The Prestige


The Prestige is a 2006 science fiction psychological thriller film directed by Christopher Nolan, who co-wrote the screenplay with his brother Jonathan Nolan and is based on the 1995 novel by Christopher Priest. It stars Hugh Jackman as Robert Angier and Christian Bale as Alfred Borden, rival stage magicians in Victorian London who feud over a perfect teleportation illusion.
The cast also features Michael Caine, Scarlett Johansson, Rebecca Hall, Andy Serkis, and David Bowie as Nikola Tesla. The film reunites Nolan with actors Bale and Caine from Batman Begins and returning cinematographer Wally Pfister, production designer Nathan Crowley, and editor Lee Smith.
The Prestige premiered at the El Capitan Theatre on October 17, 2006, was released in the United States on October 20, 2006 and in the United Kingdom on November 10, 2006, by Buena Vista Pictures Distribution through their Touchstone Pictures label in the United States and Canada and internationally by Warner Bros. Pictures, to positive reviews and grossed $109 million worldwide against a production budget of $40 million. It received Academy Award nominations for Best Art Direction and Best Cinematography.

Plot

In 1890s London, Robert Angier, Alfred Borden, and Angier's wife Julia work as magician's assistants under the mentorship of ingénieur John Cutter. During a water tank trick, Julia drowns after Borden ties her wrists, potentially using the wrong knot, though he claims forgetfulness afterwards. Angier blames Borden for his wife's death, and the two men, aspiring magicians of their own, become bitter rivals.
Both men pursue separate careers in magic. Borden, a gifted inventor of illusions, marries a woman named Sarah, with whom he has a daughter named Jess, and hires an enigmatic assistant, Fallon. Angier, whose strength lies more in showmanship, continues working with Cutter and takes on a new assistant, Olivia. The feud escalates as Angier and Borden visit and sabotage each other's acts—Borden loses two fingers after being shot by Angier during a pistol trick, after which Borden ruins Angier's act by violently thwarting it in front of a live audience.
Borden next debuts a new spectacular illusion, The Transported Man, in which he appears to teleport from one side of the stage to the other within seconds. Angier becomes obsessed with discovering the trick's secret and, with Cutter's help, roughly recreates the act using a lookalike named Root, a failed actor. Though Angier's version is successful, he resents remaining hidden beneath the stage while Root takes the applause. Desperate to outdo Borden, he sends Olivia to spy on him, but she falls in love with Borden and defects, though not before passing Borden's coded diary to Angier.
Seeking answers, Angier travels to Colorado Springs to meet inventor and scientist Nikola Tesla. Believing Tesla built a teleportation device for Borden, Angier commissions Tesla to make one. Tesla eventually delivers a working machine but warns that it will bring only misery. When used, the device creates an actual duplicate of its subject while leaving the original person intact. Back in London, Angier uses the machine in a new illusion, The Real Transported Man, which earns him great acclaim. Borden reveals to Angier that the key word “TESLA” supposedly decrypts the diary and reveals his method. Meanwhile, Sarah, growing suspicious of Borden's secretive nature and affair with Olivia, hangs herself. Determined to uncover Angier’s method, Borden sneaks backstage during a performance of The Real Transported Man and witnesses Angier fall into a water tank and drown. Though Borden attempts to open the tank and save Angier, he is arrested for Angier's murder, convicted, and sentenced to death.
While awaiting execution, Borden is approached by a solicitor for a wealthy Lord Caldlow, who offers to care for Borden’s daughter Jess in exchange for the secret behind the original Transported Man. When Caldlow visits the prison, Borden is horrified to discover that he is actually Angier. Borden passes this Angier a note revealing the secret but Angier tears up the note, leaving him to hang. Later, Cutter helps dispose of Tesla’s teleportation machine.
That night, a disguised visitor shoots Angier in the basement of his theatre, revealing himself as Borden. The mortally wounded Angier learns the truth: “Borden” is in fact a pair of identical twins sharing one identity and alternating both their personal lives and roles onstage. One twin loved Sarah, the other Olivia; one lost two fingers, and the other amputated his same two fingers to match; one has survived, while the other was executed. Together they performed The Transported Man by switching places undetected, and whenever one twin was performing, the other hid in plain sight, using prosthetics and makeup, under the identity "Fallon".
Dying, Angier confesses that each time he used Tesla’s machine, it created an authentic clone—one of whom drowned beneath the stage each night—and that he is not even sure of his own identity at this point. The surviving Borden brother reclaims his daughter, as Cutter narrates that the final act of any magic trick—the “prestige”—is the return of what was thought lost. Angier's death knocks over a kerosene lamp that sends his theatre up in flames, revealing rows of water tanks holding the corpses of his many duplicates.

