Helen Reddy
Helen Maxine Reddy was an Australian and American singer, actress, television host, and activist. Born in Melbourne to a show business family, Reddy started her career as an entertainer at age four. She sang on radio and television and won a talent contest on the television program Bandstand in 1966; her prize was a ticket to New York City and a record audition, which was unsuccessful. After a short and unsuccessful singing career in New York, she eventually moved to Chicago, and subsequently, Los Angeles, where she made her debut singles "One Way Ticket" and "I Believe in Music" in 1968 and 1970, respectively. The B-side of the latter single, "I Don't Know How to Love Him", reached number eight on the pop chart of the Canadian magazine RPM. She was signed to Capitol Records a year later.
During the 1970s, Reddy enjoyed international success, especially in the United States, where she placed 15 singles on the top 40 of the Billboard Hot 100. Six made the top 10 and three reached number one, including her signature hit "I Am Woman".
She placed 25 songs on the Billboard Adult Contemporary chart; 15 made the top 10 and eight reached number one, six consecutively. In 1974, at the inaugural American Music Awards, she won the award for Favorite Pop/Rock Female Artist. On television, she was the first Australian to host a one-hour weekly primetime variety show on an American network, along with specials that were seen in more than 40 countries.
Between the 1980s and 1990s, as her single "I Can't Say Goodbye to You" became her last to chart in the US, Reddy acted in musicals and recorded albums such as Center Stage before retiring from live performance in 2002. She returned to university in Australia, earned a degree, and practised as a clinical hypnotherapist and motivational speaker. In 2011, after singing "Breezin' Along with the Breeze" with her half-sister, Toni Lamond, for Lamond's birthday, Reddy decided to return to live performing.
Reddy's song "I Am Woman" played a significant role in popular culture, becoming an anthem for second-wave feminism. She came to be known as a "feminist poster girl" or a "feminist icon".
In 2011, Billboard named her the number-28 adult contemporary artist of all time. In 2013, the Chicago Tribune dubbed her the "Queen of '70s Pop".
Early years
Helen Maxine Reddy was born into a well-known Australian showbusiness family in Melbourne. Her mother was Stella Campbell, an actress, singer and dancer; her father was Maxwell David Reddy, a writer, producer and actor. Her mother performed at the Majestic Theatre in Sydney and was best-known as a regular cast member on the television programs Homicide, Bellbird and Country Town. During Reddy's childhood, she was educated at Tintern Grammar and later Stratherne Girls' School in Hawthorn for a short time. Her half-sister Toni Lamond and her nephew Tony Sheldon are actor-singers.Reddy had Irish, Scottish and English ancestry. Her great-great-grandfather, Edward Reddy, was born in Dublin, Ireland, in 1855. Her Scottish great-grandfather, Thomas Lamond, was a one-time mayor of Waterloo, New South Wales, whose patron was Hercules Robinson, 1st Baron Rosmead. Patsy Reddy, a former New Zealand governor-general, is a distant cousin.
Reddy was born during World War II. Her father was a sergeant in the Australian Army with a unit of entertainers, serving in New Guinea with one of his actor friends, Peter Finch, at the time of Reddy's birth. Her father returned to service during the Korean War.
At age four, Reddy joined her parents on the Australian vaudeville circuit, singing and dancing; she recalled: "It was instilled in me: 'You will be a star'. So between the ages of 12 and 17, I got rebellious and decided this was not for me. I was going to be a housewife and mother." At age 12, owing to her parents' constant touring nationwide and their arguing, Reddy went to live with her paternal aunt, Helen "Nell" Reddy, "who was her role model"; as her aunt, "she gave her niece stability, a sense of morality, and strength" for her future career as a singer who motivated women. The younger Helen's teenaged rebellion in favour of domesticity manifested as marriage to Kenneth Claude Weate, a considerably older musician and family friend; divorce ensued, and to support herself as a single mother to daughter Traci, she resumed her performing career, concentrating on singing, since health problems precluded dancing. She sang on radio and television, eventually winning a talent contest on the Australian pop music TV show Bandstand, the prize ostensibly being a trip to New York City to cut a single for Mercury Records. After arriving in New York in 1966, she was informed by Mercury that her prize was only the chance to "audition" for the label and that Mercury considered the Bandstand footage to constitute her audition, which was deemed unsuccessful. Despite having only and a return ticket to Australia, she decided to remain in the United States with three-year-old Traci and pursue a singing career.
Music career
1966–1968: Early career
Reddy recalled her 1966 appearance at the Three Rivers Inn in Syracuse, New York—"here were like twelve people in the audience"—as being typical of her early US performing career. Her lack of a work permit made it difficult to obtain singing jobs and she was forced to make trips to Canada which did not require work permits for citizens of Commonwealth countries. In 1968, Martin St James, an Australian stage hypnotist she had met in New York City, threw Reddy a party with an admission price of to enable Reddy—then down to her last —to pay her rent. On this occasion, Reddy met her future manager and husband, Jeff Wald, a 22-year-old secretary at the William Morris Agency who crashed the party. Reddy told People in 1975, " didn't pay the five dollars, but it was love at first sight."Wald recalled that Reddy and he married three days after meeting and, along with daughter Traci, the couple took up residence at the Hotel Albert in Greenwich Village. Reddy later stated that she married Wald "out of desperation over her right to work and live in the United States". According to New York Magazine, Wald was fired from William Morris soon after having met Reddy and "Helen supported them for six months doing $35-a-night hospital and charity benefits. They were so broke that they snuck out of a hotel room carrying their clothes in paper bags." Reddy recalled: "When we did eat, it was spaghetti, and we spent what little money we had on cockroach spray." They left New York City for Chicago, where Wald landed a job as talent coordinator at Mister Kelly's. While in Chicago, Reddy gained a reputation singing in local lounges, including Mister Kelly's, and in 1968 she landed a deal with Fontana Records, a division of major-label Chicago-based Mercury Records. Her first single, "One Way Ticket", on Fontana was not an American hit but it did give Reddy her first appearance on any chart as it peaked at number 83 in her native Australia.
