Villas of Genoa

have been one of the pillars of the social and economic history of Genoa. Since the 14th century, the villa became the symbol of the power of the aristocratic oligarchy and the wealthy merchant bourgeoisie, for whom it was the mirror of the city palace: outside the walls they conveyed the luxury and magnificence found in the city residences.
In Great Genoa area alone, there were more than two hundred and sixty villas, a universe of residences, some of which have been lost, most of which are in ruins or have been used for other purposes, but which, through the few that have been restored and can be visited today, offer a glimpse of the splendor of a ruling class whose entrepreneurial and political skills made them very wealthy.

History

Origins

The spread of suburban villas, which would characterize the Genoese landscape for centuries, began in the 13th century, when the first dwellings of wealthy citizens, linked to the presence of agricultural land, were built in suburban areas alongside the numerous monastic settlements. The oldest villas had a simple architectural structure and overlooked gardens, vegetable gardens and orchards enclosed by high walls with high porticoes.
Among the oldest suburban residences is the one that belonged to Doge Simon Boccanegra on the hill of S. Tecla in San Martino, which has recently been renovated. Located today within the perimeter of the San Martino hospital complex, after years of neglect it was restored in 2005 and is now used as a venue for seminars and conferences.
Due to the difficulties of transportation at the time, summer residences were mainly built in the hilly and coastal areas immediately outside the city walls, particularly those most suitable for the development of agricultural land. This proximity meant that, as early as the 14th century, the city and its suburbs appeared to those arriving in Genoa from the sea as one large area dotted with sumptuous villas and gardens, as witnessed by illustrious travelers, including Petrarch.

From the 16th to the 18th century

From the 16th century, with the consolidation of wealth in the city among the noble families of feudal origin and those of wealthy Genoese merchants and bankers, a new concept of the villa spread, which, from being a center of agricultural production, also became a holiday home and a stately residence. The suburbs of Genoa thus became the prestigious residences of wealthy patrician families, who left their palaces in the city during the summer months to "go to the villa" to spend the warm season.
The trend of vacationing gave rise to a real competition among the aristocratic families to build sumptuous villas that would be admired even by illustrious travelers, calling on the best architects of the time to design them, first and foremost Galeazzo Alessi from Perugia, one of the protagonists of the Genoese cultural renewal in the 16th century. Alessi introduced an innovative architectural model in Genoa: the so-called "Alessian cube", characterized by a compact building with a square base, no courtyard but with a large hall in the center of the piano nobile, pyramidal roofs and high open loggias in the main or rear façade, which defined a new relationship with the outside space, making the villa a dominant element in the landscape.
Villas were built in large numbers mainly on the hill of Albaro and in Sampierdarena, localities close to the city, but also in the nearest riparian centers to the east and west and in the valleys of the Polcevera and Bisagno rivers. In particular, Sampierdarena between the sixteenth and seventeenth centuries became one of Italy's best-known holiday resorts.
A number of villas were also built on the outskirts of the city, in areas that were included in the city walls in the 17th century, but had previously been outside the city. An example is the Villa del Principe, built by Perin del Vaga at the beginning of the 16th century for Andrea Doria in Fassolo, just in front of the San Tommaso Gate, a symbol of the prince's supremacy in the political and economic life of Genoa; the park of the villa extended from the hill of Granarolo to the sea.
The construction of villas continued in the following centuries, reaching its peak in the seventeenth century. The patrician families did not spare the resources to build their houses, an immense architectural and historical heritage that still includes more than two hundred suburban villas, almost half of them between Albaro and Nervi.
Alessandro Magnasco's art has left us a snapshot of the life and environment in which the wealthy society spent its vacations in the first half of the 18th century. In the painting Garden Party in Albaro, preserved in Palazzo Bianco, one can see small groups of people in a garden, talking, dancing and playing cards, against the backdrop of the Bisagno plain, in the area of San Fruttuoso, which was still cultivated with vegetable gardens. This villa in Albaro, known to the Genoese as Villa Paradiso, was the residence of Fabrizio de André as a young man. Many of his early ballads were written and first sung in a small room on the ground floor that the singer had chosen as his "den".
At the end of the 18th century, the interest in botany spread among the most educated aristocrats and led many of them to introduce exotic plants from all over the world in their gardens, giving rise to the first botanical gardens. In the Genoa area, the most famous are the one founded by Ippolito Durazzo on the bastion of Santa Caterina and the one founded by Clelia Durazzo Grimaldi in Pegli, today integrated in the park of the Villa Durazzo-Pallavicini, built in the 19th century by Ignazio Pallavicini.
In the same period, many buildings from previous centuries were adapted to the neoclassical and pre-romantic style, mainly by Emanuele Andrea Tagliafichi, a famous landscape architect of the time, who also oversaw the transformation of the parks of many villas to the new trend, such as Villa Lomellini Rostan in Multedo, Villa Rosazza in the San Teodoro district, and Villa Gropallo dello Zerbino.
The era of the sumptuous summer residences of the patrician families ended with the arrival of Napoleon in Italy and the end, in 1797, of the Republic of Genoa, which was renamed the Ligurian Republic and effectively came under the control of Republican France, leading to the decline of the aristocratic society immortalized by Magnasco's art.

