Urban Cowboy
Urban Cowboy is a 1980 American romantic Western film directed by James Bridges. The plot concerns the love-hate relationship between Buford "Bud" Davis and Sissy. The film's success was credited for spurring a mainstream revival of country music. Much of the action revolves around activities at Gilley's Club, a football-field-sized honky tonk in Pasadena, Texas.
Plot
Buford "Bud" Davis moves to Pasadena, Texas for an oil refinery job where his uncle, Bob Davis, works. Bud wants to earn enough money to buy land near his hometown of Spur. While staying with Bob and his family, Bud embraces the local nightlife, including Gilley's, a popular Pasadena bar and nightclub.There, Bud meets fellow Gilley's patron, Sissy. They marry soon after and buy a mobile home, settling into a routine of working during the day and socializing at Gilley's at night. Bud enjoys riding the mechanical bull, but when Sissy wants to try, Bud forbids it.
Wes Hightower, a recently paroled convict and prison rodeo champion, is hired to operate Gilley's mechanical bull. One evening, a drunken Bud becomes enraged when Wes flirtatiously tips his hat at Sissy. A fist fight ensues, with Wes besting Bud. Wanting to impress Bud, Sissy secretly spends time at Gilley's where Wes teaches her how to ride the mechanical bull. When Sissy successfully rides the bull, Bud is angry that she defied him. During Bud's ride, Wes intentionally swings the bull around hard, breaking Bud's arm. At home, Bud and Sissy argue. She claims that Bud is jealous because she rides the bull better than him, causing Bud to slap Sissy and throw her out of their mobile home. Some nights later, Bud sees Sissy at Gilley's and gives her a smile, but she ignores him. Bud angrily retaliates by dancing with Pam, the daughter of a rich oilman. Bud makes sure that Sissy sees them leaving together. Sissy moves in with Wes, who lives in a run-down trailer behind Gilley's.
Bud, unable to work while wearing an arm cast, wants to compete in Gilley's upcoming mechanical bull riding rodeo contest for the $5,000 prize. While Bud is training with his uncle, a former rodeo champion, Sissy stops by the mobile home to collect her belongings. While there, she cleans and leaves Bud a note saying she hopes they can get back together. Pam arrives as Sissy is leaving. She finds Sissy's note and throws it away. Bud arrives and thinks Pam did the cleaning. Sissy returns to Wes's trailer and catches him with Marshalene, who works at Gilley's. After Marshalene leaves, an angry Sissy throws a cigarette carton at him. Wes slaps Sissy and forces her to fix him a meal.
Bob urges Bud to reconcile with Sissy, citing how he nearly ruined his own marriage. Soon after, Bob is killed in a refinery explosion, devastating Bud. At the funeral, Sissy tells Bud that Wes was fired from Gilley's, and they are leaving for Mexico after Wes wins the contest.
Bud plans to skip the contest but changes his mind after his Aunt Corene insists that Bob would want him to compete. Bud out-scores Wes to win, but he is disappointed that Sissy is not there to see his victory. Pam realizes that Bud still loves Sissy and admits that it was Sissy who cleaned the mobile home and left him a note. Pam urges Bud to reconcile with Sissy before it is too late. As Sissy waits in her car, Wes sneaks into Gilley's main office armed with a pistol to steal the prize money. Bud finds Sissy in the parking lot and says that he loves her and apologizes for being stubborn and hitting her. After they reunite, Bud sees Sissy's bruised face. Furious, he goes after Wes. A fight ensues outside the bar. Wes drops his gun, and the stolen money falls from his jacket. Wes is apprehended while Sissy swears she knew nothing about Wes robbing the bar. She and Bud go home together.
Cast
- John Travolta as Buford Uan "Bud" Davis
- Debra Winger as Sissy
- Scott Glenn as Wes Hightower
- Madolyn Smith as Pam
- Barry Corbin as Bob Davis
- Brooke Alderson as Corene Davis
- Cooper Huckabee as Marshall
- James Gammon as Steve Strange
- Mickey Gilley as himself
- Johnny Lee as himself
- Bonnie Raitt as herself
- Charlie Daniels as himself
- Ellen March as Becky
- Jessie La Rive as Jessie
- Connie Hanson as Marshalene
- Tamara Champlin as Gilley Background Vocalist
- Becky Conway as Gilley Background Vocalist
- Jerry Hall as Sexy Sister
- Cyndy Hall as Sexy Sister
- Howard Henson as himself
Historical background and production
Critical reception and legacy
The film received generally positive reviews from critics. On Rotten Tomatoes, the film received a 70% "Fresh" rating based on 23 reviews. "Urban Cowboy is not only most entertaining but also first-rate social criticism," said Vincent Canby of The New York Times. Variety wrote: "Director James Bridges has ably captured the atmosphere of one of the most famous chip-kicker hangouts of all: Gilley's Club on the outskirts of Houston."The film gave Pasadena and Houston a brief turn under the Hollywood spotlight. Andy Warhol, Jerry Hall and many other celebrities attended the premiere in Houston. Mickey Gilley's career was revived after the film release, and the soundtrack started a music movement.
As a result of the film's success, there was a mainstream revival of country music. The formal grid dancing style used in the film, adapted from square dancing to give a clear visual display of choreography to an audience, birthed the phenomenon of Line Dancing, which is now the defining term and method for teaching and categorising many dance styles which predated it, from country dance to swing. The term "Urban Cowboy" was also used to describe the soft-core country music of the early 1980s epitomized by Kenny Rogers, Dolly Parton, Johnny Lee, Mickey Gilley, Janie Frickie and other vocalists whose trademarks were mellow sounds of the sort heard in the movie. This sound became a trademark in country music from the early to mid '80s, in which record sales for the genre soared. The ingenious impactful weaving of highly accessible country music into the film's dramatic soundtrack fabric was largely attributable to the skills of music industry impresario Irving Azoff, who co-produced the film with Robert Evans.