Biblical manuscript


A biblical manuscript is any handwritten copy of a portion of the text of the Bible. Biblical manuscripts vary in size from tiny scrolls containing individual verses of the Jewish scriptures to huge polyglot codices containing both the Hebrew Bible and the New Testament, as well as extracanonical works.
The study of biblical manuscripts is important because handwritten copies of books can contain errors. Textual criticism attempts to reconstruct the original text of books, especially those published prior to the invention of the printing press.

Hebrew Bible (or Tanakh) manuscripts

The Aleppo Codex and Leningrad Codex were once the oldest known manuscripts of the Tanakh in Hebrew. In 1947, the finding of the Dead Sea Scrolls at Qumran pushed the manuscript history of the Tanakh back a millennium from such codices. Before this discovery, the earliest extant manuscripts of the Old Testament were in Greek, in manuscripts such as the Codex Vaticanus and Codex Sinaiticus. Out of the roughly 800 manuscripts found at Qumran, 220 are from the Tanakh. Every book of the Tanakh is represented except for the Book of Esther; however, most are fragmentary. Notably, there are two scrolls of the Book of Isaiah, one complete, and one around 75% complete. These manuscripts generally date between 150 BCE to 70 CE.

Extant Tanakh manuscripts

New Testament manuscripts

The New Testament has been preserved in more manuscripts than any other ancient work of literature, with over 5,800 complete or fragmented Greek manuscripts catalogued, 10,000 Latin manuscripts and 9,300 manuscripts in various other ancient languages including Syriac, Slavic, Gothic, Ethiopic, Coptic, Nubian, and Armenian. The dates of these manuscripts range from to the introduction of printing in Germany in the 15th century.
Often, especially in monasteries, a manuscript cache was little more than a former manuscript recycling centre, where imperfect and incomplete copies of manuscripts were stored while the monastery or scriptorium decided what to do with them. There were several options. The first was to simply "wash" the manuscript and reuse it. Such reused manuscripts were called palimpsests and were very common in the ancient world until the Middle Ages. One notable palimpsest is the Archimedes Palimpsest. When washing was no longer an option, the second choice was burning. Since the manuscripts contained the words of Christ, they were thought to have had a level of sanctity; burning them was considered more reverent than simply throwing them into a garbage pit, which occasionally happened. The third option was to leave them in what has become known as a manuscript gravesite. When scholars come across manuscript caches, such as at Saint Catherine's Monastery in the Sinai, or Saint Sabbas Monastery outside Bethlehem, they are finding not libraries but storehouses of rejected texts sometimes kept in boxes or back shelves in libraries due to space constraints. The texts were unacceptable because of their scribal errors and contain corrections inside the lines, possibly evidence that monastery scribes compared them to a master text. In addition, texts thought to be complete and correct but that had deteriorated from heavy usage or had missing folios would also be placed in the caches. Once in a cache, insects and humidity would often contribute to the continued deterioration of the documents.
Complete and correctly copied texts would usually be immediately placed in use and so wore out fairly quickly, which required frequent recopying. Manuscript copying was very costly when it required a scribe's attention for extended periods so a manuscript might be made only when it was commissioned. The size of the parchment, script used, any illustrations and whether it was one book or a collection of several would be determined by the one commissioning the work. Stocking extra copies would likely have been considered wasteful and unnecessary since the form and the presentation of a manuscript were typically customized to the aesthetic tastes of the buyer.

Transmission

The task of copying manuscripts was generally done by scribes who were trained professionals in the arts of writing and bookmaking. Scribes would work in difficult conditions, for up to 48 hours a week, with little pay beyond room and board. Some manuscripts were also proofread, and scholars closely examining a text can sometimes find the original and corrections found in certain manuscripts. In the 6th century, a special room devoted to the practice of manuscript writing and illumination called the scriptorium came into use, typically inside medieval European monasteries. Sometimes a group of scribes would make copies at the same time as one individual read from the text.

