by Park, surpassing Decision to Leave and his highest-grossing film The Handmaiden. On 28 September, it surpassed 1 million cumulative viewers in five days of its release by registering 1,042,800 cumulative audience.
, the film has grossed $35 million worldwide, including million from 2,938,283 domestic admissions only in South Korea.
Critical response
After earning a nine-minute standing ovation and applause at the 82nd Venice International Film Festival, The Dong-A Ilbo stated that the film left a significant mark on the Korean film industry, receiving rave reviews from international critics and media and helping to revitalize Korean cinema.The film continued to attract critical acclaim; Variety reported that critics "have hailed No Other Choice as one of Park's most humane and mordantly funny works to date."
Time Out rated the film 5 out of 5 stars, describing it as "a masterful work of cinema which might well be Chan-wook's masterpiece. And given this is the man who directed The Handmaiden that's saying a lot." According to Peter Bradshaw of The Guardian, who rated the film 4 stars out of 5, "it may not be Park's masterpiece but it is the best film in the Venice competition so far". Reviewing it for the Financial Times, Danny Leigh sees it as a critique of capitalism, concluding "Capitalism may offer much less choice than advertised, he tells us. The future may take even that away." Eileen Jones of Jacobin praised the film's themes, writing: "atomization, the process by which we are all forced apart into terrifying isolation, so that we each wind up playing a lone hand against the impossible forces of our own creation, has rarely been illustrated with such powerful imagery and narrative clarity."
Accolades
No Other Choice was selected as the South Korean entry for the Best International Feature Film category for the 98th Academy Awards.| Award | Date of ceremony | Category | Recipient | Result | |
| Venice International Film Festival | September 6, 2025 | Golden Lion | Park Chan-wook | Nomitated | |
| TIFF Tribute Awards | September 7, 2025 | Special Tribute Award | Lee Byung-hun | ||
| Toronto International Film Festival | September 14, 2025 | International People's Choice Award | No Other Choice | Won | |
| Sitges Film Festival | October 18, 2025 | Best Feature Film | No Other Choice | Nomitated | |
| Sitges Film Festival | October 18, 2025 | Best Director | Park Chan-wook | Won | |
| Newport Beach Film Festival | 22 October 2025 | Global Impact Award | Park Chan-wook | ||
| Newport Beach Film Festival | 22 October 2025 | Artist of Distinction Award | Lee Byung-hun | ||
| Newport Beach Film Festival | 22 October 2025 | Outstanding International Feature | No Other Choice | Won | |
| Newport Beach Film Festival | 22 October 2025 | Outstanding Editing Feature | No Other Choice | Won | |
| Savannah Film Festival | 25 October 2025 | International Auteur Award | Park Chan-wook | ||
| Savannah Film Festival | 25 October 2025 | International Audience Award | No Other Choice | Won | |
| Adelaide Film Festival | 26 October 2025 | Audience Award for Feature Fiction | No Other Choice | Won | |
| Miami Film Festival | 31 October 2025 | Master of the Precious Gem Award | Park Chan-wook | ||
| Korean Association of Film Critics Awards | 6 November 2025 | Best Supporting Actor | Park Hee-soon | Won | |
| Korean Association of Film Critics Awards | 6 November 2025 | FIPRESCI Award | No Other Choice | Won | |
| Stockholm International Film Festival | November 14, 2025 | FIPRESCI Award | No Other Choice | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Best Film | No Other Choice | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Best Director | Park Chan-wook | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Best Actor | Lee Byung-hun | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Actress | Son Ye-jin | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Best Supporting Actor | Lee Sung-min | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Best Supporting Actress | Yeom Hye-ran | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, Lee Ja-hye | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Cinematography and Lighting | Kim Woo-hyung, Kim Min-jae | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Art Direction | Ryu Seong-hie | Nomitated | |
| Blue Dragon Film Awards | November 19, 2025 | Best Music | Jo Yeong-wook | Won | |
| Blue Dragon Film Awards | November 19, 2025 | Technical Award | Jo Sang-gyeong | Won | |
| Gotham Independent Film Awards | December 1, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee and Don McKellar | Nomitated | |
| Gotham Independent Film Awards | December 1, 2025 | Best International Feature | Park Chan-wook, Alexandre Gavras, Michèle Ray-Gavras, and Back Jisun | Nomitated | |