19th and 20th centuries

The wealthy entrepreneurial bourgeoisie, which became the new ruling class in the nineteenth century, had elegant villas built, especially in the eastern part and on the heights of the historic center, but they did not reach the splendor of the patrician villas, although there were exceptions. One of them is the park of Villa Durazzo-Pallavicini in Pegli, designed by Michele Canzio for the Marquis Ignazio Pallavicini. Open to the public from the beginning, it was an extraordinary success among its contemporaries.
Between the end of the 19th century and the beginning of the 20th century, the neo-Gothic buildings are noteworthy, such as the D'Albertis Castle, built by a group of architects under the direction of Alfredo d'Andrade, the Mackenzie Castle and the Bruzzo Castle in the Castelletto area, the Canali Gaslini villa on Corso Italia, and the Turke Castle on the promontory of Santa Chiara, on the border between Albaro and Sturla, all designed by Gino Coppedè in his own personal style inspired by Florentine Gothic.
During the same period, the historic villas, too large for the new needs, were divided into apartments or given to religious communities, in most cases losing their gardens to subdivisions and urban sprawl; the few that remained are now public parks.
In the western part of the city, which experienced a period of intense industrialization between the nineteenth and twentieth centuries, factories were built on the old estates attached to the villas, opposed in vain by the last representatives of the aristocracy associated with them. The villas themselves were often incorporated into the productive fabric as office and storage buildings, and in many cases suffered irreversible degradation.
In the twentieth century, subdivisions, real estate speculation and changes of use led to the disappearance of many historic villas and the complete abandonment of others. However, what remains of this immense architectural heritage allows the visitor, despite the deterioration of the buildings, to perceive the former splendor of those holiday homes that characterized the Genoese landscape for centuries.

Historic villas

This section lists many of the most important historic villas for historical or architectural reasons included in the territory of the Municipality of Genoa. Most of the existing villas are listed as worthy of preservation by the Regional Directorate for Cultural and Environmental Heritage of Liguria.

Villas in the historic center

The suburban villas in Genoa's historic center were built in the sestieri of San Teodoro and San Vincenzo, which were outside the city walls before the construction of the "New Walls" in the 17th century. In the Castelletto area, there are also some buildings from the turn of the 19th and 20th centuries.

Villa	Image	Description
Villa del Principe or Palazzo del Principe Andrea Doria a Fassolo		Built by Perin del Vaga for Andrea Doria in the first decades of the sixteenth century, it is located in the San Teodoro district, then just outside the San Tomaso gate of the fourteenth-century city walls. The park uphill was destroyed by the construction of the railroad and the building expansion, but part of the Italian garden in front of the villa remains, characterized by the Fountain of Neptune and divided into four large flowerbeds with Mediterranean and exotic plants.
Villa Di Negro Rosazza, known as "Dello Scoglietto"		It is located in the neighborhood of San Teodoro, uphill from today's Piazza Dinegro. It was built in 1565 for Doge Ambrogio Di Negro or his son Orazio in an area that, at that time, was outside the city walls, in a panoramic position overlooking the sea. It passed to the Durazzo family and was remodeled in neoclassical style in the late 18th century by architect Emanuele Andrea Tagliafichi. Now owned by the City of Genoa, it is connected to a historic park for public use of about 14,000 square meters.
Villa Pallavicino, known as "Delle Peschiere"		Built for Tobia Pallavicino around the middle of the sixteenth century, according to tradition it was designed by Galeazzo Alessi. The villa stands on the hill of Multedo, in the eastern part of the Castelletto district, at the top of a path of terraced gardens, with the fishponds and nymphaeums that gave it its name. The layout of the gardens, which were reduced due to the inauguration of Via Peschiera below, was designed by G.B. Castello, known as "il Bergamasco", who, together with Andrea Semino and Luca Cambiaso, was the author of the interior decoration.
Villa Gropallo dello Zerbino		It was built for the Balbi family in the second half of the 16th century in the classical Alessian style. It passed to the Durazzo family in the 18th century and finally to the Gropallo family; it contains precious 17th century frescoes by Gregorio De Ferrari and Domenico Piola. In the eighteenth century, Ippolito Durazzo entrusted the design of the park to Emanuele Andrea Tagliafichi, who personally supervised the planting of many exotic species.
Villa Grimaldi Sauli		Located in the San Vincenzo district, near the Brignole train station, it was built in the mid-sixteenth century by Galeazzo Alessi for a branch of the Grimaldi family. At the time of its construction, it was considered by Gauthier to be one of the most beautiful villas in Genoa, and Vasari lavishly described its spacious baths, rich in ornaments and waterworks. It contained frescoes by Luca Cambiaso, later removed and preserved in the gallery of Palazzo Bianco, and by Orazio Semino. From the eighteenth century, the villa experienced a gradual period of decline that finally saw it undergo a radical transformation in the late nineteenth century, transforming it from a Renaissance villa to a nineteenth-century Genoese style villa.
Villa Croce		Located in the district of Carignano, it is surrounded by a large park overlooking the seaside promenade; it was built in the 19th century by transforming an earlier 17th century Spinola building and houses the Villa Croce Museum of Contemporary Art.
Villetta Di Negro		It was built at the beginning of the 19th century by the Marquis Giancarlo Di Negro on the ruins of the Santa Caterina bastion of the 14th-15th century walls. Destroyed by bombs during the Second World War, it was replaced by the Edoardo Chiossone Museum of Oriental Art. Its large park is now one of the green lungs of the historic center.
Villa Gruber De Mari		Located in the Castelletto district, it has a large park overlooking the ring road uphill; the villa, a neoclassical renovation of the 16th-century Palazzo De Mari, incorporates the tower of the original building; the park, laid out in the English style with groves and clearings, is now a public garden.
Villa Croce		Located in the Castelletto district, it was built in the 18th century as a suburban villa, with an L-shaped plan and two corner loggias on the elevations, with frescoes and original architectural divisions. A baroque complex with a nymphaeum and staircases connects it to the garden. The park borders on the park of Villa Gruber de Mari uphill and was much larger before the sectioning of the Circonvallazione a Monte. It is still a private residence.
Villa Madre Cabrini, formerly Villa Acquarone		It is located in the Castelletto district, near the 16th century convent of Sant'Anna. The original 18th-century nucleus, modified and rebuilt over time, took on its present appearance in the early 20th century with the rebuilding of the facades in eclectic style. Formerly known as Villa Acquarone or Palazzo Acquarone, the villa passed to the Missionary [Sisters of the Sacred Heart of Jesus] of St. Frances Xavier Cabrini, who renamed it Villa Madre Cabrini and established a boarding school there. In the 1980s it was restored and converted to residential use.
D'Albertis Castle		One of the most notable modern villas with a panoramic park, it was built in the neo-Gothic style at the end of the 19th century by a group of architects under the supervision of Alfredo d'Andrade for the explorer Enrico Alberto d'Albertis on the ruins of the Montegalletto bastion of the 14th-15th century walls. It houses the Museum of World Cultures.
Mackenzie Castle		Located in the Castelletto neighborhood, it was built by Gino Coppedè between 1893 and 1905 for Evan Mackenzie, a wealthy Florentine insurer. Today it is home to an auction house.
Bruzzo Castle		Located in the Castelletto district, it is also the work of Coppedè; it was built in 1904 for Pietro Micheli.

