Southern American English


Southern American English or Southern U.S. English is a regional dialect or collection of dialects of American English spoken throughout the Southern United States, primarily by White Southerners and increasingly concentrated in more rural areas. As of 2000s research, its most innovative accents include southern Appalachian and certain Texas accents. Such research has described Southern American English as the largest American regional accent group by number of speakers. More formal terms used within American linguistics include Southern White Vernacular English and Rural White Southern English. However, more commonly in the United States, the variety is recognized as a Southern accent, which technically refers merely to the dialect's sound system, often also called a Southern twang, or simply Southern.

History

A diversity of earlier Southern dialects once existed: a consequence of the mix of English speakers from the British Isles who migrated to the American South in the 17th and 18th centuries, with particular 19th-century elements also borrowed from the London upper class and enslaved African-Americans. By the 19th century, this included distinct dialects in eastern Virginia, the greater Lowcountry area surrounding Charleston, the Appalachian upcountry region, the Black Belt plantation region, and secluded Atlantic coastal and island communities.
Following the American Civil War, as the South's economy and migration patterns fundamentally transformed, so did Southern dialect trends. Over the next few decades, Southerners moved increasingly to Appalachian mill towns, to Texan farms, or out of the South entirely. The main result, further intensified by later upheavals such as the Great Depression, the Dust Bowl and perhaps World War II, is that a newer and more unified form of Southern American English consolidated, beginning around the last quarter of the 19th century, radiating outward from Texas and Appalachia through all the traditional Southern States until around World War II. This newer Southern dialect largely superseded the older and more diverse local Southern dialects, though it became quickly stigmatized in American popular culture. As a result, since around the 1950s and 1960s, the notable features of this newer Southern accent have been in a gradual decline, particularly among younger and more urban Southerners, though less so among rural white Southerners.

Geography

Despite the slow decline of the modern Southern accent, it is still documented as widespread as of the 2006 Atlas of North American English. Specifically, the Atlas documents a Southern accent in urban areas of Virginia, North Carolina, South Carolina, Georgia, Alabama, Mississippi, Tennessee, Kentucky, Arkansas, Louisiana, and West Virginia; many areas of Texas; the Jacksonville area of northern Florida; the Springfield area of southern Missouri; and in some urban speakers in eastern Kansas, southern Ohio, and the Tulsa area of Oklahoma. Although the Atlas is a nationwide study that focuses on urban areas, the Southern accent has been increasingly becoming concentrated, for decades, in rural areas, which are often less well-studied. Other 21st-century scholarship further includes within this dialect region southern Maryland, eastern and southern Oklahoma, the rest of northern and central Florida and southern Missouri, and southeastern New Mexico.
Furthermore, the Atlas documents Midland accents of the U.S. as sharing key features with Southern accents, like fronting and resistance to the cot-caught merger, while lacking other defining features like the Southern Vowel Shift. Such shared features extend across all of Texas and Oklahoma, as well as eastern and central Kansas, southern Missouri, southern Indiana, southern Ohio, and southern Illinois.
Finally, African-American accents across the United States have many common points with Southern accents due to the strong historical ties of African Americans to the South.

Exceptions

The Atlas notably identifies several culturally Southern cities in particular as lacking a Southern accent, either having shifted away from it or having never had it to begin with, such as Norfolk and Richmond, Virginia; Raleigh and Greenville, North Carolina; Charleston, South Carolina; Atlanta and possibly Savannah, Georgia; Abilene, El Paso, Austin, and possibly Corpus Christi, Texas; and Oklahoma City. Some cities are home to both the Southern accent and other more locally distinct accents—most clearly New Orleans, Louisiana.

