The Offies


The Off West End Theatre Awards, nicknamed The Offies, is an annual awards ceremony launched in 2010 by OffWestEnd to recognise and celebrate excellence, innovation and ingenuity of independent Off West End theatres across London. The awards recognise productions staged outside the commercial West End and highlight the work of emerging and established artists, companies, and creative teams.

History

The OffWestEnd Theatre Awards were launched in 2010 by Sofie Mason and Diana Jervis-Read to commemorate and recognise on and off-stage talent within the theatre industry of around 80 of London's independent Off West End theatres.
The first-ever award ceremony for The Offies was held on 27 February 2011 with Simon Callow hosting the event. The aim of the awards is to help raise the profile and status of independent theatres in London by rewarding productions not eligible for the Society of London Theatre-Laurence Olivier Awards. The winners are selected by a panel of theatre critics.
In 2014, Phoebe Waller-Bridge won two Off West End Theatre awards for her one-woman show Fleabag at the Soho Theatre.
In 2017, Geoffrey Brown replaced Sofie and Diana as director.
In 2024, Denholm Spurr became the director.

Notable Winners

The following tables highlight selected notable winners and finalists from each year of the Offies.
YearRecipients
2011
Producer: Will Young and Ben Monks – Supporting Wall

Set Design: Ultz – Blue/Orange ; Ultz – The Beauty Queen of Leenane

New Play: Torben Betts – The Company Man ; Tim Luscombe – Hungry Ghosts ; Nina Raine – Tribes ; James Graham – The Whisky Taster

Most Promising New Playwright: Tom Wells – Me, As A Penguin

Costume Design: Tom Scutt – Dick Whittington and His Cat

Director: Tim Luscombe – Hungry Ghosts ; Thom Southerland – Singin' in the Rain Thom Southerland – Me and Juliet ; Natalie Abrahami – How To Be An Other Woman ; Matthew Dunster – The Maddening Rain

Female: Sinead Matthews – Lulu ; Sinead Matthews – The Glass Menagerie
Michelle Terry – Tribes ; Janet Suzman – Dream of the Dog ; Isla Blair – The Company Man

Lighting Design: Paule Constable – Blasted

Male: Olly Alexander – The Aliens
2012
Producer: and Ben Monks – Supporting Wall ; Danielle Tarento – Producer

Female: Vinette Robinson – Tender Napalm ; Shannon Tarbet – Mogadishu ; Lisa Dillon – Knot of the Heart ; Lily James – Vernon God Little ; Denise Gough – The Painter ; Alice Birch – Many Moons

New Play: Tom Wells – The Kitchen Sink ; David Eldridge – Knot of the Heart

Set Design: Tom Scutt – Mogadishu

Male: Tom Byam Shaw – Foxfinder ; Toby Jones – The Painter ; David Mercatali – Director of Tender Napalm ; Bronagh Lagan – Henry VI Part I ; Adrian Lukis – As You Like It

Director: Rufus Norris – Vernon God Little ; Paul Taylor-Mills – The Best Little Whorehouse in Texas ; Nicholas Kent – Tactical Questioning ; Matthew Dunster – Tender Napalm ; Guy Retallack – Thrill Me ; David Byrne – Artistic Director ; Che Walker – Danny and the Deep Blue Sea ; Blanche McIntyre – The Accolade ; Carrie Cracknell – Electra ; Adam Brace and Sebastian Armesto – Four Stage of Cruelty

Choreographer: Lee Proud – Guys & Dolls ; Drew McOnie – Dames at Sea

Lighting Design: Howard Hudson – Bed and Sofa ; Howard Hudson – Noel and Gertie ; Howard Hudson – Burlesque ; Howard Hudson – Ragtime ; Howard Hudson – The Hired Man

Most Promising New Playwright: Alice Birch – Many Moons
2013
Male: Tom Rhys Harries – Torch Song Trilogy ; Harry Melling – I Am a Camera ; Andrew Gower – The Conquest of the South Pole ; Alan Cox – Cornelius

Director: Stephen Unwin – The Conquest of the South Pole ; Sam Yates – Cornelius ; Paul Taylor-Mills – Steel Pier ; Bill Buckhurst – Barbarians

