Finally (CeCe Peniston song)


"Finally" is a song by American singer-songwriter CeCe Peniston, released in September 1991 by A&M Records as her debut single from her first album of the same name. Co-written by her, it received critical acclaim, becoming Peniston's first hit song, peaking at number five on the US [Billboard Hot 100|Billboard Hot 100] in January 1992. Prior to that, the track was a major success on the Billboard Dance Club Play chart, where it spent two weeks at number one in late 1991. In addition, a dance remix of the song, the "Choice Mix", peaked at number two on the UK Singles Chart in March 1992. Its accompanying music video was directed by Claude Borenzweig and won an award at the Billboard Music Video Awards. Rolling Stone and Billboard magazines ranked "Finally" among the best pop and dance songs of all time in 2022 and 2023.

Background and release

Peniston grew up in Phoenix and began writing pop songs during school. The words of "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. In 1989 and 1990, she won the Miss Black Arizona pageant, and took the Miss Galaxy pageant a short time later.
Her music career began in January 1991, when Felipe "DJ Wax Dawg" Delgado, her friend and a record producer based also in Phoenix, asked Peniston to record back-up vocals for Tonya Davis, a rapper known as Overweight Pooch. Though Overweight Pooch's album flopped on the market, Manny Lehman had noticed the powerful voice of the back-up vocalist, Peniston. He offered Delgado a chance to produce a track for Peniston to cultivate her potential as a solo artist. Delgado called hometown friend and music producer, Rodney K. Jackson, to help co-produce Peniston's single, which would become "Finally".
Peniston was 21 years old when "Finally" was released. When asked about the song in a 2012 interview, Peniston said,

Composition

The remix of this song is based on the piano riff from the house music classic "Someday" by CeCe Rogers from 1987. The song is performed in the key of B minor with a tempo of 120 beats per minute, following a chord progression of G – G/A – Bm, and Peniston's vocals span from B3 to D5. In 2017, Peniston told about recording the song,

Critical reception

Upon the release, J.D. Considine from The Baltimore Sun praised the song as "a delightful surprise, marrying a muscular, insinuating groove to Peniston's soulful, insistent vocals." Larry Flick from Billboard magazine complimented it as "a delicious peak-hour houser that is in a vein similar to Alison Limerick's 'Where Love Lives'. Peniston wraps her lovely alto around a hook that seeps into the brain and body and never lets go." He also remarked that Peniston "proves her potential as a future diva on this brain-embedding, spine-stirring house anthem." Amy Linden from Entertainment Weekly commented, "The slammin’ house/pop single of the moment? It's CeCe Peniston's 'Finally,' and its sheer joy and verve." She explained further, "Grooving in the fabulousness of her newfound Mr. Right, and sorta amazed that it all happened, she wails deliciously, making you believe that true love will conquer all and that someday your prince will come." Dave Sholin from the Gavin Report described it as a "bright and infectious" debut release and concluded, "I had a preview of this song back in July and have been in love with it ever since!" Dennis Hunt from Los Angeles Times viewed it as "lively".
Pan-European magazine Music & Media stated that "this newcomer gives further evidence that dance is still developing into a more song-oriented direction. The violins give the tune the ambiance of 'Backstabbers' by the O'Jays." Andy Beevers from Music Week complimented it as an "extremely classy and catchy garage-styled debut", naming it Pick of the Week in the category of Dance. A reviewer from People Magazine felt that it's "overflowing with verve and loaded up with joyous girlie glee", noting the "ecstatic, beat-heavy power" of the track. James Hamilton from the Record Mirror Dance Update labeled it as "cheerful wailing" and a "ex–Miss America's catchy Crystal Waters–type US pop smash" in his weekly dance column. Adam Higginbotham from Select declared "Finally" as "a superb slice of feel-good pop music. From its bassline – purloined from Ce Ce Rogers' classic garage tune 'Someday' – to the inanely cheery lyrics." Tom Doyle from Smash Hits viewed it as a "rousing house song". Steve Pick from St. Louis Post-Dispatch wrote, "This is a catchy disco number, building energy through repetition of the simple hookline and a solid bass/drum throb. Get on the dance floor to this one, and you'll move."

Retrospective response

Bill Lamb from About.com featured "Finally" in their list of "The Top 100 Best Party Songs", describing it as an "upbeat, celebratory song about love". Steven E. Flemming, Jr. from Albumism noted that it "skillfully melded the insistent grace of all that’s right about dance production values with grand vocals." AllMusic editor Craig Lytle felt that the song and its follow-up, "We Got a Love Thang", "employ that rapid dancehall groove better known as house music". Stopera and Galindo from BuzzFeed remarked, "When it comes to ‘90s dance songs you’d be hard-pressed to find another song that so perfectly incorporates other music genres that made the decade so great – i.e., R&B, house, and pop – which is what makes “Finally" the quintessential ‘90s dance song. And honestly, it's a feel-good hit! Just try being in a bad mood after listening to it!" A writer from Complex said that "this was the sound of the early 1990s, when everything was turning colorful and bright." Pop Rescue called it "a great track, with that fantastic hand-clap, bassline and piano opening", adding that Peniston's vocals are "sublime".

