Standard Deviations (exhibition)


Standard Deviations was the name of a Museum of Modern Art exhibition that was notable for showcasing the 23 digital typefaces that MoMA acquired in January 2011 for its Architecture and Design Collection. The exhibition was open from March 2, 2011 through January 30, 2012. The full title of the exhibition was Standard Deviations: Types and Families in Contemporary Design, though the title was originally announced as Standard Deviations: Prototypes, Archetypes, and Families in Contemporary Design. The exhibition was organized by Paola Antonelli, Senior Curator in the Department of Architecture and Kate Carmody, curatorial assistant.
While the exhibition showed works of design other than typefaces, the selection and acquisition of typefaces was significant in the history of typographic design. Aside from a set of 36-point Helvetica Bold lead type designed by Max Miedinger in 1956, these were the first typefaces acquired by MoMA.

Twenty-three typefaces

TypefaceYearDesignerFoundrySource
Bell Centennial1976–1978Matthew CarterMergenthaler Linotype Company
Big Caslon1994Matthew CarterCarter & Cone
Dead History1990P. Scott Makela, Zuzana LickoEmigre
FF Beowolf1990Erik van Blokland, Just van RossumFontShop
FF Blur1992Neville BrodyFontShop
FF DIN1995Albert-Jan PoolFontShop
FF Meta1984–1991Erik SpiekermannFontShop
Gotham2000Jonathan Hoefler, Tobias Frere-JonesHoefler Type Foundry
HTF Didot1991Jonathan HoeflerHoefler Type Foundry
Interstate1993–1995Tobias Frere-JonesFont Bureau
ITC Galliard1978Matthew CarterInternational Typeface Corporation
Keedy Sans1991Jeffery KeedyEmigre
Mantinia1993Matthew CarterCarter & Cone
Mason1992Jonathan BarnbrookEmigre
Mercury1996Jonathan Hoefler, Tobias Frere-JonesHoefler & Frere-Jones
Miller1997Matthew CarterFont Bureau
New Alphabet1967Wim Crouwel
Oakland1985Zuzana LickoEmigre
OCR-A1966American Type FoundersAmerican Type Founders
Retina1999Jonathan Hoefler, Tobias Frere-JonesHoefler Type Foundry
Template Gothic1990Barry DeckEmigre
Verdana1995Matthew CarterMicrosoft
Walker1995Matthew CarterWalker Art Center

The selection of typefaces met with some criticism. On Design Observer, Paul Shaw expressed "puzzlement" over the selection and questioned the omission of important foundries and typefaces in the digital era. While the timeframe of the selections represents a time of diversification in type design, all but two are associated with either Matthew Carter, Jonathan Hoefler, Tobias Frere-Jones, Emigre or FontShop.