Cast

  • Hugh Jackman as Lord Caldlow, an aristocratic English magician, whose public persona is the American magician Robert "The Great Danton" Angier. Nolan cast Jackman, stating that Angier "has a wonderful understanding of the interaction between a performer and a live audience", a quality he believed Jackman possessed. Jackman based his portrayal of Angier on 1950s-era magician Channing Pollock. Jackman also portrays Gerald Root, an alcoholic lookalike used for Angier's New Transported Man.
  • Christian Bale as Alfred "The Professor" Borden / Frederick Borden / Bernard Fallon, a working-class English magician. While Nolan had previously cast Bale as Batman in Batman Begins, he did not consider Bale for the role of Borden until Bale contacted him about the script. Nolan subsequently believed that Bale was "exactly right" for the part and that it was "unthinkable" for anyone else to play it. Nolan suggested that the actors not read the original novel, but Bale ignored the advice.
  • Michael Caine as John Cutter, the stage engineer who works with Angier and Borden. Caine had previously collaborated with Nolan and Bale in Batman Begins. Nolan noted that the part had been written "before I'd ever met" Caine. Caine described Cutter as "a teacher, a father, and a guide to Angier". In trying to create the character's nuanced portrait, Caine altered his voice and posture.
  • Scarlett Johansson as Olivia Wenscombe, Angier and Borden's assistant. Nolan was "very keen" for Johansson to play the role, and when he met with her to discuss it, "she just loved the character".
  • Piper Perabo as Julia McCullough, Milton the Magician's assistant and Angier's wife.
  • Rebecca Hall as Sarah Borden, Borden's wife. Hall had to relocate from North London to Los Angeles in order to shoot the film, although the film itself takes place in London.
  • David Bowie as Nikola Tesla, the real-life inventor who creates a teleportation device for Angier. For Tesla, Nolan wanted someone who was not necessarily a film star but was "extraordinarily charismatic". Nolan stated that Bowie "was really the only guy I had in mind to play Tesla because his function in the story is a small but very important role". Nolan contacted Bowie, who initially turned down the part. A lifelong fan, Nolan flew out to New York to pitch the role to Bowie in person, telling him no one else could possibly play the part; Bowie accepted after a few minutes.
  • Andy Serkis as Mr. Alley, Tesla's assistant. Serkis said he played Alley with the belief that he was "once a corporation man who got excited by this maverick, Tesla, so jumped ship and went with the maverick". Serkis described Alley as a "gatekeeper", a "conman", and "a mirror image of Michael Caine's character." Serkis, a big fan of Bowie, said he was enjoyable to work with, describing him as "very unassuming, very down to earth... very at ease with himself and funny."
  • Ricky Jay as Milton the Magician, an older magician who employs Angier and Borden at the beginning of their careers. Jay and Michael Weber trained Jackman and Bale for their roles with brief instruction in various stage illusions. The magicians gave the actors limited information, allowing them to know enough to pull off a scene.
  • Roger Rees as Owens, a solicitor working for Lord Caldlow.
  • W. Morgan Sheppard as Merrit, the owner of a theater where Angier initially performs.
  • Samantha Mahurin as Jess Borden, the daughter of Borden and Sarah.
  • Daniel Davis as the judge presiding over Borden's trial.
  • Chao-Li Chi as Chung Ling Soo, a Chinese magician who disguises his great physical strength by pretending to be elderly and frail in all public appearances.

