Little Feat
Little Feat is an American rock band from Los Angeles formed by lead vocalist and guitarist Lowell George, bassist Roy Estrada, keyboardist Bill Payne, and drummer Richie Hayward in 1969. The band's classic line-up, in place by late 1972, consisted of George, Payne, Hayward, bassist Kenny Gradney, guitarist and vocalist Paul Barrere, and percussionist Sam Clayton. George disbanded the group because of creative differences shortly before his death in 1979. Surviving members re-formed Little Feat in 1987 and the band continues to perform.
History
Formative years
Singer and guitarist Lowell George met keyboardist Bill Payne when George was a member of Frank Zappa's Mothers of Invention. They formed Little Feat in 1969 along with former Mothers bassist Roy Estrada, and drummer Richie Hayward from George's previous band, The Factory. Hayward had also been a member of the Fraternity of Man whose claim to fame was the inclusion of their "Don't Bogart That Joint" on the million-selling Easy Rider film soundtrack. The name of the band came from a comment made by the Mothers' drummer Jimmy Carl Black about Lowell's "little feet". The spelling of "feat" was an homage to the Beatles.There are two stories about the genesis of Little Feat. One has it that Lowell George showed Zappa his song "Willin'," and that Zappa fired him from the Mothers of Invention, because he felt that George was too talented to merely be a member of his band and told him that he ought to go away and form his own band. The second version says that Zappa fired him because "Willin contains drug references. Lowell George often introduced the song as the reason he was asked to leave the band. On October 18, 1975 at the Auditorium Theater in Rochester, New York while introducing the song, Lowell George commented that he was asked to leave the band for "writing a song about dope".
In any version, Zappa was instrumental in getting Lowell George and his new band a contract with Warner Bros. Records. The eponymous first album delivered to Warner Bros. was recorded mostly in August and September 1970 and was released in January 1971. When it came time to record "Willin'," Lowell George had hurt his hand in an accident with a model airplane, so Ry Cooder sat in and played the song's slide part. Lowell George's accident is referenced on the cover art of the band's 1998 album Under the Radar. "Willin was re-recorded with Lowell George playing slide for Little Feat's second album Sailin' Shoes, which was also the first Little Feat album to include cover art by Neon Park, who had painted the cover for the Mothers' Weasels Ripped My Flesh. Park continued to provide surrealist art for all of Little Feat's album covers until his death in 1993.
Sometime during the recording of the first two albums, the band members along with ex-Mothers of Invention drummer Jimmy Carl Black backed soul singer Nolan Porter on his first album, No Apologies. The first two albums received nearly universal critical acclaim, and "Willin became a standard, subsequently popularized by its inclusion on Linda Ronstadt's album Heart Like a Wheel.
Despite good reviews of Sailin' Shoes, lack of commercial success led to the band splitting up, with Estrada leaving to join Captain Beefheart's Magic Band, although he has given other reasons for quitting the band, such as to get away from the Los Angeles pollution and the L.A. city life.
Classic line-up and change of direction
In late 1972, Little Feat reformed, with bassist Kenny Gradney replacing Estrada. The band also added a second guitarist in Paul Barrere, who had known George since they attended Hollywood High School in California, and percussionist Sam Clayton and as a result the band was expanded from a quartet to a sextet. Both Barrere and Clayton added vocals on many songs, although all the band members provided backing vocals in various tunes.File:Little Feat Paul Barrere and Lowell George.jpg|thumb|267px|right|L to R: Paul Barrere and Lowell George, frontmen for Little Feat, 1972–1977
The new lineup radically altered the band's sound, leaning toward New Orleans funk. The group recorded Dixie Chicken —one of the band's most popular albums, which incorporated New Orleans musical influences and styles—as well as Feats Don't Fail Me Now, which was a studio-recorded attempt to capture some of the energy of their live shows.
In 1973, Payne, Gradney, Barrere, Clayton, and Lowell George collaborated with jazz drummer Chico Hamilton on his Stax album Chico the Master, which is a strong showcase for the band's leanings toward funk and R&B. In 1973, Little Feat backed Kathy Dalton on her Amazing album on the DiscReet label produced by Warner Brothers.
Due to disappointing sales, the band disbanded a second time in late 1973. Payne joined the Doobie Brothers and Hayward joined Ike Turner.
They reformed in 1974, releasing their fourth album Feats Don't Fail Me Now later that year.
In 1974, Lowell George, along with the Meters and other session musicians, backed Robert Palmer on his Island Records debut solo release Sneakin' Sally Through the Alley which opened with George's "Sailing Shoes." The whole band chipped in on Palmer's 1975 release, Pressure Drop, which contained another George composition, "Trouble". 1976's Some People Can Do What They Like, Palmer's third opus, opened with the Bill Payne/Fran Tate composition "One Last Look", and later featured George's "Spanish Moon", although George and Gradney sat this one out. In March 1976, Little Feat served as the backing band on the first side of Akiko Yano's debut studio album , released on the Philips label. The band remained based in Los Angeles due to doing session work on the side in addition to band activities.
The release of The Last Record Album in 1975 signaled another change in the Little Feat sound, with Barrere and Payne developing an interest in jazz-rock. Prior to the recording of The Last Record Album, drummer Richie Hayward had a motorcycle accident and the liner to the LP release of The Last Record Album was decorated with copies of his many hospital bills. Also present was evidence of a late change to the running order of tracks: the lyrics for Barrere's song "Hi Roller" were printed on the sleeve, but scored out, and the words "maybe next time" scrawled over them. Sure enough, "Hi Roller" was the first track on the subsequent album Time Loves a Hero.
