Marie-Claire Blais


Marie-Claire Blais was a Canadian writer, novelist, poet, and playwright from the province of Quebec. In a career spanning seventy years, she wrote novels, plays, collections of poetry and fiction, newspaper articles, radio dramas, and scripts for television. She was a four-time recipient of the Governor General’s literary prize for French-Canadian literature, and was also a recipient of the Guggenheim Fellowship for creative arts.
Some of her most famous works are: Mad Shadows , A Season in the Life of Emmanuel, The Manuscripts of Pauline Archange '', Deaf to the City, and the ten-volume series Soifs'' written between 1995 and 2018.

Early life

Blais was born on 5 October 1939 into a blue collar family in Québec, the daughter of Fernando and Véronique Blais. She was the eldest in a family of five children. She studied at a convent school, but had to interrupt her education at the age of 15 to seek employment as a clerk and later as a typist. At the age of seventeen, she enrolled in a few classes at Université Laval, where she met professor and literary critic Jeanne Lapointe and priest and sociologist Georges-Henri Lévesque, both of whom encouraged her to write.

Career

Blais published her first novel La Belle Bête in 1959, when she turned 20. She received a grant from the Canada Council of Arts which allowed her to begin writing full-time. She first moved to Paris and later moved to the United States in 1963 initially living in Cambridge, Massachusetts, then in Wellfleet, Massachusetts. She was also helped by American literary critic Edmund Wilson who introduced her to artists and writers in Cape Cod including feminist Barbara Deming and writer and painter Mary Meigs. The three lived together in Wellfleet for six years. Blais remained a longtime partner of Mary Meigs until Meigs' death in 2002.
During this time, Blais was awarded two Guggenheim Fellowships. In 1975, after two years of living in Brittany, France, she moved back to Québec. For about twenty years she divided her time between Montréal, the Eastern Townships of Québec and Key West, Florida, where she maintained her permanent home.
In 1972, she became a Companion of the Order of Canada. Many of her works have been adapted for other formats: La belle bête was made into a ballet by the National Ballet of Canada in 1977. The same book was made into a movie by Karim Hussain in 1976. Hussain won the Director's Award at the Boston Underground Film Festival for his work. Some of Blais' other works that were made into movies included Une saison dans la vie d'Emmanuel, which won the Prix de la Quinzaine des jeunes réalisateurs at the Cannes Film Festival, Le sourd dans la ville, which won an award at the Venice Film Festival, and L'océan.
Blais won the Governor General's Prize in Canada for two of her novels, The Manuscripts of Pauline Archange and Deaf to the City. She also wrote a 10-volume series starting with Soifs translated into English as These Festive Islands. The series was set in an island town modeled on Key West and featured an interlocked cast of over a hundred characters including drag queens, painters, writers, and barflies, many of them based on acquaintances that she had made on the island where she had been a part of a community that included a journalist and novelist John Hersey and poet James Merrill. The writing was based on long sentences described as 'meandering' with a combination rapidly shifting between characters' internal monologues and dialogues. The books were written in a 'stream-of-consciousness' style, with no chapters and no paragraph breaks. The last book in the 10-volume series Une réunion près de la mer was published in 2018.
She sponsored the starting in 2005; awarded annually to a French author for their debut novel.
Blais enjoyed an ardent readership in French language literature and had won four Governor General's Literary Awards throughout her career. Writing in an article in a Canadian newspaper The Globe and Mail, literary critic Jade Colbert called her "the 21st century Virginia Woolf" while Quebec novelist Michel Tremblay called her "one of our greatest national treasures".
In addition to her novels, Blais has written several plays, collections of poetry and fiction, newspaper articles, radio dramas, and scripts for television. Her works had characters that included delinquent children, wayward nuns and abusive priests and included issues like white supremacy, nuclear holocaust, and the AIDS epidemic. Her books included suffering as recurring themes, though she herself had noted in an interview that she preferred serenity to suffering.

Personal life

Blais was a longtime partner of American writer and painter Mary Meigs. Meigs predeceased her in 2002.
Blais died on November 30, 2021, in Key West, Florida.

Works

Source:La Belle Bête – 1959Tête blanche – 1960Le jour est noir – 1962Pays voilés – 1963Une saison dans la vie d'Emmanuel – 1965L'insoumise – 1966Les voyageurs sacrés – 1966Existences – 1967Les manuscrits de Pauline Archange – 1968L'exécution – 1968Vivre! Vivre! – 1969Les apparences – 1970Le loup – 1972Un Joualonais, sa Joualonie – 1973Fièvre et autres textes dramatiques – 1974Une liaison parisienne – 1975Océan suivi de murmures – 1977Les nuits de l'underground – 1978Le sourd dans la ville – 1979Visions d'Anna ou Le vertige – 1982Sommeil d'hiver – 1984Pierre, la guerre du printemps – 1984L'Île – 1988L'Ange de la solitude – 1989L'exilé; Les voyageurs sacrés – 1992Parcours d'un écrivain: Notes américaines – 1993Soifs series
  • * Soifs – 1995
  • * Dans la foudre et la lumière – 2001
  • * Augustino et le chœur de la déstruction – 2005
  • * Naissance de Rebecca à l'ère des tourments – 2008
  • * Mai au bal des prédateurs – 2010
  • * Le jeune homme sans avenir – 2012
  • * Aux jardins des Acacias – 2014
  • * Le festin au crépuscule – 2015
  • * Des chants pour Angel - 2017
  • * Une réunion près de la mer - 2018The Collected Radio Drama of Marie-Claire Blais – 2007Petites Cendres ou la capture - 2020Un cœur habité de mille voix - 2021Augustino ou l'illumination - 2022

Awards and honours

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