The Funhouse
The Funhouse is a 1981 American slasher film directed by Tobe Hooper, written by Larry Block and starring Elizabeth Berridge, Kevin Conway, William Finley, Cooper Huckabee, Miles Chapin, Largo Woodruff, Wayne Doba, and Sylvia Miles. The film's plot concerns four Midwestern teenagers who become trapped in a dark ride at a traveling carnival and are stalked by a mentally handicapped albino killer.
A Universal Pictures production, The Funhouse was director Hooper's first major studio film after The Texas Chain Saw Massacre and Eaten Alive. Its producers were inspired to produce a successful teenage-themed horror film following the major financial success of Paramount's slasher Friday the 13th. Though the film is set in Iowa, principal photography took place on backlots at Norin Studios in Miami, Florida.
Upon its release on March 13, 1981, The Funhouse was a commercial disappointment, but received mixed to positive reviews from critics with praise for its atmosphere, cinematography and Kevin Conway's performance but criticisms for its pacing and comparisons to Tobe Hooper's other works. Contemporary film scholars and critics have noted that the film continues Hooper's recurring theme of family as seen in his previous films.
A novelization of the film by Dean Koontz was released prior to its release, with Koontz using the pseudonym Owen West.
Plot
In small-town Iowa, a masked intruder attacks teenager Amy as she showers. The attacker turns out to be her younger brother Joey, a horror film fan, and his weapon is a fake rubber prop knife.Against her father's wishes, Amy visits a sleazy traveling carnival with her new boyfriend Buzz, her best friend Liz, and Liz's irresponsible boyfriend Richie. At the carnival, the four teens smoke marijuana, peep into a 21-and-over strip show, heckle fortune teller Madame Zena, visit the freaks-of-nature exhibit, and view a magic show.
Richie dares the group to spend the night in "The Funhouse," which is a dark ride. After the carnival closes, the teenagers settle down inside the funhouse. Through a grate to a room below the attraction, the teenagers witness the ride assistant, a silent man in a Frankenstein's Monster mask, engaging Zena as a prostitute. He experiences premature ejaculation, but despite his request, Zena will not return her $100 fee; he then murders her in a violent rage.
The teenagers try to leave but find themselves locked inside the funhouse. As they attempt to escape, Richie secretly steals the money from the safe from which the masked assistant took Zena's fee. The funhouse's barker, Conrad Straker, discovers what his son Gunther Twibunt has done to Zena. Conrad also realizes that the money is missing. Thinking Gunther took it, he attacks him. Gunther's face is revealed to be gruesomely deformed via albinism and frontonasal dysplasia with sharp protruding teeth, long white thinning hair, red eyes, and a cleft running up the bridge of his nose.
The teens see this, and Conrad realizes someone is watching after Richie's lighter falls on the floor from the ceiling he and the others were hiding in. Buzz concludes that Richie has the money. Richie insists that he would have split the money with the others. Despite Liz wanting to return the money, Buzz knows it is too late since they are now in danger. Conrad stalks the funhouse to eliminate any witnesses and heckles Gunther into a murderous rage. The teens arm themselves with the various funhouse props as weapons.
Richie is hanged with a rope by Conrad, and the remaining three witness his corpse riding through on a cart. Liz, hysterical, falls through a trapdoor and is confronted by Gunther. She stabs him with a dagger before he kills her by pushing her head through an industrial exhaust fan. Buzz stabs Conrad to death when he confronts him and Amy but is then killed by Gunther. During a showdown between final girl Amy and Gunther in the funhouse's maintenance area, Gunther is electrocuted and crushed to death between two spinning gears.
As dawn breaks, the traumatized sole survivor Amy emerges from the funhouse and heads home as the animatronic fat lady perched atop the entrance laughs mockingly at her.
