Yield (album)
Yield is the fifth studio album by American rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code, Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the song lyrics from the past four studio albums.
Yield received positive reviews and debuted at number two on the Billboard 200. While like No Code, the album soon began dropping down the charts, Yield eventually outsold its predecessor. The band did more promotion for the album compared to No Code, including a return to full-scale touring and the release of a music video for the song "Do the Evolution". The record has been certified platinum by the RIAA in the United States. The album is Pearl Jam's last release with drummer Jack Irons, who left the band during the album's promotional tour. He was replaced with Soundgarden drummer Matt Cameron.
Recording
For its fifth album, Pearl Jam again worked with producer Brendan O'Brien, whom the band had worked with on its previous three records. Yield was recorded throughout 1997 in Seattle, Washington at Studio X and Studio Litho, the latter of which is owned by guitarist Stone Gossard. They weren't able to record it entirely at Studio Litho since it was booked by Deftones, who recorded their album Around the Fur at the studio between April and June 1997. The album was then mixed by O'Brien at his mixing facility at Southern Tracks in Atlanta, Georgia. The album would be the last collaboration with O'Brien for several years, until he was brought on board in 2008 to remix the band's debut album Ten and produce 2009's Backspacer.Compared with Vitalogy and No Code, Yield represented more of a team effort among all members of the group. Lead vocalist Eddie Vedder had made the final decisions for Vitalogy and No Code; however, at the end of the No Code recording sessions, Vedder suggested to bassist Jeff Ament that it would be better for the other members to write and bring in more complete songs so Vedder would be under less pressure to finish the songs. Ament said that "everybody took that to heart," and O'Brien added that most of the songs came to the studio finished. Ament also said that Vedder's reaction to the rest of the band's new material kept "everybody energized about their place in the band." Vedder worked with the other band members on their own material before work was started on his. Guitarist Mike McCready noticed a change in Vedder's attitude during the recording of Yield, stating, "I used to be afraid of him and not want to confront him on things... We talk more now, and hang out... He seems very, very centered now."
Vedder said that the band was able to "team up" and have a "partnership" while the album was being recorded. The band spent a large amount of time rehearsing the songs to get the best takes possible. Gossard commented that there was more "contouring" and "honing" of demo material than on previous records. Regarding the recording sessions, drummer Jack Irons said, "We didn't put any time limit on it. It was like, 'When this record's done, we call it a record.' We took out time to come up with ideal sounds and feel for every song, so that each had its own identity. We would cut a track and go back and listen to it and openly discuss it." Ament stated that "Yield was a superfun record to make. And so much of it was Ed kind of sitting back." He added that "everybody really got a little bit of their say on the record...because of that, everybody feels like they're an integral part of the band." The band discussed the album's production on the documentary Single Video Theory.
In a June 1997 interview, Vedder said the band had "just about finished" recording the album. However, Gossard would spend the next period of time focusing on his side project Brad, who had just released their second Epic Records album Interiors late that same month. No work on Yield occurred during July 1997, with the band commencing recording in August. In October 1997, it was confirmed that the album was completed, with a rumored Christmas release date.
Music and lyrics
Overall, Yield resembles the straightforward rock approach of the band's early work. Gossard said "The songs were a little bit more structured. I don't know if it was poppier, but it seemed more professional." O'Brien noted that during the Yield sessions, the band made a conscious effort to create more accessible songs. Tom Sinclair of Entertainment Weekly stated that the band has "turned in an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991 debut, Ten." "Given to Fly", the album's first single, was noted for its similarity to Led Zeppelin's "Going to California" from the 1971 album, Led Zeppelin IV.Lyrically, Yield continued with the more contemplative type of writing found on No Code. Vedder said that while "in the past we got really angry and we cried out against many things in our songs," he considered that when "you become an adult you have to express your energy in a different way, more calm." This led to songs that, while not eschewing "the bad side of life", ended up "facing it from a more positive point of view, looking for a way to solve it. In the past we said: what a shit, this stinks, that sucks, everything sucks... Now it's time to say: stop, let's look for a solution, let's be positive." Several songs on the album were inspired by literary works, including Mikhail Bulgakov's novel The Master and Margarita, Daniel Quinn's novel Ishmael, and the writings of Charles Bukowski. Gossard wrote the lyrics for the songs "No Way" and "All Those Yesterdays", and Ament, making his first lyrical contributions to a Pearl Jam album, wrote the lyrics for "Pilate" and "Low Light". Ament said, " watch Eddie put his heart into singing lyrics that I wrote was an experience I can't put into words."
Gossard said "No Way" expresses the idea that people just need to live "and quit trying to prove something". According to Vedder, "Given to Fly" is about "rising above anybody's comments about what you do and still giving your love away", "Do the Evolution" is about "someone who's drunk with technology, who thinks they're the controlling living being on this planet", "MFC" takes place in a car and is about "getting the fuck out of a problem", and "In Hiding" is about "taking a fast from life". Ament said that "Pilate" concerned a question he was asking himself, dealing with a recurring dream Ament had with being old sitting with his dog on the porch, while "Low Light" was the answer, and that it deals with "a kind of gratefulness at finding that place of calm and peace at my center and getting a glimpse of the person I could choose to be."
Packaging and title
The album's cover art shows an empty road underneath a bright blue sky with a yield sign on the right-hand side of the road. The front cover art image was taken from a photograph of Montana Highway 200 between Lincoln and Great Falls, Montana, while the inside cover depicts the yield sign in the middle of the ocean. The cover of the cassette version mirrored the image. A yield sign is hidden in every picture of the liner notes booklet. At the 1999 Grammy Awards, Yield received a nomination for Best Recording Package. Ament said that the cover came from the idea on "how cool to have a yield sign where there's nothing to yield to", and the place was a road on the way to his Montana home which he considered perfect for the photo.The album title is rooted in the idea of "yielding to nature", a theme central to Daniel Quinn's novel Ishmael. The band members read the book while working on the album. Regarding the title, McCready said, "I think the title Yield has to do with maybe being more comfortable within ourselves, with this band....we're all a little bit older and a little more relaxed and maybe just kind of yielding to those anxieties and not trying to fight it so much...That's what it kind of feels to me – yielding, letting something else happen and going with it." Vedder said, "Let's say that hypothetically speaking, the title does mean something...You can fight so much, and then you have to think, 'What are the real battles?' 'What's really important?' You get to a certain point, and it's really hard to remember what music is and to remember what drives you."
The indie rock band BOAT parodied the album's cover art, among several others, on its 2011 release Dress Like Your Idols.
Release and reception
Commercial performance
Yield was released on February 3, 1998, on CD, vinyl, cassette and MiniDisc. Epic promoted the album more than No Code, with marketing vice-president Steve Barnett claiming it was the first time since debut album Ten that the label "had the lead time to do the job right". The album leaked on the internet in December 1997 as Syracuse, New York radio station WKRL-FM played an advance copy of the record, leading fans who taped the broadcast to release the tracks online. Two singles were released from Yield. The lead single "Given to Fly" entered the Billboard Hot 100 at number 21, reached number three on the Modern Rock charts, and spent a total of six weeks at number one on the Mainstream Rock charts. The album's other commercially released single, "Wishlist", charted on the Hot 100 at number 47. Album tracks "In Hiding" and "Do the Evolution" also charted on the rock charts. The band hired comic book artist Todd McFarlane to create an animated video for "Do the Evolution". It was the band's first music video since 1992. At the 1999 Grammy Awards, "Do the Evolution" received a nomination for Best Hard Rock Performance and its music video received a nomination for Best Music Video, Short Form.Yield sold 358,000