Michael Bruce (composer)


Michael Bruce is a Scottish composer and lyricist working in theatre, television and film. He was composer-in-residence at the Donmar Warehouse theatre during Josie Rourke's artistic directorship there from 2012 to 2019.
His theatre credits include Much Ado About Nothing with David Tennant and Catherine Tate, Coriolanus with Tom Hiddleston, Twelfth Night with Tamsin Greig and Antony & Cleopatra with Ralph Fiennes, as well as the 2021 made-for-TV Romeo & Juliet with Josh O'Connor and Jessie Buckley. In 2022, he wrote original songs for the Netflix mockumentary Hard Cell.
𝕏 mbruce83

Early life and education

Bruce grew up in Aberdeen, Scotland and first took to the stage in Scottish Ballet's production of The ''Nutcracker'', going on to become Highland Dancing Champion. Done with dancing, he took up table tennis in his teens, playing for the Scotland national team throughout Europe. He then studied as a singer/songwriter at Paul McCartney's Liverpool Institute for Performing Arts.

Career

Early in his career, he worked as a musical director at the Battersea Arts Centre, the Theatre Royal Lincoln and the Edinburgh Festival Fringe, and also assisted on several national tours, cruise ships and pantomimes. In 2007, he won the Notes for The Stage competition run by the Notes from New York concert series and The Stage newspaper, which led to a concert of his musical theatre work being staged at the Apollo Theatre on Shaftesbury Avenue.
He soon got his break as the first composer-in-residence at the Bush Theatre, when its artistic director was Josie Rourke. From 2012 to 2019, he held the same position at the Donmar Warehouse, after Rourke was appointed there as Michael Grandage's successor. He wrote scores for many plays at the Donmar, including Coriolanus with Tom Hiddleston, Les Liaisons Dangereuses with Dominic West and Janet McTeer and Saint Joan with Gemma Arterton, all three shown in cinemas across the UK and internationally as part of the National Theatre Live programme, as well as BAFTA-nominated The Vote with Judi Dench, broadcast live on More4 on general election night.
His other theatre credits include Sonia Friedman's Much Ado About Nothing with David Tennant and Catherine Tate at the Wyndham's Theatre, Candide, The Two Gentlemen of Verona and Timon of Athens for the Royal Shakespeare Company, Noises Off and Other Desert Cities at the Old Vic, Privacy at the Public Theater in New York and The Winslow Boy on Broadway.
Bruce has also worked on many productions at the National Theatre, including Man and Superman and Antony & Cleopatra, both starring Ralph Fiennes, The Beaux' Stratagem with Samuel Barnett, Twelfth Night with Tamsin Greig and Hansard with Lindsay Duncan, all of which became parts of the National Theatre Live collection.
In 2011, he released his debut musical theatre album, Unwritten Songs, which entered the iTunes vocal chart at No. 1. He has also written a book called Writing Music for the Stage: A Practical Guide for Theatremakers, which was published by Nick Hern Books in 2016 with a foreword by Josie Rourke. Mark Gatiss called it "a must-read for all those with an interest in how music works on stage", while Judi Dench commented, "A good score makes a world of difference to an actor. Read Michael Bruce's book and you'll understand why. He is a genius."
During the COVID-19 pandemic, he wrote the soundtrack for the National Theatre's critically acclaimed first made-solely-for-TV production of Romeo & Juliet, filmed in 17 days in an empty theatre with Josh O'Connor, Jessie Buckley and Tamsin Greig. It premiered on Sky Arts in the UK and PBS in the USA. He also recently wrote original songs for the Netflix mockumentary sitcom Hard Cell and the original score for The Nan Movie, both starring and written by Catherine Tate.

Accolades

Awards

  • 2007: Notes for The Stage competition run by Notes from New York and The Stage
  • 2009: MTM Awards – Most Promising New Musical for ''Ed: The Musical''

Nominations

Publications

Writing Music for the Stage: A Practical Guide for Theatremakers, with a foreword by Josie Rourke: