Arthur Rimbaud
Jean Nicolas Arthur Rimbaud was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism.
Born in Charleville, he started writing at a very young age and excelled as a student, but abandoned his formal education in his teenage years to run away to Paris amidst the Franco-Prussian War. During his late adolescence and early adulthood, he produced the bulk of his literary output. Rimbaud completely stopped writing literature at age 20 after assembling his last major work, Illuminations.
Rimbaud was a libertine and a restless soul, having engaged in a hectic, sometimes violent romantic relationship with fellow poet Paul Verlaine, which lasted nearly two years. After his retirement as a writer, he travelled extensively on three continents as a merchant and explorer until his death from cancer just after his thirty-seventh birthday. As a poet, Rimbaud is well known for his contributions to symbolism and, among other works, for A Season in Hell, a precursor to modernist literature.
Life
Family and childhood (1854–1861)
Arthur Rimbaud was born in the provincial town of Charleville in the Ardennes department in northeastern France. He was the second child of Frédéric Rimbaud and Marie Catherine Vitalie Rimbaud.Rimbaud's father, a Burgundian of Provençal heritage, was an infantry captain who had risen from the ranks; he had spent much of his army career abroad. He participated in the conquest of Algeria from 1844 to 1850, and in 1854 was awarded the Legion of Honor "by Imperial decree". Captain Rimbaud was described as "good-tempered, easy-going and generous," with the long moustache and goatee of a Chasseur officer.
In October 1852, Captain Rimbaud, then aged 38, was transferred to Mézières where he met Vitalie Cuif, 11 years his junior, while on a Sunday stroll. She came from a "solidly established Ardennais family", but one with its share of bohemians; two of her brothers were alcoholics. Her personality was the "exact opposite" of Captain Rimbaud's; she was reportedly narrowminded, "stingy and... completely lacking in a sense of humour". When Charles Houin, an early biographer, interviewed her, he found her "withdrawn, stubborn and taciturn". Arthur Rimbaud's private name for her was "Mouth of Darkness".
On 8 February 1853, Captain Rimbaud and Vitalie Cuif married; their first-born, Jean Nicolas Frédéric, arrived nine months later on 2 November. The next year, on 20 October 1854, Jean Nicolas Arthur was born. Three more children followed: Victorine-Pauline-Vitalie on 4 June 1857, Jeanne-Rosalie-Vitalie on 15 June 1858 and, finally, Frédérique Marie Isabelle on 1 June 1860.
Though the marriage lasted seven years, Captain Rimbaud lived continuously in the matrimonial home for less than three months, from February to May 1853. The rest of the time his military postings—including active service in the Crimean War and the Sardinian Campaign —meant he returned home to Charleville only when on leave. He was not at home for his children's births, nor their baptisms. Isabelle's birth in 1860 must have been the last straw, as after this Captain Rimbaud stopped returning home on leave altogether. Though they never divorced, the separation was complete; thereafter Mme Rimbaud let herself be known as "widow Rimbaud" and Captain Rimbaud would describe himself as a widower. Neither the captain nor his children showed the slightest interest in re-establishing contact.
Schooling and teen years (1861–1871)
Fearing her children were being over-influenced by the neighbouring children of the poor, Mme Rimbaud moved her family to the Cours d'Orléans in 1862. This was a better neighbourhood, and the boys, now aged nine and eight, who had been taught at home by their mother, were now sent to the Pension Rossat, an old but well-regarded school. Throughout the five years that they attended the school, however, their formidable mother still imposed her will upon them, pushing them for scholastic success. She would punish her sons by making them learn a hundred lines of Latin verse by heart, and further punish any mistakes by depriving them of meals. When Arthur was nine, he wrote a 700-word essay objecting to his having to learn Latin in school. Vigorously condemning a classical education as a mere gateway to a salaried position, he wrote repeatedly, "I will be a rentier". Arthur disliked schoolwork and resented his mother's constant supervision; the children were not allowed out of their mother's sight, and until they were fifteen and sixteen respectively, she would walk them home from school.As a boy, Arthur Rimbaud was small and pale with light brown hair, and eyes that his lifelong best friend, Ernest Delahaye, described as "pale blue irradiated with dark blue—the loveliest eyes I've seen". An ardent Catholic like his mother, he had his First Communion when he was eleven. His piety earned him the schoolyard nickname "sale petit Cagot". That same year, he and his brother were sent to the Collège de Charleville. Up to then, his reading had been largely confined to the Bible, though he had also enjoyed fairy tales and adventure stories, such as the novels of James Fenimore Cooper and Gustave Aimard. At the Collège he became a highly successful student, heading his class in all subjects except mathematics and the sciences; his schoolmasters remarked upon his ability to absorb great quantities of material. He won eight first prizes in the French academic competitions in 1869, including the prize for Religious Education, and the following year won seven first prizes.
