Carrie Cracknell


Carrie Cracknell is a British theatre and film director.
She works regularly at the National Theatre. Her first feature film, Persuasion, is on Netflix. She was artistic director of the Gate Theatre, London, from 2007 to 2012. She was associate director at both the Young Vic and the Royal Court.

Life and career

Early years and education

Cracknell was born in Carlisle and was raised in Oxford. She read history at the University of Nottingham, where she was president of the Nottingham New Theatre. She later studied directing at the Royal Scottish Academy of Music and Drama in Glasgow. She then trained at the National Theatre.

Career

At university, she set up a production company called Hush with a group of friends including the actor Ruth Wilson. Their first show transferred to New York and London while they were still studying. At the age of 26, Cracknell became the youngest artistic director of a professional theatre in Britain when she and Natalie Abrahami took over the Gate Theatre in Notting Hill, which they ran for 5 years and where she directed extensively.
Her first dance/theatre collaboration at the Gate Theatre, I Am Falling, transferred to Sadler's Wells and was nominated for a South Bank Show Award. After leaving the Gate, Cracknell went on to create her production of A Doll's House which ran twice at the Young Vic before transferring to the Duke of York's Theatre's in the West End and the Brooklyn Academy of Music in New York and for which she was nominated for the Evening Standard Best Director Award. It led to her developing the short film Nora with Nick Payne in response to the play which was produced by the Young Vic. She then went on to direct her first opera, Berg's Wozzeck, for the English National Opera at the London Coliseum, which was nominated for an Olivier Award and an International Opera Award. In 2019 she directed Jake Gyllenhaal and Tom Sturridge in Seawall/A Life at The Public Theater and on Broadway, receiving four Tony nominations, for Best Play, Best Performance by an Actor in a Leading Role twice, for both Gyllenhaal and Sturridge, and Best Sound Design in a Play for Daniel Kluger.
Cracknell now regularly collaborates with the Royal National Theatre, where her credits include her productions of The Grapes of Wrath, Medea, A Deep Blue Sea, Blurred Lines and Julie Other credits include Macbeth and Electra, Birdland and Pigeons, Oil, A Doll's House, and Stacy.

Works

Theatre

The Hush – 2002, Battersea Arts Centre, Ohio Theatre, New YorkMacbeth – 2002, Lakeside Arts Centre, NottinghamA Mobile Thriller – 2004, Traverse Theatre, Battersea Arts Centre, Harbourfront Toronto, Bristol Old Vic, national tourDeath and the City – 2005, Tron TheatreStacy by Jack Thorne – 2005, Tron TheatreBroken Road by Ryan Craig – 2005, British Council Showcase, Battersea Arts Centre; Fringe First AwardThe Sexual Neuroses of Our Parents – 2007, Gate Theatre (London)Hedda by Ibsen, adapted by Lucy Kirkwood – 2008, Gate TheatreI Am Falling – 2008, Gate Theatre and Sadler's Wells; nominated for Southbank Show AwardArmageddon by Mark Ravenhill – 2008, Gate TheatreDolls after Takeshi Kitano's 2002 film Dolls – 2009, National Theatre of ScotlandBreathing Irregular – 2009/2010, Gate Theatre,Elektra – 2010, Gate Theatre/HeadlongElectra – 2011, Gate Theatre/Young VicA Doll's House by Ibsen – 2012, Young VicWozzeck: A Scream and an Outrage – 2013, London ColiseumSearched – 2013, Royal Court Theatre Rough CutsA Doll's House – 2014, Brooklyn Academy of MusicMedea14 July – 4 September 2014, Royal National TheatreBirdland – 2014, Royal Court TheatreBlurred Lines – 2014, Royal National TheatreMacbeth – 2015, Young VicOil – 2016, Almeida TheatreThe Deep Blue Sea – 2016, Royal National TheatreJulie by Polly Stenham after Strindberg's Miss Julie – 2018, Royal National TheatreSea Wall/A Life – 2019, The Public Theater, New York and Hudson Theatre, New YorkPortia Coughlan – 2023, Almeida TheatreThe Grapes of Wrath2024 National TheatreCarmen – 2024 Metropolitan Opera