Sammy Davis Jr.
Samuel George Davis Jr. was an American singer, actor, comedian, dancer, and musician.
At age four, Davis began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally, and his film career began in 1933. After military service, Davis returned to the trio and produced nightclub performances at Ciro's in 1951, including one after the Academy Awards ceremony. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced both by Black Americans and Jewish communities. In 1958, he faced a backlash for his involvement with a white woman at a time when interracial relationships were taboo in the U.S. and when interracial marriage was not legalized nationwide until 1967.
Davis had a starring role on Broadway in Mr. Wonderful with Chita Rivera. In 1960, he appeared in the Rat Pack film Ocean's 11. He returned to the stage in 1964 in Golden Boy, a musical adaptation of Clifford Odets's play of the same name. Davis was nominated for a Tony Award for his performance. The show featured the first interracial kiss on Broadway. In 1966, he had his own TV variety show, titled The Sammy Davis Jr. Show. While Davis's career slowed in the late 1960s, his biggest hit, "The Candy Man", reached the top of the Billboard Hot 100 in June 1972, and he became a star in Las Vegas, earning him the nickname "Mister Show Business". Davis's popularity helped break the race barrier of the segregated entertainment industry. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap. I'm a one-eyed Negro who's Jewish." This was to become a signature comment.
After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before his death in 1990. He died in debt to the Internal Revenue Service, and his estate was the subject of legal battles after the death of his wife. Davis Jr.'s final album, the country-influenced Closest of Friends, was a departure from his usual musical style. Davis was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Primetime Emmy Award for his television performances. He was a recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award. In 2017, Davis was inducted into the National Rhythm & Blues Hall of Fame.
Early life
Davis was born on December 8, 1925, in the Harlem district of Manhattan in New York City, the son of African-American entertainer and stage performer Sammy Davis Sr. and Cuban-American tap dancer and stage performer Elvera Sanchez. During his lifetime, Davis stated that his mother was Puerto Rican and born in San Juan. However, in the 2003 biography In Black and White, author Wil Haygood wrote that Davis's mother was born in New York City to Cuban parents who were of Afro-Cuban background, and that Davis claimed he was Puerto Rican because he feared anti-Cuban backlash would hurt his record sales.Davis's parents were vaudeville dancers. As an infant, he was reared by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour. Davis learned to dance from his father and his godfather Will Mastin. Davis joined the act as a child, and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism, for example by dismissing race-based snubs as jealousy. However, when Davis served in the United States Army during World War II, he was confronted by strong prejudice. He later said: "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for 18 years, a door which they had always secretly held open." At age seven, Davis played the title role in the film Rufus Jones for President, in which he sang and danced with Ethel Waters. He lived for several years in Boston's South End and reminisced years later about "hoofing and singing" at Izzy Ort's Bar & Grille.
Military service
In 1944, during World War II, Davis was drafted into the U.S. Army at age 18. He was frequently abused by white soldiers from the South and later recounted: "I must have had a knockdown, drag-out fight every two days." His nose was broken numerous times and permanently flattened. At one point he was offered a beer laced with urine.He was reassigned to the Army's Special Services branch, which put on performances for troops. At one show he found himself performing in front of soldiers who had previously racially abused him. Davis, who earned the American Campaign Medal and World War II Victory Medal, was discharged in 1945 with the rank of private. He later said, "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking."
While in Paris in September 1944, he found himself being introduced and guided around the city by a French resistance fighter and left-wing journalist, Madeleine Riffaud.
Career
1940s
Following his discharge from the Army, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949 under the pseudonyms Shorty Muggins and Charlie Green.1950s
In March 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes, but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped. Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums.In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio. The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis, who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Frederick O'Neal, who founded the American Negro Theater. The network could not get a sponsor, so the show was dropped.
In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross. In 1956, he starred in the Broadway musical Mr. Wonderful, which was panned by critics but was a commercial success, closing after 383 performances.
In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr., held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockeys of Los Angeles.
In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying that it reminded people of the Ku Klux Klan. Sinatra renamed the group "the Summit". One long night of poker that went on into the early morning saw the men drunken and disheveled. As Angie Dickinson approached the group, she said, "You all look like a pack of rats." The nickname caught on, and they were then called the Rat Pack, the name of the earlier group led by Humphrey Bogart and his wife, Lauren Bacall, who originally made the remark about the "pack of rats" they associated with.
1960s
The group around Sinatra made several movies together, including Ocean's 11, Sergeants 3, and Robin and the 7 Hoods, and they performed onstage together in Las Vegas. In 1964, Davis was the first African American to sing at the Copacabana night club in New York.Davis was a headliner at The Frontier Casino in Las Vegas, but owing to Jim Crow practices in Las Vegas, he was required to lodge in a rooming house on the west side of the city instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places that practiced racial segregation.
Canada provided opportunities for performers like Davis unable to break the color barrier in American broadcast television, and in 1959 he starred in his own TV special, Sammy's Parade, on the Canadian network CBC. It was a breakthrough event for the performer, as in the United States in the 1950s corporate sponsors largely controlled the screen: "Black people not portrayed very well on television, if at all", according to Jason King of the Clive Davis Institute of Recorded Music.
In 1964, Davis was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he recorded songs in the studio, performed at charity events in Chicago, Miami, or Las Vegas, or appeared on television variety specials in Los Angeles. Davis felt he was cheating his family of his company, but he said he was incapable of standing still.
On December 11, 1967, NBC broadcast a musical-variety special featuring Nancy Sinatra, titled Movin' with Nancy. In addition to the Emmy Award-winning musical performances, the show is notable for Nancy Sinatra and Davis greeting each other with a kiss, one of the first black-white kisses on American television.
Davis had a friendship with Elvis Presley in the late 1960s, as they both were top-draw acts in Las Vegas at the same time. Davis was in many ways just as reclusive during his hotel gigs as Presley was, holding parties mainly in his penthouse suite that were occasionally attended by Presley. Davis sang a version of Presley's song "In the Ghetto" and made a cameo appearance in Presley's 1970 concert film Elvis: That's the Way It Is. One year later, he made a cameo appearance in the James Bond film Diamonds Are Forever, but the scene was cut. In Japan, Davis appeared in television commercials for coffee and Suntory Whiskey. In the United States he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.
Although he was still popular in Las Vegas, he saw his musical career decline by the late 1960s. He had a No. 11 hit with "I've Gotta Be Me" in 1969. He signed with Motown to update his sound and appeal to young people.