List of dodecaphonic and serial compositions

List of musical pieces composed in the twelve-tone technique

• Second Viennese School
• * Alban Berg
• ** Kammerkonzert, for piano, violin, and winds
• ** Lyrische Suite, for string quartet
• ** Der Wein, concert aria for soprano and orchestra after a poem by Charles Baudelaire
• ** Lulu, opera after Die Büchse der Pandora by Frank Wedekind
• ** [Violin Concerto (Barraqué)|Concerto (Berg)|Violinkonzert], for violin and orchestra
• * Hanns Eisler
• ** Palmström, song cycle op. 5
• ** Zeitungsausschnitte, song cycle op. 11
• ** "14 Arten den Regen zu beschreiben"
• * Arnold Schoenberg
• ** Waltz from 5 Klavierstücke, op. 23
• ** Serenade, op. 24
• ** Suite for Piano, op. 25
• ** Wind Quintet, op. 26
• ** Four Pieces for mixed voices, op. 27
• ** Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, op. 29
• ** String Quartet No. 3, op. 30
• ** Variations for Orchestra, op. 31
• ** Von heute auf morgen, op. 32
• ** Klavierstück, op. 33a
• ** Klavierstück, op. 33b
• ** Moses und Aron
• ** Begleitungsmusik zu einer Lichtspielscene, op. 34
• ** Concerto for Violin and Orchestra, op. 36
• ** String Quartet No. 4, op. 37
• ** Concerto for Piano & Orchestra, op. 42
• ** String Trio, op. 45
• ** A Survivor from Warsaw, op. 46
• ** Fantasy for Violin & Piano, op. 47
• * Anton Webern
• ** Three Lieder, op. 17
• ** Three Lieder, for voice, E flat clarinet and guitar, op. 18
• ** Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19
• ** String Trio, op. 20
• ** Symphony, op. 21
• ** Quartet for violin, clarinet, tenor saxophone and piano, op. 22
• ** Three Songs on Hildegard Jone's Viae inviae, for voice and piano, op. 23
• ** Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24
• ** Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25
• ** Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26
• ** Variations, for solo piano, op. 27
• ** String Quartet, op. 28 – the tone row of this piece is based around the BACH motif
• ** Cantata No. 1, for soprano, mixed choir and orchestra, op. 29
• ** Variations, for orchestra, op. 30
• ** Cantata No. 2, for soprano, bass, choir and orchestra, op. 31

• Milton Babbitt
• * Virtually all published works after 1947
• John Cage
• * Sonata for Clarinet
• Carlos Chávez
• * Soli II for wind quintet
• * Variations for Violin and Piano
• Aaron Copland
• * Piano Quartet
• * Piano Fantasy
• * Connotations for orchestra
• * Inscape for orchestra
• Henry Cowell
• * Variations for Orchestra
• Luigi Dallapiccola
• * Virtually all published works after 1942
• Benjamin Frankel
• * Film score for The Curse of the Werewolf
• * His 8 symphonies either use the twelve-tone technique, or serial techniques with other kinds of rows, or both
• Lou Harrison
• * Rapunzel
• * Symphony on G
• Josef Matthias Hauer
• * All works written after August 1919
• * Zwölftonspiele
• Eunice Katunda
• * Quatro Epígrafes for piano
• * Homenagem a Schoenberg for clarinet, viola, cello, and piano
• Ernst Krenek
• * Karl V
• Maurice Le Roux
• * 2 pieces dodecaphoniques, pour piano seul
• Luigi Nono
• * Composizione no.1, for orchestra
• * Variazioni canoniche sulla serie dell’op. 41 di A. Schönberg, for chamber orchestra
• Walter Piston
• *Chromatic Study on the Name of Bach, for organ
• *Concerto for Clarinet and Orchestra
• *Concerto for Flute and Orchestra
• *Fantasy for Violin and Orchestra
• *Ricercare for Orchestra
• *String Quartet No. 5
• *Symphony No. 1
• *Symphony No. 8
• *Variations for Cello and Orchestra
• Leonard Rosenman
• * The Cobweb
• Humphrey Searle
• *All works from the Intermezzo for eleven instruments, Op. 8, onwards
• Roger Sessions
• * Virtually all published works after 1953
• Karlheinz Stockhausen
• * Drei Lieder for alto voice and chamber orchestra, Nr.