Chart performance

"Finally" peaked atop the US Billboard Dance Club Play chart for two weeks in October 1991, while achieving respectable chart success overseas the following year. The song was re-released in the United Kingdom in March 1992, when it reached a new peak of number two during its second week on the UK Singles Chart, on March 22. "Finally" also charted at number one in Zimbabwe and on the RPM Dance chart in Canada, as well as at number eight in both Australia and New Zealand. In Europe, the song reached number three in Belgium and number five in Ireland and the Netherlands.

Music video

A music video was made for "Finally", directed by Claude Borenzweig. It is very simple, showing Peniston performing the song within a variety of shapes and colors, sometimes with a guy dancing.

Impact and legacy

DJ Magazine ranked "Finally" number 64 in their list of "Top 100 Club Tunes" in 1998.
VH1 ranked it number 29 in their list of the "100 Greatest Dance Songs" in 2000.
MTV Dance ranked the song number 28 in their list of "The 100 Biggest '90s Dance Anthems of All Time" in November 2011. Heart TV ranked "Finally" number three in their list of "55 Biggest '90s Club Classics" in March 2017. Slant Magazine ranked it number 37 in their list of "The 100 Best Dance Songs of All Time" in 2020. The Guardian ranked it number 66 in their "The 70 Greatest No 2 Singles – Ranked!" in 2022. Alexis Petridis wrote, "House music as pure pop-soul, "Finally" was a hymn to an idealised boyfriend sung by a former Miss Black Arizona." Same year, Pitchfork ranked it number 87 in their countdown of "The 250 Best Songs of the 1990s" in 2022. In October 2023, Billboard magazine listed "Finally" number 447 in their "Best Pop Songs of All Time". The magazine praised its "magic moment"; "Peniston sings the word “finally” about 20 times in this song, but it’s lucky no. 13 where she destroys the word on the break, growling it out and turning a song about meeting the man of your dreams from a cloying concept into a hard-won victory cry."

Accolades

Music awards and nominations

ASCAP Awards
YearAwardResult
1992Song of the YearWon
1992Pop Songwriter of the YearWon
1992Most Performed Song of the YearWon

Billboard Music Video Awards
YearAwardResult
1992Best Director – Dance Won
1992Best New Artist – DanceWon
1992Best Female Artist – DanceNomitated

BMI Awards
YearAwardResult
1993Urban Award of AchievementWon

VH1 Awards
YearAwardResult
2000100 Greatest Dance SongsNomitated

Winter Music Conference Awards
YearAwardResult
1992Best New Dance ArtistWon
1992Best Dance Artist – SoloWon
1992Best 12-inch Dance RecordWon

Track listings and formats

  • US cassette single
  1. "Finally" – 4:27
  2. "Finally" – 4:08
  • US CD single
  1. "Finally" – 4:08
  2. "Finally" – 7:07
  3. "Finally" – 7:04
  • US 12-inch and CD maxi-single
  1. "Finally" – 7:04
  2. "Finally" – 7:02
  3. "Finally" – 4:27
  4. "Finally" – 7:04
  5. "Finally" – 7:02
  6. "Finally" – 4:08
  • European and UK 7-inch, CD and cassette French single
  1. "Finally" – 4:08
  2. "Finally" – 4:05
  • Australian CD and cassette single
  1. "Finally" – 4:08
  2. "Finally" – 7:04
  • Dutch and UK 7-inch single
  1. "Finally" – 4:08
  2. "Finally" – 3:58
  • Australian, European and UK 12-inch singles
  1. "Finally" – 7:04
  2. "Finally" – 4:08
  3. "Finally" – 7:07
  • UK 12-inch single
  1. "Finally" – 7:04
  2. "Finally" – 7:08
  3. "We Got a Love Thang" – 7:08
  • UK CD single
  1. "Finally" – 4:08
  2. "Finally" – 7:04
  3. "Finally" – 7:07
  • European and UK CD maxi-single
  1. "Finally" – 4:08
  2. "Finally" – 7:04
  3. "Finally" – 7:07
  4. "Finally" – 4:05
  • UK CD maxi-single
  1. "Finally" – 4:08
  2. "Finally" – 7:04
  3. "Finally" – 7:08
  4. "Finally" – 3:58
  5. "Finally" – 7:07

    Credits and personnel

Management
Production
  • Writers – Cecilia Peniston, Felipe Delgado, Rodney K. Jackson, and Elbert Lee Linnear
  • Producers – Delgado, Rodney Jackson ; David Morales and Philip Kelsey
  • Remixing – Morales, Kelsey
  • Engineering – David Sussman; Kelsey
Personnel
  • Vocals – Peniston
  • Percussion – Morales
  • Piano – Eric Kupper
  • Keyboards – Rodney K. Jackson
  • Programming – Delgado
  • Cover art – Simon Fowler, Peggy Sirota
  • Design – Sarah Southin, Len Peltier

