Sally Kellerman
Sally Clare Kellerman was an American actress whose acting career spanned 60 years. Her role as Major Margaret "Hot Lips" Houlihan in Robert Altman's film M*A*S*H earned her an Academy Award nomination for Best Supporting Actress. After M*A*S*H, she appeared in a number of the director's projects, namely the films Brewster McCloud, Welcome to L.A. , The Player, and Prêt-à-Porter, and the short-lived anthology TV series Gun. In addition to her work with Altman, Kellerman appeared in films such as Last of the Red Hot Lovers, Back to School, plus many television series such as The Twilight Zone, The Outer Limits, Star Trek, Bonanza, The Minor Accomplishments of Jackie Woodman, 90210, Chemistry, and Maron. She also voiced Miss Finch in Sesame Street Presents: Follow That Bird, which went on to become one of her most significant voice roles.
At age 18, Kellerman signed a recording contract with Verve Records, but her first album was not recorded until 1972. A second album Sally was released in 2009. Kellerman also contributed songs to the soundtracks for Brewster McCloud, Lost Horizon, Rafferty and the Gold Dust Twins, and Boris and Natasha: The Movie.
Kellerman did commercial voiceover work for Hidden Valley Ranch salad dressing, Mercedes-Benz, and Revlon. Kellerman's animation work included The Mouse and His Child, Happily Ever After, Dinosaurs, Unsupervised, and The High Fructose Adventures of Annoying Orange. In 2013, she released her memoir Read My Lips: Stories of a Hollywood Life, describing her trials and tribulations in the entertainment business.
Early life
Kellerman was born in Long Beach, California, on June 2, 1937 to Edith Baine, a piano teacher from Portland, Arkansas, and John Helm "Jack" Kellerman, a Shell Oil executive from St. Louis. She had an older sister; her younger sister died in infancy. Edith was a Christian Scientist and raised her daughters in this faith.When Kellerman was in fifth grade, the family moved from Long Beach to the San Fernando Valley. She spent her early life in then-rural Granada Hills in a largely unpopulated area surrounded by orange and eucalyptus groves. During her sophomore year of high school, the Kellermans moved from San Fernando to Park La Brea, Los Angeles, where she attended Hollywood High School. She grew to stand. Due to her shyness, she made few friends and received poor grades but appeared in a school production of Meet Me in St. Louis.
With the help of a high-school friend, Kellerman submitted a recording demo to Verve Records founder and head Norman Granz. After signing a contract with Verve, however, she was daunted by the task of becoming a recording artist and walked away.
Kellerman attended Los Angeles City College for a year, and enrolled in Jeff Corey's acting class. Within a year, she appeared in a production of John Osborne's Look Back in Anger staged by Corey and featuring classmates Shirley Knight, Jack Nicholson, Dean Stockwell, and Robert Blake. Towards the end of the 1950s, Kellerman joined the newly opened Actors Studio West and debuted before the camera in the film, Reform School Girl. To pay Corey's instruction fees, among other employment, Kellerman worked as a waitress at the Chez Paulette coffee house that film stars frequented.
Career
1960s
Kellerman made a number of television-series appearances. She was in an episode of the western Cheyenne, as well as a role as a waitress in the John Forsythe sitcom Bachelor Father. Struggling for parts in television and films, Kellerman acted on stage. She debuted in Henrik Ibsen's An Enemy of the People, followed by parts in a Pasadena Playhouse production of Leslie Stevens's The Marriage-Go-Round and Michael Shurtleff's Call Me by My Rightful Name.Kellerman appeared in two episodes of The Outer Limits, first in 1963 in the episode "The Human Factor", and then in 1964 in the episode "The Bellero Shield" in which she played Judith Bellero, the manipulative and ruthless wife of Richard Bellero. In between her two Outer Limits appearances, she was a guest in an episode of My Three Sons. A role as Holly Mitchell, perverted mistress of George Peppard's character in The Third Day, followed. She played leading lady to David Niven in his television series The Rogues in 1965 for an episode titled "God Bless You, G. Carter Huntington" which revolved around her striking beauty to a large degree, and appeared in a 1965 Alfred Hitchcock Hour episode titled "Thou Still Unravished Bride".
A year later, in 1966, Kellerman played psychiatrist "Elizabeth Dehner" in "Where No Man Has Gone Before", the second pilot for Star Trek, which would ultimately be broadcast as the third episode of the first season. Three months after that, Kellerman played Mag Wildwood in the original Broadway production of Breakfast at Tiffany's, directed by Joseph Anthony and produced by David Merrick, which closed after four preview performances. Before the closing the musical numbers were recorded live, and she recorded three songs which appeared on the original cast recording.
Near the end of the decade, Kellerman guest-starred in The Invaders in the episode "Labyrinth". She also had turns as the severely beaten victim of Albert DeSalvo in, and Phyllis Brubaker in the romantic comedy The April Fools. She turned down a role in Paul Mazursky's Bob & Carol & Ted & Alice. She played Eleanor in the Hawaii Five-O episode "The Big Kahuna".