• * Sonatine, for violin and piano, Nr.
• Igor Stravinsky, works from 1952 forward:
• * Cantata
• * Three Songs From Shakespeare
• * In Memoriam Dylan Thomas
• * Canticum Sacrum
• * Agon
• * Threni
• * Movements for Piano and Orchestra
• * A Sermon, a Narrative and a Prayer
• * The Flood
• * The Dove Descending Breaks the Air
• * Variations: Aldous Huxley in memoriam
• * Requiem Canticles
• Van der Graaf Generator
• * "After the Flood" – includes a twelve tone piece arranged by David Jackson
• Egon Wellesz
• * Symphony No. 5, Op. 75
• Charles Wuorinen
• * Most mature works
• Frank Zappa
• *''Waltz for Guitar''

List of pieces that use serialism

• Tadeusz Baird
• * Cassazione per orchestra
• * String Quartet
• * Four Essays
• * Erotyki
• Jean Barraqué
• * ... Au delà du hasard '' for four instrumental groups and one vocal group
• * Chant après chant for six percussionists, voice and piano
• * Concerto for six instrumental groups and two solo instruments
• * Étude for 3-track tape
• * Séquence for voice, percussion and chamber ensemble
• * Sonata for Piano
• * Le Temps restitué for soprano, chorus and orchestra
• Pierre Boulez
• * Anthèmes, for violin solo
• * Anthèmes II, for violin and live electronics
• * Cummings ist der Dichter, for chorus and ensemble
• * Dérive 1, for six instruments
• * Dérive 2, for eleven instruments
• * Domaines, for clarinet solo or for clarinet and six instrumental groups
• * Études, musique concrète
• * ...explosante-fixe...
• ** for flute, clarinet, and trumpet
• ** for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics
• ** version for vibraphone and electronics
• ** for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics
• ** version for vibraphone and electronics
• * Figures—Doubles—Prismes, for orchestra
• * Improvisé—pour le Dr. K, for flute, clarinet, piano, violin, and cello
• * Incises, for piano
• * Livre, for string quartet ; two movements reworked for string orchestra
• * Le marteau sans maître
• * Messagesquisse, for solo cello and six cellos
• * Notations
• ** for piano
• ** I–IV and VII for orchestra
• * Poésie pour pouvoir, for tape and 3 orchestras
• * Polyphonie X
• * Sonata No. 1, for piano
• * Sonata No. 2, for piano
• * Sonata No. 3, for piano
• * Pli selon pli
• * Répons, for six soloists, chamber orchestra, and live electronics
• * Rituel in Memoriam Bruno Maderna, for large chamber ensemble in eight groups
• * Sonatine, for flute and piano
• * Structures, book I for two pianos
• * Structures, book II for two pianos
• * Sur incises, for 3 pianos, 3 harps, and 3 mallet percussion instruments
• Jacques Calonne
• * Orbes for orchestra
• Benjamin Frankel
• * Film score for The Prisoner
• Alexander Goehr
• * Piano Sonata
• * The Deluge
• Karel Goeyvaerts
• * Nummer 1, Sonata for two pianos
• * Nummer 2, for thirteen instruments
• * Nummer 3 met gestreken en geslagen tonen, for chamber ensemble
• * Nummer 4 met dode tonen, electronic music
• * Nummer 5 met zuivere tonen, electronic music
• * Nummer 6 met 180 klankvoorwerpen
• * Nummer 7 met convergerende en divergerende niveaus, electronic music
• Ernest Gold
• * Score for On the Beach
• Jerry Goldsmith
• * Freud
• * Planet of the Apes
• * The Illustrated Man
• * Music for Orchestra
• * Christus Apollo
• * The Mephisto Waltz
• * Escape from the Planet of the Apes
• Wojciech Kilar
• * Riff 62
• Gottfried Michael Koenig
• * Zwei Klavierstücke, for piano solo
• * Quintet for Woodwinds, for flute, oboe, cor anglais, clarinet, and bassoon
• * String Quartet 1959
• Ernst Krenek
• * String Quartet No. 6
• Witold Lutosławski
