Fantozzi (film)
Fantozzi is a 1975 Italian satirical film, based on in the saga of the unlucky Italian accountant employee Ugo Fantozzi, written and played by his creator Paolo Villaggio.
The film is a parody of middle class workers of the 1970s, unhappy and frustrated at work and with family, and is known for its use of surreal humour and for several scenes which have entered popular culture.
The success of this movie rendered it a cult film that topped IT box office on sales for eight months. In the decades since its release, the film's reputation has remained almost unmutated, launching Paolo Villaggio's career. Its success led to a franchise of nine sequels, from 1976 to 1999.
In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Plot
In the prologue, miss Pina Fantozzi calls "ItalPetrolCementThermoTextilPharmMetalChemical" holding where her husband works, demanding news of her husband since she hasn't had any news from him in eighteen days: Fantozzi is casually found walled into the company's old bathroom. Nobody in this time lapse had any idea where he was.Going to work
The first episode shows Fantozzi's morning routine to go to work; he is bound to be late because of one of those "tragic unforeseen circumstances", so he decides to catch the bus "in the gliding way", by jumping from his balcony to the street and waiting for it. Running frantically towards the clocking machine, with his colleagues urging him on. He makes it and then passes out.
Miss Silvani
Miss Silvani is an attractive colleague of Fantozzi's and impossible love. In an occasion, while attending megacompany's president funeral, Fantozzi asks Miss Silvani out for lunch. She accepts, but Fantozzi ends up getting into trouble as, while he's at the wheel of his tiny Bianchina she picks up a fight with the driver of an Opel Kadett. Fantozzi gets beaten up, and his car badly damaged.Football match
In this third part, Fantozzi plays in a football match between colleagues, organised by his colleague Filini, in which married men play against single men, on a terrible, muddy pitch. All players have their "clerk cloud". After two Fantozzi's own goal and a "mystic vision" of Saint Peter, the match eventually get abandoned because of waterlogged pitch, that turns more like a swamp.Camping
In fourth episode, Filini convinced Fantozzi to buy a small motor boat for a camping trip near Bracciano, but they cause an accident again the Minister of Petroleum from an ignote French-speaking African country, being punished in loco: 100 lashes with leather baldrics. After this little "mishap" the two arrive in camp late at night, where they are rebuked by a group of German tourists. In an attempt to pitch a tent, planting stakes, Filini pounds unintentionally twice a finger Fantozzi, forcing him to run away very far away to scream monstrously in order to avoid reprimands by German tourists. The morning after clumsily attempts to fish, but by taking a running start to throw the barrel, the lines get tangled and the two are linked at the bottom of the boat: under a burning heat, begins hallucinations: Filini feels like being Ulysses, starting to hear sirens while Fantozzi dreams of Jesus walking on the water wondering if we are to multiply bread and fish and complaining because they do not have any. Very thirsty and dehydrated, the two are also mocked by the "clerk cloud" that drains water far from them.Christmas
In fifth episode, all the company employees' children have to go to the director's office and tell a poem they made up for Christmas. Fantozzi's daughter Mariangela gets insulted for her terrible, monkey-like ugliness. Fantozzi breaks in and silently shames his "superior" managers, however wishing them "merry Christmas and happy new year" in an extremely formal, business letter-like manner. Questioned about why she was called "Cheeta", Fantozzi tells her a white lie pretending they were actually comparing her to "Cheeta Hayworth".This is one event where the human and moral stature of Fantozzi elevate him from his servilism, although in a very subtle way.