Music of the Philippines
The music of the Philippines includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of Indigenous styles, and various Asian styles, as well as Spanish/Latin American and American influences through foreign rule from those countries.
Indigenous music
Notable indigenous musicians include Ukà of Lange-Lange who specialized in the kutiyapi, the most difficult of all indigenous Philippine instruments, Masino Intaray who specialized in the basal, aroding, and babarak, and Samaon Sulaiman, who specializes as well in the kutiyapi. Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous "Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and dances. Buenaventura composed the music for "Pandanggo sa Ilaw".Gong music
Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as gangsà unique to the groups in the Cordillera mountains and the bossed gongs of Muslim and animist groups spanning the Sulu archipelago, much of Mindanao, Palawan, and the inlands of Panay and Mindoro. The latter were once ubiquitous throughout coastal, lowland Philippine societies before widespread Christianization, and less frequently imports of flat chau gongs from China.Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles. Different groups have different ways of playing the kulintang. Two major groups seem to stand out in kulintang music. These are the Maguindanaon and the Maranao. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China before the 9th century CE or more likely, to the introduction of bossed gong chimes from Java in the 16th century. Nevertheless, the kulintang ensemble is the most advanced form of ensemble music with origins in the pre-colonial epoch of Philippine history and is a living tradition in southern parts of the country.
The musical traditions involving the kulintang ensemble consist of regional musical styles and varying instrumentation transcending the present national borders of maritime Southeast Asia, comprising Buddhist, animist, Muslim, and Christian peoples around Borneo, lesser Sunda islands, Sulawesi, Maluku, Sulu, and Mindanao. It is distantly related to the gamelan ensembles of Java, Bali, Sumatra & the Malay peninsula, and south Borneo, even moreso the ensembles of mainland Southeast Asia, primarily because of the usage for the same racked bossed gong chimes that play melody and/or percussion
Hispanic-influenced music
has some Spanish and Latin American influence, derived from the period the country, along with Guam and the Mariana islands, was ruled from Mexico City and Madrid by the Spanish viceroyalty. It is seen in folk and traditional music, of coastal lowland regions of Luzon, Visayas, and the predominantly Visayan north and east Mindanao alongside the westernmost tip of Zamboanga.Hispanic music in the Philippines derived from Iberian and some Mexican traditions, owing to the Philippine colony's orientation as a distant entrepôt for resale of primarily Chinese and other Asian luxury goods across the Pacific to mainland New Spain. Aside from standardized genres are many precolonial musical forms syncretized with Catholic and general Hispanic idioms, typically involving in religious folk rituals. The Pasyon chants ubiquitous among Christian Filipinos preserve prehispanicized vocal styles, and invocations of patron saints throughout many towns inherited precolonial forms of ancestor and spirit worship. Examples include subli, sinulog, tinikling, and bolibong kingking.
Rondalla
The rondalla is a traditional string orchestra comprising four-string, mandolin-type instruments such as the banduria and laud; a guitar; a double bass; and often a drum for percussion. The rondalla has its origins in the Iberian rondalla tradition and is used to accompany several Hispanic-influenced song forms and dances.Harana and kundiman
The harana and kundiman are popular lyrical songs dating back to the Spanish period and are customarily used in courtship rituals. The harana is rooted in the Mexican-Spanish from Spain, traditional and based on the rhythmic patterns of the habanera. The kundiman, meanwhile, has precolonial origins from the Tagalophone parts of the country, uses a triple meter rhythm, and is characterized by beginning in a minor key and shifting to a major one in the second half. Harana and kundiman are stylistically different. Whereas harana is in 2/4 time, kundiman is in 3/4. The formula is verse 1 on minor key followed by verse 2 on parallel major key midway through.In the 1920s, harana and kundiman became more mainstream after performers such as Atang de la Rama, Jovita Fuentes, Conching Rosal, Sylvia La Torre, and Ruben Tagalog introduced them to a wider audience.
Classical music
Introduced during the Spanish colonial period, classical music was highly enjoyed by the wealthy elite class. From the latter part of the 19th century, the rise of the "illustrados" or the "educated natives" began to dominate the classical music scene. Such native composers include Julián Felipe, Jose Canseco, Jr., Marcelo Adonay, Simplicio Solis, Fulgencio Tolentino, and Bonifacio Abdon.The theatrical Spanish zarzuela was later adapted and localized in Philippine music. It was first introduced in 1879 and appeared in 1900. During the aftermath of the American invasion, the colonizers view the music form as "seditious" due to its use to promote nationalistic sentiments. Composers who specialized in zarzuela include Jose Estella and Bonifacio Abdon. The zarzuela was considered to be the predecessor of kundiman.