• * Symphony No. 1
• * Five Songs to Words by Kazimiera Iłłakowiczówna for soprano and piano ; Arrangement with Orchestra
• * Musique funèbre
• * Trois poèmes d'Henri Michaux
• * Livre pour orchestre
• * Cello Concerto
• * Mi-parti
• * Grave: Metamorphoses for Cello and Piano
• * Symphony No. 3
• Johnny Mandel
• * Point Blank
• Luigi Nono
• * Canti per tredeci, 13 instruments,
• * Il canto sospeso
• * Cori di Didone, for chorus and percussion
• * Diario polacco: Composizione no. 2
• * Due espressioni, for orchestra
• * Incontri, for 24 instruments
• * Polifonica—monodia—ritmica, for seven instrumentalists
• * Varianti, for violin, woodwinds, and strings
• Krzysztof Penderecki
• * St Luke Passion (Penderecki)
• Henri Pousseur
• * Apostrophe et six Réflexions for piano
• * Aquarius-Mémorial
• ** I. Les Litanies d'Icare for piano
• ** II. Danseurs Gnidiens cherchant la Perle clémentine for chamber orchestra
• ** III. Les Fouilles de Jéruzona for orchestra
• ** IV. Icare au Jardin du Verseau for piano and chamber orchestra
• ** La Guirlande de Pierre for soprano, baritone and piano
• * At Moonlight, Dowland's Shadow passes along Ginkaku-Ji for shakuhachi, shamisen, and koto
• * Ballade berlinoise for piano solo
• * Canines for voice and piano
• * Caractères for piano
• * Chroniques berlinoises for piano and string quartet with baritone ad lib.
• * Chroniques canines for two pianos with soprano ad lib
• * Chroniques illustrées for large orchestra with baritone ad lib.
• * Couleurs croisées for large orchestra
• * Crosses of Crossed Colors for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators
• * Déclarations d'Orage for reciter, soprano, baritone, three improvising instruments, large orchestra and tape
• * Dichterliebesreigentraum for soprano, baritone, two solo pianos, choir and orchestra
• * Les Éphémérides d'Icare 2 for a soloist, three-part concertino, and four instrumental quartets
• * Die Erprobung des Petrus Hebraïcus chamber opera in three acts, libretto by Léo Wintgens after Michel Butor. Several "satellite" works are related to this opera:
• * Flexions IV for viola solo
• * Humeurs du Futur quotidien for two reciters and chamber orchestra
• * Les Icare africains for solo voices, ad lib. choir, and orchestra
• * Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor
• * Madrigal I for clarinet
• * Madrigal II for 4 early instruments
• * Madrigal III for clarinet, violin, cello, 2 percussionists, and piano
• * Mnémosyne monody solo voice or instrument, or unison choir
• * Mnémosyne II for variable media
• * Mobile for two pianos
• * Navigations for harp
• * Ode for string quartet
• * La Paganania for solo violin
• * La Paganania seconda for solo cello
• * Paraboles-Mix electronic music
• * Pédigrée for female voice and seven instruments
• * Phonèmes pour Cathy for mezzo-soprano solo
• * Prospection for three pianos tuned in sixths of a tone
• * Quintette à la memoire d'Anton Webern for clarinet, bass clarinet, violin, cello, and piano
• * Rimes pour différentes sources sonores for orchestra and tape
• * Scambi electronic music
• * Séismogrammes electronic music
• * Seize Paysages planétaires ethno-electroacoustical music
• * Sept Versets des Psaumes de la Pénitence for four vocal soloists or mixed choir
• * Symphonies à 15 Solistes
• * Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape
• * Trois Visages à Liège electronic music
• * Votre Faust, opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works:
• ** Miroir de Votre Faust for solo piano and soprano,
• ** Jeu de Miroirs de Votre Faust for piano, soprano and tape