New Play: Nick Payne – One Day When We Were Young

Sound Design: Max Pappenheim – Kafka v Kafka

Female: Marianne Oldham – You Can Still Make a Killing ; Lucy Ellinson – Oh, The Humanity ; Laura Pitt-Pulford – Mack and Mabel ; Kathryn Hunter – The Bee ; Jenny Rainsford – Straight ; Hattie Morahan – The Dark Earth and the Light Sky ; Eileen Atkins – All That Fall ; Aysha Kala – Khadija is 18 ; Aimie Atkinson – Steel Pier

Choreographer: Lee Proud – Boy Meets Boy ; Lee Proud – Victor/Victoria ; Lee Proud – Mack and Mabel ; Drew McOnie – Dames at Sea

Producer: Danielle Tarento – Producer

Most Promising New Playwright: Caroline Bird – The Trojan Women
2014
New Play: Will Adamsdale – The Victorian in the Wall ; Luke Barnes – Bottleneck ; Phoebe Waller-Bridge – Fleabag ; Frank McGuinness – The Match Box ; Arinzé Kene – God’s Property

Most Promising New Playwright: Tori Allen-Martin and Sarah Henley – Streets ; Phoebe Waller-Bridge – Fleabag

Female: Sinéad Matthews – Trout Stanley ; Phoebe Waller-Bridge – Fleabag ; Lucy Ellinson – Grounded ; Louise Jameson – Gutted ; Leanne Best – The Match Box ; Emma Rice – Steptoe & Son ; Cush Jumbo – Josephine & I ; Cressida Carre – Titanic ; Celia Graham – Titanic

Director: Phyllida Lloyd – Josephine & I ; Paul Robinson – Land of Our Fathers ; Max Pappenheim – Nothing Is the End of the World ; Lucy Ellinson – Grounded ; Howard Hudson – Titanic ; Emma Rice – Steptoe & Son

Artistic Director: Paul Robinson – Land of Our Fathers ; David Byrne – Artistic Director

Set Design: Oliver Townsend – Grounded ; David Woodhead – Lizzie Siddal

Costume Design: Howard Hudson – Lizzie Siddal ; David Woodhead – Titanic

Lighting Design: Howard Hudson – Lizzie Siddal ; Howard Hudson – Titanic

Choreographer: Cressida Carré – Titanic ;

TBC Award: Phoebe Waller-Bridge – Fleabag ; Bryony Kimmings – Credible Likeable Superstar Role Model ; Forced Entertainment – Tomorrow’s Parties

Sound Design: Ben Ringham, Max Ringham & David Rosenberg (theatre) – Ring

Musical Production: Titanic – Southwark Playhouse ;
Production: Grounded – Gate Theatre
2015
Female: Victoria Hamilton-Barritt – The Heights ; Phoebe Waller-Bridge – The One ; Linda Bassett – Visitors ; Gemma Whelan – Dark Vanilla Jungle

Male: Robin Soans – Visitors ; Harry Lloyd – Notes From Underground

New Play: Torben Betts – Invincible ; Nick Payne – Incognito ; Barney Norris – Visitors ; Che Walker – Klook’s Last Stand ; Bill Buckhurst – Sweeney Todd ; Alistair McDowall – Pomona ; Alexander Zeldin – Beyond Caring

Most Promising New Playwright: Shaun Kitchener – Positive ; Alistair McDowall – Pomona ; Alexander Zeldin – Beyond Caring

Supporting Male: Simon Scardifield – Punishment Without Revenge ;

Director: Seb Harcombe – A Bright Room Called Day ; Paul Robinson – A Handful of Stars ; Paul Robinson – Land of Our Fathers ; Ned Bennett – Pomona ; Jenny Eastop – Warde Street ; James Dacre – The Body of an American ; Guy Retallack – MacBeth ; David Mercatali – Dark Vanilla Jungle ; David Mercatali – Johnny Got His Gun ; Christopher Haydon – The Edge of Our Bodies ; Che Walker – Klook’s Last Stand ; Bill Buckhurst – Sweeney Todd ; Belinda Lang – This Was A Man

Artistic Director: Paul Robinson – Land of Our Fathers ;

Set Design: Howard Hudson – The Heights ; David Woodhead – Visitors

Lighting Design: Howard Hudson – Titanic ; Christopher Nairne – Johnny Got His Gun

Sound Design: Max Pappenheim – Johnny Got His Gun ; Max Pappenheim – Martine ; Isobel Waller-Bridge – Incognito