In a 1971 Life magazine interview, Kellerman remembered her television years: "It took me eight years to get into TV — and six years to get out. Frigid women, alcoholics they gave me. I got beat up, raped, and never played comedy."
1970s
Kellerman received her breakthrough role in 1970. Her performance received Academy Award and Golden Globe nominations, winning the Kansas City Film Critics Circle Award for Best Supporting Actress, the Golden Laurel for Best Comedy Performance, and a second-place National Society of Film Critics Award for Best Supporting Actress. Kellerman was featured in Life magazine. She again collaborated with Altman in Brewster McCloud as Louise, guardian angel to Bud Cort, and recorded "Rock-a-Bye Baby" for the film's soundtrack.Her next role was as a hostile, chain-smoking, sex-addicted woman who was trying to have an afternoon affair with Alan Arkin's character in Gene Saks' film adaptation of Neil Simon's comedy Last of the Red Hot Lovers. In Manhattan after the film, Kellerman declined an offer for a ten-page spread in Vogue from the then editor-in-chief Grace Mirabella. When she refused the part of Linda Rogo in The Poseidon Adventure, Stella Stevens got the role. Shortly afterwards she recorded her first demo with Lou Adler, and Roll with the Feelin for Decca Records with producer-arranger Gene Paige. After filming Last of the Red Hot Lovers, Kellerman passed up a role in another Altman film:
Kellerman's next roles included a woman involved in a deadly plot in the slasher film A Reflection of Fear ; an eccentric woman in the road movie Slither opposite James Caan, and a tormented journalist in Charles Jarrott's musical remake of Frank Capra's Lost Horizon. Two years later, she played Mackinley Beachwood in Dick Richards' Rafferty and the Gold Dust Twins, one of two women who kidnap driving instructor—and former United States Marine Corps gunnery sergeant—Rafferty, also singing "Honky Tonk Angels".
In October 1975, Kellerman sang at the legendary Greenwich Village cabaret Reno Sweeney, and performed two shows nightly at the Rainbow Grill from November 25 to December 14. Her next appearance was as Sybil Crane in The Big Bus, a parody of disaster films, followed by a role as a lonely real estate agent in the Alan Rudolph-directed and Altman-produced Welcome to L.A.. The next year, Kellerman appeared in a week-long run of cabaret concerts beginning at the Grand Finale club on May 2. Songs that evening included versions of Leon Russell and Betty Everett hits.
At the end of the decade, Kellerman's roles included Maureen, a veteran vaudevillian, in Verna: USO Girl ; Veronica Sterling, a party-addicted socialite, in the made-for-television film She'll Be Sweet ; and Lise Bockweiss—one of several wives of Pasquinel and daughter of Herman Bockweiss —in the 12-episode miniseries Centennial. Kellerman played Kay King, the pretentious and kooky mother of a lovelorn daughter, in George Roy Hill's A Little Romance.
1980s
Kellerman began the decade as Mary, a divorced middle-aged suburban mother struggling to raise her rebellious daughter in Adrian Lyne's Foxes ; Martha, a six-times-married eccentric, in Bill Persky's Serial, and the silly-but-sophisticated Mrs. Liggett in Jack Smight's Loving Couples. Her later roles included Mary, a child psychiatrist in a sadomasochistic relationship with a psychology professor after they meet by accident in Michael Grant's Head On, and a 1920s socialite in Kirk Browning's made-for-television film adaptation of Dorothy Parker's 1929 short story Big Blonde. From October 3 to November 15, 1980, Kellerman starred as Julia Seton in an Ahmanson Theatre production of Philip Barry's Holiday with Kevin Kline, Maurice Evans, and Marisa Berenson.On February 7, 1981, Kellerman hosted Saturday Night Live, appearing in four sketches and closing the show with Donna Summer's "Starting Over Again". Kellerman's next performances were in made-for-television films. She played the title character's first wife, Maxine Cates, in Dempsey and a honky-tonk dance-hall proprietress in September Gun. That year she also appeared in a stage production, Tom Eyen's R-rated spoof of 1940s women's prison films Women Behind Bars. Kellerman played Gloria, a tough inmate who controls the other prisoners.
Her next roles were a KGB-training-school warden in the made-for-television film, Secret Weapons ; the sadomasochistic Judge Nedra Henderson in Moving Violations ; Rodney Dangerfield's love interest in Alan Metter's comedy Back to School ; Julie Andrews' and Jack Lemmon's eccentric neighbor in Blake Edwards' That's Life ; a porn star trying to get into heaven in Meatballs III: Summer Job ; Kerri Green's mother in Three for the Road, and an actress in Henry Jaglom's Someone to Love. Late in the decade, Kellerman planned to release her second album, which would have included "It's Good to Be Bad, It's Bad to Be Good" from 1992's Boris and Natasha: The Movie ; however, the album never was released.