Nick Drake
Nicholas Rodney Drake was an English singer-songwriter. An accomplished acoustic guitarist, Drake signed to Island Records at the age of twenty while still a student at the University of Cambridge. His debut album, Five Leaves Left, was released in 1969, and was followed by two more albums, Bryter Layter and Pink Moon. While Drake did not reach a wide audience during his brief lifetime, his music found acclaim and he gradually received wider recognition following his death.
Drake suffered from depression and was reluctant to perform in front of live audiences. Upon completion of Pink Moon, he withdrew from both performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, Drake was found dead at the age of 26 due to an overdose of antidepressants.
Drake's music remained available through the mid-1970s, but the 1979 release of the retrospective collection Fruit Tree allowed his back catalogue to be reassessed. Drake has come to be credited as an influence on numerous artists. The first Drake biography in English appeared in 1997; it was followed by the documentary films A Stranger Among Us in 1999 and A Skin Too Few: The Days of Nick Drake in 2000.
Early life
Drake was born in Rangoon, Burma, on 19 June 1948, a few months after the independence from the British Empire. Drake's father, Rodney Shuttleworth Drake, had moved to Rangoon in the early 1930s as an engineer with the Bombay Burmah Trading Corporation. In 1934, Rodney Drake met Molly Lloyd, the daughter of a senior member of the Indian Civil Service. He proposed marriage in 1936, but the couple had to wait a year until she turned 21 before her family allowed them to marry. In 1951, the Drake family returned to England to live in Warwickshire, at their home, Far Leys, in Tanworth-in-Arden. Rodney Drake worked from 1952 as the chairman and managing director of Wolseley Engineering.Drake's older sister, Gabrielle Drake, became a successful screen actress. Both of Drake's parents wrote music. Recordings of Molly's songs, which have come to light since her death, are similar in tone and outlook to the later work of her son; they shared a similar fragile vocal delivery, and Gabrielle and biographer Trevor Dann noted a parallel foreboding and fatalism in their music. Encouraged by his mother, Drake learned to play piano at an early age and began to compose songs which he recorded on a reel-to-reel tape recorder that she kept in the family drawing-room. In 1957, Drake was sent to Eagle House School, a preparatory boarding school near Sandhurst, Berkshire. Five years later, he went to Marlborough College, a public school in Wiltshire which had also been attended by his father and grandfather. He developed an interest in sport, becoming an accomplished 100- and 200-yard sprinter, representing the school's Open Team in 1966. He played rugby for the C1 House team and was appointed a House Captain in his last two terms. School friends recall Drake as having been confident, often aloof, and "quietly authoritative". His father remembered: "In one of his reports said that none of us seemed to know him very well. All the way through with Nick, people didn't know him very much."
Drake played piano and learned clarinet and saxophone. He formed a band, the Perfumed Gardeners, with four schoolmates in 1964 or 1965. With Drake on piano and occasional alto sax and vocals, the group performed Pye International R&B covers and jazz standards, as well as Yardbirds and Manfred Mann songs. Chris de Burgh asked to join the band, but was rejected as his taste was "too poppy". His attention to his studies deteriorated and, although he had accelerated a year in Eagle House, at Marlborough he neglected his studies in favour of music. In 1963 he attained seven GCE O-Levels, fewer than his teachers had been expecting, failing "Physics with Chemistry". In 1965, Drake paid £13 for his first acoustic guitar, a Levin, and was soon experimenting with open tuning and finger-picking techniques.
In 1966, Drake enrolled at a tutorial college in Five Ways, Birmingham, where he won a scholarship to study at Fitzwilliam College, Cambridge. As his place at Cambridge was offered for September 1967, he had ten months to fill, so he decided to spend six months at the University of Aix-Marseille, France, beginning in February 1967. There, he began to practise guitar in earnest. To earn money, he would busk with friends in the town centre. Drake began to smoke cannabis, and he travelled with friends to Morocco; according to travelling companion Richard Charkin, "that was where you got the best pot". There is some evidence that he began using LSD while in Aix, although this is debated.