Cast
Themes
In his 1997 book Hearths of Darkness, author Tony Williams argues that The Funhouse "continues exploration of the American family's repressive nature", a theme previously explored in The Texas Chain Saw Massacre. Williams further posits that the "carnival world" which Amy enters acts as a liberating, unrepressed counter to the restricted nature of her home life with her family. The theme of family was similarly noted by critic Cynthia Rose of The Monthly Film Bulletin, who wrote of the film during its 1981 release: "Again as in Chain Saw , the film’s real focus is on the family and, through it, on the 'permissive' society. Over and over, we see how the 'monstrous' family—the source of the evil—is sustained and regenerated by exterminating the threat of the outsider."The Funhouse contains metafiction elements, including in its opening scene, which explicitly parodies the opening sequence of the 1978 slasher film Halloween, as well as the shower scene in Psycho. Hooper said that the opening scene "immediately you know you're watching a genre picture. In particular, too, it helped make the film a little safe. And I wanted that. Because I wanted the color and the fantasy, to build up to the moment where this person is wearing a Frankenstein mask is actually the strange anomaly".
In the 2021 book American Twilight: The Cinema of Tobe Hooper, writers Kristopher Woofter and Will Dodson note a recurring theme throughout The Funhouse of a world in which adults mistreat and look down upon teenagers, characterizing them as "a corrupt cabal disenfranchising the young."
Production
Development
The Funhouse was written by Larry Block, and the script was purchased by Universal Pictures, who were looking to produce a teen-aimed horror film after the success of Paramount's Friday the 13th. Tobe Hooper, who had recently completed the miniseries Salem's Lot for Warner Bros., was offered to direct The Funhouse. Hooper agreed to sign on as director as he saw "a lot of potential" in its carnival setting; Hooper was an admirer of Nightmare Alley, a film noir set in a carnival, and had always wanted to make a film of his own set in the same locale.Casting
Elizabeth Berridge, who was cast in the lead role of Amy Harper, is given an "introducing" credit, though she had previously appeared in the film Natural Enemies. Largo Woodruff was cast in the role of Amy's best friend, Liz, after auditioning and screen testing for the part with Hooper in New York City.Commenting to Roger Ebert at the time, Sylvia Miles said of her casting: "'s fabulous, I’m playing a fortuneteller. Madame Zena. I have a phony accent and a great scene where I lose the accent gradually as I’m being murdered in the fun house. Of course, there are people who have asked why I want to be in a horror picture. You know what I always say: Better a horror film than a horrible film. Besides, the people who see them, I think they remember the horror films better than the others."
Filming
Though set in the American Midwest in Iowa, The Funhouse was shot on the backlots of the Ivan Tors Studios in Miami, Florida, over approximately ten weeks. According to Hooper, the budget was "just a little over two million dollars." The production originally intended to shoot the film on the Universal Studios lots, but opted instead to film on the east coast, as they were unable to obtain a waiver in the state of California allowing for child actor Shawn Carson—who played a significant role in the film—to work overnight due to child labor laws. Filming in Florida also allowed Hooper and the production to hire real carnies to appear in the film, as many traveling carnival workers settle in the state during the winter season when principal photography occurred.The amusement rides and attractions featured in the film, which date from the 1940s and 1950s, were acquired from a defunct carnival in Akron, Ohio. The "freakshow" animals seen in the film—including one cow with a cleft palate and another with two heads—were real animals that belonged to a traveling carnival.
Special effects
The deformed facial appearance of Gunther Twibunt—who was dubbed "cow-man" by Hooper and other members of the crew—was designed by makeup artist Rick Baker and executed by makeup artist Craig Reardon. The film's screenplay did not describe Twibunt's appearance in much detail, which allowed Baker some creative freedom during the design process. In an interview with Fangoria, Baker said:It's a birth-defect type monster. After I started thinking about it for a while, I felt real guilty about making that deformity a monster. It's so easy to take horror straight from nature, because there are some pretty horrifying real things. I just didn't feel right about making it a straight freak, so I added a little more to it. I hope it comes across that way, because it still has a lot of the birth defect aspect to it.
Twibunt's hands were designed by Reardon. The character was portrayed by Wayne Doba, a mime from the San Francisco area.
Additionally, Reardon designed Twibunt's brother, a preserved infant exhibiting similar facial deformities seen on display at the carnival in the film. A vinyl cast of a baby from a medical supply house was used as a base for the prop.