| Gotham Independent Film Awards | December 1, 2025 | Outstanding Lead Performance | Lee Byung-hun | Nomitated | |
| Atlanta Film Critics Circle | December 3, 2025 | Top 10 Films | No Other Choice | ||
| Atlanta Film Critics Circle | December 3, 2025 | Best International Feature | No Other Choice | ||
| Toronto Film Critics Association | December 7, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee and Don McKellar | ||
| Washington DC Area Film Critics Association | December 7, 2025 | Foreign Language Film | No Other Choice | Nomitated | |
| The New York Times Magazine | 9 December 2025 | 10 Best Performers of 2025 | Lee Byung-hun | Won | |
| Astra Creative Arts Awards | December 11, 2025 | Best Film Editing | Kim Sang-bum and Kim Ho-Bin | Nomitated | |
| Chicago Film Critics Association Awards | December 11, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don McKellar, and Lee Ja-hye | Nomitated | |
| Chicago Film Critics Association Awards | December 11, 2025 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Chicago Film Critics Association Awards | December 11, 2025 | Best Editing | Kim Sang-bum and Kim Ho-bin | Nomitated | |
| Phoenix Critics Circle | 11 December 2025 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Phoenix Critics Circle | 11 December 2025 | Best Director | Park Chan-wook | Nomitated | |
| Phoenix Critics Circle | 11 December 2025 | Best Cinematography | Kim Woo-hyung | Nomitated | |
| St. Louis Film Critics Association | December 14, 2025 | Best International Feature Film | No Other Choice | Nomitated | |
| San Francisco Bay Area Film Critics Circle | December 14, 2025 | Best International Feature Film | No Other Choice | Nomitated | |
| San Francisco Bay Area Film Critics Circle | December 14, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | Nomitated | |
| Seattle Film Critics Society Awards | December 15, 2025 | Best International Feature | No Other Choice - Park Chan-wook | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best Picture | No Other Choice | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best Director | Park Chan-wook | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best Actor | Lee Byung-hun | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best Ensemble Cast | No Other Choice | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best Cinematography | Kim Woo-hyung | Nomitated | |
| New York Film Critics Online | December 15, 2025 | Best International Feature | No Other Choice | Nomitated | |
| Indiana Film Journalists Association | 15 December 2025 | Best Film Finalists | No Other Choice | ||
| Indiana Film Journalists Association | 15 December 2025 | Best Foreign Language Film | No Other Choice | Won | |
| Phoenix Film Critics Society | 15 December 2025 | Best Foreign Language Film | No Other Choice | Won | |
| Dallas–Fort Worth Film Critics Association | 17 December 2025 | Best Foreign Language Film | No Other Choice | ||
| Korean Film Producers Association Awards | 18 December 2025 | Best Actor | Lee Byung-hun | Won | |
| Korean Film Producers Association Awards | 18 December 2025 | Best Cinematography | Kim Woo-hyung | Won | |
| Korean Film Producers Association Awards | 18 December 2025 | Best Lighting | Kim Min-jae | Won | |
| Korean Film Producers Association Awards | 18 December 2025 | Sound Award | Kim Seok-won, Kim Hyeon-jun, Hong Yun-seong | Won | |
| Austin Film Critics Association | 18 December 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee, Don McKellar, Donald E. Westlake | Nomitated | |
| Austin Film Critics Association | 18 December 2025 | Best International Film | No Other Choice | Nomitated | |
| Florida Film Critics Circle | December 19, 2025 | Best Picture | No Other Choice | ||
| Florida Film Critics Circle | December 19, 2025 | Best Director | Park Chan-wook | Won | |
| Florida Film Critics Circle | December 19, 2025 | Best Actor | Lee Byung-hun | Nomitated | |
| Florida Film Critics Circle | December 19, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee, Don McKellar, Donald E. Westlake | ||
| Florida Film Critics Circle | December 19, 2025 | Best International Film | No Other Choice | Won | |
| Florida Film Critics Circle | December 19, 2025 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| Florida Film Critics Circle | December 19, 2025 | Best Visual Effects | No Other Choice | Nomitated | |
| Las Vegas Film Critics Society | 19 December 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee, Don McKellar, Donald E. Westlake | Nomitated | |
| Las Vegas Film Critics Society | 19 December 2025 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Online Association Of Female Film Critics | 19 December 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Jahye Lee, Don McKellar, Donald E. Westlake | Nomitated | |