    Charts

Weekly charts

Chart Peak
position
Canada Retail Singles 1
Europe 7
Europe 3
UK Airplay 5
UK Dance 4
US Cash Box Top 1007
Zimbabwe 1

Year-end charts

Chart Position
Australia 99
Belgium 49
Europe 74
Germany 81
Netherlands 60
Netherlands 34
UK Singles 48
UK Airplay 47
UK Club Chart 79
US Billboard Hot 10020
US Maxi-Singles Sales 48

Decade-end charts

Certifications

Release history

Reissues

"Finally '97"

In 1997, "Finally" was remixed by Eric Kupper to enhance the overseas issue of Peniston's album Finally, which was re-released in Europe and Japan along with her greatest collection, The [Best Of CeCe Peniston]. The new remixed version of the song titled "Classic Funk Mix" successfully re-entered the British charts, peaking on September 13 at number 26 on the UK Singles Chart, meaning Peniston had three chart entries with one and the same title.

Additional credits

  • Recording studio – Hysteria Recording
  • Publishing – PolyGram Music
  • Producer, engineering, programming, keyboards, guitar and bass – Eric Kupper
  • Remixing – Kupper, George Mitchell and Steven Doherty
  • Design – Alex

    Track listings and formats

  • French CD single
  1. "Finally" – 3:26
  2. "Finally" – 7:13
  • European CD maxi-single
  1. "Finally" – 3:26
  2. "Finally" – 7:13
  3. "Finally" – 8:00
  4. "Finally" – 5:28
  1. "Finally" – 8:00
  2. "Finally" – 5:28
  3. "Finally" – 7:13
  4. "Finally" – 3:26
  • European and UK CD maxi-single
  1. "Finally" – 3:26
  2. "Finally" – 4:09
  3. "We Got a Love Thang" – 4:28
  4. "Hit by Love" – 4:34
  • European and UK CD maxi-single
  1. "Finally" – 3:26
  2. "Finally" – 7:13
  3. "Finally" – 8:00
  4. "Finally" – 5:28
  5. "Finally" – 8:16
  6. "Finally" – 6:00
  • UK 12-inch double vinyl
  1. "Finally" – 8:00
  2. "Finally" – 8:16
  3. "Finally"
  4. "Finally" – 5:28
  5. "Finally" – 6:00
  6. "Finally" – 7:13
  7. "Finally" – 7:05

    Charts

"Finally 2008"

In mid-2008, the song was remixed by Kam Denny, an Australian DJ and producer, and Paul Zala, an electrohouse DJ based in Melbourne. Subtitled as "Kam Denny & Paul Zala Remix", or rather "Vandalism Remix", the promotional single was released in Australia on Bimbo Rock, a local indie dance/electro label formed by TV Rock. The new adaptation gained underground house music popularity and entered the local Club Tracks Chart, topping for four weeks at number one.

Additional credits

  • Producers and remixing – Kam Denny and Paul Zala

    Charts

Weekly charts
Chart Peak
position
Australian Top 50 Club Tracks1
US Billboard Global Dance Tracks33

'''Year-end charts'''

"Finally 2011"

For the 20th anniversary of "Finally", Peniston made a number of additional remixes of the song for Paul Oakenfold, featuring Joyriders, and supported also by music video. Originally, the song was to be attached to her cancelled studio album ''CeCe.''

Additional credits

  • Executive producer – Paul Oakenfold
  • Vocals – Peniston
  • Performer – Joyriders
  • Producers and remixing – Roman Hunter, Digitalchord, Zen Freeman, Remy Le Duc, Mikael Nordgren, Chuckii Booker
  • Vocal production – Kevin Lewis

    Track listings and formats

Release 1
  1. "Finally" – 2:58
Release 2
  1. "Finally" – 7:03
  2. "Finally" – 7:00
  3. "Finally" – 6:03
  4. "Finally" – 7:22
  5. "Finally" – 2:31
Deep House Selection, Volume 6
  1. "Finally" – 3:15

    In popular culture

The song features in the 1994 Australian drag-comedy The [Adventures of Priscilla, Queen of the Desert], with the main characters lip-synching to the song during a performance.
For her ninth tour Showgirl: The Homecoming Tour that resumed on November 11, 2006, at Sydney Entertainment Centre, Kylie Minogue used elements of Peniston's song when performing her 2000 comeback single "Spinning Around", co-written by Paula Abdul.
In July 2014, British singer Matt Fishel included a cover version of the song on his virtual EP Cover Boy. The accompanying video won the category for Best Lyric Video at the 2014 LGBT-based RightOutTV Music & Video Award.
In 2015, the song was also used in an advertisement for Ariel detergent in the Philippines with modified lyrics to promote the product. The commercial has since spawned parodies poking fun at the campy nature of the commercial and the song used, with numerous people and fictional characters lip-syncing to the tune.