Choreographer: Lee Proud – Carousel ; Drew McOnie – The Heights

TBC Award: Forced Entertainment – Tomorrow’s Parties

Production: Titanic – Southwark Playhouse
2016
Director: Thom Southerland – Grand Hotel ; Russell Labey – Gods and Monsters ; Gary Lloyd – Carrie ; Gary Lloyd – Carrie ; Christopher Nairne – The Edge Of Our Bodies ; Chris White – Klook’s Last Stand

Female: Samantha Colley – Klippies ; Rochenda Sandall – Little Malcolm And His Struggle Against The Eunuchs ; Gemma Whelan – Radiant Vermin ; Eleanor Worthington Cox – Tom Cat ; Clare Higgins – Clarion ; Shannon Tarbet – The Edge of Our Bodies

Male: Matthew Tennyson – A Breakfast of Eels ; Harry Melling – The Angry Brigade ; Greg Hicks – Clarion

Supporting Female: Rochenda Sandall – Little Malcolm And His Struggle Against The Eunuchs ; Natasha Rickman – The Talented Mr Ripley ; Lucy Ellinson – The Christians ; Joanne Clifton – Face The Music

Sound Design: Max Pappenheim – My Eyes Went Dark ; Max Pappenheim – Wink ; Isobel Waller-Bridge – Incognito

Set Design: Max Dorey – And Then Come The Nightjars ; Max Dorey – No Villain

Choreography: Lee Proud – Grand Hotel ; Gary Lloyd – Carrie

Producer: Paul Taylor-Mills – Producer

New Play: Jon Brittain – Rotterdam ; Belinda Lang – This Was A Man ; Barney Norris – Eventide

Supporting Male: **

Lighting Design: Christopher Nairne – Johnny Got His Gun
2017
Male Performance : Zubin Varla – Poison ; Richard Gadd – Monkey See Monkey Do ; Ken Nwosu – An Octoroon ; Jethro Compton – White Fang ; Harry Melling – Jam ; Ben Aldridge – Run The Beast Down ; Ian McDiarmid – What Shadows ; Adrian Lukis – I’m Gonna Pray For You So Hard ; Adam Deacon – The Retreat

Female Performance : Susannah Doyle – The Secondary Victim ; Sinead Matthews – Loot ; Sian Thomas – The Cherry Tree ; Kiza Deen – Expensive Shit ; Josie Lawrence – Mother Courage And Her Children ; Ella Purnell – Natives ; Bronagh Lagan – Promisies, Promises ; Adjoa Andoh – Assata Taught Me

Female Performance : T’Shan Williams – The Life ; Sharon D. Clarke – The Life ; Mimi Ndiweni – The Convert ; Joanne Clifton – Top Hat

Female Supporting Performance : Vivian Oparah – An Octoroon ; Sharon D. Clarke – The Life ; Margot Leicester – Seventeen ; Clare Perkins – The Convert ; Miriam Margolyes – Madame Rubinstein ; Jill Winternitz – I’m Gonna Pray For You So Hard

Male Supporting Performance : Tom Rhys Harries – Pitchfork Disney

Male Supporting Performance : Peter Polycarpou – Working ; Cornell S. John – The Life

Director: Thom Southerland – Death Takes A Holiday ; Ramin Gray – Winter Solstice ; Ned Bennett – An Octoroon ; Guy Retallack – Miracle On 34th Street ; Jamie Lloyd – Guards at the Taj ; Christopher Nairne – Design: Lighting

New Play: Rajiv Joseph – Guards at the Taj ; Danai Gurira – The Convert

Set Design: Max Dorey – Talk Radio / Tryst ; Rikki Beadle-Blair – Hashtag Lightie ; George Dennis – Guards at the Taj ; Frankie Bradshaw – Assata Taught Me

Sound Design: Max Pappenheim – The Blinding Light ; Max & Ben Ringham and George Dennis – Killer
2018
Male Performance : Wil Johnson – Leave Taking ; Tyrone Huntley – Angry ; Trevor White – Building the Wall ; Timothy Harker – An Honourable Man ; Robert Costerlli – Rothschild & Sons ; Les Dennis – End of the Pier ; Irfan Shamji – Mayfly ; Henry Goodman – Honour

Male Performance : Neil McDermott – Eugenius!.