| Online Association Of Female Film Critics | 19 December 2025 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| Online Association Of Female Film Critics | 19 December 2025 | Best International Film | No Other Choice | Nomitated | |
| Boston Online Film Critics Association | 20 December 2025 | Top Ten Films of 2025 | No Other Choice | ||
| Boston Online Film Critics Association | 20 December 2025 | Best International Film | No Other Choice | Won | |
| Black Film Critics Circle | 20 December 2025 | Top Ten Films of 2025 | No Other Choice | ||
| Kansas City Film Critics Circle | 21 December 2025 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Chunsa Film Art Awards | December 23, 2025 | Best Actor | Lee Byung-hun | Won | |
| Chunsa Film Art Awards | December 23, 2025 | Best Cinematography | Kim Woo-hyung | Won | |
| Chunsa Film Art Awards | December 23, 2025 | Special Jury Prize | Lee Sung-min | Won | |
| Georgia Film Critics Association | December 27, 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don McKellar, and Jahye Lee | Nomitated | |
| Georgia Film Critics Association | December 27, 2025 | Best International Film | No Other Choice | ||
| North Texas Film Critics Association | 29 December 2025 | Best Foreign Language Film | No Other Choice | Nomitated | |
| New Jersey Film Critics Circle | 31 December 2025 | Best Picture | No Other Choice | Nomitated | |
| New Jersey Film Critics Circle | 31 December 2025 | Best Director | Park Chan-wook | Nomitated | |
| New Jersey Film Critics Circle | 31 December 2025 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | ||
| New Jersey Film Critics Circle | 31 December 2025 | Best Cinematography | Kim Woo-hyung, Kim Min-jae | Nomitated | |
| New Jersey Film Critics Circle | 31 December 2025 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| New Jersey Film Critics Circle | 31 December 2025 | Best International Film | No Other Choice | Won | |
| Portland Critics Association | 31 December 2025 | Best Picture | No Other Choice | Nomitated | |
| Portland Critics Association | 31 December 2025 | Top 10 Films of 2025 | No Other Choice | ||
| Portland Critics Association | 31 December 2025 | Best Film Not in the English Language | No Other Choice | Won | |
| Portland Critics Association | 31 December 2025 | Best Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | Nomitated | |
| Portland Critics Association | 31 December 2025 | Best Director | Park Chan-wook | Nomitated | |
| Alliance of Women Film Journalists | 31 December 2025 | Best International Film | No Other Choice | Nomitated | |
| Puerto Rico Critics Association | 2 January 2026 | Best Comedy/Musical | No Other Choice | Nomitated | |
| Puerto Rico Critics Association | 2 January 2026 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | Nomitated | |
| Puerto Rico Critics Association | 2 January 2026 | Best International Film | No Other Choice | Nomitated | |
| Puerto Rico Critics Association | 2 January 2026 | Best Editing | Kim Sang-bum, Kim Ho-bin | ||
| Minnesota Film Critics Association | 2 January 2026 | Best International Feature | No Other Choice | Nomitated | |
| Minnesota Film Critics Association | 2 January 2026 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | Nomitated | |
| Critics' Choice Movie Awards | January 4, 2026 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee | Nomitated | |
| Critics' Choice Movie Awards | January 4, 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Columbus Film Critics Association | 8 January 2026 | Best Film | No Other Choice | ||
| Columbus Film Critics Association | 8 January 2026 | Best Foreign Language Film | No Other Choice | ||
| Columbus Film Critics Association | 8 January 2026 | Best Adapted Screenplay | Park Chan-Wook, Lee Kyoung-Mi, Don McKellar, and Jahye Lee | ||
| Astra Film Awards | January 9, 2026 | Best International Feature | No Other Choice | Nomitated | |
| Astra Film Awards | January 9, 2026 | Best Motion Picture Comedy or Musical | No Other Choice | Nomitated | |
| Astra Film Awards | January 9, 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | Nomitated | |
| Astra Film Awards | January 9, 2026 | Best Actor in a Motion Picture Comedy or Musical | Lee Byung-hun | Nomitated | |
| Astra Film Awards | January 9, 2026 | Honorary awards - Filmmaking Achievement Award | Park Chan-wook | ||
| Critics Association Of Central Florida | 9 January 2026 | Best International Film | No Other Choice | Won | |
| AARP Movies for Grownups Awards | January 10, 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Greater Western New York Film Critics Association | 10 January 2026 | Best Picture | No Other Choice | Nomitated | |
| Greater Western New York Film Critics Association | 10 January 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | Nomitated | |