Villas of the eastern part of the city

This is the part of the city that has undergone fewer transformations of a productive nature and where numerous and better-preserved ancient patrician residences remain, even with their parks and gardens, although they have been downsized by the strong residential expansion.

Albaro

Numerous historic villas can still be found in the Albaro district, which was one of the favorite areas of the Genoese aristocrats; many of them, renovated, are partly subdivided into apartments, while others house educational institutions and university campuses, clinics and nursing homes.

Villa	Image	Description
Villa Giustiniani-Cambiaso		It stands in a dominant position at the top of the Cambiaso valley, now a public park representing what remains of the villa's park that originally extended to the sea. It was built in 1548 by Galeazzo Alessi for Luca Giustiniani. The property passed to the Cambiaso family in 1787 and to the municipality of Genoa in 1921; today it belongs to the Carige Foundation and is home to the engineering faculty of the University of Genoa. The structure elaborated by the Perugian architect for this villa, with its cubic shape divided by pilasters, became the model for the construction of other villas and palaces in the Genoa area.
Villa Saluzzo Bombrini		Villa Saluzzo Bombrini, called the Paradise, a typical example of late Mannerist architecture, stands in a dominant position on the hill of Albaro. It was built for Giacomo Saluzzo by Andrea Ceresola, known as Vannone, in the last decade of the 16th century; in 1837 it became the property of Marquis Henri de Podenas; in 1886 it was sold by the heirs of the French nobleman to the Bombrini family, in whose hands it remained until 2005 when it was acquired by a real estate company. In 2007 it was finally sold to private individuals to be used for housing and offices.
Villa Saluzzo Mongiardino		Opposite the entrance to Villa Saluzzo Bombrini stands Villa Saluzzo Mongiardino, also built for the Saluzzo family in the early 18th century, which became the property of the Brians in 1871. The name Mongiardino comes from the tenants who occupied it from the 1930s to the 1970s. Although still privately owned and divided into apartments, and therefore not open to visitors, more than for its architectural features and the lavish Baroque decoration of the interior, it is known for George Byron's stay there between 1822 and 1823, before embarking to take part in the Greek War of Independence, where he is said to have died in April 1824 from a serious illness, as recalled by an epigraph on the facade.
Villa Brignole Sale		Located on Via S. Nazaro, one of the typical crêuze of Albaro, it was built by an architect of the school of Bartolomeo Bianco for Marquis Giulio Sale in the early seventeenth century by remaking a sixteenth-century building. The villa passed to his daughter Geronima and son-in-law Giovanni Francesco Brignole, who made numerous changes. The latter, together with his son Anton Giulio hosted distinguished men of culture of his time in the villa, among them the Savona poet Gabriello Chiabrera. In 1882 it was sold to the Marcelline nuns and turned into a girls' boarding school and is still a private school today. Some parts of the building were destroyed by bombing in 1942 and rebuilt after the war respecting the original structure as much as possible..
Villa Bagnarello		Also on Via San Nazaro is Villa Bagnarello, best known for the stay in Genoa of Charles Dickens, who lived there from July to September 1844 with his family, later moving to Villa Pallavicini "delle Peschiere". A plaque commemorates his brief stay in Albaro. At first glance, as he himself wrote, the writer did not have a positive impression of this mansion, which he called a "pink jail." Later, his stay there, with the magnificent view of the sea and the pleasant sea breeze, made him reconsider to the point of regret upon his departure.
Villa Allgeyer-Fuckel		Built in the late 17th century, it belonged to Doge Gerolamo Veneroso. In 1901 it was bought by the Fuckel family, who had it renovated by architect Riccardo Haupt, who added a new marble staircase and a tower. Requisitioned during World War I, as the Fuckels were German citizens, it was returned to them after World War I. In 1939 Anna Allgeyer, the Fuckel's widow, sold it to the Marist Brothers.
Villa Sauli Bombrini Doria		Known as Villa Bombrini, it is the home of the Niccolò Paganini Conservatory. It is surrounded by an English garden extending for about one hectare.
Villa Raggio		Originally a 16th-century villa but renovated by Riccardo Haupt between 1898 and 1900, the temporary home of the Paganini Conservatory during the years of World War II, it has been converted into private housing after having been a private hospital institution for many years.
Villa Rebuffo Gattorno		A 17th-century villa with a large garden in front, it houses a university residence.
Villa Soprani		It stands in the easternmost part of the Albaro district; it was built in the early 17th century and preserves a cycle of frescoes by Giovanni Carlone with scenes from Ovid's Metamorphoses.
Villa Canali Gaslini		The best known of the twentieth-century villas in Albaro was one of the last works in Genoa by Gino Coppedè; built between 1924 and 1925 for the Canali family it later became the seat of the consulate of Japan and during the war period was occupied first by German and then by Allied troops. It was purchased in 1942 by Gerolamo Gaslini who lived there from 1948. Since 1988 it has been home to the Gaslini Foundation. The villa, surrounded by a scenic garden, stands on a hillock overlooking Corso Italia, at San Giuliano beach.
Villa Chiossone		The villa, located directly on the seafront of Corso Italia was built in 1925 by Gino Coppedè in Art Nouveau style with Spanish and eclectic influences. The building is made of stone masonry and brick with exposed face, with a clay roof. It features a quadrangular central structure with a scenic staircase and a tower overlooking the gulf. It was initially a noble residence, then a hotel, and later the headquarters of the David Chiossone Institute for the Blind and a hall for events and weddings.