1969–1975: "I Am Woman" era and stardom
Within a year, Wald moved Reddy and Traci to Los Angeles, where he was hired at Capitol Records, the label under which Reddy was to attain stardom; however, Wald was hired and fired the same day. At the same time, in 1969, Reddy enrolled at the University of California Los Angeles to study psychology and philosophy part-time.Reddy became frustrated as Wald found success managing acts such as Deep Purple and Tiny Tim without making any evident effort to promote her; after 18 months of career inactivity, Reddy gave Wald an ultimatum: "he either revitalise her career or get out... Jeff threw himself into his new career as Mr. Helen Reddy. Five months of phone calls to Capitol Records executive Artie Mogull finally paid off; Mogull agreed to let Helen cut one single if Jeff promised not to call for a month. She did "I Believe in Music" penned by Mac Davis backed with "I Don't Know How to Love Him" from Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar. The A-side fell flat, but then some Canadian DJs flipped the record over and it became a hit – number 13 in June 1971 – and Helen Reddy was on her way."
Reddy's stardom was consolidated when her single "I Am Woman" reached number one on the Billboard Hot 100 in December 1972. The song was co-written by Reddy with Ray Burton; Reddy attributed the impetus for writing "I Am Woman" and her early awareness of the women's movement to expatriate Australian rock critic and pioneer feminist Lillian Roxon. Reddy is quoted in Fred Bronson's The Billboard Book of Number One Hits as having said that she was looking for songs to record which reflected the positive self-image she had gained from joining the women's movement but could not find any, so "I realised that the song I was looking for didn't exist, and I was going to have to write it myself." "I Am Woman" first appeared on her debut album I Don't Know How to Love Him, released in May 1971. A new recording of the song was released as a single in May 1972 but barely dented the charts. Female listeners soon adopted the song as an anthem and began requesting it from their local radio stations in droves, resulting in its September chart re-entry and eventual number-one peak. "I Am Woman" earned Reddy a Grammy Award for Best Female Pop Vocal Performance. At the awards ceremony, Reddy concluded her acceptance speech by famously thanking God "because She makes everything possible". The success of "I Am Woman" made Reddy the first Australian singer to top the US charts. In 2025, the Library of Congress selected "I Am Woman" for inclusion as a single in the National Recording Registry.
Three decades after her Grammy, Reddy discussed the song's iconic status: "I think it came along at the right time. I'd gotten involved in the women's movement, and there were a lot of songs on the radio about being weak and being dainty and all those sort of things. All the women in my family, they were strong women. They worked. They lived through the Depression and a world war, and they were just strong women. I certainly didn't see myself as being dainty", she said.
Over the next five years following her first success, Reddy had more than a dozen US top-40 hits, including two more number-one hits. These tracks included Kenny Rankin's "Peaceful", the Alex Harvey country ballad "Delta Dawn", Linda Laurie's "Leave Me Alone ", Danny Janssen & Bobby Hart's "Keep on Singing", Paul Williams' "You and Me Against the World" , Alan O'Day's "Angie Baby", Véronique Sanson and Patti Dahlstrom's "Emotion", Harriet Schock's "Ain't No Way to Treat a Lady" and the Richard Kerr/Will Jennings-penned "Somewhere in the Night". She also had two Australian number-one singles, while "Angie Baby" was her only UK top-40 hit.
File:Dionne Warwick, Don Kirschner, Helen Reddy Olivia Newton-John 1974.JPG|thumb|upright|From left to right: Dionne Warwick, Don Kirshner, Reddy and Olivia Newton-John in 1974
On 23 July 1974, Reddy received a star, located at 1750 Vine Street, on the Hollywood Walk of Fame for her work in the music industry.
In August–September 1974, Reddy, along with Rolf Harris and many other entertainers and performers, to perform at Expo '74 in Spokane, Washington. On Tuesday 24 September Australia held a "national day", with Reddy singing the national anthem.
In late 1975, Reddy toured East Asia, Australia and New Zealand and collected 16 gold records, including 6 gold records in Australia and 6 gold records in New Zealand.
At the height of her fame in the mid 1970s, Reddy was a headliner, with a full chorus of backup singers and dancers to standing-room-only crowds on the Las Vegas Strip. Among her opening acts were Joan Rivers, David Letterman, Bill Cosby and Barry Manilow. In 1976, Reddy recorded the Beatles' song "The Fool on the Hill" for the musical documentary All This and World War II.
Reddy was also instrumental in supporting the career of friend Olivia Newton-John, encouraging her to move from England to the United States in the early 1970s, giving her professional opportunities that did not exist in the UK. At a dinner party at Reddy's house, Newton-John met producer Allan Carr, who offered her the starring role in the hit film version of the musical Grease.