Male Supporting Performance : Wil Johnson – The Daughter in Law ; Paul Bradley – Humble Boy ; Nitin Ganatra – End of the Pier ; Ian Bonar – Jellyfish

Female Performance : Veronica Roberts – The Daughter in Law ; Tricia Kelly – Caterpillar ; Teresa Banham – The Open House ; Tanya Moodie – Rasheeda Speaking ; Sinead Cusack – Stitchers ; Sheila Hancock – Harold & Maude ; Sarah Niles – Leave Taking ; Monica Dolan – The B*easts ; Miquel Brown – The Play About My Dad ; Louise Jameson – My Best Gay Friend ; Louise Jameson – Vincent River ; Leanne Best – The Human Voice ; Imogen Stubbs – Honour

Female Supporting Performance : Selina Cadell – Humble Boy ; Laura Rogers – Pressure

Performance Piece / Short Run: Monica Dolan – The B*easts

Most Promising New Playwright: Monica Dolan – The B*easts

Director: Michael Boyd – The Open House ; James Hillier – Not Talking

Special Award: Sally Wood – Producer.
2019
Design: Set : takis – Ain't Misbehavin

Director : Rikki Beadle-Blair – My Dad's Gap Year

Choreography / Movement : Oti Mabuse – Ain't Misbehavin


Female Performance in a Supporting Role : Arabella Weir – The Last Temptation of Boris Johnson

Female Performance : Zoe Lyons – An Act of God ; Wendi Peters – Call Me Vicky ; Victoria Hamilton-Barritt – The View Upstairs ; Summer Strallen – Romance Romance ; Stacy Francis – Bare: A Pop Opera ; Sheila Atim – Time for Love ; Ryan Calais Cameron – Typical ; Ronke Adekoluejo – Teleportation ; Robert Jones – Agnes Colander ; Richard Blackwood – Typical
2020
Most Promising New Playwright : Temi Wilkey – The High Table

Lead Performance : Sam Crane – The Rage of Narcissus ; Michael Pennington – The Tempest ; Maggie Steed – The Cutting Edge

Supporting Performance : John Hollingworth – The Sugar Syndrome

Lead Performance : Jessica Martin – Blitz!.

Supporting Performance : Isabella Laughland – Love, Love, Love

Lead Performance : Frances Barber – Musik

Lead Performance : Dave Willetts – Rags

Supporting Performance : Alexandra Gilbreath – The Sugar Syndrome
Male Performance : Richard Gadd – Baby Reindeer
2021
New Play : Young Jean Lee – Straight White Men

Lead Performance : Wendi Peters – You Are Here

Performance Piece: Ronke Adékoluejo – Lava

Supporting Performance : Nancy Crane – Yellowfin

Performance Piece : Linda Marlowe – No Fear!

Lead Performance : John Dagleish – Cratchit

Supporting Performance : Jacqueline Dankworth – Indecent Proposal

Lead Performance : Grace Saif – Athena

Design: Sound : Gareth Fry – Psychodrama

Most Promising New Playwright : Dipo Baruwa-Etti – The Sun, The Moon and The Stars

Lead Performance : Daragh O’Malley – Yes So I Said Yes
2022
Performance Piece : Rosie Day – Instructions for a Teenage Armageddon

Cabaret: Reuben Kaye – The Butch is Back

Performance Ensemble: Nick Mohammed, David Elms, Kieran Hodgson, Sarah Hadland – A Christmas Carol-ish

Solo Performance : Miz Cracker – Who's Holiday

Lead Performance : Lucy Benjamin – Here

Performance Piece : Liz Kingsman – One Woman Show

Lead Performance : Leah Harvey – The Wonderful World of Dissocia

Performance Ensemble: Kedar Williams-Stirling, Emeka Sesay, Francis Lovehall – Red Pitch '': Haley McGee – Age is a Feeling

Lead Performance : Dame Maureen Lipman – Rose
2023
Female Performance in a Musical: Liv Andrusier – Ride at the Charing Cross Theatre

Performance Ensemble: Woody Harrelson, Andy Serkis, Louisa Harland – Ulster American

Performance Ensemble: Willow Traynor, Rosa Amos, Annabel Gray, Louisa Hamdi, Peal Adams, Afriya-Jasmine Nylander, Ellie Rose Amit – Flies

Musicals: Supporting Performance: Tracie Bennett – How to Succeed in Business Without Really Trying

Full Run: Plays – Lead Performance: Stephen Dillane – How It Is