| Greater Western New York Film Critics Association | 10 January 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Golden Globe Awards | January 11, 2026 | Best Motion Picture – Musical or Comedy | No Other Choice | Nomitated | |
| Golden Globe Awards | January 11, 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Golden Globe Awards | January 11, 2026 | Best Actor – Musical or Comedy | Lee Byung-hun | Nomitated | |
| North Dakota Film Society | 12 January 2026 | Best Actor | Lee Byung-hun | Nomitated | |
| North Dakota Film Society | 12 January 2026 | Best Editing | Kim Sang-beom, Kim Ho-bin | Nomitated | |
| North Dakota Film Society | 12 January 2026 | Best International Feature Film | No Other Choice | Nomitated | |
| Palm Springs International Film Festival | January 12, 2026 | Best International Feature Film | No Other Choice | Nomitated | |
| Music City Film Critics Association | 12 January 2026 | Best International Feature Film | No Other Choice | Nomitated | |
| Hawaii Film Critics Society | 12 January 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| Golden Tomato Awards | 13 January 2026 | Best Limited Movies | No Other Choice | Nomitated | |
| Golden Tomato Awards | 13 January 2026 | Best International | No Other Choice | Nomitated | |
| Chicago Indie Critics | 15 January 2026 | Best International Film | No Other Choice | Nomitated | |
| Utah Film Critics Association | 17 January 2026 | Best Non-English Language Feature | No Other Choice | Nomitated | |
| Houston Film Critics Society | 20 January 2026 | Best Foreign Language Feature | No Other Choice | Nomitated | |
| Denver Film Critics Society | 24 January 2026 | Best Non-English Language Feature | No Other Choice | Nomitated | |
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best Picture | No Other Choice | ||
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best International Film | No Other Choice | ||
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best Director | Park Chan-wook | ||
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | ||
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best Actor | Lee Byung-hun | Nomitated | |
| DiscussingFilm’s Global Film Critics Awards | 24–25 January 2026 | Best Film Editing | Kim Sang-bum, Kim Ho-bin | ||
| Online Film Critics Society | 26 January 2026 | Best Picture | No Other Choice | ||
| Online Film Critics Society | 26 January 2026 | Best Film Not in the English Language | No Other Choice | Nomitated | |
| Online Film Critics Society | 26 January 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | Nomitated | |
| Online Film Critics Society | 26 January 2026 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Narrative Film | No Other Choice | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Foreign Language Film | No Other Choice | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Director | Park Chan-wook | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Cinematography | Kim Woo-hyung, Kim Min-jae | Nomitated | |
| North Carolina Film Critics Association | 26 January 2026 | Best Editing | Kim Sang-bum, Kim Ho-bin | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best Picture | No Other Choice | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best International Feature | No Other Choice | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best Director | Park Chan-wook | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best Actor | Lee Byung-hun | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best Supporting Actress | Son Ye-jin | Nomitated | |
| Midnight Critics Circle | 28 January 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | ||
| Midnight Critics Circle | 28 January 2026 | Best Editing | Kim Sang-bum, Kim Ho-bin | ||
| Midnight Critics Circle | 28 January 2026 | Best Cinematography | Kim Woo-hyung, Kim Min-jae | Nomitated | |
| London Film Critics Circle Awards | February 1, 2026 | Foreign Language Film of the Year | No Other Choice | Nomitated | |
| Cinemania World Awards | TBA | Best International Film | No Other Choice | ||
| International Cinephile Society | 8 February 2026 | Best Adapted Screenplay | Park Chan-wook, Lee Kyoung-mi, Don McKellar, Jahye Lee | ||
| The Online Film & Television Association | 15 February 2026 | Best Foreign Language Film | No Other Choice | ||
| The Online Film & Television Association | 15 February 2026 | Best Movie Poster | No Other Choice | ||
| British Academy Film Awards | 22 February 2026 | Best Film Not in the English Language | No Other Choice | ||
| Dorian Award | 6 March 2026 | Non-English Language Film of the Year | No Other Choice | ||
| Satellite Award | March 8, 2026 | Best Adapted Screenplay | Park Chan-wook, Don McKellar, Lee Kyoung-mi, and Lee Ja-hye | ||
| Satellite Award | March 8, 2026 | Best International Film | No Other Choice | ||
| Academy Awards | March 15, 2026 | Best International Feature Film | No Other Choice |