Victory at Sea
Victory at Sea is a documentary television series about warfare in general during World War II, and naval warfare in particular, as well as the use of industry in warfare. It was broadcast by NBC in the United States during 1952–53. It was condensed into a film released in 1954. Excerpts from the music soundtrack, by Richard Rodgers and Robert Russell Bennett, were re-recorded for record albums. The original TV broadcasts comprised 26 half-hour segments—Sunday afternoons at 3:00 p.m. in most markets—starting on October 26, 1952 and ending on May 3, 1953. The series won an Emmy award in 1954 as "best public affairs program" and played an important part in establishing historic "compilation" documentaries as a television genre.
History
The project was conceived by Henry Salomon, who, while a U.S. Navy Lieutenant Commander during World War II, was a research assistant to historian Samuel Eliot Morison. Morison was then writing the 15-volume History of United States Naval Operations in World War II. Salomon learned of the large amounts of film that the opposing navies had compiled. Salomon left the Navy in 1948 and eventually discussed his idea of a documentary series with one of his Phillips Academy and Harvard classmates, Robert Sarnoff, a rising executive at NBC television and the son of David Sarnoff, the chairman of RCA. It was Robert Sarnoff who championed Salomon's proposal, won its approval and saw it through to completion.NBC approved the project in 1951, with Salomon as producer and a budget of $500,000. His team, composed largely of newsreel veterans, searched naval archives around the world and received cooperation from the U.S. Navy, which recognized the publicity value. Salomon's team compiled of film, which was edited to about for broadcast.
After the first run, NBC syndicated it to local stations, where it proved successful financially through the mid-1960s. NBC also marketed the series overseas; by 1964, it had been broadcast in forty foreign markets. NBC created a feature-length motion picture condensation. The feature-length version was narrated by Alexander Scourby who replaced Leonard Graves, the narrator of the 26-part series. NBC made a distribution deal with United Artists and the film debuted in mid-1954. NBC also prepared another, 79-minute, condensation for broadcast and it debuted on 29 December 1960 in a 90-minute evening slot as part of NBC's Project 20 series, which itself was established in 1955 as an offshoot of original Victory at Sea production unit.
Awards
Victory at Sea won many honors, including:- a 1953 Emmy nomination for Best Public Affairs Program
- a 1954 Emmy award for Best Public Affairs Program
- a 1953 Peabody award.
- the Freedoms Foundation's George Washington Medal.
Music
RCA has released and reissued the Rodgers-Bennett musical score several times on LP and CD. The listing below is based on the 1992 RCA remastered recordings titled Victory at Sea and More Victory at Sea. Selections from More Victory at Sea are marked by an asterisk. Note that the More Victory at Sea album also includes "Special Effect Battle Sounds" as part of many of the tracks.
The movements and approximate timings in the RCA Victor Symphony performance are as follows:
- The Song of the High Seas – 5:02
- The Pacific Boils Over – 5:43
- Fire on the Waters – 5:58
- Guadalcanal March – 3:07
- Pelelieu* – 3:37
- Theme of the Fast Carriers – 6:44
- Hard Work and Horseplay – 3:46
- Mare Nostrum – 4:29
- Beneath the Southern Cross – 4:04
- Mediterranean Mosaic – 5:52
- Allies on the March* – 5:15
- D-Day – 5:55
- The Sound of Victory* – 6:12
- Victory at Sea – 6:14
- Voyage Into Fate* – 6:20
- Rings Around Rabaul* – 6:06
- Full Fathom Five* – 7:08
- The Turkey Shoot* – 5:18
- Ships That Pass* – 4:53
- Two If By Sea* – 6:27
- The Turning Point* – 5:24
- Symphonic Scenario* – 10:34
- Danger Down Deep – 4:53
- The Magnetic North – 5:45
Rodgers's "Beneath the Southern Cross" theme was given words by Oscar Hammerstein, titled "No Other Love", and put into their 1953 musical, Me and Juliet. The May 1953 recording by RCA Victor recording artist Perry Como became a "Number One" hit on the pop charts later that year.