Quarto dei Mille

Villa	Image	Description
Villa Quartara		In the Quarto district an early villa had been built in the late 14th century, but it was rebuilt around the middle of the 15th century by the Castagna family. It had several owners over the centuries, including the Doria and Spinola families, and underwent various transformations over time, the most important by the Spinola family in the 18th century. Its park stretches from the Via Antica Romana to the sea. In 1815 it housed Pope Pius VII fleeing Rome during the Hundred Days of Napoleon, when Joachim Murat had attacked the Papal States. In 1889 it was bought by Lorenzo Quartara, mayor of the then municipality of Quarto, who in 1902 had it enlarged with a large wing, decorated with frescoes by Luigi Morgari, and modified the park with a scenic geometric design. After September 8, 1943 it was requisitioned and used as the headquarters of the German military command, and on this occasion the park was disfigured with the construction of some military installations. In 1960, the villa was donated to the Benedictines who officiated at the nearby parish of Santa Maria della Castagna, who arranged their library there and finally passed to the “Gaslini Foundation,” the current owner, which made it the home of CISEF Gaslini.
Villa Carrara		Within a large park are a number of villas that belonged to the Spinola family and later to the Carrara family; these include Villa Spinola Carrara, built in the 17th century on land belonging to the Spinola family, and a neo-Gothic style villa overlooking the sea, built in the early 20th century.
Villa Spinola Cosci		It was built in the 17th century; in 1860 patriot Candido Augusto Vecchi hosted Giuseppe Garibaldi there in the days leading up to the embarkation of the Expedition of the Thousand. The villa houses the Garibaldi Museum of Quarto.
Villa Spinola Doria D'Albertis		Located in the center of a large agricultural estate, it was built for the Spinola family of San Luca, but the year of its construction is unknown. When it became the property of the Doria family in 1593, it was transformed into a luxurious residential residence. Modifications occurred in the 19th and early 20th centuries.
Villa Coppedè		A neo-Gothic style villa with a turret, it was designed by architect Gino Coppedè, who lived there during his stay in Genoa. It is located on Rossetti Street in the Priaruggia area.

Nervi

, the easternmost district of Great Genoa, is characterized by the largest complex of urban parks in the municipal area, derived from the transformation of the gardens of historic patrician villas into landscape parks. The parks of Nervi, located upstream from the waterfront promenade and the railway line, extend for about 9 hectares and are formed by the union of the parks of the Saluzzo-Serra, Gropallo and Grimaldi-Fassio villas, acquired by the municipality of Genoa between 1927 and 1979. The parks constitute a significant example of a late 18th-century garden, in which tall trees are found along with typical Mediterranean shrubs and exotic plants.

Villa	Image	Description
Villa Gropallo		Surrounded by the vast park along with which it was ceded to the municipality of Genoa, it was built by Francesco Gropallo in the eighteenth century; it is now home to the Nervi Civic Library. Its park was renovated by Marquis Gaetano Gropallo in the early nineteenth century, replacing the Mediterranean species with cedars of Lebanon, palms and other plants considered exotic for the time. In 1918 his heirs sold the property to a real estate company, and in 1927 it was purchased by the municipality of Genoa.
Villa Saluzzo Serra		The villa, built in the 17th century and now home to the Gallery of Modern Art, opens onto a vast park. It too was purchased in 1927 by the municipality of Genoa to make it the home of the Ligurian capital's Gallery of Modern Art, which opened on December 16, 1928. Closed between 1989 and 2004, the gallery reopened to the public in 2004 after a radical restoration and rearrangement of the collections ranging from the late 18th century to the entire 20th century. Ownership of the villa passed over time to different owners, and the building with the passage of centuries underwent several expansions from the original design. The last owner, shipowner Carlo Barabino, sold it in 1926 to the municipality of Genoa, which two years later made it the home of the modern art gallery.
Villa Grimaldi Fassio		The date of its construction is not known precisely, but it is dated by various authors to the 16th century. Next to the villa is a deconsecrated chapel dating from the second half of the 18th century. Passing through various owners in the 20th century, in 1956 it was purchased by the shipowners Fassio Tomellini, who made significant changes to the structure of the building, including the creation of a new hall with access to the park. In 1979 the municipality of Genoa purchased the villa and surrounding park from the latter owners. The villa now houses the museum of the Frugone brothers' collections, opened in 1993, with works by Italian and foreign artists of the 19th and early 20th centuries. The English-style park expands toward the sea, beyond the railway, and includes the rose garden, which in the past had about 800 different varieties of roses.
Villa Luxoro		A villa with park in the Capolungo area, it is the most recent of Nervi's villas, built in 1903 at the eastern end of the neighborhood, and since 1951 has been home to the Giannettino Luxoro Museum, with the owners' rich collections of paintings and antiques as well as subsequent acquisitions. The park, with Mediterranean species, faces the cliff overlooking the sea.
Villa Gnecco		It stands by the Nervi River, just above the stretch crossed by Nervi's historic bridge. Built in the 18th century, it has the characteristic structure of reinforced corners, in the manner of fortifications, enclosing the three-arched loggia in the center.
Villa Cattaneo della Volta		Villa Cattaneo della Volta, formerly Fravega, stands halfway up the hillside along the Sant'Ilario hill front. It was originally a manor house at the center of an agricultural estate that stretched from the Via Aurelia to the hillside with gardens, citrus groves, olive groves and horticultural crops.
Villa Penco		Also located in the intermediate hillside, along the hillside roads, like Villa Cattaneo della Volta it was of agricultural origin.

