New York City English

New York City English, or Metropolitan New York English, is a regional dialect of American English spoken primarily in New York City and some of its surrounding metropolitan area. Along with Southern American English, it has been described by sociolinguist William Labov as one of the most widely recognized regional dialects in the United States. Its pronunciation system—the New York accent—is widely represented in American media by many public figures and fictional characters. Major features of the accent include a high, gliding vowel ; a split of the "short a" vowel into two separate sounds; variable dropping of r sounds; and a lack of the cot–caught, Mary–marry–merry, and hurry–furry mergers heard in many other American accents.
Today, New York City English is associated particularly with urban New Yorkers of lower and middle socioeconomic status who are descended from 19th- and 20th-century European immigrants. The dialect is spoken in all five boroughs of the City and throughout Long Island's Nassau County; it is also heard to varying degrees in Suffolk County, Westchester County, and Rockland County of New York State plus Hudson County, Bergen County, and the city of Newark in northeastern New Jersey.

History

The origins of many of New York City English's diverse features are probably not recoverable. New York City English, largely with the same major pronunciation system popularly recognized today, was first reproduced in literature and scientifically documented in the 1890s. It was then, and still mostly is, associated with ethnically diverse European-American native-English speakers. The entire Mid-Atlantic United States, including both New York City and the Delaware Valley shares certain key features, including a high vowel with a glide as well as a phonemic split of the short a vowel, —New York City's split not identical though to Philadelphia's. Linguist William Labov has pointed out that a similarly structured split is found today even in the southern accents of England; thus, a single common origin of this split may trace back to colonial-era England.
New York City became an urban economic power in the eighteenth century, with the city's financial elites maintaining close ties with the British Empire even after the Revolutionary War. According to Labov, New York City speakers' loss of the r sound after vowels began as a nineteenth-century imitation of the prestigious British feature, consistently starting among the upper classes in New York City before spreading to other socioeconomic classes. After World War II, social perceptions reversed and r-preserving pronunciations became the new American prestige standard, rejecting East Coast and British accent features, while postwar migrations transferred rhotic speakers directly to New York City from other regions of the country. The result is that non-rhoticity, which was once a high-status feature and later a city-wide feature, has been diminishing and now, since the mid-twentieth century onward, largely remains only among lower-status New Yorkers. Today, New York City metropolitan accents are often rhotic or variably rhotic.
Other features of the dialect, such as the dental pronunciations of d and t, and related th-stopping, likely come from contact with foreign languages, particularly Italian and Yiddish, brought into New York City through its huge immigration waves of Europeans during the mid-to-late nineteenth century and twentieth century. Grammatical structures, such as the lack of inversion in indirect questions, similarly suggest contact with immigrant languages, plus several words common in the city are derived from such foreign languages.

Influence on other dialects

Philadelphians born in the early and mid-twentieth century exhibit a short-a split system that some linguists regard as a simplification of the very similar New York City short-a split. Younger Philadelphians, however, are retreating from many of the traditional features shared in common with New York City. Due to an influx of immigrants from New York City and neighboring New Jersey to southern Florida, some resident southern Floridians now speak with an accent reminiscent of a New York accent. Additionally, as a result of social and commercial contact between New Orleans, Louisiana, and New York City, the traditional accent of New Orleans, known locally as "Yat", bears distinctive similarities with the New York accent, including the coil–curl merger, raising of the vowel to, a similar split in the short-a system, and th-stopping. Similarly, dialectal similarities suggest that older New York City English also influenced Cincinnati, Ohio, and Albany, New York, whose older speakers in particular may still exhibit a short-a split system that linguists suggest is an expanded or generalized variant of the New York City short-a system. Certain New York City dialect features also understandably appear in New York Latino English.

Recent developments

Though William Labov argued in 2010 that the New York City accent is basically stable at the moment, some recent studies have revealed a trend of recession in most features of the accent, especially among younger speakers from middle-class or higher backgrounds. Documented loss of New York City accent features includes the loss of the coil–curl merger, non-rhoticity, and the extremely raised long vowel . Researchers proposed that the motivation behind these recessive trends is the stigmatization of the typical New York City accent since the mid-1900s as being associated with a poorer or working-class background, often also corresponding with particular ethnic identities. While earlier projects detected trends of emphasizing New York City accents as part of a process of social identification, recent research attributes the loss of typical accent features to in-group ethnic distancing. In other words, many of the young generations of ethnic groups who formerly were the most representative speakers of the accent are currently avoiding its features to not stand out socially or ethnically.

Pronunciation

The pronunciation of New York City English, most popularly acknowledged by the term New York accent, is readily noticed and stereotyped, garnering considerable attention in American culture. Some distinctive phonological features include its traditional dropping of r except before vowels, a short-a split system, a high gliding vowel, absence of the Mary–marry–merry merger, and the highly stigmatized coil–curl merger.

Vocabulary and grammar

These are some words or grammatical constructions used mainly in Greater New York City:

bodega : a small neighborhood convenience store; used in recent decades, particularly in New York City though not on Long Island generally; it comes from Spanish, originally meaning "a wine storehouse" via the Puerto Rican Spanish term for "small store; corner store"; by extension, "bodega cats" is the term for the cats that inhabit such establishments. These small stores may also be called delis, which is the short form of delicatessens.
bubkes : a worthless amount; little or nothing
dungarees: an older term for blue jeans
egg cream: a mixture of cold milk, chocolate or vanilla syrup, and seltzer
have a catch: to play a game of catch
hero: a footlong sandwich or "sub"
Mischief Night: the night before Halloween
on line: Metro New Yorkers tend to say they stand on line, whereas most other New York State and American English speakers tend to stand in line.
punchball and stickball: street variants of baseball, suitable for smaller urban areas, in which a fist or stick substitutes for the bat and a rubber ball is used
skel: a vagrant, beggar, or small-time street criminal
shmuck: an insulting term for an unlikeable man

The word punk tends to be used as a synonym for "weak", "someone unwilling or unable to defend himself" or perhaps "loser", though it appears to descend from an outdated New York African-American English meaning of male receptive participant in anal sex.

Conversational styles

New York City speakers have some unique conversational styles. Linguistics professor Deborah Tannen notes in a New York Times article it has "an emphasis to involve the other person, rather than being considerate. It would be asking questions as a show of interest in the other person, whereas in other parts of country, people don't ask because it might put the person on the spot." Metro New Yorkers "stand closer, talk louder, and leave shorter pauses between exchanges," Tannen said. "I call it 'cooperative overlap'. It's a way of showing interest and enthusiasm, but it's often mistaken for interrupting by people from elsewhere in the country." On the other hand, linguist William Labov demurs, "there's nothing known to linguists about 'normal New York City conversation.

Notable speakers

The New York accent has a strong presence in media; pioneer variationist sociolinguist William Labov described it as one of the two most recognizable regional accents of North American English. The following famous people are native New York City–area speakers—including some speakers of other varieties native to the region—that all demonstrate typical features of the New York accent.