Phonology

The Southern regional accent, existing from the 20th century until the present, diverges from General American accents in several ways. One defining feature is the diphthong in prize, lime, fly, etc. losing its gliding quality and becoming in many or all environments, so for example the word ride commonly approaches a sound that most other English speakers would hear as rod or rad. Southern drawling of the short front vowels, particularly when in a strongly emphasized word, causes pet and pit, for instance, to sound to other English speakers more like pay-it and pee-it. All of this appears to be related to a complicated chain shift of vowels that define the accent.
Fronting is common for the back vowels in Lexical set|,,, and, and in the first element of the diphthong. The pin-pen merger is also widespread. Rhoticity, the pronunciation of all historical sounds, is the norm, as in General American accents. In fact, Southern accents often have a strongly articulated bunched-tongue sound. However, some sub-regional accents used by Southerners born in the early-20th century and earlier, as well as Black Southern accents, may be largely non-rhotic, dropping the in environments other than before a vowel sound.
In Louisiana, the accent coexists alongside distinct New Orleans and Cajun accents. Various sub-regional Southern accents exist, with the strongest vowel features documented in Appalachian English and certain accents of Texan English.

Grammar

These grammatical features are characteristic of both older and newer Southern American English.
  • Use of done as an auxiliary verb between the subject and verb in sentences conveying the past tense.
  • :I done told you before.
  • Use of done as the past simple form of do, and similar uses of the past participle in place of the past simple, such as seen replacing saw as past simple form of see.
  • :I only done what you done told me.
  • :I seen her first.
  • Use of other non-standard preterites, Such as drownded as the past tense of drown, knowed as the past tense of know, choosed as the past tense of choose, degradated as the past tense of degrade.
  • :I knowed you for a fool soon as I seen you.
  • Use of been instead of have been in perfect constructions.
  • :I been livin' here darn near my whole life.
  • Use of fixin' to, with several spelling variants such as fixing to or fixinta, to indicate immediate future action; in other words: intending to, preparing to, or about to.
  • :He's fixin' to eat.
  • :They're fixing to go for a hike.
  • Preservation of older English me, ''him, etc. as reflexive datives.
  • :I'm fixin' to paint me a picture.
  • :He's gonna catch him a big one.
  • Saying this here in place of this or this one, and that there in place of that or that one.
  • :This here's mine and that there is yours.
  • Existential it, a feature dating from Middle English which can be explained as by substituting it for there when there refers to no physical location, but only to the existence of something.
  • :It's one lady who lives in town.
  • :It is nothing more to say.
Standard English would prefer "existential there", as in "There's one lady who lives in town". This construction is used to say that something exists. The construction can be found in Middle English as in Marlowe's Edward II: "Cousin, it is no dealing with him now".
  • Use of ever in place of every.
  • :Ever'where's the same these days.
  • Using liketa to mean "almost".
  • :I liketa died.
  • :He liketa got hit by a car.
  • Use of the distal demonstrative "yonder," archaic in most dialects of English, to indicate a third, larger degree of distance beyond both "here" and "there", indicating that something is a longer way away, and to a lesser extent, in a wide or loosely defined expanse, as in the church hymn "When the Roll Is Called Up Yonder". A typical example is the use of "over yonder" in place of "over there" or "in or at that indicated place", especially to refer to a particularly different spot, such as in "the house over yonder".
  • Compared to General American English, when contracting a negated auxiliary verb, Southern American English has an increased preference for contracting the subject and the auxiliary than the auxiliary and "not", e.g. the first of the following pairs:
  • :He's not here. / He isn't here.
  • :I've not been there. / I haven't'' been there.

    Multiple modals

has a strict word order. In the case of modal auxiliaries, standard English is restricted to a single modal per verb phrase. However, some Southern speakers use double or more modals in a row and sometimes even triple modals that involve oughta
  • I might could climb to the top.
  • I used to could do that.
The origin of multiple modals is controversial; some say it is a development of Modern English, while others trace them back to Middle English and others to Scots-Irish settlers. There are different opinions on which class preferably uses the term. for example, finds that educated people try to avoid multiple modals, whereas suggests the opposite. In some Southern regions, multiple modals are quite widespread and not particularly stigmatized. Possible multiple modals are:
As the table shows, there are only possible combinations of an epistemic modal followed by deontic modals in multiple modal constructions. Deontic modals express permissibility with a range from obligated to forbidden and are mostly used as markers of politeness in requests whereas epistemic modals refer to probabilities from certain to impossible. Multiple modals combine these two modalities.