Villas of Sampierdarena

was, like Albaro, one of the favorite holiday resorts of the aristocrats, but with the advent of industry and the consequent urbanization, the parks that stretched from the sea to the hills of Belvedere and Promontorio totally disappeared, with the exception of part of that of Villa Imperiale Scassi, which became a public garden, and the villas themselves were destined for other uses, such as offices or warehouses, when they were not demolished to make way for factories and housing.
Particularly significant is the group of three 16th-century villas known as the "Alessian triad," because they were built according to the architectural principles introduced in Genoa by Galeazzo Alessi and long believed to be the work of the Perugian architect; only research conducted by scholars in the 20th century has allowed their attribution to his collaborators and followers active in Genoa at that time. The three villas, built for the powerful Genoese families Imperiale, Grimaldi, and Lercari, are known by the names "Beauty," "Fortress," and "Simplicity," respectively.

Villa	Image	Description
Villa Imperiale Scassi		Today a school, it was built in the mid-sixteenth century by brothers Domenico and Giovanni Ponzello for the Imperiale family. Because of its sumptuousness, it was called “the Beauty”; important artists of the time contributed to the decoration, such as Giovanni Carlone, Bernardo Castello. In the early 19th century it was bought by physician Onofrio Scassi, who had it restored by Carlo Barabino and embellished with neoclassical decorations. In 1886 it was purchased by the municipality of Sampierdarena, and in 1926, with the establishment of Great Genoa, it became part of the property of the municipality of Genoa; it has been used as a school ever since. In addition to the palace, the villa was famous for its very large park, much of which was sacrificed in the early decades of the twentieth century for the construction, in the upstream part, of the Villa Scassi hospital and, immediately behind the palace, of the Sampierdarenese stadium, which was short-lived, however, and was itself demolished in 1929 for the opening of Via Cantore. What remains today is a public garden, the largest in the urban area of Sampierdarena.
Villa Grimaldi		It was built by Lombard Bernardo Spazio for the banker Giovanni Battista Grimaldi. Called "the Fortress" because of its massive and austere structure, devoid of external decorations, it remained the property of the Grimaldi family until the nineteenth century, when it was purchased by Agostino Scassi and leased for different uses, until it became a canning factory. Purchased in 1924 by the municipality of Sampierdarena since 1926 it became part of the property of the municipality of Genoa and was used as a school until 2006. Since then it has been closed and unused. The villa is among the Genoese mansions whose designs were collected by Rubens, who stayed there in 1607, in the illustrated volume “Palaces of Genoa,” published in Antwerp in 1622.
Villa Lercari Sauli		Called "the Simplicity" for its simple shapes, it was built by Bernardino Cantone, in collaboration with Bernardo Spazio, for Giovanni Battista Lercari. Purchased by the Sauli family at the end of the 18th century, a century later, at the height of the industrialization of the Sampierdarenese territory, it became the property of the entrepreneur Silvestro Nasturzio, who built a factory on the garden's land. Severely damaged during World War II by aerial bombing, it was sold to private owners after the war and subdivided into apartments. Only the exterior structure is preserved of the original building, suffocated by the presence of buildings constructed in the last century, including the "Civic Center," which was built in the 1980s on the site of the former Nasturzio factory.
Villa Spinola di San Pietro		The villa, whose architect is unknown, was also commissioned by Giovanni Battista Lercari in the second half of the 16th century. His nephew Giovanni Battista Spinola, duke of San Pietro in Galatina, had it renovated, completing the interior decoration. With the work carried out between 1622 and 1625, the building underwent substantial changes, with the closing of the loggias and the opening of new windows. It is one of two Sampierdarenese palaces described by Rubens in the volume Palaces of Genoa, where it is identified as palace "C." Until the 19th century it remained the property of the Spinola family, and was then given to various religious institutes and finally in 1920 to the municipality of Sampierdarena, which used it as a school. Once in an open and dominant position, since the early twentieth century it has been surrounded and obstructed by buildings constructed around it. It is currently home to the Piero Gobetti state high school. Inside are frescoes by Bernardo Castello, Giovanni Carlone, and Giovanni Andrea Ansaldo..
Villa Centurione del Monastero		It is so called because it was built in 1587 for Barnaba Centurione on the site of a 13th-century monastery of Benedictine nuns, of which it preserves the cloister in the inner courtyard. The atrium and hall on the second floor are decorated with frescoes by Bernardo Castello. The building underwent remodeling in the early 20th century, when it was purchased by the municipality of Sampierdarena and converted into a school.
Villa Centurione Carpaneto		It is located in Piazza Montano, opposite the train station. It dates from the 16th century but has been much remodeled, and its main floor contains frescoes by Bernardo Strozzi, the only ones by this painter, best known for his oil paintings. The palace incorporates a tower at the rear, perhaps pre-existing; what remained of its vast garden disappeared with the opening of Via Cantore.
Villa Crosa Diana		Erected in the 16th century by the Crosa family, which had made its fortune through trade, it remained their property until the Napoleonic era when the Crosa family went through its first economic difficulties. In 1900 the increasingly weakened Crosa family sold the villa to the Dianas, eminent Sampierdarena exponents and owners of a canning industry, who appropriated the building. Long abandoned after the sale to the Dianas, the villa remained abandoned, although under protection, until 2002 when it underwent a major restoration that divided it into apartments for private individuals.