Formal classical music training appeared during the 1900s. Because of the new public school system, music was included in the curriculum. The establishment of music conservatories and colleges were implemented for tertiary education. The earlier schools include the Scholastica's College and the University of the Philippines Conservatory of Music. Most of the graduates of these schools became leading classical composers such as Franscisco Buencamino, Nicanor Abelardo, Francisco Santiago, and Antonio Molina.
Centro Scholar University founded in 1907 as Centro Escolar de las Señoritas had a Music department under the direction of the famous composer Francisco Buencamino, Sr. In 1930 the department was elevated to a Conservatory of Music with Buencamino as its first director. It was at this time that the CEU Rondalla and the CEU Choir were organized.
Inspired by American neoclassism, contemporary methods were employed by Lucrecia Kasilag and Eliseo Pajaro in their classical works. However, it was Jose Maceda that made a Filipino expressionism that is distinct from the traditional European forms of classical music.
Between the late 20th century and the 21st century, notable classical composers include Ramon Pagayon Santos and Francisco Feliciano. Groups who specialized in classical music include the Philippine Youth Orchestra, Manila Symphony Orchestra, and the U.P. Symphony Orchestra.
Choral music
Choral music has become an important part of Philippine music culture. It dates back to the choirs of churches that sung during mass in the old days. In the middle of the 20th century, performing choral groups started to emerge and increasingly become popular as time goes by. Aside from churches, universities, schools, and local communities have established choirs.Philippine choral arrangers like Robert Delgado, Fidel Calalang, Lucio San Pedro, Eudenice Palaruan among others have included in the vast repertoires of choirs beautiful arrangements of OPM, folk songs, patriotic songs, novelty songs, love songs, and even foreign songs.
The Philippine Madrigal Singers is one of the most famous choral groups not only in the Philippines, but also worldwide. Winning international competitions, the group became one of the most formidable choral groups in the country. Other award-winning choral groups are the University of Santo Tomas Singers, the Philippine Meistersingers, the U.P. Singing Ambassadors, and the U.P. Concert Chorus, among others.
Popular music
Manila sound
Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM.Original Pilipino Music (OPM)
Original Pilipino Music, more commonly referred to as OPM, a commercial acronym coined by Danny Javier of the APO Hiking Society, originally referred only to the pop genre of music from the Philippines, predominantly ballads and novelty numbers, that became popular after the wane of its direct 1970s commercial predecessor, Manila sound. The term "OPM" became a catch-all description for all popular music of any genre composed, performed and recorded by Filipinos in the Philippines, originating from the Philippines.Before the emergence of OPM in the 1970s, Philippine popular music through the 1950s and 1960s encompassed songs, mostly with vernacular lyrics and frequently with cinematic themes as recorded by artists such as Sylvia La Torre, Diomedes Maturan, Ric Manrique Jr., Ruben Tagalog, Helen Gamboa, Vilma Santos, Edgar Mortiz, and Carmen Camacho, among many others. There were exceptions, however, such as Pilita Corrales, dubbed Asia's Queen of Song, whose popular releases included Cebuano, Tagalog, English and Spanish adaptations. From its heyday, OPM was entrenched in Manila, as Tagalog and English stood as the dominant languages. It was also heavily influenced from American country music.
The country's first songwriting competition, Metro Manila Popular Music Festival, was first established in 1977 and launched by the Popular Music Foundation of the Philippines. The event featured many prominent singers and songwriters during its time. It was held annually for seven years until its discontinuation in 1985. It was later revived in 1996 as the "Metropop Song Festival", running for another seven years before being discontinued in 2003 due to the decline of its popularity. Another variation of the festival had been established called the Himig Handog contest which began in 2002, operated by ABS-CBN Corporation and its subsidiary music label Star Music.
File:Pilita Corrales - 2017.jpg|thumb|237x237px|Pilita Corrales dubbed Asia's Queen of Song was also known for her Cebuano and Spanish songs
Five such competitions were staged between 2000 and 2003 and was revived in 2013. Unlike their predecessors, the contest had different themes which reflect the type of song entries chosen as finalists each year. In 2012, the Philippine Popular Music Festival was launched and is said to be inspired by the first songwriting competition. Another songwriting competition for OPM music being held annually is the Bombo Music Festival, being conducted by the radio network Bombo Radyo, first conceived in 1985.