• ** Echos de Votre Faust for mezzo-soprano, flute, cello, and piano,
• ** Les Ruines de Jéruzona for mixed choir and "rhythm section",
• ** La Passion selon Guignol for amplified vocal quartet and orchestra,
• ** Parade de Votre Faust for orchestra
• ** Aiguillages au carrefour des immortels for 16 or 17 instruments
• ** Il sogno di Leporello: Parade 2 for orchestra
• * Vue sur les Jardins interdits for saxophone quartet
• Miklós Rózsa
• * King of Kings
• David Shire
• * The Taking of Pelham One Two Three
• Karlheinz Stockhausen
• * Adieu, for wind quintet, Nr. 21
• * Alphabet für Liège, Nr. 36
• ** Am Himmel wandre ich, Nr.
• * Amour, 5 pieces for clarinet, flute, or saxophone Nr. 44
• * Atmen gibt das Leben, choral opera with orchestra, Nr. 39
• * Aus den sieben Tagen, 15 texts for intuitive music, Nr. 26
• * Bassetsu-Trio, for basset horn, trumpet, and trombone, Nr. 3. ex 70 . Arranged from Mittwoch aus Licht, scene 4: Michaelion
• * Carré, for 4 orchestras and choirs, Nr. 10
• * Dr K–Sextett, for flute, bass clarinet, percussionist, piano, viola, and cello, Nr. 28
• * Konkrete Etüde, musique concrète, Nr.
• * Europa-Gruss, Nr. 72
• * Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31
• * Formel, for small orchestra, Nr. ¹/₆
• * Fresco, for 4 orchestral groups, Nr. 29
• * Für kommende Zeiten, 17 texts for intuitive music, Nr. 33
• * Gesang der Jünglinge, electronic and concrete music, Nr. 8
• * Gruppen, for 3 orchestras, Nr. 6
• * Harlekin, for clarinet, Nr. 42
• ** Der kleine Harlekin, for clarinet, Nr.
• * Helikopter-Streichquartett, for string quartet and 4 helicopters, Nr. 69
• * Herbstmusik, musical theatre for 4 performers, Nr. 40
• ** Laub und Regen, duet for clarinet and viola, Nr.
• * Hymnen, 4-channel electronic and concrete music, Nr. 22
• * In Freundschaft, for clarinet, Nr. 46
• * Inori, adorations for 1 or 2 soloists and large orchestra, Nr. 38
• ** Vortrag über HU, for a singer, Nr.
• * Jubiläum, for orchestra, Nr. 45
• * Klang, Nr. 81–
• ** First Hour: Himmelfahrt, for organ, soprano, and tenor, Nr. 81
• ** Second Hour: Freude, for 2 harps, Nr. 82
• ** Third Hour: Natürliche Dauern 1–24, for piano, Nr. 83
• ** Fourth Hour: Himmels-Tur, for a percussionist and a little girl, Nr. 84
• ** Fifth Hour: Harmonien, Nr. 85, versions for:
• *** bass clarinet, Nr. 85.1
• *** flute, Nr. 85.2
• *** trumpet, Nr. 85.3
• ** Sixth Hour: Schönheit, for flute, bass clarinet, and trumpet, Nr. 86
• ** Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87
• ** Eighth Hour: Glück, for oboe, English horn, and bassoon, Nr. 88
• ** Ninth Hour: Hoffnung, for violin, viola, and cello, Nr. 89
• ** Tenth Hour: Glanz, for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90
• ** Eleventh Hour: Treue, for E-flat clarinet, basset horn, and bass clarinet, Nr. 91
• ** Twelfth Hour: Erwachen, for soprano saxophone, trumpet, and cello, Nr. 92
• ** Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93
• ** Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94
• ** Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95
• ** Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96
• ** Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97
• ** Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98
• ** Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99
• ** Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100
• ** Twenty-first Hour: Paradies, for flute and electronic music, Nr. 101
• * Klavierstücke
• ** Klavierstücke I–IV, Nr. 2
• ** Klavierstücke V–X, Nr. 4
• ** Klavierstück XI, Nr. 7
• ** Klavierstück XII, ex Nr.
