Louis Malle
Louis Marie Malle was a French filmmaker who worked in France and Hollywood. Described as "eclectic" and "difficult to pin down", his works often depict provocative or controversial subject matter.
Malle's most famous works include the crime thriller Elevator to the Gallows, the romantic drama The Lovers, the World War II drama Lacombe, Lucien, the period drama Pretty Baby, the romantic crime film Atlantic City, the dramedy My Dinner with Andre, and the autobiographical Au revoir les enfants. He also co-directed the landmark underwater documentary The Silent World with Jacques Cousteau, which won the 1956 Palme d'Or and the 1957 Academy Award for Best Documentary.
Critic Pauline Kael once wrote that the common quality of Malle's films was the "restless intelligence one senses in them".
Malle is one of only four directors to have won the Golden Lion twice. His other accolades include three César Awards, two BAFTAs, and three Oscar nominations. He was made a Fellow of the British Academy of Film and Television Arts in 1991.
Life and career
Early years and education
Malle was born into a wealthy industrialist family in Thumeries, Nord, France, the son of Françoise and Pierre Malle. He was part Jewish, but raised as a Catholic.During World War II, Malle attended a Catholic boarding school near Fontainebleau. As an 11-year-old he witnessed a Gestapo raid on the school, in which three Jewish students, including his close friend, and a Jewish teacher were rounded up and deported to Auschwitz. The school's headmaster, Père Jacques, was arrested for harboring them and sent to the concentration camp at Mauthausen. Malle depicted these events in his autobiographical film Au revoir les enfants.
As a young man, Malle studied political science at Sciences Po from 1950 to 1952 before turning to film studies at IDHEC.
Career
Malle worked as co-director and cameraman with Jacques Cousteau on the documentary The Silent World, which won an Oscar and the Palme d'Or at the 1956 Academy Awards and Cannes Film Festival, respectively. He assisted Robert Bresson on A Man Escaped before making his first feature, Ascenseur pour l'échafaud in 1957. A taut thriller featuring an original score by Miles Davis, Ascenseur pour l'échafaud made an international film star of Jeanne Moreau, at the time a leading stage actress of the Comédie-Française. Malle was 24 years old.Malle's The Lovers, which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case about the legal definition of obscenity. In Jacobellis v. Ohio, a theater owner was fined $2,500 for obscenity. The Supreme Court overturned the decision, finding that the film was not obscene and hence constitutionally protected. But the court could not agree on a definition of "obscene", with Justice Potter Stewart famously saying, "I know it when I see it".
Malle is sometimes associated with the nouvelle vague, but his work does not directly fit in with or correspond to the auteurist theories that apply to the work of Jean-Luc Godard, François Truffaut, Claude Chabrol, Éric Rohmer, and others, and he had nothing to do with Cahiers du cinéma. But Malle's work does exemplify some of the movement's characteristics, such as using natural light and shooting on location, and his film Zazie dans le Métro inspired Truffaut to write Malle an enthusiastic letter.
Other films also tackled taboo subjects: The Fire Within centers on a man about to commit suicide. Critic Pauline Kael said it should have solidified Malle's reputation in the U.S. as a great film director but suggested that its commercial failure may have been due to distribution issues. Le souffle au cœur deals with an incestuous relationship between mother and son, and Lacombe, Lucien, co-written with Patrick Modiano, is about collaboration with the Nazis in Vichy France during World War II. The latter earned Malle his first Oscar nomination, for "Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced".
Documentary on India
Malle visited India in 1968, and made the seven-part documentary series L'Inde fantôme: Reflexions sur un voyage and the documentary film Calcutta, which was released in cinemas. Concentrating on real India, its rituals and festivities, Malle fell afoul of the Indian government, which disliked his portrayal of the country, in its fascination with the pre-modern, and consequently banned the BBC from filming in India for several years. Malle later said his documentary on India was his favorite film.Calcutta never opened in New York.
Move to the U.S.
