Jim Henson


James Maury Henson was an American puppeteer, actor, animator, creative producer, and director who achieved worldwide notability as the creator of the Muppets. Henson was also well known for creating Fraggle Rock and as the director of The Dark Crystal and Labyrinth, as well as creating the puppets for Sesame Street.
Born in Greenville, Mississippi, and raised in both Leland, Mississippi, and University Park, Maryland, Henson began developing puppets in high school. He created Sam and Friends, a short-form comedy television program on WRC-TV, while he was a freshman at the University of Maryland, College Park, in collaboration with fellow student Jane Nebel. Henson and Nebel co-founded Muppets, Inc. – now The Jim Henson Company – in 1958, and married less than a year later in 1959. Henson graduated from the University of Maryland with a degree in home economics.
In 1969, Henson joined the children's television program Sesame Street where he helped to develop Muppet characters for the series. He and his creative team also appeared on the first season of the sketch comedy show Saturday Night Live. He produced the sketch comedy television series The Muppet Show during this period. Henson revolutionized the way puppetry is captured and presented in video media, and he won fame for his characters – particularly Kermit the Frog, Rowlf the Dog, and the characters on Sesame Street. During the later years of his life, he founded the Jim Henson Foundation and Jim Henson's Creature Shop. He won the Emmy Award twice for his involvement in The Storyteller and The Jim Henson Hour.
Henson died in New York City from toxic shock syndrome caused by Streptococcus pyogenes. At the time of his death, he was in negotiations to sell his company to The Walt Disney Company, but talks fell through after his death. He was posthumously awarded a star on the Hollywood Walk of Fame in 1991, and was named a Disney Legend in 2011.

Early life

James Maury Henson was born on September 24, 1936, in Greenville, Mississippi, the younger of two children of Betty Marcella and Paul Ransom Henson Sr., an agronomist for the United States Department of Agriculture. Henson's older brother, Paul Ransom Henson Jr., died in a car crash on April 15, 1956. He was raised as a Christian Scientist and spent his early childhood in nearby Leland, Mississippi, before moving with his family to University Park, Maryland, near Washington, D.C., in the late 1940s and later to Bethesda, Maryland. He remembered the arrival of the family's first television as "the biggest event of his adolescence", being heavily influenced by radio ventriloquist Edgar Bergen and the early television puppets of Burr Tillstrom on Kukla, Fran and Ollie and Bil and Cora Baird. He remained a Christian Scientist at least into his twenties, when he taught Sunday school, but he wrote to a Christian Science church in the early 1970s to inform them that he was no longer a practicing member.

Career

Education

Henson attended a variety of grade schools in his youth, including Hyattsville High School until it was closed in 1951. He completed his high school career at the newly opened Northwestern High School, where he joined the puppetry club.
Henson enrolled at the University of Maryland, College Park, the following fall as a studio arts major, thinking that he might become a commercial artist. As a freshman at the university, Jim took a newly offered puppetry class mostly populated with seniors, including his future wife Jane Nebel. He was graduated in 1960 with a Bachelor of Science degree in home economics.

Early career: 1954–1961

Henson began working at WTOP-TV in the late spring of 1954, at age, hired to "manipulate marionettes" on a Saturday morning children's show called The Junior Morning Show, until the show was cancelled only three weeks later. This first break into the television industry was short-lived, but his talent landed him and his puppets an opportunity to continue working at WTOP-TV, lip syncing on Roy Meachum's Saturday show.
Henson's employment at WTOP-TV lasted only until August, when Saturday was also cancelled. Meachum then referred Jim to the local NBC-affiliate station WRC-TV, where Henson continued performing his puppets with Jane's help. The two were eventually offered a nightly segment for which they created Sam and Friends, a three-to-five-minute puppet show that afforded Henson much more freedom to develop his own creative work. The characters on Sam and Friends were forerunners of the Muppets, and the show included a prototype of Henson's most famous character, Kermit the Frog. He remained at WRC until Sam and Friends aired its last episode on December 15, 1961.
In the show, Henson began experimenting with techniques that changed the way in which puppetry was used on television, foregoing the convention of pointing the camera at a stationary puppet theatre proscenium and instead using the image created by the TV camera and lens to dynamically engage with his characters. He believed that television puppets needed to have "life and sensitivity". Rather than carving wooden puppets Henson built characters from softer, flexible materials like foam rubber; his first iteration of Kermit was made from a halved table tennis ball and fabric from an old coat belonging to his mother, with denim from a pair of jeans forming the sleeve for the puppeteer's arm.
Though Henson told people that "Muppet" was a portmanteau of "marionette" and "Puppet", many early Muppets were actually hand puppets, rod puppets, or some combination of the two. Direct control over the puppet's mouth, in combination with the softer construction materials, allowed the puppeteer to express a wider range of emotions and to more accurately move the puppet's mouth along with the character's dialogue or while lip syncing to music. Commenting on his puppet design philosophy, Henson said,
"A lot of people build very stiff puppets—you can barely move the things—and you can get very little expression out of a character that you can barely move. Your hand has a lot of flexibility to it, and what you want to do is to build a puppet that can reflect all that flexibility."
Sam and Friends was a financial success, but Henson began to have doubts about going into a career performing with puppets once he graduated. He spent six weeks in Europe during the summer of 1958, originally with the intent to study painting, but was surprised to learn that puppets were considered just as serious of an art form as painting or sculpture. After returning to the United States he and Jane made their partnership official, creating Muppets, Inc. in November of that same year, then marrying each other in 1959.