• ** Klavierstück XIII, Nr.
• ** Klavierstück XIV, ex Nr.
• ** Synthi-Fou (Klavierstück XV), ex Nr.
• ** Klavierstück XVI, Nr.
• ** Klavierstück XVII, ex Nr. 64
• ** Klavierstück XVIII, Nr.
• ** Klavierstück XIX, Nr. 80
• * Kontakte, for electronic sounds, Nr. 12 ; Kontakte, for electronic sounds, piano, and percussion, Nr. ; Originale, musical theatre with Kontakte, Nr.
• * Kontra-Punkte, for 10 instruments, Nr. 1
• * Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists, Nr.
• * Kurzwellen, for 6 players with live electronics, plus sound director, Nr. 25
• * Licht, Nr. 47–80
• * Licht-Ruf, Nr. 67
• * Litanei 97, Nr. 74
• * Mantra, for 2 pianists and electronics, Nr. 32
• * Mikrophonie I, for tamtam, 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15
• * Mikrophonie II, for 12 voices, Hammond organ, 4 ring modulators, and tape, Nr. 17
• * Mixtur, for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16
• * Musik im Bauch, for 6 percussionists and music boxes, Nr. 41
• * Momente, for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13
• * Oktophonie electronic music of Tuesday from Light
• * Plus-Minus, 2 x 7 pages for realization, Nr. 14
• * Pole, for 2 players or singers with 2 short-wave radios, Nr. 30
• * Prozession, for 6 players with live electronics, Nr. 23
• * Punkte, for orchestra, Nr.
• * Quitt, for alto flute, clarinet, and trumpet, Nr. 1 ex 59
• * Refrain, for piano, vibraphone, and celesta, Nr. 11
• * Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr.
• * Schlagtrio, for piano and 2 x 3 timpani, Nr.
• * Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43
• * Solo, for a melody instrument and feedback, Nr. 19
• * Spiel, for orchestra, Nr.
• * Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27
• * Sternklang, park music for five groups, Nr. 34
• * Stimmung, for 6 vocalists, Nr. 24
• * Stop, for small orchestra in 6 groups, Nr. 18
• * Strahlen, for a percussionist and ten-channel sound recording, Nr.
• * Studie I, electronic music, Nr. 3/I
• * Studie II, electronic music, Nr. 3/II
• * Sukat, for alto flute and basset-horn, Nr. 2 ex 60
• * Telemusik, electronic and concrete music, Nr. 20
• * Thinki, for flute, Nr. 1 ex 70
• * Tierkreis, 12 melodies of the star signs, for a melody and/or chording instrument, Nr.
• * Trans, for orchestra and tape, Nr. 35
• * Traum-Formel, for basset-horn, Nr.
• * Trumpetent, for 4 trumpeters, Nr. 73
• * Türin, for Tür, rin, and speaker, with electronics
• * Unsichtbare Chöre, 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79
• * Vibra-Elufa, for vibraphone, Nr. ex 64
• * Xi, for a melody instrument with microtones, Nr. 1 ex 55
• * Ylem, for 19 players, Nr. 37
• * Ypsilon, for a melody instrument with microtones, Nr. 2 ex 59
• * Zeitmaße, for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5
• * Zyklus, for a percussionist, Nr. 9
• Gilles Tremblay
• * ''Cantique de durées''