Matei Vișniec
Matei Vișniec is a Romanian-French playwright, poet and journalist living in Paris.
Biography
Vișniec graduated in 1980 from the History and Philosophy Faculty of the University of Bucharest. Between 1977 and 1987 he wrote 8 plays in two or three acts, about twenty short plays, and some screenplays, but all were turned down by the censors. In 1987 he was invited to France by a literary foundation, and he asked for political asylum. Between August 1988 and October 1989 he lived in London, where he worked for the Romanian section of the BBC.After settling down in France, he has been writing mostly in French, and has received French citizenship. After the fall of communism in Romania, in 1989, Matei Vișniec became one of the most performed playwrights in the country, with more than 30 plays put on in Bucharest and other towns. In 1996 the National Theatre of Timișoara organized a Matei Vișniec Festival with 12 companies presenting his plays. His international audience as a playwright started in 1992, with the play Horses at the Windows performed in France, and Old Clown Wanted at the "Bonner Biennale".
Since then, Vișniec has had more than 20 plays performed in France. Old Clown Wanted has been performed in: France, Germany, United States, Denmark, Austria, Poland, Finland, Italy, Turkey, Brazil, Romania, Azerbaijan, Moldavia, and Georgia.
He is working as a journalist at Radio France Internationale.
Writings
Poetry
- La noapte va ninge, Bucharest, Alb., 1980
- Orașul cu un singur locuitor, Bucharest, Alb., 1982
- Înțeleptul la ora de ceai, Bucharest, Cartea Românească, 1984.
- Poeme ulterioare, Bucharest, Cartea Românească, 2000
Prose
- Cafeneaua Pas-Parol, novel, Bucharest, FCR, 1992
- Sindromul de panică în Orașul Luminilor, novel, Bucharest, Cartea Românească, 2009Un secol de ceață, novel, Bucharest, Polirom, 2021
Plays in Romanian
- Ţara lui Gufi, Bucharest., IC, 1991
- Angajare de clovn, foreword by Marian Popescu, Bucharest., Ed. Unitext, 1993
- Teatru, vol. I-II, foreword by Valentin Silvestru, Bucharest, Cartea Românească, 1996 1991–1995)
Plays in French
- Personne n’a le droit de traîner sans armes sur un champ de bataille, 1991
- Le marchand de temps, 1992
- Les partitions frauduleuses, 1993
- Hécatombéon, 1993
- Théâtre décomposé ou L’homme-poubelle, 1993
- La grammaire du silence, 1994
- Trois nuits avec Madox, 1994
- L’histoire des ours pandas racontée par un saxophoniste qui a une petite amie à Francfort, 1994
- Cils interdits pendant la nuit, 1995
- Paparazzi ou la chronique d’un lever de soleil avorté, 1995
- Comment pourais-je être un oiseau?, 1996
- Du sexe de la femme comme champ de bataille dans la guerre en Bosnie, 2019
- Jeanne et le feu, 2009/2019
Plays in English
- "The Body of a Woman as a Battlefield in the Bosnian War", trans. Alison Sinclair in . 2000.