Television and Muppets: 1961–1969

Henson spent much of the next two decades working in commercials, talk shows, and children's projects before realizing his dream of the Muppets as "entertainment for everybody". The popularity of his work on Sam and Friends in the late 1950s led to a series of guest appearances on network talk and variety shows. He appeared as a guest on many shows, including The Steve Allen Show, The Jack Paar Program, and The Ed Sullivan Show. These television broadcasts greatly increased his exposure, leading to hundreds of commercial appearances by Henson characters throughout the 1960s.
Among the most popular of Henson's commercials was a series for the local Wilkins Coffee company in Washington, D.C., created for a campaign managed by advertising manager Helen Ver Standig. Most of the Wilkins advertisements followed a similar formula: two Muppets, in this case named Wilkins and Wontkins, would appear. Wilkins would extol the product while Wontkins would express his hatred for it, prompting physical retaliation from Wilkins; Wontkins might be shot with a cannon, struck in the head with a hammer or baseball bat, or have a pie thrown in his face. The Jim Henson Company has posted a short selection of them. Henson later explained, "Till then, advertising agencies believed that the hard sell was the only way to get their message over on television. We took a very different approach. We tried to sell things by making people laugh."
The first seven-second commercials for Wilkins were an immediate hit and were later remade for other local coffee companies throughout the United States, such as Community Coffee, Red Diamond Coffee, La Touraine Coffee, Nash's Coffee, and Jomar Instant coffee. The characters were so successful in selling coffee that soon other companies began seeking them to promote their products, such as bakeries like Merita Breads, service station chains such as Standard Oil of Ohio and the downstream assets of Marathon Oil, and beverage bottlers such as Faygo. Over 300 "Wilkins and Wontkins" commercials were made. The ads were primarily produced in black and white, but some color examples also exist.
Henson sold the rights to Wilkins and Wontkins to the Wilkins Company, who allowed marketing executive John T. Brady to sell the rights to some toymakers and film studios. However, in July 1992 Brady was sued by Jim Henson Productions for unfair competition in addition to copyright and trademark infringement. The Henson company claimed that Brady was incorrectly using Henson's name and likeness in their attempts to license the characters.
In 1963, Henson and his wife moved to New York City where the newly formed Muppets, Inc. resided for some time. Jane quit performing to raise their children, and Henson hired writer Jerry Juhl in 1961 and puppet performer Frank Oz in 1963 to replace her. Henson credited them both with developing much of the humor and character of his Muppets. Henson and Oz developed a close friendship and a performing partnership that lasted until Henson's death; their teamwork is particularly evident in their portrayals of Bert and Ernie, Kermit and Miss Piggy, and Kermit and Fozzie Bear. In New York City, Henson formed a partnership with Bernie Brillstein, who managed Henson's career until the puppeteer's death. In the years that followed, more performers joined Henson's team, including Jerry Nelson, Richard Hunt, Dave Goelz, Steve Whitmire, Fran Brill, and Kevin Clash. In 1964, he and his family moved to Greenwich, Connecticut, where they lived until 1971, when they moved to Bedford, New York.
Henson's talk show appearances culminated when he devised Rowlf, a piano-playing anthropomorphic dog that became the first Muppet to make regular appearances on The Jimmy Dean Show. Henson was so grateful for this break that he offered Jimmy Dean a 40-percent interest in his production company, but Dean declined, stating that Henson deserved all the rewards for his own work, a decision of conscience that Dean never regretted. From 1963 to 1966, Henson began exploring filmmaking and produced a series of experimental films. His nine-minute experimental film Time Piece was nominated for an Academy Award for Best Live Action Short Film in 1965. He produced The Cube in 1969. Around this time, he wrote the first drafts of a live-action movie script with Jerry Juhl which became Tale of Sand. The script remained in the Henson Company archives until it was adapted in the 2012 graphic novel Jim Henson's Tale of Sand.
During this time, Henson continued to work with various companies who sought out his Muppets for advertising purposes. Among his clients were Wilson Meats, Royal Crown Cola, Claussen's Bread, La Choy, and Frito-Lay, which featured an early version of his character Cookie Monster to promote their Munchos line of potato snacks. Like the Wilkins Coffee ads of the late 1950s and early 1960s, the formula stayed fairly similar. For instance, one of the Claussen's commercials featured Kermit the Frog dangling from a window while a character named Mack asks him if he brought a loaf of the company's bread; when Kermit says he did not, Mack closes the window on Kermit's fingers and causes him to fall, suggesting he "drop down" to the grocery store to buy a loaf.