Hoping for a brilliant academic career for her second son, Mme Rimbaud hired a private tutor for Arthur when he reached the third grade. Father Ariste Lhéritier succeeded in sparking in the young scholar a love of Greek, Latin and French classical literature, and was the first to encourage the boy to write original verse, in both French and Latin. Rimbaud's first poem to appear in print was "Les Étrennes des orphelins", which was published in the 2 January 1870 issue of La Revue pour tous; he was just 15.
Two weeks later, a new teacher of rhetoric, the 22-year-old Georges Izambard, started at the Collège de Charleville. Izambard became Rimbaud's mentor, and soon a close friendship formed between teacher and student, with Rimbaud seeing Izambard as a kind of elder brother. At the age of 15, Rimbaud was showing maturity as a poet; the first poem he showed Izambard, "Ophélie", would later be included in anthologies, and is often regarded as one of Rimbaud's three or four best poems. On 4 May 1870, Rimbaud's mother wrote to Izambard to object to his having given Rimbaud Victor Hugo's Les Misérables to read, as she thought the book dangerous to the morals of a child.
The Franco-Prussian War, between Napoleon III's Second French Empire and the Kingdom of Prussia, broke out on 19 July 1870. Five days later, Izambard left Charleville for the summer to stay with his three aunts – the Misses Gindre – in Douai. In the meantime, preparations for war continued and the Collège de Charleville became a military hospital. By the end of August, with the countryside in turmoil, Rimbaud was bored and restless. In search of adventure he ran away by train to Paris without funds for his ticket. On arrival at the Gare du Nord, he was arrested and locked up in Mazas Prison to await trial for fare evasion and vagrancy. On 5 September, Rimbaud wrote a desperate letter to Izambard, who arranged with the prison governor that Rimbaud be released into his care. As hostilities were continuing, he stayed with the Misses Gindre in Douai until he could be returned to Charleville. Izambard finally handed Rimbaud over to Mme Rimbaud on 27 September 1870, but he was at home for only ten days before running away again.
From late October 1870, Rimbaud's behaviour became openly provocative; he drank alcohol, spoke rudely, composed scatological poems, stole books from local shops, and abandoned his characteristically neat appearance by allowing his hair to grow long.
At the end of February 1871 he ran away again and made his way to Paris, which was now encircled and partially occupied by German troops. As can be seen from a letter to Izambard, he browsed in bookshops but set off home on foot after a few days. The validity of the claim that Rimbaud returned to the capital after the proclamation of the Paris Commune on March 18, 1871, and that he took part as a guerrilla in the defense of the Commune is uncertain. His sympathies for the Commune are, however, reflected in several poems from this period. According to Jenny Longuet, he may have briefly met Karl Marx during the days of the Commune.
On 13 and 15 May 1871, he wrote letters, to Izambard and his friend Paul Demeny respectively, about his method for attaining poetical transcendence or visionary power through a "long, immense and rational derangement of all the senses". "The sufferings are enormous, but one must be strong, be born a poet, and I have recognized myself as a poet".