Malle later moved to the United States and continued to direct there. His later films include Pretty Baby, Atlantic City, My Dinner with Andre, Crackers, Alamo Bay, Damage and Vanya on 42nd Street in English; and Au revoir les enfants and Milou en Mai in French. Just as his earlier films such as The Lovers helped popularize French films in the U.S., My Dinner with Andre was at the forefront of the rise of American independent cinema in the 1980s.Towards the end of his life, cultural correspondent Melinda Camber Porter interviewed Malle extensively for The Times. In 1993, the interviews were included in her book Through Parisian Eyes: Reflections On Contemporary French Arts And Culture.
Personal life
Malle was married to actress Anne-Marie Deschodt from 1965 to 1967. He later had a son, Manuel Cuotemoc Malle, with German actress Gila von Weitershausen, and a daughter, filmmaker Justine Malle, with Canadian actress Alexandra Stewart. From mid-1977 until early 1980, he was in a relationship with Susan Sarandon.Malle married actress Candice Bergen in 1980. They had one child, Chloé Françoise Malle, on 8 November 1985. Malle died of lymphoma, aged 63, at their home in Beverly Hills, California, on 23 November 1995.
Works
Film
Short film| Year | Title | Director | Writer | Notes |
| 1953 | Crazeologie | |||
| 1954 | Station 307 | Also cinematographer | ||
| 1968 | William Wilson | Segment of Spirits of the Dead |
Feature film
| Year | Title | Director | Writer | Producer |
| 1958 | Elevator to the Gallows | |||
| 1958 | The Lovers | |||
| 1960 | Zazie in the Metro | |||
| 1962 | A Very Private Affair | |||
| 1963 | The Fire Within | |||
| 1965 | Viva Maria! | |||
| 1967 | The Thief of Paris | |||
| 1971 | Murmur of the Heart | |||
| 1974 | Lacombe, Lucien | |||
| 1975 | Black Moon | |||
| 1978 | Pretty Baby | |||
| 1980 | Atlantic City | |||
| 1981 | My Dinner with Andre | |||
| 1984 | Crackers | |||
| 1985 | Alamo Bay | |||
| 1987 | Au revoir les enfants | |||
| 1990 | May Fools | |||
| 1992 | Damage | |||
| 1994 | Vanya on 42nd Street |
Acting credits
| Year | Title | Role |
| 1962 | A Very Private Affair | A journalist |
| 1969 | A Very Curious Girl | Jésus |
| 1992 | La Vie de Bohème |
Documentary film
Television
As himself| Year | Title | Note |
| 1994 | Murphy Brown | Episode "My Movie with Louis" |
Accolades
- Le Monde du silence
- *Cannes Film Festival Palme d'Or Winner
- The Lovers
- *Venice Film Festival Special Jury Prize Winner
- Le Feu follet
- *Venice Film Festival Special Jury Prize Winner
- *Venice Film Festival Italian Film Critics Award Winner
- The Thief of Paris
- *5th Moscow International Film Festival official selection
- Calcutta
- *Cannes Film Festival Official Selection
- *Melbourne International Film Festival: Grand Prix Winner
- Murmur of the Heart
- *Cannes Film Festival Official Selection
- *Academy Award for Best Original Screenplay Nomination
- Lacombe, Lucien
- *BAFTA Award for Best Direction Nomination
- Pretty Baby
- *Cannes Film Festival Technical Grand Prize Winner
- Atlantic City
- *Venice Film Festival Golden Lion Winner
- *Academy Award for Best Director Nomination
- *Academy Award for Best Picture Nomination
- *Golden Globe Award for Best Director Nomination
- *BAFTA Award for Best Direction Winner
- Crackers
- *Berlin Film Festival Official Selection
- Goodbye, Children
- *Venice Film Festival Golden Lion Winner
- *Venice Film Festival OCIC Award Winner
- *Academy Award for Best Original Screenplay Nomination
- *BAFTA Award for Best Direction Winner
- *BAFTA Award for Best Film Nomination
- *BAFTA Award for Best Original Screenplay Nomination
- *César Awards Best Film Winner
- *César Awards Best Director Winner
- *César Awards César Award for [Best Original Screenplay or Adaptation|Best Original Screenplay or Adaptation] Winner
- *European Film Awards Best Screenwriter Winner
- *European Film Awards Best Film Nomination
- *European Film Awards Best Director Nomination