Polly Platt


Mary Marr "Polly" Platt was an American film producer, production designer and screenwriter. She was the first woman accepted into the Art Directors Guild, in 1971. In addition to her credited work, she was known as a mentor as well as an uncredited collaborator and networker. In the case of the latter, she is credited with contributing to the success of ex-husband and director Peter Bogdanovich's early films; mentoring then first-time director and writer Cameron Crowe, and discovering actors including Cybill Shepherd, Tatum O'Neal, Owen Wilson, Luke Wilson, and director Wes Anderson. Platt also suggested that director James L. Brooks meet artist and illustrator Matt Groening, a meeting that led to their collaboration on The Simpsons.

Early life

Platt was born Mary Marr Platt in Fort Sheridan, Illinois, on January 29, 1939, later choosing to be known as 'Polly'. Her father, John, was a colonel in the Judge Advocate General's Corps of the United States Army, while her mother, Vivian, worked in advertising; she had a brother, John. She moved to Germany at the age of six when her father presided over the Dachau Trials. Platt later returned to the US and attended the Carnegie Institute of Technology, now known as Carnegie Mellon University. Phillip Klein, Platt's husband of eight months in 1960, died in a car accident.

Career

Platt worked in summer stock theatre as a costume designer in New York and there met Peter Bogdanovich, whom she later married. She co-wrote with him his first movie Targets, conceiving the plot outline of a "Vietnam veteran-turned-sniper", and served as production designer on the film. She repeated the latter role on his film The Last Picture Show, having made the original suggestion to adapt Larry McMurtry's novel and having recommended Cybill Shepherd for her first film role therein. Despite the breakdown of her marriage to Bogdanovich, Platt was again production designer on What's Up, Doc? and Paper Moon. Bogdanovich commented that: "She worked on important pictures and made major contributions. She was unique. There weren't many women doing that kind of work at that time, particularly not one as well versed as she was. She knew all the departments, on a workmanlike basis, as opposed to most producers who just know things in theory." Platt became the first female member of the Art Directors Guild in 1971. She was also production designer on A Star Is Born.
She wrote the screenplay for Pretty Baby, for which she was also an associate producer, as well as Good Luck, Miss Wyckoff, and A Map of the World. She wrote the screenplay for the 1995 Academy Award-winning short film Lieberman in Love, based on a short story by W. P. Kinsella.
Platt worked extensively with James L. Brooks throughout her career. She was the executive vice president of his production company Gracie Films from 1985 to 1995. Platt was nominated for an Academy Award for Best Art Direction for Brooks' film Terms of Endearment. She co-produced many of the films he worked on, which Gracie made, including Broadcast News, The War of the Roses and Bottle Rocket, as well as producing Say Anything... in which she also had a bit part.
Platt gave Brooks the nine-panel Life in Hell cartoon, "The Los Angeles Way of Death" by cartoonist Matt Groening. She suggested that the two meet and that Brooks produce an animated TV version of Groening's characters; the meeting spawned a series of short cartoons about the Simpson family, which aired as part of The Tracey Ullman Show and later became The Simpsons.
In 1994, she was awarded the Women in Film Crystal Award. Brooks said that Platt "couldn't walk into a gas station and get gas without mentoring somebody. Movies are a team sport, and she made teams function. She would assume a maternal role in terms of really being there. The film was everything, and ego just didn't exist." In 2003, she appeared in the BBC documentary film Easy Riders, Raging Bulls. Platt was working on a documentary about the filmmaker Roger Corman at the time of her death. She was very involved with the Austin Film Festival up until her death, and mentored many filmmakers through her participation in the annual festival, which is geared toward screenwriting and production skill-sharing. According to her daughter, Antonia Bogdanovich, "She came every year, religiously, she was a huge supporter," of the Austin Film Festival, and Platt attended the very first festival.

Filmography

FilmYearProducerProduction DesignerCostume DesignerWriterActressMiscellaneous CrewArt DirectorStuntsThanksSelfArchive Footage-
The Other Side of the Wind 2018art director-
The Grand Budapest Hotel2014special thanks: our old friends-
The 84th Annual Academy Awards 2012Archival Footage-
Corman's World: Exploits of a Hollywood Rebel 2011executive producerSelf-
The Girl in the Picture 2011executive producer-
The Making of Bottle Rocket 2008special thanksSelf-
Bean 2008thanks-
A West Texas Children's Story2007executive producer-
Muertas 2007------------
Asking for the Moon 2003self: interviewedself-
The Next Picture Show 2003self: interviewedself-
Women on Top: Hollywood and Power 2003self: interviewedself-
A Decade Under the Influence 2003self: interviewedself-
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood 2003self: interviewedself-
Headliners & Legends with Matt Lauer : Brook Shields2001self: interviewedself-
E! True Hollywood Story: The O'Neals 2001self: interviewedself: interviewed-
Without Lying Down: Frances Marion and the Power of Women in Hollywood 2000self-
Sugar Town1999Maggie-
A Map of the World1999writer: screenplay-
Dogtown1997the production wishes to thank-
Getting the Goods on 'As Good As It Gets' 1997self-
The Evening Star1996producer-
Bottle Rocket1996producer-
Ben Johnson: Third Cowboy on the Right 1996self-
I'll Do Anything1994producer-
Picture This: The Times of Peter Bogdanovich in Archer City, Texas 1991self-
Texasville1990special thanks-
Let's Get Mom 1989producer-
The War of the Roses1989executive producer-
Say Anything...1989producerMrs Flood-
Big1988special thanks-
Broadcast News1987executive producer-
The Witches of Eastwick1987production designer-
Between Two Women 1986co-producerproduction designer-
Terms of Endearment1983production designer-
The Man with Two Brains1983production designer-
Young Doctors in Love1982production designer
Good Luck, Miss Wyckoff1979writer: screenplay--
Lieberman in Love 1979writer: teleplay-
Pretty Baby1978associate producerwriter: screenplay/story-
A Star Is Born1976production designer-
The Bad News Bears1976production designer-
Thieves Like Us1974costume designer -
Paper Moon1973production designercostume designer -
The Thief Who Came to Dinner1973production designercostume designer -
What's Up, Doc?1972production designercostume designer -
The Last Picture Show1971designcostume designer -
Target: Harry1969costume designer -
Targets1968production designercostume designer writer: story-
Voyage to the Planet of Prehistoric Women1968production coordinator-
The Wild Angels1966costume designer stunt double: Nancy Sinatra -