Villa Tommaso Spinola		Via Rolando, 56 R. It is referred to generically as a 16th-century building, and in the 1757 Vinzonian map it is described as belonging to the estate of Tomaso Spinola, endowed with an Italianate garden and extensive grounds that stretched westward. The current façade has few features that recall the building's history, and the building has been obstructed by gradual additions. The complex, which no longer has a garden, is embedded in a continuum of houses that flank it on both sides. In the 2000s, a restoration of the building completely designated it for civilian residential use.
Villa Currò		Via dei Landi, 19. Also known as Villa Pallavicino Durazzo Currò, it is a sixteenth-century building built in a rather steep area, but with a wide panorama of the western Riviera; it has the appearance of the traditional pre-Alessian villa: elongated and rectangular, without any decoration; it has a lateral body added to the east, forming a terrace for the main floor. The adjoining chapel, mentioned in some documents of the 16th century, was lost during the remodeling. In the eighteenth century the villa and the land are mentioned as belonging to Giovanni Luca Pallavicini, and by inheritance they passed to the Durazzo-Pallavicini family, who in 1867 sold it to the Currò family, who kept it until 1900, when it was transformed into a school for orphans. Today it still houses a kindergarten. The building remains unchanged and is protected by the Superintendency, but little remains of the park, which was incorporated into the wild urbanization of the early 20th century.
Villa Doria delle Franzoniane		Built in the 16th century for the Doria family, in 1764 it was purchased by Abbot Paolo Gerolamo Franzoni to make it the seat of the congregation of Pious Mothers, which he had founded a few years earlier. It preserves inside frescoes from the school of the Calvi brothers and in the refectory a painting by Bernardo Castello; attached to the villa, characterized by a perfectly preserved tower, is the small church of Nostra Signora della Sapienza, built in 1821 to a design by Angelo Scaniglia. In the garden, much downsized after the opening of Via Cantore, there is still a large grotto nymphaeum.
Villa Negrone Moro		Located at the eastern end of the neighborhood, it probably dates back to the 16th century and shows typical features of the Alessian style villas, but the precise date of its construction and the architect are unknown. It was connected to the west with the Pallavicini Moro villa, which by then was in an advanced state of decay and was demolished in 1972, and of which only the lower part of the facade with the large entrance portal remains. Formerly owned by the Negrone family, at the end of the 19th century it was incorporated into the perimeter of the Moro oil mill, which had been established on the land behind. In the 1970s with the demolition of the factory, the villa was renovated for office use and the surrounding area made public.
Villa Pallavicini Gardino		In Alessian style, it was built around the end of the 16th century and belonged to the Pallavicini family, which had a large group of family villas in this area, almost all of which have disappeared. In 1946 it was bought by the Gardino family, who had already occupied it since 1920 and had built a lumber yard on the land uphill, which was moved elsewhere in 2002 when the land was sold to build the San Benigno business center. The villa underwent a conservative restoration in 1996 that redesigned the interior spaces for use as apartments, but was later abandoned. It underwent a complete exterior restoration in 2023.
Villa Serra Doria Masnata		Overlooking Via Cantore, it was originally built in 1613 by Bartolomeo Bianco for the nobleman Paolo Serra. Later the property passed to the Doria family, which owned it until the early 19th century. During the siege of Genoa in 1746-1747, General Antoniotto Botta Adorno, commander of the Austrian troops, stayed there. Passed to the Masnata family, it was given by them to the municipality of Sampierdarena, which in 1874 made it the first home of the hospital, which operated until 1916, when the one at Villa Scassi was inaugurated. After briefly housing the municipal library, it has been a school since 1933. The building is in classical Alessian style; with the opening of Via Cantore, it lost its front garden and with the successive restorations over time, both the façade and the frescoes inside were lost.
Villa Doria De Mari, now the Don Daste Institute		Salita Belvedere, 2. Built in the sixteenth century for the Doria family and extensively remodeled in the eighteenth century with the introduction of neoclassical elements, it still preserves frescoes and stuccos of the period; today it houses the Institute of Divine Providence.
Villa Crosa De Franchi, now the Antonian Institute		Salita Belvedere, 5. It belonged to the Crosa family, the same family that owned Villa Crosa Diana, which had a modest country house with an adjoining chapel dedicated to Our Lady of Mercy in a place called Cima della Crosetta. The building, a typical pre-Alessian Genoese villa, was acquired by the De Franchi family at an unspecified time and later passed to the "Antonian Institute of the Daughters of Divine Zeal".
Villa Rossi		Salita Belvedere, 18. Attested to be the property of Sebastiano Pallavicini, whose family had large estates in the Sampiardarenese area, the villa is a typical example of a “villa coltiva,” that is, intended for the management and maintenance of farmland on the particularly steep western hillside of the Salita del Belvedere. Ancient but without any interesting details, it has a niche with a Madonna on the portal; above the doorpost is a relief with “the Agnus”; on the column uphill from the doorway is the inscription “villa Rossi.”
Villa Tomati		Located on Colle degli Angeli and at the top of Salita degli Angeli, it is one of the oldest preserved villas in Genoa. The complex consists of two lateral buildings and a central one. Among the lateral ones, one features a double order of loggias and is open. The interiors show late Gothic influences, making the villa one of the few Genoese examples of a late medieval villa. Modified with interventions between the 17th and 19th centuries, which have been preserved until modern times, the building, owned by A.R.T.E., is mostly home to the Arci 30 Giugno club, with the remaining part used as apartments.
Villa Frisone		Corso Martinetti, 147. Also known by the name of Villa Frixone, it is an 18th-century building intended by the family as a villa for cultivation and control over the busy traffic of the road that runs along it. In the 19th century it was extensively remodeled. The L-shaped palace is set on the ridge and still has a large sloping plot of land. Inside, only the main floor retains 19th-century frescoes and, in one room, there is a coat of arms. To this day the building is used as a private residence, but it is in a state of disrepair.