    Production

's and Sam Mendes' producer approached Christopher Priest for an adaptation of his novel The Prestige. Priest was impressed with Christopher Nolan's films Following and Memento, and subsequently, producer Valerie Dean brought the book to Nolan's attention. In October 2000, Nolan traveled to the United Kingdom to publicize Memento, as Newmarket Films was having difficulty finding a United States distributor. While in London, Nolan read Priest's book and shared the story with his brother Jonathan while walking around in Highgate. The development process for The Prestige began as a reversal of their earlier collaboration: Jonathan Nolan had pitched his initial story for Memento to his brother during a road trip.
A year later, the option on the book became available and was purchased by Aaron Ryder of Newmarket Films. In late 2001, Nolan became busy with the post-production of Insomnia, and asked his brother to help work on the script. The writing process was a long collaboration between the Nolan brothers, occurring intermittently over a period of five years. In the script, the Nolans emphasized the magic of the story through the dramatic narrative, playing down the visual depiction of stage magic. The three-act screenplay was deliberately structured around the three elements of the film's illusion: the pledge, the turn, and the prestige. "It took a long time to figure out how to achieve cinematic versions of the very literary devices that drive the intrigue of the story," Christopher Nolan told Variety: "The shifting points of view, the idea of journals within journals and stories within stories. Finding the cinematic equivalents of those literary devices was very complex." Although the film is thematically faithful to the novel, two major changes were made to the plot structure during the adaptation process: the novel's spiritualism subplot was removed, and the modern-day frame story was replaced with Borden's wait for the gallows. Priest approved of the adaptation, describing it as "an extraordinary and brilliant script, a fascinating adaptation of my novel."
In early 2003, Nolan planned to direct the film before the production of Batman Begins accelerated. Following the release of Batman Begins, Nolan started up the project again, negotiating with Jackman and Bale in October 2005. Josh Hartnett pitched Nolan for a role. While the screenplay was still being written, production designer Nathan Crowley began the set design process in Nolan's garage, employing a "visual script" consisting of scale models, images, drawings, and notes. Jonathan and Christopher Nolan finished the final shooting draft on January 13, 2006, and began production three days later on January 16. Filming ended on April 9.
Crowley and his crew searched Los Angeles for almost 70 locations that resembled fin de siècle London. Jonathan Nolan visited Colorado Springs to research Nikola Tesla and based the electric-bulb scene on actual experiments Tesla conducted. Nathan Crowley helped design the scene for Tesla's invention; It was shot in the parking lot of the Mount Wilson Observatory. Influenced by a "Victorian modernist aesthetic," Crowley chose four locations in the Broadway theater district in downtown Los Angeles for the film's stage magic performances: the Los Angeles Theatre, the Palace Theatre, the Los Angeles Belasco, and the Tower Theatre. Crowley also turned a portion of the Universal back lot into Victorian London. Osgood Castle in Colorado was also used as a location.
Nolan built only one set for the film, an "under-the-stage section that houses the machinery that makes the larger illusions work," preferring to simply dress various Los Angeles locations and sound stages to stand in for Colorado and Victorian England. In contrast to most period pieces, Nolan kept up the quick pace of production by shooting with handheld cameras, and refrained from using artificial lighting in some scenes, relying instead on natural light on location. Costume designer Joan Bergin chose attractive, modern Victorian fashions for Scarlett Johansson; cinematographer Wally Pfister captured the mood with soft earth tones as white and black colors provided background contrasts, bringing actors' faces to the foreground. Editing, scoring, and mixing finished on September 22, 2006.