Drake returned to England in 1967 and moved into his sister's flat in Hampstead, London. That October, he enrolled at Cambridge to begin his studies in English literature. His tutors found him bright but unenthusiastic and unwilling to apply himself. One of his biographers, Trevor Dann, notes that he had difficulty connecting with staff and fellow students, and that matriculation photographs from this time portray a sullen young man. Cambridge placed emphasis on its rugby and cricket teams, but Drake had lost interest in sport, preferring to stay in his college room smoking cannabis and playing music. According to fellow student Brian Wells, "They were the rugger buggers and we were the cool people smoking dope."
Career
In January 1968, Drake met Robert Kirby, a music student who went on to write many of the string and woodwind arrangements for Drake's first two albums. By this time, Drake had discovered the British and American folk music scenes, and was influenced by performers such as Bob Dylan, Donovan, Van Morrison, Josh White and Phil Ochs. He began performing in local clubs and coffee houses around London, and in December 1967, while playing at a five-day event at the Roundhouse in Camden Town, made an impression on Ashley Hutchings, bass player with Fairport Convention. Hutchings recalls being impressed by Drake's guitar skill, but even more so by his image: "He looked like a star. He looked wonderful, he seemed to be 7 ft ."Hutchings introduced Drake to the 25-year-old American producer Joe Boyd, owner of the production and management company Witchseason Productions, which at the time was licensed to Island Records. Boyd, who had discovered Fairport Convention and introduced John Martyn and the Incredible String Band to a mainstream audience, was a respected figure in the UK folk scene. He and Drake formed an immediate bond, and Boyd acted as a mentor to Drake throughout his career. Impressed by a four-track demo recorded in Drake's college room in early 1968, Boyd offered Drake a management, publishing, and production contract. Boyd recalled listening to a reel-to-reel home recording Drake had made: "Halfway through the first song, I felt this was pretty special. And I called him up, and he came back in, and we talked, and I just said, 'I'd like to make a record.' He stammered, 'Oh, well, yeah. Okay.' Nick was a man of few words." According to Drake's friend Paul Wheeler, Drake had already decided not to complete his third year at Cambridge and was excited about the contract.
''Five Leaves Left'' (1969)
Drake recorded his debut album Five Leaves Left later in 1968, with Boyd as producer. He had to skip lectures to travel by train to the sessions in Sound Techniques studio, London. Inspired by John Simon's production of Leonard Cohen's 1967 album Songs of Leonard Cohen, Boyd was keen to record Drake's voice in a similar close and intimate style, "with no shiny pop reverb". He sought to include a string arrangement similar to Simon's, "without overwhelming ... or sounding cheesy". To provide backing, Boyd enlisted contacts from the London folk rock scene, including Fairport Convention guitarist Richard Thompson and Pentangle bassist Danny Thompson.Initial recordings did not go well: the sessions were irregular and rushed, taking place during studio downtime borrowed from Fairport Convention's production of their Unhalfbricking album. Tension arose as to the direction of the album: Boyd was an advocate of George Martin's approach of using the studio as an instrument, while Drake preferred a more organic sound. Dann observed that Drake appears "tight and anxious" on bootleg recordings from the sessions, and notes a number of Boyd's unsuccessful attempts at instrumentation. Both were unhappy with arranger Richard Anthony Hewson's contribution, which they felt was too mainstream for Drake's songs. Drake suggested his college friend Robert Kirby as a replacement. Though Boyd was sceptical about taking on an inexperienced amateur music student, he was impressed by Drake's uncharacteristic assertiveness and agreed to a trial. Kirby had previously presented Drake with some arrangements for his songs. While Kirby provided most arrangements for the album, its centrepiece, "River Man", which echoed the tone of Frederick Delius, was orchestrated by the veteran composer Harry Robertson.
Post-production difficulties delayed the release by several months, and the album was poorly marketed and supported. In July, Melody Maker described Five Leaves Left as "poetic" and "interesting", though NME wrote in October that there was "not nearly enough variety to make it entertaining". It received little radio play outside shows by more progressive BBC DJs such as John Peel and Bob Harris. Drake was unhappy with the inlay sleeve, which printed songs in the wrong running order and reproduced verses omitted from the recorded versions. In an interview, his sister Gabrielle said: "He was very secretive. I knew he was making an album but I didn't know what stage of completion it was at until he walked into my room and said, 'There you are.' He threw it onto the bed and walked out!"