Life with Verlaine (1871–1875)
Rimbaud wrote to several famous poets but received either no reply or a disappointing mere acknowledgement, so his friend, office employee Charles Auguste Bretagne, advised him to write to Paul Verlaine, a rising poet who had published two well-regarded collections. Rimbaud sent Verlaine two letters with several of his poems, including the hypnotic, finally shocking "Le Dormeur du Val", in which Nature is called upon to comfort an apparently sleeping soldier. Verlaine was intrigued by Rimbaud, and replied, "Come, dear great soul. We await you; we desire you", sending him a one-way ticket to Paris. Rimbaud arrived in late September 1871 and resided briefly in Verlaine's home. Verlaine's wife, Mathilde Mauté, was seventeen years old and pregnant, and Verlaine had recently left his job and started drinking. In later published recollections of his first sight of Rimbaud at the age of sixteen, Verlaine described him as having "the real head of a child, chubby and fresh, on a big, bony, rather clumsy body of a still-growing adolescent", with a "very strong Ardennes accent that was almost a dialect". His voice had "highs and lows as if it were breaking".During his brief stay at Verlaine's home, the poet and inventor Charles Cros visited him. Cros, eager and enthusiastic, asked about his poetry, but Rimbaud replied with monosyllables and the ironic remark: "Dogs are liberals." Later, while Rimbaud was temporarily lodging with Cros, he played a series of pranks on his host: he took Cros's freshly polished boots into the street to stomp through puddles; later, he used a magazine containing Cros's poems as toilet paper; and, one night at a café in Place Pigalle called the Rat Mort, he poured sulphuric acid into Cros's drink while Cros was in the bathroom. Being a man of science, Cros immediately detected the smell. Yet despite such behaviour, Rimbaud was not expelled, and Cros even continued to collect money for his allowance.
Rimbaud and Verlaine soon began a brief and torrid affair. They led a wild, vagabond-like life spiced by absinthe, opium, and hashish. The Parisian literary coterie was scandalized by Rimbaud, whose behaviour was that of the archetypal enfant terrible, yet throughout this period he continued to write poems. Their stormy relationship eventually brought them to London in September 1872, a period over which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son. In London they lived in considerable poverty in Bloomsbury and in Camden Town, scraping a living mostly from teaching, as well as with an allowance from Verlaine's mother. Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free". The relationship between the two poets grew increasingly bitter, and Verlaine abandoned Rimbaud in London to meet his wife in Brussels.
Rimbaud was not well-liked at the time, and many people thought of him as dirty and rude. The artist Henri Fantin-Latour wanted to paint first division poets at the 1872 Salon, but they were not available. He had to settle for Rimbaud and Verlaine, who were described as "geniuses of the tavern". The painting, By the table, shows Rimbaud and Verlaine at the end of the table. Other writers, such as Albert Mérat, refused to be painted with Verlaine and Rimbaud, Mérat's reason being that he "would not be painted with pimps and thieves", in reference to Verlaine and Rimbaud; in the painting, Mérat is replaced by a flower vase on the table. Mérat also spread many rumours in the salons that Verlaine and Rimbaud were sleeping together; the spread of those rumours was the commencement of the fall for the two poets, who were trying to build a good reputation for themselves.
In late June 1873, Verlaine returned to Paris alone but quickly began to mourn Rimbaud's absence. On 8 July he telegraphed Rimbaud, asking him to come to the Grand Hôtel Liégeois in Brussels. The reunion went badly, they argued continuously, and Verlaine took refuge in heavy drinking. On the morning of 10 July, Verlaine bought a revolver and ammunition. About 16:00, "in a drunken rage", he fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.
Rimbaud initially dismissed the wound as superficial but had it dressed at the St-Jean hospital nevertheless. He did not immediately file charges, but decided to leave Brussels. About 20:00, Verlaine and his mother accompanied Rimbaud to the Gare du Midi railway station. On the way, by Rimbaud's account, Verlaine "behaved as if he were insane". Fearing that Verlaine, with a pistol in the pocket, might shoot him again, Rimbaud "ran off" and "begged a policeman to arrest him". Verlaine was charged with attempted murder, then subjected to a humiliating medico-legal examination. He was also interrogated about his correspondence with Rimbaud and the nature of their relationship. The bullet was eventually removed on 17 July and Rimbaud withdrew his complaint. The charges were reduced to wounding with a firearm, and on 8 August 1873 Verlaine was sentenced to two years in prison.
Rimbaud returned home to Charleville and completed his prose work Une Saison en Enfer —still widely regarded as a pioneering example of modern Symbolist writing. In the work, it is widely interpreted that he refers to Verlaine as his "pitiful brother" and the "mad virgin", and to himself as the "hellish husband", and described their life together as a "domestic farce".
In 1874, he returned to London with the poet Germain Nouveau. They lived together for three months while he put together his groundbreaking Illuminations, a collection of prose poems, although he eventually did not see it through publication.