Lowell George continued to produce the albums, but his songwriting contribution diminished as the group moved into jazz fusion, a style in which he had little interest. In August 1977, Little Feat recorded a live album from gigs at the Rainbow Theatre in London and Lisner Auditorium in Washington, D.C. Waiting for Columbus is considered by many rock music critics to be one of the best live albums of all time, despite the fact that significant portions of George's vocals and slide work were over-dubbed later in the studio. It was released in 1978, by which time it had become apparent that George's interest in the band was waning, as was his health.
Death of George and band breakup
Little Feat began working on a new album, Down on the Farm, before disbanding in 1979. In an interview with Bill Flanagan conducted eleven days before his death, Lowell George made it clear that he felt the demise of Little Feat was due to his having allowed the band to be run democratically, with the result that Payne and, to a lesser extent, Barrere, had a presence as songwriters and in production which was disproportionate to their abilities. Lowell George was particularly scathing about Payne's attempts at jazz/fusion, citing an instance when Payne jammed with Weather Report on a TV show and dropped "into one of his 'Day at the Dog Races'. I just got out of there as fast as I could. It was embarrassing". In the same interview, George said that he planned to reunite Little Feat without Payne and Barrere.At this time Warner Bros. released George's only solo album, Thanks, I'll Eat It Here, for which he had signed a contract in 1975. The album was mostly a collection of cover versions that George had been working on as a side project for several years, and in his biography Rock And Roll Doctor, Mark Brend says that George had hinted he only signed the solo contract to obtain funds to finance Little Feat.
While touring in support of his solo album in June 1979, at the age of 34, George collapsed and died in his hotel room in Arlington, Virginia. An autopsy determined the cause of death was a heart attack.
The surviving members finished and released Down on the Farm in late 1979. A double compilation album of rare studio outtakes and live recordings, Hoy-Hoy!, was released in 1981. The album is an overview of the history and sound of Little Feat and includes a cover of the Hank Williams song "Lonesome Whistle". In 1981 and 1982, Barrere, Clayton, Gradney and Hayward performed several shows as "Barrere, Clayton, Gradney and Hayward" along with singer/guitarist Phil Brown.
Barrere then released two solo albums, 1983's On My Own Two Feet and 1984's Real Lies. Richie Hayward was the drummer on Robert Plant's 1985 funk and new wave flavoured Shaken 'n' Stirred. Payne has always been a popular and busy session musician, as well as a songwriter, and during the band's first hiatus performed on a variety of albums by many famous musicians including J. J. Cale, the Doobie Brothers, Emmylou Harris, Pink Floyd, Bob Seger, Linda Ronstadt, Jackson Browne, James Taylor, Bonnie Raitt, and Stevie Nicks. He was a guest performer on Raitt's Sweet Forgiveness in 1977, which featured his composition "Takin' My Time."
Fuller years (1987–1993)
In 1986, Hayward, Barrere and Payne were invited to play on Blue Slipper, the 1987 debut album by Helen Watson. They subsequently appeared on her second album The Weather Inside. The surviving former members of Little Feat then reformed in 1987 when Barrere, Clayton, Gradney, Hayward and Payne added songwriter/vocalist/guitarist Craig Fuller, formerly from the band Pure Prairie League, and Fred Tackett on guitar, mandolin and trumpet. The band admired Fuller's previous work and were impressed when he toured with them in 1978 as part of the Fuller/Kaz band. They didn't require an audition, having played with him on tour, and thus, the new Little Feat lineup was formed. The initial release by the new lineup, Let It Roll, was a tremendous success and Fuller's presence proved to be a major factor. His strong vocals and songwriting abilities were showcased, co-writing 8 of the 10 songs and handling a large share of lead vocals. The first single, "Hate to Lose Your Lovin'", earned the band their first No. 1 hit on the Mainstream Rock Tracks chart. AllMusic critic Stephen Erlewine said, "What's surprising about Let It Roll is not just that it works, but that it works smashingly." The LP garnered Feat a certified gold record status on February 14, 1989. On the heels of this success, previous Feat releases experienced a surge in sales. The 1978 live release Waiting for Columbus went platinum in November 1989. Dixie Chicken, originally released on January 25, 1973, went gold the same month. The band received more exposure than ever, including an appearance on Saturday Night Live. Concerts were booked nationally, and Little Feat played enthusiastic, sold-out shows.The next album, Representing the Mambo, released in 1990, proved to be the group's last album for Warner Bros., who were uncomfortable with the album's jazzier leanings. The third and final album by the lineup, Shake Me Up, was released on Morgan Creek, as was the soundtrack of the 1992 film White Sands which contained one song by Little Feat called Quicksand and Lies, but this label folded soon afterwards and Little Feat moved from one label to another until the establishment of Hot Tomato Records in 2002. In the fall of 1991, Clayton was forced to miss several tour dates due to ill health.
Fuller departed in 1993, saying that touring required too much time away from his family. He later joined a re-formed Pure Prairie League, who in 2005 released the critically acclaimed album, All in Good Time, which heavily featured his songwriting, singing, and acoustic guitar. Until leaving PPL again in 2011, he performed about 40 shows yearly with them, as well as occasional shows with Little Feat in addition to performing solo shows.