Villas of the Polcevera Valley

Campi, Fegino, Borzoli

Rivarolo

Murta

Bolzaneto

Pontedecimo

Villas of the western part of the city

Cornigliano

In Cornigliano, too, there are numerous patrician villas that are older than those in the surrounding districts, such as Sampierdarena. The villas of Cornigliano are the first embryos of the phenomenon of the suburban patrician villa, and some of them date back to the 14th century. The road along which they were aligned, originally called "Via Dorata" and which followed the route of the ancient Via Aurelia, started from the Cornigliano bridge and passed at the foot of the Coronata hill, continuing towards Sestri Ponente. The villas of Cornigliano went through a period of great decline, when the nobility of the city preferred to stay in other districts to the west. They were later rediscovered in the eighteenth century with the restoration and remodeling of some buildings, and in the nineteenth century was built one of the most famous nineteenth century villas in Genoa: Castello Raggio.
Castello Raggio was built in the 1880s by the architect Luigi Rovelli for the entrepreneur Edilio Raggio, after the model of Miramare Castle in Trieste. The "castle" stood on the promontory of Sant'Andrea, formerly the site of a Benedictine monastery, and until World War I the Raggio family housed high representatives of the nobility and politics. With the Second World War and the reclamation of the sea in front of it for the construction of the Ilva steelworks, it was abandoned and fell into a state of decay and was demolished in 1951.