Manuscript construction

An important issue with manuscripts is preservation. The earliest New Testament manuscripts were written on papyrus, made from a reed that grew abundantly in the Nile Delta. This tradition continued as late as the 8th century. Papyrus eventually becomes brittle and deteriorates with age. The dry climate of Egypt allowed some papyrus manuscripts to be partially preserved, but, with the exception of, no New Testament papyrus manuscript is complete; many consist only of a single fragmented page. Beginning in the fourth century, parchment began to be a common medium for New Testament manuscripts. It wasn't until the twelfth century that paper began to gain popularity in biblical manuscripts.
Of the 476 non-Christian manuscripts dated to the second century, 97% of the manuscripts are in the form of scrolls; however, eight Christian manuscripts are codices. In fact, virtually all New Testament manuscripts are codices. The adaptation of the codex form in non-Christian text did not become dominant until the fourth and fifth centuries, showing a preference for that form amongst early Christians. The considerable length of some New Testament books, and the New Testament itself, was not suited to the limited space available on a single scroll; in contrast a codex could be expanded to hundreds of pages. On its own, however, length alone is an insufficient reason – after all, the Jewish scriptures would continue to be transmitted on scrolls for centuries to come. Scholars have argued that the codex was adopted as a product of the formation of the New Testament canon, allowing for specific collections of documents like the Gospels and the Pauline Epistles. "Canon and codex go hand in hand in the sense that the adoption of a fixed canon could be more easily controlled and promulgated when the codex was the means of gathering together originally separate compositions."

Script and other features

The handwriting found in New Testament manuscripts varies. One way of classifying handwriting is by formality: book-hand vs. cursive. More formal, literary Greek works were often written in a distinctive style of even, capital letters called book-hand. Less formal writing consisted of cursive letters which could be written quickly. Another way of dividing handwriting is between uncial script and minuscule. The uncial letters were a consistent height between the baseline and the cap height, while the minuscule letters had ascenders and descenders that moved past the baseline and cap height. Generally speaking, the majuscules are earlier than the minuscules, with a dividing line roughly in the 11th century.
The earliest manuscripts had negligible punctuation and breathing marks. The manuscripts also lacked word spacing, so words, sentences, and paragraphs would be a continuous string of letters, often with line breaks in the middle of words. Bookmaking was an expensive endeavor, and one way to reduce the number of pages used was to save space. Another method employed was to abbreviate frequent words, such as the nomina sacra. Yet another method involved the palimpsest, a manuscript which recycled an older manuscript. Scholars using careful examination can sometimes determine what was originally written on the material of a document before it was erased to make way for a new text.
The original New Testament books did not have section headings or verse and chapter divisions. These were developed over the years as "helps for readers". The Eusebian Canons were an early system of division written in the margin of many manuscripts. The Eusebian Canons are a series of tables that grouped parallel stories among the gospels. Starting in the fifth century, subject headings were used.
Manuscripts became more ornate over the centuries, which developed into a rich illuminated manuscript tradition, including the famous Irish Gospel Books, the Book of Kells and the Book of Durrow.

Cataloging

compiled the first published edition of the Greek New Testament in 1516, basing his work on several manuscripts because he did not have a single complete work and because each manuscript had small errors. In the 18th century, Johann Jakob Wettstein was one of the first biblical scholars to start cataloging biblical manuscripts. He divided the manuscripts based on the writing used or format and based on content. He assigned the uncials letters and minuscules and lectionaries numbers for each grouping of content, which resulted in manuscripts being assigned the same letter or number.
For manuscripts that contained the whole New Testament, such as Codex Alexandrinus and Codex Ephraemi Rescriptus, the letters corresponded across content groupings. For significant early manuscripts such as Codex Vaticanus Graecus 1209, which did not contain Revelation, the letter B was also assigned to a later 10th-century manuscript of Revelation, thus creating confusion. Constantin von Tischendorf found one of the earliest, nearly complete copies of the Bible, Codex Sinaiticus, over a century after Wettstein's cataloging system was introduced. Because he felt the manuscript was so important, Von Tischendorf assigned it the Hebrew letter aleph. Eventually enough uncials were found that all the letters in the Latin alphabet had been used, and scholars moved on to first the Greek alphabet, and eventually started reusing characters by adding a superscript. Confusion also existed in the minuscules, where up to seven different manuscripts could have the same number or a single manuscript of the complete New Testament could have 4 different numbers to describe the different content groupings.