Villa	Image	Description
Villa Durazzo Bombrini		It was built starting in 1752 by French architect Pierre Paul De Cotte for Marquis Giacomo Filippo II Durazzo. With an unusual choice in the Genoese landscape of the time, still tied to the classic sixteenth-century Alessian model, but now established in the transalpine context, the villa consists of a central building with Rococo-style decorations with two side wings around a vast courtyard. Considered the most prestigious of Cornigliano's villas in the mid-19th century, it was sold by the Durazzo family and later purchased by the Savoy family. Between 1865 and 1866 Prince Oddone of Savoy lived the last months of his brief existence in the villa. It later passed to the Bombrini family, who in 1928 made it the headquarters of the Ansaldo offices. After World War II it became the headquarters of Italsider, since 2008 in the context of redevelopment of the neighborhood it houses offices, the provincial employment center and the Genoa Liguria Film Commission. It preserves the tower, the remarkable cantilevered staircase, numerous frescoed halls, the Italian garden on the front and part of the back garden, used as a public park.
Villa Domenico Serra		Via Cornigliano 17. Town hall of the autonomous municipality of Cornigliano Ligure until its suppression in 1926, then seat of the Cornigliano municipal district until the 1990s, it is currently home to the local municipal police department. It preserves the garden, used as a public park ; while the decorations of the interiors were lost due to bombing damage.
Villa Serra Richini		Eighteenth-century villa with an elegant neoclassical facade that retains almost intact an Italianate garden arranged on three levels connected by two scenic symmetrical staircases adorned with balustrades and flower boxes and a long marble railing to surround them; there are also fountains and grotto nymphaea carved into the embankments of the three levels.
Villa Spinola Canepa		The palace retains many elements of the original 15th/16th-century structure and is therefore architecturally valuable. Elements usually difficult to trace such as umbrella vaults have also been preserved. Inside, the original frescoes from the period of the building's construction are preserved.
Villa Gentile Bickley		Restored in 1998 after a long period of deterioration. Current home of the “Guerrazzi” civic library, it preserves some frescoed halls, the 18th-century kitchen, the tower and a small part of the garden, used as a public park.
Villa Spinola Muratori		Via Nino Cervetto 23-25. An important palace built in several phases. A section containing the stairwell is added to the ancient structure to the east, and to the west, along the street, there is a section that allows for the creation of a scenic three-part façade, of markedly Alessian inspiration, with a central loggia. Internally there is a fine staircase with columns. Badly damaged in the mid-18th century during the War of Austrian Succession, it was first converted into a factory and then, after the mid-19th century, into apartments. The tower was once connected to the palace.
Villa Spinola Narisano		Viale Narisano 14. Home to the civic center and administrative offices of Municipio VI Medio Ponente. Preserves the tower and some frescoed halls.
Villa Spinola Dufour		The Villa Spinola Dufour complex is divided into two separate but adjoining villas " and "di ponente. The east villa, formerly the residence of the architect Maurizio Dufour and currently the site of receptions and conferences, has been carefully restored and presents almost entirely the original features, including slate and terracotta floors, frescoed salons, a significant portion of the original fresco on the facade, the tower and a large part of the park. The west villa, which also still has a tower, is home to the oratory of the church of S. Giacomo.
Villa Doria Cevasco		The Villa Doria di Cornigliano complex includes two aristocratic buildings on Via San Giacomo Apostolo, now incorporated within the Valletta Rio San Pietro Urban Park. Both buildings are reduced to ruins and overgrown by vegetation
Villa Pallavicini Raggi		Via dei Domenicani, 5. The large palace, parallelepiped in shape and with the main elevation surmounted by a lively Baroque frieze, preserves intact the Renaissance-style ground floor and staircase, rich in carved stone architectural elements; the upper floors are more recent and probably date from a 17th-century renovation. Split into apartments in the early 20th century.
Villa Marchese		Via San Giacomo Apostolo 4. It has belonged to the Marchese family since the late eighteenth century. The regular body of the building is devoid of exterior decoration and covered by a large hipped roof. The main elevation is embellished by an imposing central loggia, which once overlooked a terrace that was later elevated. More than others, the villa retains its agricultural character with the grounds in the valley once cultivated and lined with pergola-lined paths.
Villa Pavese Dufour		Via Tonale 37-39. The complex architecture of the building, which runs along the street, appears to be the result of an intervention that incorporates several pre-existing buildings. Among them is an elegant Baroque chapel whose grandiose marble altar, which was removed, is now in Novalesa Abbey in the Susa Valley. In the lower part of the building, toward the sea, a cross-vaulted portico opened onto the garden and at the back gave access to a series of rooms: three with large barrel vaults and a third with umbrella vaults on stone corbels, testifying to an early phase of the construction of the villa. Very little is known with certainty before its purchase in the early twentieth century by Luigia Pavese Dufour.
Villa Spinola De Ferrari		Built by Bartolomeo Bianco for Gio Domenico Spinola from 1621. It is characterized by the scenic symmetrical staircase that leads from the atrium to the upper floor. It is part of the Calasanzio Institute.
Villa Invrea, today Calasanzio Institute		It belonged to the Invrea family in the 18th century and was later incorporated into the Serra property; today it houses the rooms of the Calasanzio Institute.
Villa De Franchi Musso		The old mansion with a small tower flanking it overlooks the central part of the path of the villas, but the modification of the driveway makes it difficult to identify from the street today. Divided into apartments.
Villa Adorno Carbone		Divided into apartments, still of great scenic value.
Villa Spinola Grillo		The building abuts the high embankment between road and garden, today divided into apartments.
Villa De Mari Dufour		Former property of the de Mari family, it belonged to botanist Luigi Dufour in the late 19th century - today it is used as a school.
Villa Raggio degli Erzelli		Also known as Villa Vivaldi Pasqua, it is a mansion that incorporated the Cistercian abbey of Sant'Andrea. It retains the tower, much of the park and the hunting lodge on top of the hill. After the Napoleonic suppressions of religious orders in 1798, the abbey was purchased by Duke Pietro Vivaldi Pasqua, who transformed it into a stately villa, profoundly altering the complex while preserving the original Gothic style. After several changes of ownership in 1879, along with the entire surrounding area, the entire estate was purchased by the entrepreneur Edilio Raggio, who built the Raggio Castle a short distance away. Severely damaged during World War II and later restored, it became the headquarters of companies and research organizations until the mid-1990s. Renovated again since 2008 after several years of neglect, it houses the headquarters of a number of companies.

Sestri Ponente

Villa	Image	Description
Villa Rossi		Built by the Lomellini family in the 17th century, it was later given to the Spinola family; in 1855 it was purchased by the Rossi-Martini, a Genoese banking family, who enlarged the park. In 1893 Elisabeth of Austria, better known as “Princess Sissi,” was a guest there. In 1931 it was bought by the municipality of Genoa, which used the main building as an elementary school until 2004; it was renovated and now houses a cultural center. The park, the green lung of the Sestri Ponente district, rich in various exotic and native species, measures about 4 hectares.
Villa Maria De Mari		Built in the 16th century, it passed in the 18th century to the De Mari family, which gave the building its current appearance, then in 1771 to the Spinola family, in 1896 to the Rossi Martini bankers, and finally in 1939 to the Rollino family. The large park and Italian garden were completely lost to the building expansion of the 1960s while the villa is in a state of neglect. The space in front is occupied by a bowling alley for Ansaldo employees.
Villa Spinola Pallavicino		Built in the early eighteenth century, it stands along the coast to the west of the suburb at Via S. Alberto 5. After several changes of ownership it was purchased in the twentieth century by the Sestrese Bagnara family, one of whose members, a lay nun of the Oblates of St. Benedict, used it as a women's orphanage and kindergarten, naming it the Little House of the Sacred Heart. Now owned, by bequest, by the Benedictines, it is in a state of semi-neglect. Over time it has lost its uphill park but has preserved part of the park that originally reached directly to the sea.
Villa Parodi		Built in the second half of the seventeenth century, it was donated in 1735 by Stefano Spinola to the Jesuits, who, in order to adapt it for use as a convent, profoundly modified its structure. In the 19th century, after a succession of new owners, including the Durazzo family, it is currently owned by the municipality of Genoa. It retains part of the garden and is used as an educational institution.
Villa Sciallero-Carbone		It stands in the area of San Giovanni Battista, on the hill behind the center of the neighborhood. Dating back to the 16th century, it was purchased in 1974 by the municipality of Genoa for use as a kindergarten and other uses.